Mount Hood

alt-J’s “The Dream” album review

Written by: Kiera Roedel | Copy Editor

Content warning: this article contains references to murder, domestic violence, drugs and addiction.

The death of the American Dream seems a strange subject to tackle for British indie rock trio alt-J, but that is exactly what they did with their fourth studio album, “The Dream.” Released Feb. 15, 2022, the album contains 11 songs, each a short vignette of somebody’s life in modern-day America. The band’s trippy songwriting, with spare, occasionally nonsensical lyrics and stunning guitar work, does a great job of telling these stories in an emotionally impactful and musically satisfying way, exuding the sensation of wandering through the quiet streets of a dying city, where sickly green weeds peek up from cracks in the sidewalk.

“Bane” — The first sound in the first song on this album is the snap-pop of someone opening a soda can, which kind of gives one an idea of what they’re in for here. “Bane” tells the story of a teenager who is so addicted to cola that they dream about a swimming pool full of it. Using plenty of choral vocals and guitar, and a quote from Jesus’ crucifixion — “My God, my God / Why hast thou forsaken me?” — this is an absolutely incredible opening track. 

“U&ME” — If somebody asked about my favorite song of all time, this would be a serious contender. It is one of the most radio-friendly on the record, it’s much more firmly structured and layered musically than most of the other songs, and more positive lyrically. It was also the album’s first single. Its subject is someone spending a summer day high on psychedelics with their partner at a music festival, upon which the singer concludes, “I could hold on to the memory of that day for the rest of my life.” It’s a simple pleasure in a complicated world.

“Hard Drive Gold” — “Hard Drive Gold” is sung from the perspective of a self-important 15-year-old boy who becomes a millionaire by trading cryptocurrency. One of the shortest songs here, it has a catchy chorus and excellent percussion. Fittingly, the music video is about a nuclear attack on the United Kingdom. Neither a critique nor an endorsement, the band stated, “How ironically you interpret [the track’s] message is entirely up to you.” It was a perfect choice as the album’s third single and an overall very solid song.

“Happier When You’re Gone” — Following two radio-friendly songs, “Happier When You’re Gone” is a ballad that swells and shrinks multiple times; its subject is a disgraced lover who kills their partner in a fit of jealous anger. The pre-chorus is ominous, saying, “The smell of burning cattle / hangs on the westerly / sweeping up through the ferns,” which I honestly cannot begin to try to interpret. It’s an okay fourth track.

“The Actor” — Musically, “The Actor” picks up right where “U&ME” left off, which I definitely appreciate. It’s about a theoretical aspiring actor who can’t get a big break and ends up selling cocaine to Hollywood stars. It’s the album’s fourth single and easily one of its best tracks.

“Get Better” — A strange choice for the record’s second single considering how slow and long it is — almost six minutes. It’s also seriously heart-wrenching, its subject being a beleaguered lover whose partner is slowly dying in the hospital. Its lyrics give an idea of what their life together was like, and it’s so sad it sometimes makes me hesitate to listen to “The Dream” start to finish. It’s a bit disingenuous to call the song skippable for that reason, though, it really is great, it’s just not for casually listening to.

“Chicago” — Starting off slow and acoustic, “Chicago” soon shifts to a biting techno track inspired by the music genre it shares a name with, Chicago house. Its lyrics are about a sibling pair hiking in the hills above a town until one of them falls to their death. Blunt and substantial, alt-J pulls off this new musical territory perfectly.

“Philadelphia” — The second song on “The Dream” to take its name from an American city, I can’t help but wonder why the band chose Chicago and Philadelphia specifically. Regardless, “Philadelphia” is told from the perspective of a recent murder victim who hasn’t died yet, wondering how they got there as they bleed to death in the street. The band describes death as “… losing my ability to fathom / Awake and not awake,” which I find fittingly poignant.

“Walk a Mile” — The embodiment of the slow, skippable intro stereotype, when one digs into it, “Walk a Mile” is a fantastic song. “Lyrically simple but melodically diverse,” lead singer Joe Newman said about it. Yet another track about death, it touches on alt-J’s frequent topic of domestic violence and references one partner drowning the other. Musically it’s slow but full-bodied and incredibly satisfying. 

“Delta” — Less than a minute long, “Delta” is an interlude with simple lyrics and no instruments. Perhaps its most interesting feature relates to its title — alt-J is actually the band’s nickname, its rarely-used actual name being Δ, the Greek letter delta. The nickname comes from the Mac keyboard shortcut to type a delta. Clearly, then, this song is important to the band, but I don’t really see it.

“Losing My Mind” — “Losing My Mind” calls back to the musical style of “Happier When You’re Gone” and “Walk a Mile,” though it is faster and more percussion-intensive than either of them. It tells the story of the victim of a serial killer who targets children. Its music builds without a release, which makes the music as strangely uncomfortable as the lyrics. In this case it works in the song’s favor.

