Mount Hood

Cannon Gallery provides “An Artful Life…” exhibit to celebrate the life of Alfred Maurice

Never Retallack  | Entertainment Editor

The Cannon Gallery opened a new art exhibit on Feb. 28, “An Artful Life: Celebrating the Life of Creator, Teacher, and Collector Alfred Maurice.” It is one of the seven exhibits open to commemorate Maurice’s life and the work that he did. 

The gallery contains pieces from his time in Chicago; most of them are abstract architectural paintings that are bright and eye-catching — all of which are from the years 1979 to 1989, and any proceedings benefit the Maurice Prize.

Maurice was a passionate artist and has been known to say, “To me, art isn’t anything precious or special. It’s a way of expressing oneself, on par with writing or talking.”

The gallery at Campbell Hall is bold, and the layout of the stark white walls with vibrant and unique buildings are enticing.

The majority of the artwork is made with acrylic on canvas, with only three other pieces created with graphite on paper. One of which called, “Self Portrait with Painting,” features Maurice smiling proudly, representing the pure joy he had when it came to making art.

The artwork is simple yet unique; I highly recommend anyone interested in art — whether or not they have much background knowledge — to go and take a look.

The gallery will be open until March 20 in Campbell Hall from 8 a.m. to 5 p.m.

 

Contact the author at howlentertainment@wou.edu

Photos by Never Retallack

Western Howl’s favorite breakup songs

Western Collective

“My Dick” — Mickey Avalon

“Take a Bow” — Rihanna

“Missing You” — John Waite

“Bleeding Love” — Leona Lewis

“You should be sad” — Halsey

“The Good Side” — Troye Sivan 

“Die for Me” — Post Malone 

“Bad at Love” — Halsey 

“Cry Me a River” — Justin Timberlake

“He Wasn’t” — Avril Lavigne

“All I Ask” — Adele 

“Dancing on My Own” — Calum Scott 

“So Sick” — Neyo

“i miss the old u” — blackbear

“Figures – A Reprise” — Jessie Reyez ft. Daniel Caesar 

“Irreplaceable” — Beyoncé

“Gives You Hell” — The All-American Rejects

“Not Over You” — Gavin DeGraw

 

Magical review of “Onward”

Sean Martinez  | Copy Editor

Amidst all the classic sequels and live-action adaptations, Pixar once again delivers original content with its newest film, “Onward.” 

The story tells the tale of two brothers, Ian and Barley Lightfoot, as they attempt to bring their father back to life for just one day. They try to use a wizard staff, along with a gem, to resurrect him, but something goes wrong, resulting in their father having just a pair of legs. The rest of the film is a fun, adventurous and emotional quest to see their father one more time. 

Ian, played by Tom Holland, has just turned 16 years old and has no memory of his father, who died before he was born, and wishes he had the chance to meet him. His older brother, Barley, played by Chris Pratt, is obsessed with the fascinating history of magic that was once prevalent in their world. Both of their strengths and weaknesses became factors that pushed the story onward at a well-balanced pace.

To director Dan Scanlon, “Onward” was more than just a movie — it also reflected his personal story. His father died when he was young, and the ultimate question that spurred this fantastical film was, “What would it be like to spend one more day with him?” 

Scanlon did a great job of blending the magical world with the modern world. Everything in this film was creative, not just the characters and storyline, but the animations as well. There was not one wasted scene — all the little things mattered and tied into the bigger picture. There was also a good balance with fun, brother-bonding scenes and impactful tear-jerking moments. And as always, Pixar provided the audience with an abundance of easter eggs to crack. 

Overall Review: It may be too soon to dub “Onward” as one of Pixar’s top 10 movies, but I thoroughly enjoyed it. I didn’t find myself resisting at any point in the film, the story was easy to follow. Needless to say, “Onward” is the perfect family film to watch this spring. It’s very moving and inspirational. 

 

Contact the author at howlcopyeditor@wou.edu

Photo courtesy of pixar.com

Theater department welcomes Western to “Urinetown” with winter production

Never Retallack  | Entertainment Editor

“Urinetown,” — a satirical musical, opened at Western on Feb. 28 with Michael Phillips as the director. The play was entertaining and interactive, and the opening act had about two minutes of uninterrupted silence while the actors laid on the ground, “asleep.” This made many audience members giggle nervously as the silence drew out. Laughter was a key element of the show. 

