Mount Hood

Horoscopes!

Aries 3/21-4/19 

It’s getting too warm to wear fuzzy sweaters and I am livid

 

Taurus 4/20-5/20

Already drinking too much coffee every day and it’s only week 2

 

Gemini 5/21-6/20 

Predicting the future by writing the horoscope for your own sign does not actually work

 

Cancer 6/21-7/22

Treat yo self and go buy those shoes you’ve been looking at

 

Leo 7/23-8/22 

sdnfmdnfmd,fkhejhfjk.gldfjghf

 

Virgo 8/23-9/22

Give yourself a pat on the back.

 

Libra 9/23-10/22

channeling my inner doja cat and quitting school forever

 

Scorpio 10/23-11/21 

I hope your enemies have a mediocre day. 

 

Sagittarius 11/22-12/21

Four inch heels may be uncomfortable, but intimidating everyone you meet is definitely worth the pain

 

Capricorn 12/22-1/19

Screaming should be socially acceptable.

 

Aquarius 1/20 – 2/18

I am tired. 

 

Pisces 2/19 – 3/20

instead of doing hw, make some themed playlists instead 🙂

New basketball team created in Salem

Salem Capitals are earning their top spot in the West region of The Basketball League

Mollie Herron | News Editor

Contact the author at howlnews@wou.edu

In mid to late January of 2022, tryouts were held for what would become Salem, Oregon’s first professional basketball team. The Salem Capitals are a part of the West Conference of The Basketball League, a fast growing league of 42 teams across the states. As of now the team is undefeated and scoring in the low hundreds almost every game. 

When the team plays at home, the crowd is filled with the player’s families and community members there to support the new city team. Team owner, Jason Conrad, who can be recognized by his dapper attire and the fact that he is seven feet tall, always goes out of his way to involve the children that are running about. During timeouts, halftime and in between quarters, Conrad invites the kids to compete for prize money and fun items.

The team clearly loves what they are doing and seem to be each other’s biggest fans. The team’s biggest cheerleader is probably one of its own forwards, Dominique Lawrence, who can be seen yelling and dancing whenever he is not on the court to support his teammates.

People that are watching the Capitals play for the first time are often drawn to Western alumni center Vincent Boumann’s presence. While not quite as tall as the team’s owner, Boumann stands at 6’10” making him a force to be reckoned with on the court, especially at tip-off.

Each player brings their own set of skills to the team, keeping the opposing teams on their toes when it comes to Capitals plays throughout their games.  This is due to their different positions and how long they have each been playing the game. The team has a wide variety of experience and skills ranging from the youngest being Scott Clough at 23 and Paul Hafford is the oldest at 38. 

After games are held on their home court, the team encourages attendees over 21 to join them for a beer in their Ox Box. This gives members of the community a chance for one-on-one time with players and coaches.

Last weekend the team played the California Sea-Kings and Vancouver Volcanoes. The Capitals won both games with the scores 109-103 and 104-102 respectively. The Capitals play the Sea-Kings again on Friday, April 1 away, and Bakersfield Magic the next day also away.

Tickets to all future games can be purchased on the Salem Capitals’ website.

Inside the Dugout

A glimpse at Western’s dugout culture

Mollie Herron | News Editor

Contact the author at howlentertainment@wou.edu 

Anyone who has attended a college softball or baseball game has noticed the energy that comes out of the dugouts while teams are playing. 

Dugouts were originally created so that spectators seated behind the team area could see over them. They were lower than the stands behind them because it was cheaper to dig deeper than it was to raise the stands behind them to see home plate. Despite coming from a very simple and non-team related reason, dugouts have become an important part of the game of softball and baseball.

Western’s teams are no exception to the general trend of dugout energy and ring out loudly with support. While their teammates are at bat or pitching, the rest of players are constantly yelling and cheering as a way to encourage their team or distract their opponents. Western’s baseball team generally shouts louder than softball, though most of their cheering is just yelling, but it is exciting nonetheless. The softball players seem to be more organized in their cheering based on what has just happened in the game. They do this in the form of chants or even songs they sing while replacing a key word with the name of the player.

Senior pitcher Reilly Tidwell said, “I think communication and support from the dugout is a huge contributing factor to successful games. The last 4 years I have been able to recognize just how many perspectives there are to the game.” Her time spent on the field and in the dugout has greatly improved her softball IQ. Tidwell said “as a pitcher who doesn’t hit, it is nice to be able to come back into the dug out and get feedback from our hitters on how to pitch to the other team based on where they are standing in the box, if they are dropping their hands, things like that. They see and recognize things that I can’t, and help me improve my game.”

