Mount Hood

Trip out over Brent Faiyaz’s latest single, “Gravity”

Trippy visuals and bass guitars come together 

Natalie‌ ‌Dean‌ ‌|‌ ‌Entertainment‌ ‌Editor‌ ‌ ‌

Music artist Brent Faiyaz has gained traction for his talents and recognition in the music industry following the huge response from his album, “F–k the World,” which was released in February 2020. Fans have been long anticipating another album or single, and when the time finally came, Faiyaz didn’t disappoint. Released on Jan. 27, Faiyaz’s latest hit, “Gravity,” comes stacked with vocals and lines from DJ Dali and Tyler, the Creator, and has Steve Lacey on the guitar and bass. 

Through the song, both Faiyaz and Tyler describe their lifestyle on the road and the way it impacted their relationships. Both artists experience a type of “gravity” from their partners, who try to pull them back home from the rush of a luxe lifestyle, and the amount of energy it takes to maintain that balance. 

Faiyaz boasts a bit about his fame in the chorus with, “I’m on (Don’t act like I’m average)/ But you want me home (Home)/ I’d get you what you want (Superstar status)/ But you want me alone (I’m gone, baby, I’m active).” And Tyler, the Creator echos the message of finding a balance between here and there in the third verse, “Now when I’m gone, and I roam ’round the globe for three months/ That’s too long without somethin’ that’s sweet/ So I phone, little treats, that’s a snack, not a feast/ They don’t mean much to me/ ‘Cause I know that I have a bakery back at home.” 

There are effortless transitions between verses paired with strong vocals and unique melodies, which all together form a trippy auditory time-warping experience. Following this theme, the album cover includes fluorescent colors that look like a psychedelic oil spill, resulting in a warbling and eye-catching artwork. 

The melodies, layers of instruments and laid back vocals create a pop song that will hit the top of the music charts and stay there. As of right now, fans wait to hear if an official music video will be released within the coming months. While they wait,  a video of the audio alongside engaging visuals is currently on YouTube. 

Find Brent Faiyaz’s ⏤ and other accompanying artists’ ⏤ latest music on Spotify and other streaming platforms.

Contact the author at ndean17@wou.edu

Review: “Bridgerton”

Released on Netflix, upper-class society in “Bridgerton” gets saucy 

Natalie‌ ‌Dean‌ ‌|‌ ‌Entertainment‌ ‌Editor‌

Netflix’s latest hit “Bridgerton” follows the peculiar family of the same name, showcasing the adventures of the eight siblings and their search for love and happiness. Inspired by Julia Quinn’s bestselling novels, this romantic drama was released Dec. 25, 2020. Starring Regé-Jean Page and Phoebe Dynevor as main leads Simon Basset and Daphne Bridgerton respectfully, the debut season ranked in Netflix’s Top 10 for good reason — imagine Gossip Girl meets Pride and Prejudice. 

Bridgerton showcases life in London’s high-society in a fictional post-racial Regency era. Audiences can find elaborate sets and costumes, quick-witted characters and steamy scenes which make it a quintessential romance drama. One of the biggest puzzles in this show is in discovering the identity of Lady Whistledown ⏤ the character narrated by Julie Andrews ⏤ who acts as the town’s anonymous author of a scandalous tabloid. 

Most of the themes present in the show were paired with fairly historic views of status and class, gender roles, marriage and love. There was plenty of humor throughout the show that kept the episodes well-paced, but there is a larger discussion to be had with certain themes that come up, and some parts where viewer discretion is advised. For example, episode six contains scenes of sexual assault and rape. 

With their high-class lifestyle comes murder and mystery ⏤ all displayed in elegant ballrooms, sprawling gardens and quaint drawing room parlors. Netflix goes one extra step by taking these details of elite life in London and pairs modern music made classical by the Vitamin String Quartet — like Billie Eilish’s “the bad guy,” Shawn Mendes’s “In My Blood” and Maroon 5’s “Girl Like You.” 

The storyline is developed enough to hold the audience’s attention while leaving wiggle room for a possible next season, and has enough gossip to keep the viewer intrigued. The big reveal of Lady Bridgerton could have been saved for future seasons, as it apparently was in the books, but it was worth it to know in the end. 

Overall Review: A strong 3.8/5 because of the wardrobe choices and the treats they eat look ridiculously good, but there’s always room for improvement.

