Mount Hood

Horoscopes! issue 22

Aries 3/21-4/19 

Love and affection. Don’t touch me.

 

Taurus 4/20-5/20

Dairy, but that won’t stop me from eating a block of cheese

 

Gemini 5/21-6/20 

Boring people. Surround yourself with interesting characters not NPCs that spew filler language.

 

Cancer 6/21-7/22

Anything and everything in the air. I can’t stop sneezing 5 times in a row.

 

Leo 7/23-8/22 

soy, dairy, nuts, peanuts, gluten, eggs, mint, sorghum, buckwheat and happiness 

 

Virgo 8/23-9/22

Tap water

 

Libra 9/23-10/22

Among us tattoos give me a rash

 

Scorpio 10/23-11/21 

Being unpopular

 

Sagittarius 11/22-12/21

homework

 

Capricorn 12/22-1/19

Slow comput- *BUFFERING*

 

Aquarius 1/20 – 2/18

idiots.

 

Pisces 2/19 – 3/20

tears, it’s why i’m constantly crying

 

Student directors debut work

The Student Directed One Acts festival returns for Western’s theatre program

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

The Student Directed One Acts Festival returns April 14 – 16 and will showcase the directorial talents in Western’s theatre program. The wide array of genres displayed this year is a testament to the creativity of these seven student directors and actors. 

Thursday night will kick off the one-acts festival, where four of the seven students’ plays will debut.

Junior theater major Grace Porter is among those premiering their plays on opening night. “Hiding in Flowers,” written by playwright Roni Ragone, will feature one female and one nonbinary character, and the performance focuses on their relationship when “a charcter comes out, but not as what you would think,” said Porter. 

Another play in the Thursday lineup is “Rough Edge” by Sara Jean Accuardi, directed by senior education and theater major Braden Pippert. Set in 1994 at the Clackamas Town Center Mall months after the Tonya Harding scandal, two frozen yogurt shop employees discuss the infamous crime. 

“I’m excited to show off what (the cast) has done and what I’ve kind of put together,” Pippert said of the show. 

Sophomore theater major Wyatt R. King will be joining Porter and Pippert on Thursday night, with Julia Specht’s play, “i believe in a Republic in which money has a great deal to say.” This show is a satirical take on economic class in America.

“There’s this idea of pulling yourself up by your bootstraps, and this play kind of pokes fun at this idea because people who don’t even own boots are supposed to pull themselves up by these bootstraps,” King said.

Also premiering on Thursday is Pendleton King’s play, titled “Cocaine” and directed by senior theater major Andres Avila. The plot centers on two characters, a former boxer and a prostitute, as they deal with poverty, withdrawls and the threat of homelessness. 

The Friday night showing will feature the remaining three students, including sophomore theater education major Ally Warner directing “Overtones” by playwright Alice Gerstenberg. In this play, two gentlewomen must temper their agressive alter-egos, or inner thoughts in physical form, as they interact with each other. 

Also on Friday, junior theater education major Mere Butler is directing “Bride Before a Fall,” by Robert Scott. A dark humor piece, this play focuses on Victor and his mistress Madelyn, who are attempting to kill Victor’s rich wife for her fortune. Unfortunately, she seems to be unkillable. 

Sarah Pitz, a senior actor training major, will be directing fellow Western student Sara Wright’s play, “Woman Slay.” A comedic take on the “strong female lead” trope, the performance will feature a clueless heroine and an increasingly frustrated narrator.  

The Thursday one-acts will have a second round of performances on Saturday April 16 at 7:30 p.m., and the Friday shows will have theirs the same day at 2 p.m. in Rice Auditorium, room 113. Tickets are free to all. 

 

Sonatas for springtime

An array of music perfect for the new season

The Western Howl Collective

Contact the author at howlentertainment@wou.edu 

Spring is here, and what better way to celebrate the changing season than with a new playlist? Below is a collection of songs compiled by the Western Howl staff that we like to jam out to in the spring. Check out this playlist along with others we’ve done on Spotify at @The Western Howl.

