Mount Hood

Review: “Turning Red”

“Turning Red”: The starting point of representation for this generation’s teenagers

Mirella Barrera-Betancourt | Staff Writer

Contact the author at howlstaffwriter@wou.edu

This review contains spoilers. 

“We’ve all got an inner beast. We’ve all got a messy, loud, weird part of ourselves hidden away. And a lot of us never let it out.”

It seems that Disney and Pixar have a knack for calling out the faults present in modern parenting methods. While I liked the film, I honestly would not have watched it if it hadn’t been for the trending topics caused by the film’s release.

For those unfamiliar with the premise of the movie, it follows the story of Meilin Lee — who is referred to as Mei throughout most of the film — a thirteen year old girl at the onset of her teenage years. Unbeknownst to Mei for the first few minutes of the film, she is the descendant of a gifted — or cursed — lineage, which instantly transforms her into a fluffy red panda.

Ever since its release, the film has sparked controversy among viewers for issues related to “taboo” topics. What I have to say is: f–k them. 

The film hits audiences in the feels, like most Pixar films do. It is a heartwarming and relatable story that discusses the importance of menstrual cycles in a hilarious, yet educational way. It also makes a suggestive joke on “gyrating,” or what I would call, “twerking.” While others might see all this as inappropriate, I just see it as the real representation of teenagers and their quirks.

My favorite aspect of the film was the conflict Mei found herself in while choosing between her friend group, who seemed to understand her for who she really was, and her mother, who all but dumped her own dreams and expectations onto her. I loved the idea that this soft red panda represented the wild and carefree side of Mei and how her splitting away from the red panda meant she was separating from an integral part of who she was.

Also, don’t get me started on Mei’s mother. On occasions, I thought her mother was incredibly selfish. However, as the film delved further into the storyline, I slowly grew to like her. Perhaps mothers and grandparents can have the best intent in mind but go about it in selfish ways. 

Like all films, “Turning Red” has its fair share of dislikable elements. I was slightly put off with the stereotypes present within the film, such as that all girls only think about boys or that menstruation is deemed critical to reaching womanhood. There’s also the small fact that Mei’s friends criticize her for seemingly being a “goody two-shoes,” which only adds to the plight of the already negative connotation attached to the term.

But who cares? In the end, “Turning Red” is a film soon-to-be and existing teenagers should watch. I know that if I were a teenager, I would have appreciated such a film to help me laugh on the ups and downs of adolescence. Rating: 8.5/10.

Western’s bands are back indoors

Band rehearsals have moved back inside, just in time for colder fall weather

Camille Lenning | Entertainment Editor

Those who frequented campus the first two weeks of fall term may have heard the sound of music flowing from outside Smith Hall. This is where Western’s instrumental ensembles practiced to comply with COVID-19 safety guidelines. However, bands like the jazz orchestra have recently found themselves back inside for practice sessions, since they received specialized equipment that greatly limits the spread of respiratory droplets while playing. 

“This includes custom masks designed to be worn while playing a wind instrument, as well as bell covers that reduce the spread of aerosols while playing an instrument,” said jazz orchestra director Dr. Keith Karns. “This PPE is part of the COVID mitigation plan adopted by virtually all music programs in public schools, colleges, and universities in the Pacific Northwest.”

These COVID safety protocols have also allowed the ensembles to schedule performances again, something they were unable to do last year. 

“One of them is going to be a side-by-side concert with … McKay High School. So we’ll just be over there, showing the high schoolers what we can do … and they can play with us and they get on the stage with us,” said sophomore general music major Jacob McDonald, who plays trumpet for the jazz orchestra. 

Ensembles are no longer required to practice outside Smith Hall.

McDonald is also a member of the wind ensemble, who will be joining the jazz orchestra for an end of term concert featuring famous jazz clarinetist Eddie Daniels, scheduled for Dec. 2 at 7:30 p.m. 

