Mount Hood

The ad-pocalypse hits streaming

March 5, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

“If I wanted to pay for commercials I couldn’t skip, I’d sign up for Hulu.” Who knew a throw-away line in a 2014 episode of “The Simpsons” would still be so prevalent today? I mean, the episode wasn’t even about commercials or advertisements — it was about Homer pirating movies and consequently being arrested by the FBI.

But, Homer did have a point. Why pay for streaming services when they have ads?

When companies like Netflix and Hulu first launched, they both offered an ad-free service as their basic plan, which now both have ads. Even Hulu’s so-called “ad-free” subscription — the most expensive of their plans at $18.99 — is adding ads to certain programming, alongside Disney+, which Hulu is now partnered with. 

There’s not really a definitive answer for why these services are including ads, but it doesn’t make sense in the first place. After all, when Netflix and Hulu first launched as apps, they offered ad-free services for a fraction of the cost of cable. So what’s changed?

The first is the very reason why Netflix, Hulu and Disney+ gained popularity: no ads for a fraction of the cost. As more and more users joined, the companies realized that they needed a solution to make up for the revenue they were losing. Even with every user paying the monthly fee, they still needed support from advertisers. Thus, they began to offer two services — ad-free and basic with ads. 

Eventually, these evolved into different subscription plans for each service, some being ad-free, some offering partnerships with live TV or other streaming services. Currently the most popular partnership is the Hulu bundle, offering no ads on Hulu, a Disney+ subscription with no ads and ESPN+ with ads.

The second reason for advertisements becoming more prevalent on streaming services goes hand in hand with the bundling of streaming services: the amount of content offered. As content becomes available through cross-platforming, like Hulu titles and ESPN+ live sporting events being available on Disney+, the cost of licensing increases. The only streaming services that seem to avoid the need for ads due to cross-platforming are HBO Max and Prime Video, though Prime still has ads on when watching titles from its library or other non-Max affiliated services. 

With all these ads, it seems that streaming services have become cable, but if streaming services have become the new cable, what’s the next step?

For starters, visit a local library. They have extensive collections of movies and shows on DVD, though a DVD or Blu-ray player is required. Thrift stores typically also have copies of movies and shows, and ownership of one’s favorite titles might bring peace of mind — especially with the way titles are traded between services. However, a major downside of this is that many newer movies and series are not available on DVD, especially with the popularity of streaming services and digital copies. 

Contact the author at howlentertainment@wou.edu

Jake Paul vs. Mike Tyson

Written by: Quincy Bentley | Sports Editor

The worlds of modern entertainment and traditional boxing collided on the night of Nov. 15, 2024. Social media star Jake Paul faced off against Mike Tyson, a boxing legend, in one of the most highly anticipated fights in recent history.
In most people’s minds, Tyson’s name goes hand and hand with the sport of boxing. Born in Brooklyn in 1966, Tyson had a troubled youth but found a purpose in boxing. Under the wing of legendary trainer Cus D’Amato, Tyson’s career began to skyrocket. By age 20, Tyson became the youngest heavyweight champion in history, capturing the WBC title in 1986.
Nicknamed “Iron Mike,” Tyson was feared for his brutal knockouts and excessive aggression. His career record includes 50 wins, 44 by knockout and only six losses. Despite his success, Tyson’s journey was followed by controversy, including legal troubles and public meltdowns that negatively affected his reputation. He retired from boxing in 2005 but made a surprising return in 2020 for an exhibition bout against Roy Jones Jr., which sparked a new interest in the once-retired fighter.
Unlike Tyson, Jake Paul’s rise to fame came from the entertainment industry. Born in Ohio in 1997, Paul gained notoriety as a Disney Channel star and then became a YouTuber before pivoting to boxing in 2018 as a way to expand his name and take on new challenges. His journey into the ring was initially perceived as a joke, but Paul quickly proved himself as a skilled, disciplined fighter. His journey began with a widely publicized fight against YouTuber Deji Olatunji, the brother of famous influencer KSI, which took place on the undercard of the KSI vs. Logan Paul fight. Paul ended up winning the match, which motivated him to pursue the sport even more. He eventually transitioned to professional boxing in 2020, defeating YouTuber AnEsonGib in his debut fight. Paul began taking part in intense training regimes, working with professional trainers and sparring with established fighters. He has since fought and defeated multiple opponents, including former MMA champions, solidifying his position as a controversial yet influential figure in the boxing world. Going into the fight vs Tyson, Paul held a professional record of 10-1.
The announcement of the Tyson-Paul fight in March 2024 sparked debates across the sports world. For fans of traditional boxing, a 58-year-old Tyson stepping into the ring against a 27-year-old social media star was unimaginable. On the other hand, Paul’s supporters praised the fight, egging on the other side.
Initially scheduled for July 20, the fight faced delays due to Tyson’s health issues. The fight was then rescheduled for Nov. 15 and was billed as a professional match. Adding to the hype, Netflix secured exclusive streaming rights, allowing them to broadcast the fight to their subscribers.
With a crowd of 75,000 in attendance and millions watching online, the stage was set for a showdown between past and present. The eight-round match featured two-minute rounds and heavier gloves — a safety measure given Tyson’s age and the nature of the exhibition.
From the opening bell, it became clear that time had taken its toll on Tyson. His once lightning-fast combinations were visibly slower, even though his boxing IQ and footwork stayed the same. Paul was able to capitalize on his youth, using his speed and stamina to control the pace of the fight.
While Tyson landed a few shots, Paul’s consistent jabs earned him the upper hand. The fight ended with a unanimous decision in Paul’s favor, with judges scoring the match 80-72, 79-73 and 79-73. Paul went on to celebrate the victory as the “most significant achievement of his career,” while Tyson thankfully acknowledged the outcome.
Days after the fight, Tyson let the world know that he had undergone serious health struggles leading up to the event, including significant weight loss and multiple blood transfusions. This gave context to his performance, showcasing the physical toll boxing takes on aging athletes.
Due to technical issues, Netflix received backlash from fans claiming that there were buffering and streaming glitches. Fans were outraged, and a $50 million class-action lawsuit was filed against Netflix, alleging breach of contract.
Despite its controversies, the fight was a commercial success. Paul’s victory solidified his spot as a legitimate fighter, with his team expressing interest in future matchups against legends like Canelo Álvarez and Anthony Joshua.
For Tyson, the fight marked another chapter in his career, one that emphasized resilience and courage. While some questioned his decision to fight at 58 years old, others admired his willingness to step back into the ring.