The story covers a drab town in the mid 1900s where a water shortage has led an evil man, Cladwell, to start Urine Good Company which now charges the poor pay-per-use public bathrooms. If anyone disobeys these rules, they face the threat of being sent to the mysterious and dreaded Urinetown.

This outlandish tale is packed with humor, love, violence and catchy songs. It was also full of jokes that tease elements of theater; Little Sally— a poor young girl— has conversations with Officer Lockstock where he explains how they’re covering basic elements in the first act so as not to overwhelm the audience. It mocks the “rules” that are typically followed in plays in a way that had the audience bursting into laughter.

The Western students who acted in the play did a phenomenal job, from the larger roles such as Hope Cladwell and Bobby Strong, all the way to the peppy assistant of Cladwell. The dedication and effort to the roles was apparent, and with the thorough costumes as well — everyone was able to shine in their own ways.

The live band was a great addition to the play, adding “necessary” drama to each scene, when someone made a surprise entrance, the other actors would gasp dramatically or exclaim “What?!” and the music would peak. At certain sad moments, the music would remain happy and upbeat, which Little Sally would comment on, earning more chuckles.

All the actors sang wonderfully, or sang as their characters were supposed to, which ended up being hilarious, and the dances were also well done. Overall, Western’s theater department delivered a hilarious and clever rendition of “Urinetown.”

Those who are interested in seeing the show themselves, can watch more performances Mar. 4-8 with the box office opening at 6 p.m. and the show starting at 7:30 p.m. Tickets are free for students with ID.

 

Contact the author at howlentertainment@wou.edu

Photos by Never Retallack

The West Of Us show camaraderie in Smith Hall

Sean Martinez  | Copy Editor

On Feb. 26, The West Of Us held their Winter Term Acapella Concert in Smith Hall, proving once again that instruments are not needed to make music. When the lights dimmed and the pitch pipe sounded off, The West Of Us kept the audience engaged as everyone listened to some well-known songs with unique twists. 

One of the performances that really resonated with the audience was the duet with “Build Me Up Buttercup.” My personal favorite was their unique take on Charlie Puth’s “Attention.” It was really cool to hear how each performer complemented each others’ voices. This was the first acapella concert I attended, and they did not disappoint. 

Acapella at Western has undergone numerous changes; it wasn’t until 2018 when the acapella group became gender inclusive and took on a new name, The West Of Us. 

The West Of Us strives to give audiences a great performance, but on top of that, co-presidents Olivia Martin and Austin Stewart are looking to recruit more students into the fold, students who will stick around long enough to bring the acapella group to new heights. 

“This year, we’re just trying to leave a good impression on everyone so that they want to stay, they want to learn music and they still want to sing acapella,” Stewart said. 

Olivia Martin added, “It’s kind of like leaving a legacy behind and ensuring that acapella is still going to be here for the years after we’re gone.” 

For Martin and Stewart, acapella is more than just making music with their mouths and entertaining crowds: the camaraderie is what keeps them coming back each year. Stewart talked about his experience coming to Western from Hawaii. Miles away from home, he decided to open up to new opportunities, which is when he was introduced to acapella. Ever since he joined, he’s considered The West Of Us a second family. 

Martin also went on to add, “It’s like a magnet that brings really compatible people together, and you just have the best time with them.”

Similar to team sports, Martin explained that acapella relies heavily on teamwork. “Everyone seems to be working on the same wavelength in order to collectively get better as a group,” Martin said. “It doesn’t ever feel like somebody’s trying to raise themselves up by lowering others. We either all go up or we don’t move at all.”

The West Of Us also aim to build a sense of community at Western. In recent years, they have performed for Western events such as the Cesar Chavez Conference, the Late-Night Breakfast, the Out of the Darkness Walk and their biggest performance, Acaparka — held at the Main Street Park at the amphitheater in spring. 

“We bundle all of our songs together … and then we perform a really large setlist for everybody,” Stewart said.

Be on the lookout for updates regarding the date and time for Acaparka.

 

Contact the author at howlcopyeditor@wou.edu

Photo courtesy of Lisa Martin

Hear about WOU Jazz Combo’s performance with John Raymond

Never Retallack  | Entertainment Editor

On Wednesday, Feb.19, John Raymond took to the Smith Hall stage alongside WOU Jazz Combo, for a night of jazz with a spin.