 

  • “Young, Wild & Free” — Snoop Dogg, Wiz Khalifa, Bruno Mars
  • “Wonderwall” — Oasis
  • “Breakin’” — The All-American Rejects
  • “Painting Flowers” — All Time Low
  • “Mustache Man (Wasted)” — CAKE 
  • “Breezeblocks” — alt-J
  • “Walkin’ On The Sun” — Smash Mouth 
  • “Superfast Jellyfish (feat. Gruff Rhys and De La Soul)” — Gorillaz 
  • “Stunnin’” — Curtis Waters ft. Harm Franklin
  • “Doubt”  — Hippo Campus
  • “Spring Has Sprung”  — Skeggs
  • “Shaky in the Knees”  — Grizfolk 
  • “Mushroom Abolitionist” — Vegyn
  • “Chaise Lounge”  — Wet Leg
  • “Silvertongue” — Young the Giant
  • “Spring Day” — BTS
  • “June” — Surfaces
  • “Shine On Top” — Surfaces
  • “Sunroof” — Nicky Youre, dazy
  • “AMAZING” — Rex Orange County
  • “Watermelon Sugar” — Harry Styles
  • “Life is a Highway” — Rascal Flatts
  • “Here Comes the Sun” — The Beatles
  •  “Good Kisser” — Lake Street Dive

Review: “Turning Red”

“Turning Red”: The starting point of representation for this generation’s teenagers

Mirella Barrera-Betancourt | Staff Writer

Contact the author at howlstaffwriter@wou.edu

This review contains spoilers. 

“We’ve all got an inner beast. We’ve all got a messy, loud, weird part of ourselves hidden away. And a lot of us never let it out.”

It seems that Disney and Pixar have a knack for calling out the faults present in modern parenting methods. While I liked the film, I honestly would not have watched it if it hadn’t been for the trending topics caused by the film’s release.

For those unfamiliar with the premise of the movie, it follows the story of Meilin Lee — who is referred to as Mei throughout most of the film — a thirteen year old girl at the onset of her teenage years. Unbeknownst to Mei for the first few minutes of the film, she is the descendant of a gifted — or cursed — lineage, which instantly transforms her into a fluffy red panda.

Ever since its release, the film has sparked controversy among viewers for issues related to “taboo” topics. What I have to say is: f–k them. 

The film hits audiences in the feels, like most Pixar films do. It is a heartwarming and relatable story that discusses the importance of menstrual cycles in a hilarious, yet educational way. It also makes a suggestive joke on “gyrating,” or what I would call, “twerking.” While others might see all this as inappropriate, I just see it as the real representation of teenagers and their quirks.

My favorite aspect of the film was the conflict Mei found herself in while choosing between her friend group, who seemed to understand her for who she really was, and her mother, who all but dumped her own dreams and expectations onto her. I loved the idea that this soft red panda represented the wild and carefree side of Mei and how her splitting away from the red panda meant she was separating from an integral part of who she was.

Also, don’t get me started on Mei’s mother. On occasions, I thought her mother was incredibly selfish. However, as the film delved further into the storyline, I slowly grew to like her. Perhaps mothers and grandparents can have the best intent in mind but go about it in selfish ways. 

Like all films, “Turning Red” has its fair share of dislikable elements. I was slightly put off with the stereotypes present within the film, such as that all girls only think about boys or that menstruation is deemed critical to reaching womanhood. There’s also the small fact that Mei’s friends criticize her for seemingly being a “goody two-shoes,” which only adds to the plight of the already negative connotation attached to the term.

But who cares? In the end, “Turning Red” is a film soon-to-be and existing teenagers should watch. I know that if I were a teenager, I would have appreciated such a film to help me laugh on the ups and downs of adolescence. Rating: 8.5/10.

From influencer to boxer

Why social media influencers are swapping careers

Mollie Herron | News Editor

Contact the author at howlsports@wou.edu

Social media influencers seem to be everywhere these days. Because of their ability to rapidly grow their platforms, influencers have been able to make unexpected career leaps. Some have gone from YouTubers to professional musicians; Instagram models to full-time fashion designers; or, in more recent and somewhat confusing news, vloggers to highly competitive boxers.