Contact the author at howlsports@mail.wou.edu

Why you should try “Grey’s Anatomy”

Written by: Hannah Field | Editor-in-Chief

Content warning: this article contains spoilers and discusses fictitious violence

Season 20 of “Grey’s Anatomy” was released to Netflix June 29, 2024, featuring ten episodes on top of its already prominent 430, spanning from 2005 to the present. Since premiering, “Grey’s Anatomy” has been nominated for 39 Emmys, won a Golden Globe Award for Best Drama Series and a People’s Choice Award for Favorite TV Drama, inspired two spin-off shows and hit an all-time audience record of 37.88 million viewers for episode 16 of season two.
The show has gone on so long that most of the main cast has moved on, their characters being killed or written off, with even protagonist Ellen Pompeo — Meredith Grey — stepping back in the latest seasons.

Most credit the success of “Grey’s Anatomy” to Shonda Rhimes, founder of the production company Shondaland and creator of “Grey’s Anatomy.” Rhimes has become well known for her tendency to kill off characters in the most tragic ways possible, with more than nine notable recurring character deaths overall. In 2015, Rhimes left “Grey’s Anatomy,” but the calamity persists in her absence.

Meredith Grey survived not just a plane crash, a shooting, a physical assault, a bomb, drowning and COVID-19, but also managed to scrape by after a miscarriage, the death of her husband, multiple deaths of her friends, losing her parents and even going to jail in season 16 for — easy guess — insurance fraud.

The show has always incorporated real-world issues, mixing them with fictitious characters and applying a level of relatability for viewers to connect to. Characters struggle with infertility, lack of insurance, love triangles, affairs, religion, relationships, family, cancer and more. “Grey’s Anatomy” takes those issues to an extreme level, allowing for an eventful watch in any episode, and often mixes humor in with how the characters interact and work together.

Most iconic are the original five interns of Seattle Grace Hospital, Meredith Grey, Cristina Yang, Alex Karev, Izzie Stephens and George O’Malley, starting strong in season one until, one by one, the team falls apart through loss, separation and other work opportunities. Most viewers refer to the first few seasons of “Grey’s Anatomy” as the best, having great rewatchability and incredible banter.

Although this might be the case for many viewers, the later seasons add more flexibility and characters and the budget increases over time, allowing for incredible set design, new actors and new plots — meaning more riveting turmoil for “Grey’s Anatomy’s” most loveable characters.

At the end of the day, “Grey’s Anatomy” is an ideal show to watch when coping with something difficult — why? Because Meredith Grey will always be having a worse day.

Contact the author at howleditorinchief@mail.wou.edu

Can’t sleep? Try these

Written by: Jaylin Emond-Hardin | Entertainment Editor

Struggling to enter rapid eye movement? Want a movie or show that has calming qualities? Then look no further than this list. Made up of different kinds of movies and shows, one will surely find a movie or show that will help them get some shut-eye.

“Ratatouille” — Streaming on Disney+

“Ratatouille” is the perfect movie for sleep. It follows Remy, a rat, as he traverses through the streets of Paris to end up helping Linguini at the restaurant Gusteau’s. The movie is washed in soft blues and yellows, making it gentle on tired eyes. The soundtrack and ambiance are also extremely soothing, and the sounds of cooking and the Parisian streets are sure to lull even the biggest insomniac to sleep.

“The Devil Wears Prada” — Streaming on Max

Following Andrea “Andy” Sachs as she works for Vogue and its notorious editor, Miranda Priestly, the movie delves into the socialite side of working for a fashion magazine. With subtle overlays of white, gray and black to contrast where Andy starts in her career and where she ends up, the movie has a soft, almost dreamlike feel. Artists like Madonna, U2 and Alanis Morissette feature on the soundtrack, adding to this dreamlike feel. 

“To All the Boys I’ve Loved Before” — Streaming on Netflix

A movie with brighter colors and bubblegum pop for the soundtrack, which makes it perfect for when the body is in its earliest stages of exhaustion. The plot is easy to follow and the romance between Lara Jean and Peter is to swoon for, and the movie is best for soothing viewers to sleep. 

“Emma” — Streaming on Prime Video

Whether the 1996 or 2020 version, the movie follows the same plot: set in 1815 in the English countryside, it follows Emma — played by Gwyneth Paltrow in the ‘96 version and Anya Taylor Joy in the 2020 version — who goes about setting up affluent couples together. The soundtrack has a gentle piano accompaniment and the English countryside setting gives the movie a cozy, cottagecore feel. It’s best for when one is exhausted but their brain is fighting the urge to sleep.