John Raymond is described by the WOU Jazz Combo pamphlet as, “One of the most promising, genre-bending musicians in jazz today. With a singular voice as a trumpeter, flugelhornist and composer…”

The interesting concept about Raymond’s idea of jazz is that he mixes genres such as, indie-rock, folk and electronic rhythms into his music, creating his own style.

Raymond studied in Wisconsin with Western professor and Director of Jazz Studies, Keith Karns. Since then, Raymond released six albums and is a professor of jazz as well as a sought after soloist at schools around the world.

The performance started with small solos from each member of the WOU Jazz combo, allowing the ivories, strings and drums to sing. Raymond took center stage while belting out the brass notes between two trumpets — a lively way to start, demonstrating just what the audience is in for.

They played a song from Raymond’s first album called “Onward,” which he composed himself. It began with soft piano, then the bass and drums joined, lastly a sorrowful trumpet, bringing a somber feel to the piece.

“The best part about performing music, especially in a jazz combo scenario is there is a lot of communication between the players…It’s just a big conversation,” said Kincaid Parsons, an Education Major, who plays the upright bass for WOU Jazz Combo.

Another song performed came from Raymond’s second album, recorded in New York with legendary drummer Billie Harp. Raymond explained with fondness that, “I was playing with someone who made the history of jazz.”

Similar to Raymond, Parsons also felt awestruck, “Getting to play with someone of that caliber was a very cool experience.”

The show was quite lively; Raymond even beckoned the pianist Clay Johnson for an improvised duet on stage.

Lastly, Raymond invited Karns onto the stage where they battled it out, trumpets singing back and forth powerfully, before ending the concert with a hug.

 

Contact the author at howlentertainment@wou.edu

Photo by Cora McClain

Learn more about gender and sexual identity in Alan Hunter’s “GenderQueer: A Sotry from a Different Closet”

Never Retallack  | Entertainment Editor

Gender and sexuality have been an ongoing and complex topic in societies all over the world. Those who are percieved as gay in any way face judgment and penalty like those who are.

In Allan Hunter’s book, “GenderQueer: A Story from a Different Closet,” they covers all these issues in a memoir style that takes readers on their journey, starting with their experience in middle school. Hunter describes how their story functions to highlight, “the realness of an identity that is not gay, bisexual, lesbian, or transgender, but it isn’t cisgender or heterosexual either.”

Hunter describes themself as a studious kid who followed the rules and listened to teachers. They were also someone who preferred to be around women and play with “girl toys” — which led to some ridicule. It wasn’t until their family moved to Los Alamos, New Mexico that they struggled with bullying immensely. 

Hunter’s style of writing, while not masterfully crafted, is deeply intimate and walks the readers through their thoughts and feelings from moment to moment. They name each bully that they faced in middle school, those who called them slurs because of how they dressed and styled themself. Hunter tried to seek help from their superiors, but nothing came of it, so much of Hunter’s story is how they work hard to control their anger so that they don’t antagonize the bullies more.

Along with the violence and emotional turmoil, they also detail how they feel about different girls that he meets, unafraid to share their intimate thoughts and desires. They mention each girl they fantasized about, whether or not they really interacted. They  spend most of their adolescent life wanting to have sex with a girl, but the only person who really touches them back was their male friend in high school.

Their younger sister, Kendra, was far more popular than them, and they often tagged along with her friends while in middle school. It wasn’t until high school when they joined the band and started to let loose a little that they started making connections; they made male friends and got girlfriends, but they were always wanting more.

There’s a certain point after college where a man goes pretty far with them, and they felt very uncomfortable and shaky afterwards. To their shock they realize they really are just heterosexual, all the people who called them gay had been wrong.

Sadly for Hunter, they faced a lot of harassment for how they were perceived — they even tried to take their own life. Later they realized a large part of how people developed their ideas about them was their wardrobe, wearing bright shirts with bold patterns.

Hunter’s journey of self-acceptance doesn’t start until college when they come out as someone who is genderqueer. Their gender is female, their sex is male and their orientation is attraction towards women. This understanding finally allowed them some peace and quiet.

Overall Review: This memoir is a personal journey about a person who has lived a life struggling to accept who they are based on the reactions of those around them. A lot of the book is hard to read, hearing how cruel people can be. But I recommend this book to anyone who wants to understand gender and sexuality on a deeper and more intimate level.

 

Contact the author at howlentertainment@wou.edu