“Powders” — Rife with spoken words, including a skit in the middle recorded by drummer Thom Sonny Green and his girlfriend, “Powders” ends “The Dream” on a strangely positive note. With quiet piano and a three-word chorus, it tells of a schoolboy who falls in love with his cashier while buying cologne. It makes the listener wonder what alt-J’s intent really was with this album, with so many stories about murder and dying capped off by one of love.

With its dark and brooding look at Americana and the human condition, “The Dream” definitely requires a degree of emotional commitment. But when one sinks their teeth into it, they find a sensational album filled with experimental songs, amazing instrumentals and lyrics about everything from soda to the murder of children. Turn up your speakers for this one.

10/10.

Contact the author at howlcopyeditor@wou.edu

Bright songs for cloudy days

Written by: Sadie Latimer | News Editor

“Ventura Highway” — America

“Hurricane (Johnnie’s Theme)” — Lord Huron

“Nellie” — Dr. Dog

“Mamma Mia” — ABBA

“First Time” — Hozier

“French Navy” — Camera Obscura

“Only In Your Heart” — America

“Waterloo (English Version)” — ABBA

“Jackie and Wilson” — Hozier

“Where’d All the Time Go?” — Dr. Dog

“Out of My Mind” — Trousdale

“Kids” — Current Joys

“To Noise Making” — Hozier

“Fool for Love” — Lord Huron

“Here You Come Again” — Dolly Parton

“Saturn Nights” — America

Contact the author at howlnews@mail.wou.edu

Limitless frontiers

Written by: Jaylin Emond-Hardin | Entertainment Editor

Tracing its origins back to Mary Shelley’s 1817 novel “Frankenstein,” science fiction has always blurred the lines between myth and fact. With the space race in the 1950s, the genre blossomed further into what it is today. Telling stories of unknown worlds and larger-than-life creatures, sci-fi brings to life mankind’s “what ifs.” 

With more than 30 subcultures, it can be daunting to explore sci-fi, especially when diving into the genre for the first time. In this list, one will find movies, shows and books to begin or continue a journey into the world of science fiction. 

Classic Sci-fi — Foundational works that shape the genre. It oftentimes serves as a lens for mankind to look through and focuses on questions like, “What does it mean to be human?” and “How do we adapt to changing technology?”

“The War of the Worlds” — Whether the original H.G. Wells publication, the Orson Welles radio broadcast or any number of its film adaptations, “The War of the Worlds” is as classic as one can get. Following an unnamed protagonist, the story is written as a firsthand account of a Martian invasion devastating Earth. When Welles read the book on a radio broadcast in 1938, his reading was so realistic that it caused panic among listeners. Most of the movie adaptations have low fan ratings, so the novel or the radio broadcast is recommended. 

“Planet of the Apes” — Originally published in January of 1963, the French novel was released under the title “La Planete des Singes” and was written in the style of a translated manuscript. A movie adaptation was released in 1968, and the movie franchise now spans ten movies. The most recent four are considered to be reboots, but tell the story of the events leading up to apes becoming the dominant species. “Kingdom of the Planet of the Apes” follows a similar storyline to the original novel, but still takes its own spin on the retelling. 

Sci-fi Horror — This subgenre takes the basic elements of science fiction, but twists them with suspense, fear and utter dread. Often revolving around uncharted territories, alien life or hostile technologies, it thrives on the tension between discovery and terror and reminds mankind of our hubris.

“Alien: Romulus” — The newest in the “Alien” franchise, “Alien: Romulus” is set between the events of the first two films. A group of space colonists, led by Rain Carradine, seek to escape from the oppressive Weyland-Yutani Corporation. To do so, they must scavenge parts from an abandoned science station split into two parts — Romulus and Remus. What the group finds, however, is much more terrifying and deadly. 

“Paradise-1” by David Wellington — When communications with Earth’s first deep space colony go silent, Alexandra Petrova is sent with doctor Zhang Li, pilot Sam Parker and ship robot Rapscallion to make contact and figure out why communications have shut down. When their ship’s AI, Acteon, becomes corrupted, they soon find out that things are much more sinister and complicated than they had realized. Facing off against infected AI systems, cannibals and contagious, deadly delusions, this strange crew is pitted against forces alien even to Zhang, the only survivor of a similar outbreak at another colony. 

Kaiju — The term “Kaiju” comes from Japanese, meaning “strange beast,” with the genre originating in Japanese cinema and gaining popularity globally. It is characterized by giant monsters, with a focus on the human vs. nature conflict as humanity attempts to confront these creatures. 