“Fantastic Mr. Fox” — Streaming on Disney+

Similar to “Ratatouille,” this movie follows Mr. Fox as he makes his last big score against three poultry farmers. The film’s color palette is flush with yellows, oranges and reds, making it a warm, cozy movie for cold winter nights. The Wes Anderson movie features a folk music-based soundtrack with banjos and fiddles and features artists like Burl Ives and the Rolling Stones. When the cold, sleepless nights settle in, “Fantastic Mr. Fox” is the perfect movie.

“Pride and Prejudice” — Streaming on Starz and Prime Video

Another movie based on one of Jane Austen’s novels, “Pride and Prejudice” gives the same vibes as “Emma.” Following the Bennet family as the five daughters search for suitable husbands, viewers will find themselves falling for Charles Bingley and Mr. Darcy as they woo the eldest two Bennet daughters, Jane and Elizabeth. Another movie best for when one is fighting the urge to sleep.

Contact the author at howlentertainment@wou.edu

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Written by: Jaylin Emond-Hardin | Entertainment Editor

Charlie Brown — no scares, just heartfelt Halloween

“It’s the Great Pumpkin, Charlie Brown” streaming on Apple TV+

Based on Charles M. Schulz’s “Peanuts” comic strip, the Halloween classic follows Charlie Brown and the gang as they celebrate Halloween and Linus waits for the Great Pumpkin. “It’s the Great Pumpkin, Charlie Brown” is perfect if one is looking for a cozy fall movie.

“The Addams Family” streaming on Paramount+

The Addams family is the first family of all things dark and creepy, so what better movie to watch for Halloween? With a live severed hand, a butler of unknown origins and two deranged children, anyone who watches this film will feel the Halloween vibes.

Not So Scary — a few scares, but mostly funny

“Scary Movie” franchise streaming on Paramount+

This movie franchise was the introduction of horror movies into the parody genre that was started by British comedy group Monty Python in the 1970s. The films incorporate elements and tropes from different horror movies, blending them to create a parody that is raunchy, ridiculous and funny all at the same time. 

Jumpscares and Chills — The scare factor is higher, but mostly jumpscares

“Cabin in the Woods” streaming on Peacock

“Cabin in the Woods” is right up there on this list with the “Scary Movie” franchise of parody movies; however, this movie takes on more of the traditional horror genre aspects. 

“The Ritual” streaming on Netflix

A true monster movie, this movie makes the audience feel as if they are being watched and hunted by the creature alongside the main characters. Set in the Swedish wilderness, this movie pits distorted pagan beliefs against modern protagonists. 

Heartstopping Horror — the scares are what makes the plot

“The Conjuring Universe” streaming on Max

This nine-movie franchise follows cases that were worked on and researched by Ed and Lorraine Warren, with most of the movies being interconnected in the universe. The movies have a plethora of antagonists, from possessed dolls to demon nuns, sure to terrify viewers.

Leave the Lights on to Sleep — can’t escape the horror, leave the lights on

“Terrifier” franchise streaming on Peacock

Viewer discretion is advised with any of the four movies within the “Terrifier” franchise. “Terrifier 3” was released in theaters Oct. 11 and is currently #1 at the box office. The movies are unrated, and contain heavy amounts of violence and gore, alongside the traditional horror elements of the movie. 

Contact the author at howlentertainment@wou.edu

A new version of “The Talented Mr. Ripley” comes to Netflix

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers and mentions of murder.

Film fanatics may be familiar with the title “The Talented Mr. Ripley,” a thriller that stars Matt Damon, Gwyneth Paltrow and Jude Law in an unconventional love triangle. Netflix has taken on a noir remake of the story with the leading man played by Andrew Scott, who is well known for his roles in “Sherlock,” “Fleabag” and more recently, “All of Us Strangers.” The director’s choice to make the show in black and white was due to the original book cover by Patricia Highsmith. Set in the 1960s between New York and Italy, “Ripley” is a captivating story that is hard to look away from.

In addition to Scott, the new Netflix series also stars Dakota Fanning and Johnny Flynn. Each actor delivered a unique perspective to the remake of the classic story within their individual roles. The chemistry between the trio was undeniable.

Andrew Scott’s stoic performance as Tom Ripley gave the series its unsettling tone. In contrast to Matt Damon’s portrayal of the character, Scott plays Ripley as a calculated, apathetic man with little remorse for his actions. In the 1999 film, Ripley is more frantic after his murders and genuinely seems to be upset about his wrongdoings. Both interpretations are incredible portrayals of the multi-dimensional character, but the passiveness of Scott’s performance is almost terrifying to watch.

The most uncomfortable scene in the series was the practically silent 20-minute murder sequence of Greenleaf, as Ripley tediously and clumsily carries out his plan. The blood on Ripley’s fingers looks black, but the audience can see its unmistakable deep red color as they experience the brutal death of Dickie Greenleaf. Ripley goes on to steal Greenleaf’s identity for his wealth and status. 

Every few minutes there is a shot of religious art, whether it is Greek, Roman or Catholic, a statue or a painting on a church ceiling. Tom Ripley walks in the shadows of these works of art, and at some points, he silently ponders them. This could be interpreted as a higher power looking down at him as he continues to commit acts of sin, whether he chooses to acknowledge it or not. He views himself as the puppetmaster of everything around him, but truly knows he is on the verge of spiraling out of control. Characters such as Marge Sherwood, Dickie Greenleaf’s girlfriend, can see right through Ripley’s actions but have no way to prove his wrongdoings. Something is not quite right with him, which all the people he interacts with take notice of.