Contact the author at ndean17@wou.edu

“Schitt’s Creek” Finale

A dysfunctional household learns the value of family over the course of six seasons

Brianna Lelieur | Entertainment Editor

“Schitt’s Creek” is a recently concluded show that has been around for six seasons. The series starts with an incredibly dysfunctional family that is filthy rich, and becomes flat broke in a matter of minutes. They are then dropped in a random, middle-of-nowhere town that the main character, Johnny Rose, had bought for his son, David, as a joke. From there, viewers see their journey and evolution into figuring out how the real world works, and how to become productive members of society. 

Now coming full circle, the show has finally reached its end. The show closed on a happy note, with the finale focusing on a message that the characters were glad they lost their money in the beginning, because it allowed them to become better, happier people. 

The show’s last season’s best feature was well executed character development. They ensured that the characters still retained a lot of key aspects of their former lives, and didn’t completely make them something they were not. 

An example of this was with Alexis Rose; she started out super rich, always sassy and in a hurry, looking for the next place to go and see. However, we see her develop into a woman who learns  to appreciate taking a break once in a while, and learning that there is a lot more to life than always being on the go. 

By the finale, she knows that sometimes it is better to have great company — whether it’s with family, a partner or friends — than doing what is “cool” at the time. However, despite the fact they calmed her down a bit, the itch of belonging in a big city always lingered in her. They didn’t write that off, and she didn’t transition into a completely different character. 

“Schitt’s Creek” is a basic Family Dysfunction TV show — it makes the viewer feel like a part of the fame point can relate to them.

Overall review: It’s a decent show, and while I don’t think I’ll be rewatching it, I would definitely recommend it. 

Contact the author at howlentertainment@wou.edu

Disney’s Affinity War

Discussing the controversy of Disney’s casting 

Sean Martinez | Copy Editor

Now, I’m going to go on record and say that the most complicated relationship in my life is with Disney. As problematic as it can be at times, I still greatly appreciate the things I gain from it — namely Star Wars, Marvel and Pixar — but I also acknowledge that they have an unhealthy obsession with trying to make it to the top of the box office every year. 

Coincidentally, this obsession landed the company in hot water. 

Before Disney released 2020’s “Mulan” exclusively on Disney+ in early September, Disney fans attempted to boycott the film. The problem didn’t have anything to do with the fact that Disney launched a more accurate rendition of the story, or the fact there was an Asian female lead character. Rather, the problem had to do with the actress cast as Mulan, Liu Yifei, and her stance on what’s been happening in Hong Kong.

In June of 2019, residents of Hong Kong protested for pro-democracy when Hong Kong attempted to pass a law that would extradite residents of Hong Kong to China. However, things took a turn when the police retaliated. The situation has gotten so violent that protesters had to use umbrellas to shield themselves from tear gas and other chemical weapons.

In response to the police force’s actions, Liu Yifei shared a controversial post on Sina Weibo, a Chinese blog, that read, “I also support the Hong Kong police. You can all attack me now.”

Perhaps what’s most upsetting about this situation is that Disney finally cast a Chinese American woman to star in a groundbreaking film, but some believe the actress they chose does not represent Asian people in a positive light. 

Sadly, this is not the only casting problem in 2020; another example is the casting of Rosario Dawson as Ahsoka Tano in “The Mandalorian.” 

Again I reiterate: the issue does not concern the fact that Dawson has a mixed diverse ethnic background — it’s about her beliefs. 

In 2019, a lawsuit was filed against the Dawson family when they verbally and physically assaulted a transgender man named Dedrick Finley. Instead of facing consequences for her actions, she’s being rewarded by playing one of the most iconic and strong female characters in Star Wars.

I’m sure there are countless more controversial casting decisions that I’m not yet aware of, but regardless, the message remains the same. Disney needs to prioritize casting accurate portrayals of their characters over the amount of money they wish to make. Casting someone who fits the character’s ethnic background isn’t enough. The problem with Yifei and Dawson is that they have no affinity to their respective characters. Mulan would not condone police brutality in her country, and Ahsoka would not assault someone just because they’re transgender. 

