Mount Hood

The rise of physical media

Written by: Lili Minato | Freelancer

In 2023, Best Buy announced that they were going to stop selling DVDs in 2024. DVD sales have also been declining for the past 16 years, but with the rise of fan culture, especially on social media, DVDs and other forms of physical media have the chance to make a comeback.

Social media has allowed people from around the world to build connections with one another, especially when it comes to the shared love of media like film and music. Within these communities, there is a presence of commercialism. Artists make merchandise to sell to adoring fans, and people post about their purchases such as the discovery of new or vintage items relating to the media. It’s a large part of the culture. 

The urge to buy merchandise from favorite artists allows businesses like The Criterion Collection to rise in sales. Criterion is a company that makes special editions of classic and contemporary films. They sell DVDs with new covers and designs; their DVDs usually house exclusive commentary, merchandise and scenes from the director, which is a big selling point for fans. 

Even with new companies like Criterion, the purchasing of brand-new DVDs is still on the decline; this may be because many fans are giving thrifted and vintage DVDs a new life. The more obscure the merchandise is, the better it is for enthusiastic devotees. It is also very cost-effective, considering many DVDs only cost a couple of dollars at a thrift store.

Still, some may find the purchasing of DVDs to be a waste of money because of the accessibility of movies through streaming services. For many others though, the ability to own their favorite movie heavily outweighs being able to easily watch it through Netflix. 

In contrast to the steady decrease in DVD sales, vinyl sales have been rapidly increasing. In 2023, Americans purchased 49 million vinyl records, which is 14 percent more compared to previous years. Vinyls have also outsold CDs consecutively in the past three years. Fans and social media have contributed to this increase. Exclusive vinyls with limited merchandise inside have enthralled followers of popular musicians. 

Taylor Swift sold the most vinyl albums in 2023. Swift’s fan base has been known to have an obsession with merchandise, official or not, and with the combination of that and Swift selling many limited edition CDs and vinyl that included many treasures inside — such as photos and posters — there’s no debating why Swift conquered the charts in that category. 

Physical media will most likely never regain its position above streaming services, but for fans of popular and alternative media alike, personalized ownership will always win over the convenience and availability of streaming platforms.

Contact the author at lminato22@mail.wou.edu. 

Netflix policy change causes chaos

Written by: Sierra Porter | Staff Writer

Netflix is an American subscription streaming service that was created in 1997 by founders Reed Hastings and Marc Randolph. By 2007, they launched their streaming service to compete with Blockbuster which implemented several different family plans. Recently, Netflix has been cracking down on their single household and password sharing policies — making it an absolute nightmare for travelers, large families and especially college students.

The cheapest plan is the standard plan with ads which allows for two devices to watch TV shows and movies for $6.99. 

The standard plan is ad-free, full HD, allows for access among three devices and has the option to add an extra member– for an additional cost of 7.99 a month. The premium plan is also ad-free but offers ultra HD, is accessible on four devices and has the option to add two extra members for $7.99 each. 

The new ability to add members at an extra cost has encouraged Netflix to crack down on password sharing outside of a single household. This means that if one attempts to log in to their Netflix account outside of the designated household, it will log out all other members; regardless of if it is still within the device limit. This policy seems to be a desperate money grab, as it forces members to either buy more expensive plans or pay additional costs. 

Why is this a game-changer for so many? For many students, the full college experience includes living in the dorms, but that also means all funds usually go towards those expenses. Tremendous amounts of students report being forced off their family plans during the months they are on campus — either forced to live without the streaming services or ponying up the extra cost to be an additional member. 

Avid travelers also face this issue from time to time as they lose the ability to log into Netflix in the many places they stay while traveling. Again, one will have to log out the rest of the family in the household and deal with the wrath of streaming rights rage, ball up the extra fees or drop Netflix overall. 

This policy change has been a pain for many and up to 62% of password borrowers said they would rather stop using the streaming service in total than purchase their own account. Netflix’s attempt to force watchers to buy their services, especially the more expensive services, has thus far not been as successful as they hoped. Immediately after these changes, Netflix lost almost 1.2 million subscribers — their biggest loss in over a decade. 

Many are canceling their subscriptions and switching to other streaming services, and we can’t blame them. 