The juxtaposition of Tom Ripley’s character is what made the 1955 novel and the 1999 film unique. Though he is a con-man and murderer, the character is also described as a sensitive man. The 90s movie depicts Ripley as a queer man, in his odd relationship with Dickie Greenleaf, and even gives him a lover at the end of the movie. His acute awareness of the people around him is what makes him the enticing villain he is. 

With an all-star cast, unique filming style and an incredible setting, “Ripley” is a must-watch for any fans of the original film or audiences interested in the noir genre. The eight-episode show goes into more depth than the movie was able to, and it did not disappoint.

8/10.

Contact the author at howlentertainment@wou.edu

Live action: take two

Written by: Gretchen Sims | Editor-in-Chief

Content warning: this article contains spoilers.

When Netflix announced that they would be re-remaking “Avatar: The Last Airbender” as a live-action series, expectations were high. As a childhood favorite to many, another failed remake was all that was on fans’ worried minds. 

Starring Gordon Cormier as Aang, Kiawentiio as Katara, Ian Ousley as Sokka and Dallas Liu as Prince Zuko, the release of “Avatar: The Last Airbender” was, unfortunately, met with mixed feelings. 

When the show was set to hit production, Netflix announced that the original creators of the Nickelodeon cartoon, Michael Dante DiMartino and Bryan Konietzko, would work as executive producers on their live-action remake. This news excited fans who were, not long after, met with the disappointing news that DiMartino and Konietzko had departed from the show, citing creative differences — the two received writing credits for the first and sixth episodes. This disheartening turn of events raised questions regarding the show’s integrity to the original cartoon. 

First, I want to preface with the fact that this new remake was nowhere near as awful as the first attempt, which went as far as to mispronounce its character’s names. It was not as good as the original, I think anyone could have guessed that, but it wasn’t horrible. However, there were a few aspects of the remake that caused it to fall short of the cartoon. 

Growing up, Katara was always my favorite character. As a sister to annoying siblings, who often took on an authoritative position in their lives, I felt myself relating to her. In the Netflix remake, I didn’t get any of that. I felt like the energy and life Katara brought to the cartoon were lost in the live-action — it was as though she were flat and two-dimensional. 

Additionally — and there has been a lot of online discourse surrounding this — Sokka’s sexist character arch was cut from the adaptation. In the Nickelodeon series, Sokka starts the show with very sexist views that were instilled in him throughout his childhood, but he slowly loses them as he meets strong women throughout their quests. 

While there is an argument for cutting this arch, I think that writing Sokka’s initial sexism out of the show erased an important lesson the original writers wanted to portray. Talking about sexist themes is crucial to fighting gender biases — especially in children’s TV shows. 

The show’s creators stated that they wanted to make things darker to make the series not only for kids but “…people who are big fans of ‘Game of Thrones’” as well. 

This attempted direction fell more than short and left viewers with a weirdly “edgy” feel — in a “not at all edgy” sort of way.

The cartoon was supposed to be lighthearted to appeal to children, while also teaching valuable lessons to this younger audience. Because this was executed so well, the original “Avatar: The Last Airbender” show was a hit among all ages. Sadly, this new remake does not quite reach this mark — completely overlooking the essence of the original show. 

If one is debating whether it is still worth a watch, it is important to ask oneself why they fell in love with the original in the first place. Like I said in the beginning, it’s not horrible, it just leaves out some key components that can leave a returning viewer wanting more. 

6.5/10.

Contact the author at howleditorinchief@wou.edu

The rise of physical media

Written by: Lili Minato | Freelancer

In 2023, Best Buy announced that they were going to stop selling DVDs in 2024. DVD sales have also been declining for the past 16 years, but with the rise of fan culture, especially on social media, DVDs and other forms of physical media have the chance to make a comeback.

Social media has allowed people from around the world to build connections with one another, especially when it comes to the shared love of media like film and music. Within these communities, there is a presence of commercialism. Artists make merchandise to sell to adoring fans, and people post about their purchases such as the discovery of new or vintage items relating to the media. It’s a large part of the culture. 

The urge to buy merchandise from favorite artists allows businesses like The Criterion Collection to rise in sales. Criterion is a company that makes special editions of classic and contemporary films. They sell DVDs with new covers and designs; their DVDs usually house exclusive commentary, merchandise and scenes from the director, which is a big selling point for fans. 

Even with new companies like Criterion, the purchasing of brand-new DVDs is still on the decline; this may be because many fans are giving thrifted and vintage DVDs a new life. The more obscure the merchandise is, the better it is for enthusiastic devotees. It is also very cost-effective, considering many DVDs only cost a couple of dollars at a thrift store.

Still, some may find the purchasing of DVDs to be a waste of money because of the accessibility of movies through streaming services. For many others though, the ability to own their favorite movie heavily outweighs being able to easily watch it through Netflix. 

In contrast to the steady decrease in DVD sales, vinyl sales have been rapidly increasing. In 2023, Americans purchased 49 million vinyl records, which is 14 percent more compared to previous years. Vinyls have also outsold CDs consecutively in the past three years. Fans and social media have contributed to this increase. Exclusive vinyls with limited merchandise inside have enthralled followers of popular musicians. 

Taylor Swift sold the most vinyl albums in 2023. Swift’s fan base has been known to have an obsession with merchandise, official or not, and with the combination of that and Swift selling many limited edition CDs and vinyl that included many treasures inside — such as photos and posters — there’s no debating why Swift conquered the charts in that category. 

Physical media will most likely never regain its position above streaming services, but for fans of popular and alternative media alike, personalized ownership will always win over the convenience and availability of streaming platforms.