While not encouraged, players often yell at the opposing team while they are playing. It is all said in good fun and is never directed by saying numbers or names, but instead by singing more songs, chants or funny lines as a reaction to a play.

The secluded area for the team allows for bonding that other sports do not get to see. With their own “team room” that they are able to use while playing, the team can discuss in real time strategies and tactics that other sports would not be able to fit into their 1-minute timeouts.

Having teammates who are ready to discuss the game on hand as they are playing helps build a better bond between the players as well as give players insight to what is happening when they are not looking. Tidewell said “We play a team sport, so every single person, playing on the field or not, has a role that can help or hurt the team, depending on how seriously they choose to take their role. Sometimes the “most valuable players” are not necessarily the super star starters, but the teammates they have supporting them in the dugout.”

San Francisco Trip

I traveled to the city for spring break and this is what happened

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

Over spring break, my best friend Simone and I took a road trip down to San Francisco to visit our mutual friend, Natasha. We split the journey into two days, staying in Ashland for a night so the 10 hour drive didn’t damage our sanity. 

I love Ashland, it’s probably one of my favorite Oregon cities. We only spent 21 hours there, but we spent them visiting local coffee shops, antique stores and boutiques.  

We left at noon the next day, and crossed the state line not long afterwards. The biggest culture shock I experienced right off the bat was that Californians don’t use turn signals. Maybe that’s a gross generalization, but I don’t think I saw more than 10 turn signals from cars with California license plates the whole time we were down there. Cars will weave through traffic at 85 miles per hour without a single blinker. 

The road rage is unbelievable, too. We were driving in the carpool lane and had just passed Sacramento when a woman to our right threw a full Big Gulp at our car. She sped off into the distance, and we still have no idea why she felt the need to sacrifice her drink like that. 

We stayed at Natasha’s house in Rohnert Park so we didn’t have to get a hotel room. We were about a 40 minute drive from San Francisco barring traffic. 

The majority of our first day in the city was spent on the piers. We went to Alcatraz because Simone is obsessed with history. It was warm that day, but it was so windy on the island that we barely noticed. We spent two hours touring the prison, learning about the history of the island and how it was used. I think the most interesting thing we learned was about the Occupation of Alcatraz, a 19-month long protest by Native Americans between 1969–1971. The group called themselves the “Indians of All Tribes,” and they aimed to bring attention to the oppression of Native Americans by the U.S. government.

Alcatraz is rich in history, and apparently in wildlife. I’m not sure why I was so surprised by the sheer amount of birds on the island, but it was truly impressive. The combination of wind and birdsong made it hard to carry a conversation. 

After we’d returned via ferry, we spent some time walking around Pier 39. It was aggressively touristy, but I got to see sea lions on the docks and we ate crab cakes with a view of the ocean so I didn’t mind.

Our next excursion was Coit Tower, which I frankly could’ve lived without. It was a good view of the city, but it was so crowded and everyone wanted to take pictures of themselves at the top, so it was impossible to walk around without getting in someone’s photo. 

Dinner that night was probably one of the best experiences of my life. We went to a place called The View Lounge, which was at the top floor of the fanciest Marriott I’ve ever seen. The bar had windows on nearly every wall, including an enormous art deco style one spanning almost the entire room. It was so crowded it was a miracle we found a table, even in the dark back corner. 

Shout out to our waiter, Mac, for giving us a heads up when a window seat table was about to open up. The mad dash we made with our plates in hand was well worth watching the sunset from 39 stories up. 

Our second and last day in the city was much less structured. We didn’t have tickets for a ferry or reservations to worry about, so we spent the day exploring. Our first stop was City Lights Booksellers & Publishers, a bookstore I found while passively looking for things to do in San Francisco. In an amazing act of fate, the minute we arrived, a parade in honor of the birthday of the store’s founder — late poet and social activist Lawrence Ferlinghetti — was passing in front of the building. A marching band and TV crews were following the procession, and we stood outside to listen to them play “Happy Birthday.” 

We also used our time in the city to drive around some of the iconic landmarks, like Lombard Street — a steep, curving road which is a terrifying experience for the driver (sorry Natasha) but was great for Simone and I. 

For a late lunch, we stopped at Wayfare Tavern and sat at a table residing under an enormous stuffed goose. It was a very fancy place, but every time I looked up I couldn’t help but laugh. 

We left San Francisco at 5 p.m., a terrible choice because it landed us right in the middle of rush hour traffic. We spent almost a full hour in traffic, but it wasn’t too bad because we were all fed and happy. 

The next day we would leave for Ashland again, the journey back was far less eventful than the way down, and we were rudely snapped back into reality when school started. 

