Zoë Strickland | Editor-in-Chief

Alejandro Rose-Garcia, also known as Shakey Graves, announced his fifth album with a warning: that fans should prepare to sell their suspenders. While Graves set out to release “Can’t Wake Up” as a departure from his previous albums, the record houses the same down-home feel that can be found in his earlier work, with a touch more gloom and a little less fingerpicking.

I was introduced to Graves’s music through an episode of NPR’s Tiny Desk Concerts. The concert emphasized the sort of music that the artist is famous for — a combination of folk and blues, with a touch of rock n’ roll rolled in — the same kind of music that he’s trying to take a departure from in “Can’t Wake Up.”

In “Can’t Wake Up,” Graves has set up a world of mystery, reminiscence and surreal situations. His lyrics are self-analyzing, dark and dreamy, while the music itself is somewhat psychedelic and layered — these things work together to create an audio representation of the world depicted on the cover of the record.

Though the album’s core still houses the warm vocals and strands of guitar-heavy backing that punctuates his previous four albums, Graves has shifted his sound to being more pop- and rock-heavy. Rather than embracing a low-budget, found-on-the-street sound, “Can’t Wake Up” is noticeably different when it comes to production. Each track has a larger and more robust presence.

“Counting Sheep” is possibly the catchiest song on the record. It was one of the first singles released and provides a dose of shock regarding what the album will be like. The track marries the sound that Graves is pushing away from with the one he’s embracing. Rather than focusing on a solo voice, the song employs the use of Graves’s own different pitch backing vocals to fully immerse listeners in the hazy world that’s being created. I challenge you not to sing it at the top of your lungs.

The album then shifts into the ultimate summer dance anthem; “Kids These Days” is an indie-sounding bop that spends time reminiscing about the feeling of indestructible youth.

Though many of the tracks are powerhouse anthems, “Climb on the Cross,” “Neighbor” and “Mansion Door” show a slower side of the album; while the starting tracks are bellowing, the slower songs work to combat some of the more high-energy pieces and bring both the album and the listener back into the the dreamscape.

Though Graves billed “Can’t Wake Up” as a great departure from his earlier music, the album still feels like Shakey Graves — it still feels like the warm country-folk songs that he’s been playing since his first album. Simply put, “Can’t Wake Up” is a great album. Though die-hard fans of Graves’s older work may be discouraged, this album is worth the listen. It embraces a lot of what’s currently being done in popular music, but the record retains a sense of originality.

Contact the author at journaleditor@wou.edu

Photo by: shakeygraves.bandcamp.com