Contact the author at lminato22@mail.wou.edu. 

Netflix policy change causes chaos

Written by: Sierra Porter | Staff Writer

Netflix is an American subscription streaming service that was created in 1997 by founders Reed Hastings and Marc Randolph. By 2007, they launched their streaming service to compete with Blockbuster which implemented several different family plans. Recently, Netflix has been cracking down on their single household and password sharing policies — making it an absolute nightmare for travelers, large families and especially college students.

The cheapest plan is the standard plan with ads which allows for two devices to watch TV shows and movies for $6.99. 

The standard plan is ad-free, full HD, allows for access among three devices and has the option to add an extra member– for an additional cost of 7.99 a month. The premium plan is also ad-free but offers ultra HD, is accessible on four devices and has the option to add two extra members for $7.99 each. 

The new ability to add members at an extra cost has encouraged Netflix to crack down on password sharing outside of a single household. This means that if one attempts to log in to their Netflix account outside of the designated household, it will log out all other members; regardless of if it is still within the device limit. This policy seems to be a desperate money grab, as it forces members to either buy more expensive plans or pay additional costs. 

Why is this a game-changer for so many? For many students, the full college experience includes living in the dorms, but that also means all funds usually go towards those expenses. Tremendous amounts of students report being forced off their family plans during the months they are on campus — either forced to live without the streaming services or ponying up the extra cost to be an additional member. 

Avid travelers also face this issue from time to time as they lose the ability to log into Netflix in the many places they stay while traveling. Again, one will have to log out the rest of the family in the household and deal with the wrath of streaming rights rage, ball up the extra fees or drop Netflix overall. 

This policy change has been a pain for many and up to 62% of password borrowers said they would rather stop using the streaming service in total than purchase their own account. Netflix’s attempt to force watchers to buy their services, especially the more expensive services, has thus far not been as successful as they hoped. Immediately after these changes, Netflix lost almost 1.2 million subscribers — their biggest loss in over a decade. 

Many are canceling their subscriptions and switching to other streaming services, and we can’t blame them. 

Contact the author at howlstaffwriter@wou.edu

A change for entertainment

Written by: Taylor Duff | Freelancer

Back in March of 2023, an article was released called “Writers are not keeping up” — published by the Writers Guild of America contract. This article was the start of the Writer’s Strike, expressing how writers are feeling devalued and objectified in harsh work environments, including tiny rooms and decreased pay as well as being overworked. 

The demand for writers is based on the switch to streaming from many if not most, entertainment channels. Because of the high demand, another complaint is the lack of experienced writers being hired to fill the gaps — with below or bare minimum pay giving the green light to have an excuse to pay less. 

Writers have also stated they have felt like second class to the actors and directors — being undervalued in the workplace despite doing double the amount of work and hours.

As a result of this strike taking place, the Screen Actor Guild also went on strike, and actors across all platforms made statements and interviews about the unfair treatment and harassment of their writers and staff. 

Actors such as Amanda Seyfried, Rob Lowe and Wonda Sykes all stood in solidarity with the writers during the protest. One main reason the actors joined the strike with the writers was to address the use of AI versions of themselves; using their likeness for gain in media. The SAG strike lasted until Nov. 9 of this year, meaning both WGA and SAG strikes are now over. WAG reached a tentative agreement with the Alliance of Motion Picture and Television Producers back in September, and slowly but surely, they reached an agreement with the Screen Actors Guild as well. 

As for what this means for entertainment, the agreement is effective in protecting writers and giving proper residuals for international viewing. Due to streaming becoming the new wave of entertainment, the agreement takes effect now giving proper pay toward its writers with the royalties standing in their favor. 

Many movies will be delayed due to the strike shutting down production studios, with many directors and producers walking out. TV shows may resume, but will also be pushed back for months without new episodes. As for actors, the agreement gives them more security knowing they are protected against their likeness being used. 

As for the future of entertainment, the WGA contract term will be in effect until May 2026 — keeping in effect this protection for the people behind the entertainment consumed.      



Contact the author at tduff23@mail.wou.edu

Netflix’s interactive rom-com changes the rom-com game

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Three handsome, single men are fighting for a young woman’s affection… Now, the woman’s dilemma has become choosing just one — the current lawyer boyfriend who just proposed, the famous rockstar or the schoolteacher with a history? Such is the predicament of Cami Conway, the protagonist of the Netflix hit, “Choose Love.”

What separates “Choose Love” from other modern romantic comedies is that the viewers have a say in choosing the perfect man for Cami. Watch with friends and they will be fighting over the remote to pick either Paul, Rex or Jack. 

Karis D’Orazio, a sophomore at Western and a rom-com fan, said she appreciated this aspect. “You got to pick the guy you liked, instead of watching the whole movie with a guy you didn’t like,” D’Orazio said.

A fun aspect of the movie is that the viewers may go back and undo their choices to receive different endings. The movie has six different endings depending on the decisions the viewer makes on behalf of Cami, however, the many options “took away from the story a little,” said D’Orazio. “You didn’t feel that fulfillment that you feel when you usually watch a rom-com.”

Fans of “Choose Love” have utilized popular social media apps, such as TikTok, to recommend it to others. “It popped up on my For You Page enough for me to be like, okay, I’m going to go look at this movie,” D’Orazio said. Watchers have shared what they would have changed about the movie to make it more enjoyable: “I feel like it could have been a series instead of a movie. You didn’t get to know the characters very well,” said D’Orazio.

This movie is just a gateway for the other interactive content Netflix has to offer. If a rom-com doesn’t resonate, there are interactive adventure, horror and animated shows. These shows and movies can generate feelings of authority in times when everything seems out of control. 