The Gravity of Connection

Western presents “The Theory of Relativity” this winter term

Camille Lenning | Entertainment Editor

The 2021 – 22 academic year marks the return of in person shows on campus. Western’s theatre department is keeping to its winter term biennial tradition with their production of “The Theory of Relativity,” a musical written by playwright Brian Hill, with music composed by Neil Bartram. 

The musical offers a unique situation for those involved with its production — a large cast with relatively little set dressing. “The Theory of Relativity” is a largely student-produced play, featuring 18 actors and several student crew members, with only a few staff and faculty supervisors. 

The show itself is essentially a collection of songs with a recurring theme, according to the play’s director and Western theatre professor Dr. Michael Phillips. 

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people,’” Phillips explained. “Out of those stories came the music for the show.”

Each song has its own unique topic, but all orbit around the theme of human connection. They eventually tie together in the grand finale, circling the center of gravity Einstein theorized in his theory of relativity.

Senior theater-actor training major Tessa Rosenau plays the character Beth in the musical, and will perform in the duet “Lipstick.” The song details an interaction between two individuals making eye contact on a busy sidewalk, and the mental anguish that follows. 

The dramedy promises to be a delightful addition to Western’s winter musical repertoire. 

“The Theory of Relativity” will have its opening night on Feb. 24 at 7:30 p.m., and will play at the same time through Feb. 26, as well as March 2 – March 5. There will be a matinee show at 2 p.m. on Feb. 27. Friday showings will be ASL interpreted. 

General admission will cost $14, senior citizens and Western faculty and staff tickets will cost $10, and Western students with a valid school ID can pick up their tickets for free.

“It’s really about how everybody is just getting through life and is in some way affected by and affecting others around them, and how that plays out in multiple different ways.”

18 students in the cast, 3 stage managers, 1 assistant director 

“I think it’s really close to being ready, I’m really excited. I think we’ve just peaked at the right time in the rehearsals. It feels like it’s ready to be presented to an audience, so I’m really excited for that.”

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people, and what it means to be in relationships with people around you,’ and out of those stories came the music for the show. It’s really a show that originated with college aged people and is perfect for college aged people to perform. It’s good! You should come see it!”

Contact the author at howlentertainment@wou.edu

 

The Oscar Nominees

A list of nominees in the five most popular Oscar categories, with descriptions

Camille Lenning | Entertainment Editor

Despite the movie making business taking a hit during the COVID-19 pandemic, Hollywood made the most with what they had in 2021. Now that it’s Oscars season, the relatively few films made last year will get their time to shine. Here’s an in depth list of nominees from the five most popular Oscar categories: best picture, best actress, best actor, best director and best original screenplay.

Best Picture:

  • “Belfast”— Shot in mostly black and white, “Belfast” follows a young boy living during the conflicts in Northern Ireland in the late 1960s. 
  • “CODA” (2021) — Ruby, the only hearing person in her Deaf family, revives her passion for singing when she joins her high school’s choir. 
  • “Don’t Look Up” — Two astronomers discover a comet headed straight for Earth and must warn the world of its impending doom via press tour.  
  • “Drive My Car” — A special relationship forms between an aging, widowed actor and a 20-year-old girl he hires as his chauffeur. 
  • “Dune” (2021) — A young man with a great destiny must travel to a dangerous planet to ensure the survival of his family and his people. 
  • “Licorice Pizza” — Two young people learn about love and adventure in 1970s San Fernando Valley, California. 
  • “Nightmare Alley” (2021) — A con man teams up with a clairvoyant and her husband to swindle the wealthy elite. 
  • “The Power of the Dog” — A charismatic but cruel rancher torments his brother’s new wife and son until he is confronted with the possibility of falling in love. 
  • “West Side Story” (2021) — Based on the Broadway play, “Romeo and Juliet” meets 1957 New York City when two teenagers fall in love, while warring gangs, the Jets and the Sharks, fight for control of the streets.

Best Writing (Original Screenplay): 

  • Kenneth Branagh, “Belfast” — A semi-autobiographical take on Branagh’s life in Northern Ireland as the country becomes wrought with violence. 
  • Adam McKay, “Don’t Look Up” — A political satire and an allegory for climate change. 
  • Zach Baylin, “King Richard” — Based on the true story of their lives, Richard Williams overcomes great adversity and coaches his daughters Serena and Venus to victory. 
  • Paul Thomas Anderson, “Licorice Pizza” — With each character based on a real person from the 1970s, the fictional coming-of-age story follows 20-something Alana and 15-year-old Gary as they navigate the Hollywood scene. 
  • Eskil Vogt and Joachim Trier, “The Worst Person in the World” — A dramedy about Oslo native, Julie, who questions her love life and career path in an attempt to discover who she really is.