The two groups are performing a wide variety of music this term; the jazz orchestra lineup includes several pieces by renowned jazz pianist Count Basie, “I Left my Heart in San Francisco” by Tony Bennett and “Strasbourg / St. Denis” by jazz trumpeter Roy Hargrove, and the wind ensemble will perform arrangements such as an homage to silent films and a march composed by John Phillip Sousa.

“I am very, very excited for concerts and to be playing again … (it’s) doing what I like to do, right? And so, yeah, very excited,” said McDonald. 

Contact the author at entertainmenteditor@thewesternhowl.com

Art at Western

Art exhibits open for viewing this October at Western

Camille Lenning | Entertainment Editor              

Western’s galleries are open again after an 18 month hiatus, and pieces in galleries such as the Student Gallery in the ITC, the Cannon Gallery of Art and the second floor gallery in Hamersly Library are open for public viewing during normal building hours, 8 a.m. – 5 p.m. until Oct. 29. 

The Annual Juried Student Art and Design Exhibition returns in its 53rd iteration to the newly remodeled ITC, featuring the talented students who entered in last year’s online exhibit. 

Senior nontraditional transfer student Melody Barrett has two collage pieces in the student gallery, “Frida Rides Again” and “Ladies in Waiting.” A dedicated artist, Barrett has also sold a print of her piece “Ladies in Waiting” to the City of Monmouth Arts Committee. 

“I believe art is an expression of the artist, what we see and feel, experience and imagine,” Barrett said. “That is why I love using a wide range of mediums including collage, acrylic painting, soft pastels and mixed media, because each one allows my thoughts, feelings and ideas to come through in very different ways.” To see her other work, check out Barrett’s website at www.melodybarrett.com.

Graduate student Genvieve Hardin has two pieces in the gallery, sculptures “D20” and “Be Not Afraid.” Hardin is in the Master of the Arts in Teaching program, and has expressed her excitement for having her work in the ITC gallery.

“My art is a way to connect with others and express myself. It is wonderful to have my art on display; I always wonder what people see and feel when they view my work!” Hardin said.  

Senior zoology and art and design double major Tobin Roark has three pieces on display.

“’Liquescent Shift’ was a tribute to my gramma opening up and freeing herself from the grief of her husband passing,” Roark said of their art. “’Burning at the Stake’ was commentary on the demonizing of sexuality and women linking burning witches at the (stake) with pole dancers. And lastly ‘Touch of Menace’ … was commentary on how appearances can be deceiving and corruption and greed.”

Senior art major McKenna Suarez displayed her digital pieces “Photoshop Series” in the exhibit. Her art was the only digital entry. 

“These pieces to me mean a lot, as they help to represent or show what Social Anxiety is like to me, and the ‘tricks’ I use to help me talk to people or interact in public,” Suarez said. “Similar to the phrase ‘Just think of them in their underwear!’ when you ask someone for tips on public speaking. I just imagine everyone with a bird head with a cool aesthetic background.”

Senior art major David Tomasiewicz has one piece displayed in the gallery, “MotoDrop #3.” Different from the peers he shares the gallery with, Tomasiewicz’s preferred medium is animation or film. 

“I see art as a tool and means to create the animated fantasies that exist in my collective dreamscape,” Tomasiewicz said, “a way to invite people to peer into the landscapes existing within my conscious.” 

Also included in the exhibit are students Marilyn Bergsma, with “If Wishes Were Horses Beggars Would Ride” and Mitchel Garson, with “Image of Guitar,” “Insomnia,” “Why,” “Untitled” and “Unfortunate Futures.” 

Venturing outside of the student exhibits, Eric Tautkus, an aerosol and graffiti artist, has unveiled his newest art installation, “Derailed Marginally” in the Cannon Gallery of Art in Campbell Hall. This new work is a colorful, immersive piece spanning an impressive 50 feet — split between two walls. Smaller paintings by Tautkus are on display as well. When the exhibit closes on Oct. 29, two-foot square sections of Tautkus’ work will be sold to help fund the student gallery in the ITC. 