Popular influencers like Logan and Jake Paul, KSI, Austin McBroom and Bryce Hall have all pursued careers in boxing. While they did not all succeed, the new boxers did manage to attract a lot of attention and brought more viewers to the sport.

The most notable of the new boxers are Logan and Jake Paul. They have taken the boxing world by storm by booking fights against popular fighters like Floyd Mayweather Jr., Ben Askren and Tyron Woodley. 

So, why are these influencers starting to box instead of sticking with their usual creator content?

One factor pushing for more influencer matches is money. People like Logan and Jake Paul are making millions and are able to earn even more for every match and rematch they schedule. It is suspected that this is why many of the matches end in a draw, as they can easily earn more through holding a rematch. Forbes estimated that Jake Paul made $40 million from participating in three matches in 2021.

The training and preparation it takes to become a boxer is also an opportunity for more content creation. Many of the influencers making this strange career transition have been on the internet for several years. If they run out of content ideas they are out of a job, so having a whole new career that they can film is an easy way to diversify their branding. The more posts involving boxing and calling out world famous boxers, the more attention the influencers receive.

Many die hard boxing fans are against having people like the Paul brothers in the ring because they feel that these influencers are not respecting the sport. The argument could be made that they are bringing more money and attention to the sport, but they have been heavily criticized for their lack of commitment and amateur status.

The fights the influencers try to create are also only against big names, which leads many to suspect there is no real intention to become a boxer and they only care about the potential fame and glory. Logan Paul was rumored to fight Mike Tyson in early 2022, but seeing as Tyson retired in 2005 the match was likely a ruse to garner more engagement. Jake Paul has publicly addressed one of the greats, Conor McGregor, after only fighting a few matches. The skill it would take to challenge one of the big names in the scene like McGregor compared to the short time Jake Paul has been fighting leads one to suspect it is all for publicity.

Only time will tell if these matches truly make boxing a more popular sport, or if these influencers will merely pass by to their next attention-grabbing schemes.

Stitch Closet reopens

Western’s Stitch Closet makes a grand re-opening for spring term

Mirella Barrera-Betancourt | Staff Writer

Contact the author at howlstaffwriter@wou.edu

The Stitch Closet on campus continues to provide students with the basic human resources needed for graduation since its opening in 2021. Despite the challenges the organization has faced in recent times, they will continue to persevere and thrive. 

In February of winter term, the Stitch Closet found itself having to close temporarily due to the lack of equipment needed to care for and clean their stock. However, with the help of tenacious volunteers and the Western community, the Stitch Closet was able to make a valiant re-opening — and it’s bigger and better than ever.

Contributing by volunteering for the Stitch Closet worked in an orderly, collaborative fashion. Students wishing to help could do so by signing up for a designated appointment slot, where they were able to come in and retrieve bags of clothing to take home to wash in their own space.

“It really took a village,” said Sofie Fashana, second-year student at Western and creator of the Stitch Closet. “At some point we ran out of clothes to distribute and people were still coming in because they signed up to pick up clothes.” 

Fashana also gave thanks to Katherine Schmidt, professor of writing and Writing Center director at Western. Schmidt helped immensely with the process by sending out emails to the Western community and collecting volunteers to not only wash and dry clothes, but also to help fold, sort and organize them so they were ready to be on display.

“We had 48 people sign up within 48 hours,” said Fashana on the number of volunteers to help sort and display clothes. “That is amazing.”

In the end, the community effort that it took to reopen the Stitch Closet turned out to mean much more for students as it also served the purpose of forming bonds.

“There was a lot of friendship that was built among that interaction … We saw something a lot bigger than ourselves,” said Fashana.

The Stitch Closet is co-located with the Food Pantry in the Welcome Center on the Western campus, room 165. Although the Stitch Closet is open, it is not currently accepting donations. Students can visit the Stitch Closet’s instagram at @stitchcloset.wou to remain updated on future operating hours for spring term and on when donations open up to the community, as well as volunteering opportunities.