    Best Directing:

    • Kenneth Branagh, “Belfast” — Filmography highlights include “Hamlet” (1996), “Thor” and “Murder on the Oreint Express” (2017).
    • Ryusuke Hamaguchi, “Drive My Car” — Filmography highlights include “Asako I & II,” “Wife of a Spy” and “The Depths” (2010). 
    • Paul Thomas Anderson, “Licorice Pizza” — Filmography highlights include “There Will Be Blood,” “Magnolia” (1999) and “Inherent Vice.”
    • Jane Campion, “The Power of the Dog” — Filmography highlights include “The Piano,” “Bright Star” and “The Portrait of a Lady” (1996). 
    • Steven Spielberg, “West Side Story” (2021) — Filmography highlights include “E.T. the Extra Terrestrial,” “Jaws” and “Jurassic Park.”

      Best Actor in a Leading Role:

      • Javier Bardem, “Being the Ricardos” — As Desi Arnaz, a Cuban musician, producer and partner to Lucille Ball (Nicole Kidman). 
      • Benedict Cumberbatch, “The Power of the Dog” — As Phil Burbank, a hyper-masculine rancher in 1920s Montana. 
      • Andrew Garfield, “tick, tick…BOOM!” — As Johnathan Larson, the playwright responsible for the Broadway hit, “Rent.”
      • Will Smith, “King Richard” — As Richard Williams, father and coach to tennis legends Venus and Serena Williams. 
      • Denzel Washington, “The Tragedy of MacBeth” (2021) — As Lord MacBeth, a Scottish lord coerced into vying for the throne.

        Best Actress in a Leading Role:

        • Jessica Chastain, “The Eyes of Tammy Faye” — As Tammy Faye, a controversial televangelist. 
        • Olivia Colman, “The Lost Daughter” — As Leda Caruso, a woman confronted with her experiences as a mother on a solo beach trip.
        • Penélope Cruz, “Parallel Mothers” — As Janis, a photographer and single mother trying to expose the truth about mass killings in the Franscico Franco regime. 
        • Nicole Kidman, “Being the Ricardos” — As Lucille Ball, the star of the iconic show, “I Love Lucy.”
        • Kristen Stewart, “Spencer” — As Diana, the beloved Princess of Wales.

        Contact the author at howlentertainment@wou.edu

        “The Alpinist” Captures the Fleeting Flame of a Life Fully Lived

        “The Alpinist” shares the achievements of an incredible climber who challenged the limitations of his field

        Cole Boeck | Freelancer

        This review contains spoilers. 

        Rock climbing has gained notoriety throughout the past decade, particularly free soloing, which is climbing without the safety of a rope to anchor the climber to the route. The 2021 documentary “The Alpinist,” currently available to stream on Netflix, focuses on a solo alpine climber who didn’t reach out for the limelight: Marc-André Leclerc.

        This film demands to be seen. I assumed that the film, which is rated PG-13, would be stressful to watch as free soloing is such an intense sport. But there was something different about watching Leclerc climb. Seeing his ascent of The Grand Wall in Squamish, British Columbia, Canada, was breathtaking. There was a sense of serenity. Leclerc was so sure in his placement and his body. There was trust in every second. 

        I found myself asking how he could be so at peace in such a dangerous situation. How could anyone risk it?

        Alex Honnold, a famed name in the climbing scene, responded to those ideas by laughing it off, “Those are just dumb questions.” 

        I guess they are. There is no gray area there. There is either understanding — an acceptance of those risks — or there isn’t. It’s unfathomable to attempt to explain such a lived experience without a similar frame of reference.

        Perhaps there will always be a gap between our own and another’s experiences — a divide that can never fully be crossed. Is that the essence of humanity, to strive for empathy in spite of that knowledge? That noble goal of reaching out speaks to the importance of the journeys in our lives, as the destinations may never come. Leclerc said, “When you’re in the mountains … it’s like all of the superficialities of life just sort of evaporate. … You appreciate everything so much. … It’s kinda funny, the actual achievement doesn’t really change your life like you think it might, when you’re buildin’ up to it, but what you’re left with is the journey that got you to that point, … you’re left with so much more of a story. …  And that’s what I find is the most important.”

        I have a love for language, but I find myself unable to find words suited to describe Marc-André Leclerc’s life. He didn’t need them. He simply lived it, and he lived it fully. 

        I find it poignant that it wasn’t the climbing that killed him, but the descent. Cheers to a life that burned bright — d–n the consequences.

        9.5/10

        Contact the author at cboeck19@wou.edu