Contact the author at howlentertainment@wou.edu

Headline: Champions vs. champions

Analyzing the National Cheer Association’s College Daytona performances from Navarro and Trinity Valley

Jude Bokovoy | Lifestyle Editor

 

Contact the author at howllifestyle@wou.edu

 

This article contains spoilers for competition results and season two of “Cheer.”

Navarro cheer team is one of the most well known collegiate cheerleading teams in the U.S. Navarro can be easily recognized by their sparkly red and black uniforms, incredible stunting abilities and team spirit. In 2020, Netflix released a documentary about Navarro’s road to reach the National Cheerleaders Association National Championship in Daytona Beach, Florida, called “Cheer.” The show and the team’s execution of their routine was a major success. Navarro was named the 2019 National Champion in Daytona’s advanced large coed junior college division. 

Daytona is NCA’s Collegiate Dance and Cheer Competition. To be able to participate in Daytona, each team needs to qualify by either getting bid on at an NCA camp or approved by sending in a video. Cheerleading teams come from all over the country to experience and compete in the notorious Daytona.

This January, the second season of “Cheer” was released that included their rivals, Trinity Valley Community College. Throughout the season, they went back and forth showing how each team prepared for Daytona, as well as the ups and downs throughout the season. Both teams were incredibly talented and had viewers on their toes, wondering who was going to be the 2021 National Champions. TVCC ended up placing first, stealing Navarro’s national title. 

Although both of these teams are located in Texas, they couldn’t be more different. Days before Daytona, many competing teams performed a showcase of their routines for their friends, families and fans. At TVCC’s Daytona showcase, the camera crew made it clear that they were only focused on certain individuals, by exclusively filming certain cheerleaders as they were executing their skills. Their routine was extremely tumble heavy leaving viewers in awe, however it seemed they were more focused on the individual spotlight rather than working as a team. It didn’t go unnoticed that many of them did not smile during the duration of their performance. 

The Navarro routine was team-based. Everyone had a smile on their face and they were energetic while performing their fluid routine. Navarro’s baskets and transitions were jaw dropping. As always, their choreography lit up the mat. What these two teams had in common were the high magnitude of tumbling, stunts and ambition. 

This year TVCC decided to enter into the advanced small coed division, meaning that they did not end up competing against Navarro. During the weekend of April 6 – 10, NCA’s Daytona provided each team two days to perform their routine twice in hopes of taking home a trophy. 

Throughout TVCC’s day one performance, their tumbling was clean but the stunts were not. There were many shaky dismounts, two stunts needed to be saved and the center group for their main pyramid fell. TVCC made a comeback on day two; their team jump combo was level throughout the team, the baskets were very high and the center tumbler had lots of energy. Unfortunately in the same middle stunt group, the flyer slipped during the pyramid. While making their final exit on day two, each member of the team did actions towards the crowd of an “I’m the best” mentality, iconic of the individualistic mindset that is rampant in TVCC.

On the other hand, Navarro blew it out of the park for both days’ performances. On day one, their beginning tumbling sequences were intense, all of their pyramids were executed well and included elaborate transitional stunts. On day two, all of their one-man stunts were solid; they nailed their first jump combo of a toe touch to a b-twist and they performed choreography with enthusiasm. The only notable flaw from Navarro was during one of their pyramids in which well known athlete Gabbi Butler slipped but regained balance while doing the choreography. When Navarro left the mat on day one and two they all hugged each other and exited as a supportive team.

At the end of the day, both TVCC and Navarro executed their intense routines very well. Both included elaborate baskets, jump combinations, tumbling and pyramids; because of their determination and skill Navarro and TVCC went home as the 2022 National Champion for their respective divisions.

Popular movies and TV coming to streaming

The critically acclaimed media coming to Netflix, Disney+ and Hulu this October 

Camille Lenning | Entertainment Editor

Classes are back in session, which can mean more stress for students. For those who need a break from homework, here’s a sneak peek into some of the critically acclaimed movies and television shows coming to streaming services this October. 

Coming to Netflix:  

  • “Seinfeld” (1989) ⏤ Oct. 1. All nine seasons of the famous sitcom featuring Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards. Rotten Tomatoes score: 89%. 
  • “Till Death” (2021) ⏤ Oct. 1. A romantic lake house vacation turns deadly when Emma’s husband enacts a revenge plot against her. Rotten Tomatoes score: 88%.
  • “On My Block” (2018) ⏤ Oct. 4. Two years after Monse’s departure from Freeridge, the group is back together, and this final season will explore their changed dynamic as they navigate new threats in the neighborhood. Rotten Tomatoes score: 95%. 
  • “YOU” (2018) ⏤ Oct. 15. In season three, Joe and Love are raising their newborn son in a Californian suburb. But when Joe’s attention shifts to their next door neighbor, Love must take drastic measures to protect her perfect family. Rotten Tomatoes score: 90%. 

    Coming to Disney+:

    • “Black Widow” (2021) ⏤ Oct. 6. Natasha Romanoff must confront her dark past as an assassin — and the people she left behind — when a new foe arises. Rotten Tomatoes score: 79%. 
    • “Marvel’s What If…?” (2021) ⏤ Oct. 6. Marvel’s newest addition to their growing media arsenal comes to a close in the finale episode. Rotten Tomatoes score: 93%. 