Contact the author at howlstaffwriter@wou.edu

A change for entertainment

Written by: Taylor Duff | Freelancer

Back in March of 2023, an article was released called “Writers are not keeping up” — published by the Writers Guild of America contract. This article was the start of the Writer’s Strike, expressing how writers are feeling devalued and objectified in harsh work environments, including tiny rooms and decreased pay as well as being overworked. 

The demand for writers is based on the switch to streaming from many if not most, entertainment channels. Because of the high demand, another complaint is the lack of experienced writers being hired to fill the gaps — with below or bare minimum pay giving the green light to have an excuse to pay less. 

Writers have also stated they have felt like second class to the actors and directors — being undervalued in the workplace despite doing double the amount of work and hours.

As a result of this strike taking place, the Screen Actor Guild also went on strike, and actors across all platforms made statements and interviews about the unfair treatment and harassment of their writers and staff. 

Actors such as Amanda Seyfried, Rob Lowe and Wonda Sykes all stood in solidarity with the writers during the protest. One main reason the actors joined the strike with the writers was to address the use of AI versions of themselves; using their likeness for gain in media. The SAG strike lasted until Nov. 9 of this year, meaning both WGA and SAG strikes are now over. WAG reached a tentative agreement with the Alliance of Motion Picture and Television Producers back in September, and slowly but surely, they reached an agreement with the Screen Actors Guild as well. 

As for what this means for entertainment, the agreement is effective in protecting writers and giving proper residuals for international viewing. Due to streaming becoming the new wave of entertainment, the agreement takes effect now giving proper pay toward its writers with the royalties standing in their favor. 

Many movies will be delayed due to the strike shutting down production studios, with many directors and producers walking out. TV shows may resume, but will also be pushed back for months without new episodes. As for actors, the agreement gives them more security knowing they are protected against their likeness being used. 

As for the future of entertainment, the WGA contract term will be in effect until May 2026 — keeping in effect this protection for the people behind the entertainment consumed.      



Contact the author at tduff23@mail.wou.edu

Netflix’s interactive rom-com changes the rom-com game

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Three handsome, single men are fighting for a young woman’s affection… Now, the woman’s dilemma has become choosing just one — the current lawyer boyfriend who just proposed, the famous rockstar or the schoolteacher with a history? Such is the predicament of Cami Conway, the protagonist of the Netflix hit, “Choose Love.”

What separates “Choose Love” from other modern romantic comedies is that the viewers have a say in choosing the perfect man for Cami. Watch with friends and they will be fighting over the remote to pick either Paul, Rex or Jack. 

Karis D’Orazio, a sophomore at Western and a rom-com fan, said she appreciated this aspect. “You got to pick the guy you liked, instead of watching the whole movie with a guy you didn’t like,” D’Orazio said.

A fun aspect of the movie is that the viewers may go back and undo their choices to receive different endings. The movie has six different endings depending on the decisions the viewer makes on behalf of Cami, however, the many options “took away from the story a little,” said D’Orazio. “You didn’t feel that fulfillment that you feel when you usually watch a rom-com.”

Fans of “Choose Love” have utilized popular social media apps, such as TikTok, to recommend it to others. “It popped up on my For You Page enough for me to be like, okay, I’m going to go look at this movie,” D’Orazio said. Watchers have shared what they would have changed about the movie to make it more enjoyable: “I feel like it could have been a series instead of a movie. You didn’t get to know the characters very well,” said D’Orazio.

This movie is just a gateway for the other interactive content Netflix has to offer. If a rom-com doesn’t resonate, there are interactive adventure, horror and animated shows. These shows and movies can generate feelings of authority in times when everything seems out of control. 


Contact the author at howlentertainment@wou.edu

Headline: Champions vs. champions

Analyzing the National Cheer Association’s College Daytona performances from Navarro and Trinity Valley

Jude Bokovoy | Lifestyle Editor

 

Contact the author at howllifestyle@wou.edu

 

This article contains spoilers for competition results and season two of “Cheer.”

Navarro cheer team is one of the most well known collegiate cheerleading teams in the U.S. Navarro can be easily recognized by their sparkly red and black uniforms, incredible stunting abilities and team spirit. In 2020, Netflix released a documentary about Navarro’s road to reach the National Cheerleaders Association National Championship in Daytona Beach, Florida, called “Cheer.” The show and the team’s execution of their routine was a major success. Navarro was named the 2019 National Champion in Daytona’s advanced large coed junior college division. 

