Mount Hood

Siren Songs

April 9, 2025

Written by: Sadie Latimer | News Editor

Western’s music program is one of the university’s hidden gems. There are several music ensembles that students can join, including choirs, bands and orchestras. They host concerts, shows and many other events that are typically free for Western students. 

If students are not in the music program but would like to participate in an ensemble, Concert Choir does not require an audition and students can earn one credit. It is also open to the public. Many of the other ensembles are open for non-music majors, however, most of them have an audition process. 

According to Western’s catalog, the music department’s mission is to offer “comprehensive programs and services to students and the surrounding community, including professional and liberal arts degrees in music and an active schedule of performances. The department supports large and small ensembles in vocal and instrumental music and up-to-date facilities for electronic music production and recording.”

April 2, two professional musicians led a workshop for music students and afterward had a free concert in Smith Hall that was open to the public. 

Musicians Merideth Kaye Clark and Jenn Grinels both have individual music careers but came together to create music under the name “Siren Songs.” They released one album in 2020 — also titled “Siren Songs” — and have released many singles and covers. 

Clark and Grinels are both independent artists, composers, instrumentalists and vocalists. Although Siren Songs make mainly folk and Americana, they both have roots in musical theater, having met each other while performing in the same musical. Clark has starred in many beloved roles, such as Elphaba in Wicked in the touring Broadway cast (1st National Tour). 

In 2024, Grinels composed a musical of her own for B-Side Theatricals that has been a finalist for several awards. A song from the musical “Goodbye Sun, Hello Moon” was released as one of Siren Songs’ singles. They chose this song in particular to release because, according to Grinels, the single is one of the only songs in the musical that fits the genre of folk, with the other songs leaning more towards classic musical theater. 

The concert opened with Clark and Grinels singing three songs — two originals and one Joni Mitchell cover. The stage was filled with many instruments that were played throughout the concert, including guitar, a banjo, a viola, a tambourine and even a dulcimer — an instrument of the zither family.

After they had sung, the duo opened the stage to the students who had participated in the workshop. The students performed a wide range of songs, including genres of pop, musical theater and R&B. In total there were six students who sang in front of Siren Songs and the audience.

Then, after the students had showcased what they had learned in the workshop, Clark and Grinels finished the concert with a 45-minute set of songs. The set was a mix of songs from the Siren Songs album and a few of their newer singles. Their most recent single, entitled “April,” was released March 28, 2025. 

The last song they played was “For Good” from Wicked. With Western being the last stop of their spring tour, they thought they would give the audience a treat by singing a duet from one of the most beloved musicals. 

This concert and showcase is just one of the many events put on by Western’s music department. At the end of each term, each ensemble performs in a concert. There are also other events similar to Siren Songs’ concert. April 12, the Beo String Quartet will be performing in Rice Auditorium at 7:30 p.m.

For more information about creative arts events at Western, visit the 2025 spring term events schedule.  

Contact the author at howlnews@mail.wou.edu

Western’s bands are back indoors

Band rehearsals have moved back inside, just in time for colder fall weather

Camille Lenning | Entertainment Editor

Those who frequented campus the first two weeks of fall term may have heard the sound of music flowing from outside Smith Hall. This is where Western’s instrumental ensembles practiced to comply with COVID-19 safety guidelines. However, bands like the jazz orchestra have recently found themselves back inside for practice sessions, since they received specialized equipment that greatly limits the spread of respiratory droplets while playing. 

“This includes custom masks designed to be worn while playing a wind instrument, as well as bell covers that reduce the spread of aerosols while playing an instrument,” said jazz orchestra director Dr. Keith Karns. “This PPE is part of the COVID mitigation plan adopted by virtually all music programs in public schools, colleges, and universities in the Pacific Northwest.”

These COVID safety protocols have also allowed the ensembles to schedule performances again, something they were unable to do last year. 

“One of them is going to be a side-by-side concert with … McKay High School. So we’ll just be over there, showing the high schoolers what we can do … and they can play with us and they get on the stage with us,” said sophomore general music major Jacob McDonald, who plays trumpet for the jazz orchestra. 

Ensembles are no longer required to practice outside Smith Hall.

McDonald is also a member of the wind ensemble, who will be joining the jazz orchestra for an end of term concert featuring famous jazz clarinetist Eddie Daniels, scheduled for Dec. 2 at 7:30 p.m. 

The two groups are performing a wide variety of music this term; the jazz orchestra lineup includes several pieces by renowned jazz pianist Count Basie, “I Left my Heart in San Francisco” by Tony Bennett and “Strasbourg / St. Denis” by jazz trumpeter Roy Hargrove, and the wind ensemble will perform arrangements such as an homage to silent films and a march composed by John Phillip Sousa.

“I am very, very excited for concerts and to be playing again … (it’s) doing what I like to do, right? And so, yeah, very excited,” said McDonald. 

Contact the author at entertainmenteditor@thewesternhowl.com

Campus voices: Jazz Orchestra

Western’s jazz orchestra members answer, “How does it feel to be practicing inside again?” 

Camille Lenning | Entertainment Editor

Noah Adams, senior audio production major, drumset

“I would say it’s very nice … it makes it a lot nicer, a lot more inviting for me to be here for a while if I’m practicing.”

Nathan Richardson, junior jazz studies major, saxophone

“It’s been great. I actually wasn’t here last year; at the school I was at before it was completely online so we didn’t play together at all, so just being able to play in general with other people has been amazing.”

William Murphree, first-year music education major, saxophone

“I think it feels great personally because there are a lot of challenges that come with playing outside … especially when it’s colder, things like intonation, it’s harder to hear other people in the ensemble, it’s harder to blend with people and hear, like, the different intricacies of the pieces that you’re playing, and also it’s just like cold out, so your hands get cold.”

Essence Githens, sophomore music education major, trombone 

“It’s a lot better. Playing outside has its benefits, like being louder and like building up your lungs honestly. But playing inside, I think you really just connect more with the music and it’s easier to hear who’s playing, who’s playing what and blending a lot more. So, I enjoy it.” 

Sorin Santos, first-year music education major, trombone

“It’s very exciting, it changes the way how, like, the ensemble feels because outside it feels like you’re playing out into nothing, almost. But when you’re inside you can hear everybody better and you feel more a part of an ensemble when you’re playing inside and together.” 

Lucas Devon, junior music education major, trumpet

“It feels really nice … I don’t know, like playing outside is fine, but when it gets super cold it’s just like you can really feel it and it just makes everything so miserable, so being inside is super great.”

Contact the author at entertainmenteditor@thewesternhowl.com