Additionally, in the second floor gallery of Hamersly Library, local artist Diane Elizabeth Wilson debuted her exhibit titled “On Bended Knee, We Honor Thee,” in reference to the symbolic act of kneeling in protest for civil rights. The exhibit features 60 oil painted portraits of civil rights leaders and activists that have made an impact on society. 

Contact the author at entertainmenteditor@thewesternhowl.com

Campus voices: Jazz Orchestra

Western’s jazz orchestra members answer, “How does it feel to be practicing inside again?” 

Camille Lenning | Entertainment Editor

Noah Adams, senior audio production major, drumset

“I would say it’s very nice … it makes it a lot nicer, a lot more inviting for me to be here for a while if I’m practicing.”

Nathan Richardson, junior jazz studies major, saxophone

“It’s been great. I actually wasn’t here last year; at the school I was at before it was completely online so we didn’t play together at all, so just being able to play in general with other people has been amazing.”

William Murphree, first-year music education major, saxophone

“I think it feels great personally because there are a lot of challenges that come with playing outside … especially when it’s colder, things like intonation, it’s harder to hear other people in the ensemble, it’s harder to blend with people and hear, like, the different intricacies of the pieces that you’re playing, and also it’s just like cold out, so your hands get cold.”

Essence Githens, sophomore music education major, trombone 

“It’s a lot better. Playing outside has its benefits, like being louder and like building up your lungs honestly. But playing inside, I think you really just connect more with the music and it’s easier to hear who’s playing, who’s playing what and blending a lot more. So, I enjoy it.” 

Sorin Santos, first-year music education major, trombone

“It’s very exciting, it changes the way how, like, the ensemble feels because outside it feels like you’re playing out into nothing, almost. But when you’re inside you can hear everybody better and you feel more a part of an ensemble when you’re playing inside and together.” 

Lucas Devon, junior music education major, trumpet

“It feels really nice … I don’t know, like playing outside is fine, but when it gets super cold it’s just like you can really feel it and it just makes everything so miserable, so being inside is super great.”

Contact the author at entertainmenteditor@thewesternhowl.com

Smith Fine Arts Series’ COVID safe comeback

Smith Fine Arts Series returns to Rice Auditorium with COVID-19 safety precautions 

Camille Lenning | Entertainment Editor

Smith Fine Arts Series is entering its 44th season this October, and it’s making a triumphant return to in person performances after switching to an online format in March 2020. 

Lisa Schachter, director of the Smith Fine Arts Series, is in charge of operations and fundraising, and has been working hard to get performances running again. Among her other duties, Schachter was also involved with implementing Smith Fine Arts Series’ COVID-19 safety guidelines.

“Once we got clearance that we were going to actually be able to start doing things in the performing arts hall, but with a lot of limitations, that’s when we knew we could move forward with the artists and (get) in touch with them,” Schachter said. “The musicians and artists are all very anxious to get back on stage, we just wanted to make sure we did it safely.” 

Schachter asserted that Smith Fine Arts Series will strictly follow Western’s COVID guidelines, including: requiring vaccine cards upon entry to Rice Auditorium; declining to serve food or drinks before, during or after performances so that masks can be worn at all times; cancelling intermissions during shows to reduce crowding in the lobby; and closing seating within the first three rows of the auditorium to allow social distancing between artists and the audience. 

Andi Moring, a senior math and theatre double major at Western, has worked as the program assistant for 18 months. Hired right before the pandemic began, she had never worked on ⏤ nor seen ⏤ an in person performance from Smith Fine Arts Series. 

“I’m taking ticket orders now, which I’d never done prior to this,” Moring said. “It’s so much more exciting to be like ‘Yes, I’ll take your ticket orders for these shows that we will have.’” 

Though Moring has little experience dealing with an in person Smith Fine Arts production, she remains optimistic.

“I’m a little nervous, but I’m really excited to see a show and interact with people, that’s one of my favorite things in life,” said Moring.