Daytona is NCA’s Collegiate Dance and Cheer Competition. To be able to participate in Daytona, each team needs to qualify by either getting bid on at an NCA camp or approved by sending in a video. Cheerleading teams come from all over the country to experience and compete in the notorious Daytona.

This January, the second season of “Cheer” was released that included their rivals, Trinity Valley Community College. Throughout the season, they went back and forth showing how each team prepared for Daytona, as well as the ups and downs throughout the season. Both teams were incredibly talented and had viewers on their toes, wondering who was going to be the 2021 National Champions. TVCC ended up placing first, stealing Navarro’s national title. 

Although both of these teams are located in Texas, they couldn’t be more different. Days before Daytona, many competing teams performed a showcase of their routines for their friends, families and fans. At TVCC’s Daytona showcase, the camera crew made it clear that they were only focused on certain individuals, by exclusively filming certain cheerleaders as they were executing their skills. Their routine was extremely tumble heavy leaving viewers in awe, however it seemed they were more focused on the individual spotlight rather than working as a team. It didn’t go unnoticed that many of them did not smile during the duration of their performance. 

The Navarro routine was team-based. Everyone had a smile on their face and they were energetic while performing their fluid routine. Navarro’s baskets and transitions were jaw dropping. As always, their choreography lit up the mat. What these two teams had in common were the high magnitude of tumbling, stunts and ambition. 

This year TVCC decided to enter into the advanced small coed division, meaning that they did not end up competing against Navarro. During the weekend of April 6 – 10, NCA’s Daytona provided each team two days to perform their routine twice in hopes of taking home a trophy. 

Throughout TVCC’s day one performance, their tumbling was clean but the stunts were not. There were many shaky dismounts, two stunts needed to be saved and the center group for their main pyramid fell. TVCC made a comeback on day two; their team jump combo was level throughout the team, the baskets were very high and the center tumbler had lots of energy. Unfortunately in the same middle stunt group, the flyer slipped during the pyramid. While making their final exit on day two, each member of the team did actions towards the crowd of an “I’m the best” mentality, iconic of the individualistic mindset that is rampant in TVCC.

On the other hand, Navarro blew it out of the park for both days’ performances. On day one, their beginning tumbling sequences were intense, all of their pyramids were executed well and included elaborate transitional stunts. On day two, all of their one-man stunts were solid; they nailed their first jump combo of a toe touch to a b-twist and they performed choreography with enthusiasm. The only notable flaw from Navarro was during one of their pyramids in which well known athlete Gabbi Butler slipped but regained balance while doing the choreography. When Navarro left the mat on day one and two they all hugged each other and exited as a supportive team.

At the end of the day, both TVCC and Navarro executed their intense routines very well. Both included elaborate baskets, jump combinations, tumbling and pyramids; because of their determination and skill Navarro and TVCC went home as the 2022 National Champion for their respective divisions.

Popular movies and TV coming to streaming

The critically acclaimed media coming to Netflix, Disney+ and Hulu this October 

Camille Lenning | Entertainment Editor

Classes are back in session, which can mean more stress for students. For those who need a break from homework, here’s a sneak peek into some of the critically acclaimed movies and television shows coming to streaming services this October. 

Coming to Netflix:  

  • “Seinfeld” (1989) ⏤ Oct. 1. All nine seasons of the famous sitcom featuring Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards. Rotten Tomatoes score: 89%. 
  • “Till Death” (2021) ⏤ Oct. 1. A romantic lake house vacation turns deadly when Emma’s husband enacts a revenge plot against her. Rotten Tomatoes score: 88%.
  • “On My Block” (2018) ⏤ Oct. 4. Two years after Monse’s departure from Freeridge, the group is back together, and this final season will explore their changed dynamic as they navigate new threats in the neighborhood. Rotten Tomatoes score: 95%. 
  • “YOU” (2018) ⏤ Oct. 15. In season three, Joe and Love are raising their newborn son in a Californian suburb. But when Joe’s attention shifts to their next door neighbor, Love must take drastic measures to protect her perfect family. Rotten Tomatoes score: 90%. 

    Coming to Disney+:

    • “Black Widow” (2021) ⏤ Oct. 6. Natasha Romanoff must confront her dark past as an assassin — and the people she left behind — when a new foe arises. Rotten Tomatoes score: 79%. 
    • “Marvel’s What If…?” (2021) ⏤ Oct. 6. Marvel’s newest addition to their growing media arsenal comes to a close in the finale episode. Rotten Tomatoes score: 93%. 