    Coming to Hulu:

    • “Crimson Tide” (1995) ⏤ Oct. 1. Set after the Cold War, a rookie lieutenant commander of the submarine USS Alabama stages a mutiny to prevent the captain from starting a nuclear war with Russian extremists. Rotten Tomatoes score: 88%. 
    • “Escape from Alcatraz” (1979) ⏤ Oct. 1. Frank Morris, a criminal with a reputation for breaking out of prison, is sent to Alcatraz and crafts a plan to escape the inescapable. Rotten Tomatoes score: 96%.
    • “Goldfinger” (1964) ⏤ Oct. 1. When gold magnate Auric Goldfinger is suspected of concocting a scheme to rob Fort Knox and cripple the world economy, 007 must foil the plot. Rotten Tomatoes score: 99%. 
    • “Grey’s Anatomy” (2005) ⏤ Oct. 1. The season 18 premiere will feature the doctors at Grey Sloan Memorial Hospital treating patients after the COVID-19 pandemic, and introduce new obstacles as they try to employ doctors. Rotten Tomatoes score: 84%. 
    • “Mad Max” (1979) ⏤ Oct. 1. In a world where oil shortages have led to famine, war and financial crisis, police officer Max goes rogue to avenge his murdered wife and son. Rotten Tomatoes score: 90%. 
    • “The Hunger Games” (2012) ⏤ Oct. 1. Every year, the Capitol picks two children from each assigned district to join a bloodthirsty competition. When Katniss Everdeen volunteers to save her sister, her life is changed forever. Rotten Tomatoes score: 84%. 
    • “Waitress” (2007) ⏤ Oct. 1. Waitress Jenna is married to an abusive husband and stuck in a small town, with plans to escape ⏤ but complications arise when she begins an affair with the town doctor. Rotten Tomatoes score: 89%. 

    Contact the author at entertainmenteditor@thewesternhowl.com

    Catch these flicks coming out in April

    Watch from home or hit the theaters for these new movies

    Natalie‌ ‌Dean‌ ‌|‌ ‌Entertainment‌ ‌Editor‌ ‌ ‌

    There are always new movies hitting streaming services, and with select movie theaters opening back up, there are even more films to enjoy in April, while social distancing. Some films are re-releases of old school favorites, like Sky High, or popular series like Shadow and Bone. Whether people are going out or staying in, here are over twenty of the latest titles to hit the silver screen ⏤ and laptop screen ⏤ this month:

    April 2

    • “Every Breath You Take” (AppleTV, Vudu, Amazon Prime)
    • “Roe v. Wade” (YouTube, GooglePlay, Amazon Prime, Vudu, Apple TV)
    • “Assault on VA-33” (YouTube, Vudu, Amazon Prime)
    • “The Girl Who Believes in Miracles” (Select theaters)
    • “Sky High” (2005) (Disney+)
    • “The Unholy” (Select theaters)
    • “Just Say Yes” (Netflix)
    • “Madame Claude” (Netflix)
    • “Godzilla vs. Kong” (Select theaters) 

    April 6

    • “Dawn of the Beast” (Amazon Prime)
    • “The Enormity of Life” (AppleTV, GooglePlay, Vimeo, FandangoNOW)

    April 7

    • “Dolly Parton: A Musicians Tribute” (Netflix)

    April 8

    • “The Power” (YouTube, GooglePlay, AppleTV)

    April 9 

    • “Voyagers” (Select theaters)
    • “Thunder Force” (Netflix)
    • “Held” (Theaters)
    • “Naked Singularity” (Select theaters)

    April 10 

    • “The Nameless Days” (Select theaters)

    April 16 

    • “Vanquish” (Select theaters)
    • “In the Earth” (Netflix, Disney+)
    • “Killer Among Us” (Select theaters)
    • “Monday” (Amazon Prime)

    April 20

    • “Night of Sicario” (FandangoNOW)

    April 22

    • “Stowaway” (Netflix)

    April 23

    • “Shadow and Bone” (Netflix series) 
    • “Together Together” (Select theaters)
    • “Mortal Kombat” (HBO Max)
    • “Demon Slayer The Movie: Mugen Train” (Select theaters) 

    Contact the author at ndean17@wou.edu

    27 animes to procrastinate with

    As midterms roll around, ignore responsibilities and immerse in fantasy

    Stephanie Moschella |‌ ‌Digital Media Manager

    In the midst of studying and being jam packed with homework, it’s nice to take a break, sit back and start a new show. Popular streaming services such as Crunchyroll, Amazon Prime, Hulu and even Netflix have adapted themselves to be more diverse in genre. With the availability of all different genres, the anime industry has prospered rapidly internationally. 

    Originating as animated works from Japan, anime is a visual medium that garners a great deal of attention. Though originally voiced in Japanese, many of these shows have both subtitles in multiple different languages as well as English dubs, depending on the watcher’s preferences. 

    Being stuck at home in this pandemic leaves a lot of people craving something fresh in order to distract themselves from daily stresses. 

    In the list below, there are shows that have come out within the last two decades, a wide variety of classic and modern. No matter if the viewer enjoys old school or recent media, anime has historically never been bigger with the various affordable options. 

    In no particular order, have some fun watching or rewatching these anime shows to ignore the anxiety of the piling assignments and impending due dates. 