My intention with this piece is not to persuade anyone to not watch these films. Like I said before, I’m a huge Disney fan, and I’m still going to enjoy watching whatever content they produce; it is because I’m passionate about the characters and stories that Disney has created that I want them to strive to do better and succeed, without a cynical penny being spent. 

If Disney can let go of their obsession, and shine a brighter spotlight on characters they’ve misrepresented in the past, they could win back the respect from fans that have left. With a new generation watching these movies, young audiences will have proper role models teaching them valuable life lessons. 

Contact the author at smartinez17@wou.edu

Avatar the Last AirBender: What we can take from a childhood favorite

A review of the show from an adult’s point of view

Brianna Lelieur | Entertainment Editor

Two months into a self quarantine, it seemed like there was nothing more to watch on television. People had rewatched the same old favorite movies and shows, and binged the new ones. Yet, with so much time, it seemed like everyone had seen everything. Furthering that, tensions were definitely beginning to rise with the current state of the world; people were certainly emitting strong emotions and needed something to brighten their day again. 

Thankfully, the world got a little brighter on May 15, when the children’s show “Avatar: The Last Airbender” was released on Netflix. After its release, the show exploded in popularity, especially among adult viewers. The show now has an even larger cult following than before; it has inspired thousands of fan creative art projects, merchandise, clothing, music and even food — all within the span of a few weeks since its release date.
Why the huge surge in popularity among adult viewers for a children’s show? Well, as a child who grew up loving “Avatar: The Last Airbender,” I of course admire it for the nostalgia; besides, who doesn’t love a show with characters that can manipulate the environment around them, a story of true friendship and stellar fight scenes? Although, after watching it as an adult, I’ve come to truly appreciate the show not only as a childhood favorite, but also for its writing of the story and characters, its research into the various cultures it’s inspired by, the music that supports the show and the subject matter it touches on. 

During my rewatch, here are a few of the things I took from the show. The first is learning to maintain balance and peace within yourself, as this is an essential theme of “Avatar: The Last Airbender.” When one aspect of life is out of balance, it entirely falls apart. It’s a genuine human struggle to manage balance, whether physically, mentally or in the everyday world. 

Furthering the topic of internal balance, the show weaves elements of spirituality, introspectiveness and meditation. The main protagonist, Aang, is someone with immense special abilities; he can tap into another aspect of the world that not many others can in the show’s universe. He is the bridge between humans and spirits. Meditation is key for him as it allows him to search within his own soul to discover more about his past life and maintain his state of mind. Every time Aang is faced with a dilemma, at most points he meditates on what he is to do and to help him find peace. 

Meditation was something I took from the show because, with so much going on in the world, it can be overwhelming and easy to lose focus of what is important to you. I wanted to find a way to start clearing my mind the way Aang practices, whether I’m dwelling on the past or the chaotic world.

There was a quote that resonated with Aang through his journeys from his mentor and great airbender, Monk Gyasto: “we cannot concern ourselves with what was, we must act on what is.” 

Despite everything that happened to Aang, he ensured to never dwell on what was or let it haunt him. He makes it clear that with the right self motivation, meditation and support, you can make it through just about everything. 

I learned a few interesting facts about the origins of the various bending styles within the show. Each fighting style comes from a different form of real life martial arts. For example, water bending is derived from Tai Chi; earth bending, Hung Gar; fire bending, Northern Shaolin; and air bending, Ba Gua Zhang. Each embodies a very different fighting style, technique, and rule set. For Northern Shaolin, one of the oldest forms of martial arts fighting, it is known to be immensely aggressive and is about long, strong movements that are meant to jab straight through your opponent. Within the Hung Gar fighting style, you are always meant to have a strong fighting stance and be connected to the ground below you for full force in your moves. 

This show has become very popular once more because it came again in a notoriously chaotic time, and people needed something lighthearted to help them get through it. This brings us to simpler times and helps us feel relaxed with sunset backgrounds and calming music. The characters make you wish you knew them in real life, and now, everyone wishes they had an Uncle Iroh. 

Watching “Avatar: The Last Airbender” as an adult again is both an escape and an actual learning experience. It reminds us of our basic morals that often get lost in translation. Whether it’s learning to ask for help when you need it, spending time with friends and family or simply to appreciate life, make sure to live it up. As Uncle Iroh once said, “life happens wherever you are, whether you make it or not.” 

Contact the author at blelieur20@mail.wou.edu