    Coming to Hulu:

    • “Crimson Tide” (1995) ⏤ Oct. 1. Set after the Cold War, a rookie lieutenant commander of the submarine USS Alabama stages a mutiny to prevent the captain from starting a nuclear war with Russian extremists. Rotten Tomatoes score: 88%. 
    • “Escape from Alcatraz” (1979) ⏤ Oct. 1. Frank Morris, a criminal with a reputation for breaking out of prison, is sent to Alcatraz and crafts a plan to escape the inescapable. Rotten Tomatoes score: 96%.
    • “Goldfinger” (1964) ⏤ Oct. 1. When gold magnate Auric Goldfinger is suspected of concocting a scheme to rob Fort Knox and cripple the world economy, 007 must foil the plot. Rotten Tomatoes score: 99%. 
    • “Grey’s Anatomy” (2005) ⏤ Oct. 1. The season 18 premiere will feature the doctors at Grey Sloan Memorial Hospital treating patients after the COVID-19 pandemic, and introduce new obstacles as they try to employ doctors. Rotten Tomatoes score: 84%. 
    • “Mad Max” (1979) ⏤ Oct. 1. In a world where oil shortages have led to famine, war and financial crisis, police officer Max goes rogue to avenge his murdered wife and son. Rotten Tomatoes score: 90%. 
    • “The Hunger Games” (2012) ⏤ Oct. 1. Every year, the Capitol picks two children from each assigned district to join a bloodthirsty competition. When Katniss Everdeen volunteers to save her sister, her life is changed forever. Rotten Tomatoes score: 84%. 
    • “Waitress” (2007) ⏤ Oct. 1. Waitress Jenna is married to an abusive husband and stuck in a small town, with plans to escape ⏤ but complications arise when she begins an affair with the town doctor. Rotten Tomatoes score: 89%. 

    Contact the author at entertainmenteditor@thewesternhowl.com

    Catch these flicks coming out in April

    Watch from home or hit the theaters for these new movies

    Natalie‌ ‌Dean‌ ‌|‌ ‌Entertainment‌ ‌Editor‌ ‌ ‌

    There are always new movies hitting streaming services, and with select movie theaters opening back up, there are even more films to enjoy in April, while social distancing. Some films are re-releases of old school favorites, like Sky High, or popular series like Shadow and Bone. Whether people are going out or staying in, here are over twenty of the latest titles to hit the silver screen ⏤ and laptop screen ⏤ this month:

    April 2

    • “Every Breath You Take” (AppleTV, Vudu, Amazon Prime)
    • “Roe v. Wade” (YouTube, GooglePlay, Amazon Prime, Vudu, Apple TV)
    • “Assault on VA-33” (YouTube, Vudu, Amazon Prime)
    • “The Girl Who Believes in Miracles” (Select theaters)
    • “Sky High” (2005) (Disney+)
    • “The Unholy” (Select theaters)
    • “Just Say Yes” (Netflix)
    • “Madame Claude” (Netflix)
    • “Godzilla vs. Kong” (Select theaters) 

    April 6

    • “Dawn of the Beast” (Amazon Prime)
    • “The Enormity of Life” (AppleTV, GooglePlay, Vimeo, FandangoNOW)

    April 7

    • “Dolly Parton: A Musicians Tribute” (Netflix)

    April 8

    • “The Power” (YouTube, GooglePlay, AppleTV)

    April 9 

    • “Voyagers” (Select theaters)
    • “Thunder Force” (Netflix)
    • “Held” (Theaters)
    • “Naked Singularity” (Select theaters)

    April 10 

    • “The Nameless Days” (Select theaters)

    April 16 

    • “Vanquish” (Select theaters)
    • “In the Earth” (Netflix, Disney+)
    • “Killer Among Us” (Select theaters)
    • “Monday” (Amazon Prime)

    April 20

    • “Night of Sicario” (FandangoNOW)

    April 22

    • “Stowaway” (Netflix)

    April 23

    • “Shadow and Bone” (Netflix series) 
    • “Together Together” (Select theaters)
    • “Mortal Kombat” (HBO Max)
    • “Demon Slayer The Movie: Mugen Train” (Select theaters) 

    Contact the author at ndean17@wou.edu