“Godzilla” — The most current “Godzilla” reboot, this film kicks off Legendary Studio’s “MonsterVerse.” Following US Naval Officer Ford Brody as he learns the US government has been hiding the existence of Godzilla and other unidentified monsters, known as MUTOs. The film is filled with elements commonly seen in most “Godzilla” movies, while also breathing its own life into the start of a franchise. Its sequel, “Godzilla: King of the Monsters,” sees Godzilla facing off against his archenemy, King Ghidorah, a three-headed, winged monster.

“Pacific Rim” — When Kaiju begin to emerge from an interdimensional portal at the bottom of the Pacific Ocean, humanity builds giant mecha suits, known as Jaeger, to combat them. Twelve years later, the program begins to lose funding, and in a last-ditch effort, washed-up Jaeger pilot Raleigh Becket is pulled from retirement to pilot one of the last four mecha suits. 

Space Opera — Often overlapping with classic sci-fi, these are sweeping narratives that emphasize the human experience amidst the vastness of space. The stories span galaxies and feature epic battles, galactic politics and moral dilemmas.

“Star Wars” universe — When sci-fi is mentioned, most people think of any one of the shows, movies or video games in the “Star Wars” universe. Spanning across three generations, the main film series follows the Skywalker family and their place within the galaxy. With other series, books, video games and even comic series following other storylines within the galaxy, there is no shortage of content to explore within this universe. 

“Ender’s Game” — Whether the 1985 novel by Orson Scott Card or the 2013 movie starring Asa Butterfield, Harrison Ford and Hailee Steinfeld, “Ender’s Game” is part space opera and part military fiction. To prepare for a third alien invasion, Earth’s international military force begins recruiting and training children to become elite officers, including protagonist Ender. Both the novel and the movie follow Ender during his time at Battle and Command School, and the themes of colonization, genocide and the exploitation of children make the book and movie much deeper than meets the eye.   

Military Sci-fi — Warfare is the focus of this subgenre, especially the experiences of soldiers in futuristic or extraterrestrial settings. The basics of sci-fi are blended seamlessly into the aspects of military life and often focus on themes of duty, loyalty and morality of war.

“Halo” universe — “Halo” has evolved a lot since it started as a video game back in 2001. Since its release, the popular franchise has evolved into 12 games, 35 books, five movies and a series streaming exclusively on Paramount+. Each different format has its own timeline within the universe, with the video game series being the pure, canonical timeline. All iterations follow Spartan John-117, known as Master Chief, a genetically superior soldier who serves the United Nations Space Command in their fight against the Covenant — a military alliance of various alien species, united under one religious worship. 

“Warhammer 40K” — Originally a miniature tabletop game, “Warhammer 40K” has long since evolved into a franchise of video games, novels and an in-the-works TV show with Henry Cavill set to produce and star in it. Combining sci-fi and fantasy elements, “Warhammer 40K” pits humanity against hostile alien races and occult forces. Space Marines are typically at the center of the universe’s media and are favored by most tabletop players. Creator Rick Priestly cites J.R.R. Tolkien, H.P. Lovecraft, “Dune,” “Paradise Lost” and “2000 AD” as major influences for the universe. 

Contact the author at howlentertainment@wou.edu

Intro to K-POP

Written by: Ruth Simonsen | Digital Media Manager

“XO (Only If You Say Yes)” — ENHYPEN

“DNA” — BTS

“Cosmic” — Red Velvet

“WORK” — ATEEZ

“Magnetic” — ILLIT

“New Jeans” — NewJeans

“STEREOTYPE” — STAYC

“BANG BANG BANG” — BIGBANG

“Fact Check” — NCT 127

“CRAZY” — LE SSERAFIM

“Monster” — EXO

“God’s Menu” — Stray Kids

“Spell” — SEVENTEEN

“Supernova” — aespa

“I Need U” — BTS

“Killin’ It” — P1Harmony

“As If It’s Your Last” — BLACKPINK

“Strategy” — TWICE

“Deja Vu” — TOMORROW X TOGETHER

“INCEPTION” — ATEEZ

“Into the New World” — Girls’ Generation

“Fatal Trouble” — ENHYPEN

“Dimple” — BTS

“Crazy Form” — ATEEZ

“MAESTRO” — SEVENTEEN

“Rainism” — Rain

“Falling Up” — Stray Kids

“My Heaven” — BIGBANG

Contact the author at howldigitalmediamanager@wou.edu

Book buying alternatives

Written by: Jaylin Emond-Hardin | Entertainment Editor

We can all admit it — Barnes and Noble is a pretty great store, and buying books from Amazon is more than convenient. While there is nothing wrong with buying from these sources, more and more people have begun to search for much more ethical ways to purchase books. Often, major booksellers promote overconsumption or support authors, viewpoints and movements that do not align with the book buyer’s ideology. That being said, here are three of the best alternatives.