    “Black Clover” (2017) (Crunchyroll)

    “Blue Exorcist” (2011) (Crunchyroll)

    “Bungo Stray Dogs” (2016) (Crunchyroll) 

    “Death Note” (2006) (Crunchyroll)

    “Death Parade” (2015) (Crunchyroll) 

    “Demon Slayer: Kimetsu no Yaiba” (2019) (Netflix) 

    “Durarara!!” (2016) (Netflix) 

    “Erased” (2016) (Netflix) 

    “Food Wars: Shokugeki no Soma” (2015) (Crunchyroll)

    “Fruits Basket” (2019) (Crunchyroll) 

    “Fullmetal Alchemist: Brotherhood” (2009) (Crunchyroll) 

    “Great Pretender” (2020) (Netflix) 

    “Haikyuu!!” (2014) (Crunchyroll)

    “Horimiya” (2021) (Hulu)

    “Hunter x Hunter” (2013) (Netflix)

    “JoJo’s Bizarre Adventure” (2012) (Netflix) 

    “Jujutsu Kaisen” (2020) (Crunchyroll) 

    “Little Witch Academia” (2017) (Netflix) 

    “Mob Psycho 100” (2016) (Crunchyroll) 

    “My Hero Academia” (2016) (Crunchyroll) 

    “Psycho Pass” (2012) (Hulu) 

    “Seven Deadly Sins” (2014) (Netflix) 

    “SK8 the Infinity” (2021) (Funimation) 

    “The Disastrous Life of Saiki K.” (2018) (Netflix) 

    “The Promised Neverland” (2019) (Netflix) 

    “Tokyo Ghoul” (2014) (Crunchyroll) 

    “Your Name” (2016) (Amazon Prime) 

    Contact the author at howldigitalmediamanager@mail.wou.edu

    Review: “Bridgerton”

    Released on Netflix, upper-class society in “Bridgerton” gets saucy 

    Natalie‌ ‌Dean‌ ‌|‌ ‌Entertainment‌ ‌Editor‌

    Netflix’s latest hit “Bridgerton” follows the peculiar family of the same name, showcasing the adventures of the eight siblings and their search for love and happiness. Inspired by Julia Quinn’s bestselling novels, this romantic drama was released Dec. 25, 2020. Starring Regé-Jean Page and Phoebe Dynevor as main leads Simon Basset and Daphne Bridgerton respectfully, the debut season ranked in Netflix’s Top 10 for good reason — imagine Gossip Girl meets Pride and Prejudice. 

    Bridgerton showcases life in London’s high-society in a fictional post-racial Regency era. Audiences can find elaborate sets and costumes, quick-witted characters and steamy scenes which make it a quintessential romance drama. One of the biggest puzzles in this show is in discovering the identity of Lady Whistledown ⏤ the character narrated by Julie Andrews ⏤ who acts as the town’s anonymous author of a scandalous tabloid. 

    Most of the themes present in the show were paired with fairly historic views of status and class, gender roles, marriage and love. There was plenty of humor throughout the show that kept the episodes well-paced, but there is a larger discussion to be had with certain themes that come up, and some parts where viewer discretion is advised. For example, episode six contains scenes of sexual assault and rape. 

    With their high-class lifestyle comes murder and mystery ⏤ all displayed in elegant ballrooms, sprawling gardens and quaint drawing room parlors. Netflix goes one extra step by taking these details of elite life in London and pairs modern music made classical by the Vitamin String Quartet — like Billie Eilish’s “the bad guy,” Shawn Mendes’s “In My Blood” and Maroon 5’s “Girl Like You.” 

    The storyline is developed enough to hold the audience’s attention while leaving wiggle room for a possible next season, and has enough gossip to keep the viewer intrigued. The big reveal of Lady Bridgerton could have been saved for future seasons, as it apparently was in the books, but it was worth it to know in the end. 

    Overall Review: A strong 3.8/5 because of the wardrobe choices and the treats they eat look ridiculously good, but there’s always room for improvement.

    Contact the author at ndean17@wou.edu

    Catch the latest episodes of “Big Mouth” online

    December starts off with new episodes of “Big Mouth”

    Natalie Dean | Entertainment Editor

    “Big Mouth,” the raunchy and relatable adult-animated sitcom is returning for a fourth season, which will be available on Netflix on Dec. 4. 

    Netflix released an official trailer on Youtube in mid-November, giving fans a sneak peek of Coach Steve supervising the pool, Jessi attending therapy and learning about anxiety and chaos caused by the young tweens’ Hormone Monsters. Guest stars will include Maria Bamford as Tito the “anxiety mosquito,” and Zach Galifianakis as “Gratitode.” 

    Along with the latest fourth season, Netflix announced on Twitter last July that “Big Mouth” has also been confirmed for a fifth and sixth season in the near future. 

    Contact the author at ndean17@wou.edu

    Find some cheesy and spooky entertainment on Netflix

    Get thrilled and chilled with the latest season of “American Horror Story”

    Natalie Dean | Entertainment Editor

    To the delight of “American Horror Story” fans, Netflix released the ninth season,, “1984,” on Nov. 13. Although FX released this series back in September of 2019, only now have the episodes been added to Netflix ⏤ just in time to provide some final screams for the fall season.

    This latest spookfest pays homage to past horror movies like “Friday the 13th,” which are chock-full of slasher tropes; but like always, the show brings its classic twists. 

    Over the course of nine episodes in this season of “AHS: 1984,” the audience follows a group of young adults from Los Angeles who have been tasked with spreading camp cheer as counselors at Camp Redwood — a location that was shut down after a grotesque murder spree in 1970. Over a decade later, after the camp has been reopened, the killer is set on returning to the scene of the crime. These five scrappy youths quickly learn that they must find a way to stay alive or face a grizzly ending. 

    Among the twists and turns, people can expect to see some familiar faces in the returning cast ⏤ including Emma Roberts, Leslie Grossman and Billie Lourd. So, fire up the laptop, get some snacks and get those final fall thrills in.

    Contact the author at ndean17@wou.edu

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