Contact the author at entertainmenteditor@thewesternhowl.com

What to expect from Smith Fine Arts in 2021–22

Smith Fine Arts Series performance lineup for its 44th season 

Camille Lenning | Entertainment Editor

Smith Fine Arts Series is known as a haven for the arts, and its top quality productions are returning to present a variety of diverse performances for all ages. 

  • Halie Loren (Friday, Oct. 8) — A multilingual singer-songwriter with eight albums to her name, Loren has received international critical acclaim for her jazz musical stylings. 
  • Vianna Bergeron Brazilian Jazz (Saturday, Dec. 4) — Known for performing a diverse mix of Brazilian music genres, this band features vocalist Rosi Bergeron, saxophonist Tom Bergeron, pianist Cassio Vianna, bassist Wagner Trindade and drummer Cam Siegal. 
  • Rainbow Dance Theatre (Friday, Jan. 14) — This Oregon-based dance company will perform their “20 in 2020” repertory show, choreographed for their 20 year anniversary tour, which was postponed due to the COVID-19 pandemic. 
  • Seamus Egan Project (Saturday, March 12) — Specializing in Irish folk music, Egan has redefined the genre through his mastery of Irish flute, guitar, mandolin, tenor banjo and other instruments. He will be joined by Scottish fiddler Jenna Moynihan, guitarist Kyle Sanna and guitarist, banjoist, mandolinist Owen Marshall. 
  • Thalea String Quartet (Saturday, April 2) — This group of internationally renowned musicians brings timeless music to all audiences, featuring violinist Christopher Whitley, violinist Kumiko Sakamoto, violaist Lauren Spaulding and cellist Titilayo Ayangade. 
  • The Thornette David Band (Saturday, June 4) — A blues legend, Davis has been on the scene since 1987 and will be performing with her seven piece band. 

All performances begin at 7:30 p.m. Day of show ticket sales begin as early as 6 p.m. Advance ticket purchases are $28 for adults, day of show tickets are $33 and both options are $10 for non-Western students. Those with a valid Western student ID can get their tickets free of charge, just make sure to show up early to book a seat. Call the Smith Fine Arts Series’ office at 503-838-8333 with any questions. 

Contact the author at entertainmenteditor@thewesternhowl.com

Fall vibes for weary ears

A soundtrack for watching the leaves fall compiled by The Howl staff

The Western Howl Collective

The autumn season is upon us, and what better way to celebrate the leaves changing than with a new playlist to listen to throughout the season? “The Western Howl” staff has compiled some of their favorite fall songs they like to listen to. To check this playlist out and others we have created, find us on Spotify @TheWesternHowl.

  • “Sweater Weather” — The Neighborhood
  • “고엽” or “Autumn Leaves” / “Dead Leaves” — BTS
  • “TT” — TWICE
  • “Dearly Departed” — Marianas Trench
  • “Witchcraft” — Pendulum
  • “Wake Me Up When September Ends” — Green Day
  • “We Close Our Eyes” cover — Ninja Sex Party
  • “Heather” — Conan Gray
  • “we fell in love in october” — girl in red
  • “Ain’t No Rest for the Wicked” — Cage The Elephant 
  • “Zombie” — The Cranberries 
  • “Candy” — The Presidents Of The United States Of America
  • “Heads Will Roll” — Yeah Yeah Yeahs
  • “Witch Love” — Nico Yaryan 
  • “In A Week” — Hozier ft. Karen Cowley
  • “Pumpkin” — The Regrettes
  • “Pumpkins Scream In the Dead of the Night” — Savage Ga$p and 93FEETOFSMOKE  ft. shinigami
  • “Zombie Love” — Bohnes
  • “Halloweenie II: Pumpkin Spice” — Ashnikko
  • “Howl” — The Family Crest 
  • “Safe & Sound” — Hannah Jern-Miller
  • “THIS IS HALLOWEEN” remix — Whiiite
  • “Ghost Story” — Cheat Codes ft. All Time Low   
  • “All Too Well” — Taylor Swift