Libraries/Libby — This is perhaps the best alternative, as it doesn’t require any money to sign up for and use, instead just a valid form of identification and proof of address. By signing up for a library card, one immediately receives access to all titles within the library system. For example, the Chemeketa Cooperative Regional Library Service serves Polk, Yamhill and Marion Counties. Library cardholders receive access to 18 libraries across each county, which include Monmouth, Independence and Dallas libraries. Western students aren’t even required to show proof of address, they just need to indicate that they are college students by showing their Western ID or proof of enrollment. With the library card comes access to Libby, an online library with audio and e-books. The only drawback to these services is the often long waitlist for books, though the zero cost might make the wait worth it. 

Secondhand and indie bookstores — Secondhand and indie bookstores are another great alternative, especially if one prefers to own whichever book one is reading. Secondhand bookstores typically use a buy, sell, trade method to get the books they sell, where they buy books from people looking to sell or they trade books of the same value — most stores have a staff member dedicated to this method. When these places do sell new books, they are often purchased from the publisher, so it is a much more ethical approach to buying new books. Indie bookstores operate similarly and run independently. Both kinds of stores often feature independent authors as well, often spotlighting local authors. 

Other online bookstores — If online bookstores are what one is looking for, then there are plenty of alternatives to shopping on Amazon. Websites like thriftbooks.com, bookshop.org and libro.fm are some of the most popular and do not just sell thrifted and independent books, but also support local bookstores and literacy programs across the country. On these sites, customers can purchase books and audiobooks, while also selecting which partnered bookstore they wish to support. The books will come through the mail and the bookstores will still be supported.

Contact the author at howlentertainment@wou.edu

“War of the Rohirrim” review

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers

When “The Lord of the Rings: The War of the Rohirrim” debuted, it had been a decade since Middle Earth had been seen on silver screens — “The Hobbit: The Battle of the Five Armies” was still running in theaters.

“The War of the Rohirrim” is set 183 years before the events of “The Lord of the Rings.” It follows Héra, voiced by Gaia Wise, as she and her father, the legendary Helm Hammerhand, defend their people from Wulf, a ruthless Dunlending lord, voiced by Luke Pasqualino. The film is narrated by Miranda Otto, who played Éowyn in the original trilogy.

When Helm kills Wulf’s father in a brawl and exiles Wulf, the man swears revenge against the people of Rohan, especially those who live in the village of Edoras. He kidnaps Héra, and she learns of his plan to lay siege to Edoras, eventually escaping to tell her father and brothers. The Rohirrim prepare for all-out war but must flee to the Hornburg when they are betrayed by one of their own. 

There, the Dunlendlings continue to lay siege upon the Hornburg, with Helm Hammerhand dying in defense of the keep. Now the last of her house, it is up to Héra to lead her people to victory against Wulf and the Dunlendings. 

The film is a vibrant return to Middle Earth, as well as a return to animated films in the Middle Earth cinematic universe — “The Hobbit” and “The Lord of the Rings” movies of the late seventies were both animated.

Directed by Kenji Kamiyama, the film blends detailed scenery with characters animated in a way reminiscent of Studio Ghibli films. However, not all fans are happy with this choice of animation. The film has received poor reviews, mostly in relation to the art style rather than the plot. At my showtime, one man walked out when he realized it was animated — when there were only seven in the theater to begin with. 

Despite poor reviews, the film has grossed $15 million at the global box office so far, earning $4.5 million in just its opening weekend. 

“War of the Rohirrim” is certainly not for everyone. As an avid fan of the franchise myself, I enjoyed it thoroughly. The characters were well-fleshed out and fit into the world of Middle Earth beautifully, especially considering the chronicles of the war are only in J.R.R. Tolkien’s appendices at the end of “The Return of the King.” However, if one is not as well-versed in the world of “The Lord of the Rings” or does not enjoy anime, then this film could be skipped or will be best viewed at home when released to streaming services. 

9.5/10.

Contact the author at howlentertainment@wou.edu

Fighting raccoons in the woods

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Break Stuff” — Limp Bizkit

“King for a Day” — Pierce the Veil

“Devil” — Shinedown

“Inside Out” — Five Finger Death Punch

“Are You Scared of Me Yet?” — Daisy Grenade

“More Human Than Human” — White Zombie

“Custer” — Slipknot

“Down with the Sickness” — Disturbed

“The Kids Aren’t Alright” — The Offspring

“Dance With The Devil” — Breaking Benjamin

“Last Resort” — Papa Roach

“The Vengeful One” — The Disturbed

“Headstrong” — Trapt

“You’re Gonna Go Far, Kid” — The Offspring

“Riot” — Three Days Grace

“Deadwood” — Really Slow Motion

“All American Nightmare” — Hinder

“So Far” — Buckcherry

“Kryptonite” — 3 Doors Down

“I Miss the Misery” — Halestorm

Contact the author at howlentertainment@wou.edu