Mount Hood

Fantasy heroine training

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Trouble” — Valeroie Broussard

“To Ashes and Blood” — Woodkid

“Le Monde” — Richard Carter

“Little Girl Gone” — CHINCHILLA

“Mermaids” — Florence + the Machine

“LABOUR (the cacophony)” — Paris Paloma

“Me and the Devil” — Soap&Skin

“It Will Come Back” — Hozier

“Power” — Kayne West

“Black Sheep” — Metric feat. Brie Larson

“the fruits” — Paris Paloma

“Venom” — Eminem

“ZITTI E BUONI” — Måneskin

“SHUM” — Go_A

“Supermassive Black Hole” — Muse

“Control” — Halsey

“bury a friend” — Billie Eilish

“Blood // Water” — grandson

“Play with Fire” — Sam Tinnesz feat. Yacht Money

“All for Us” — Labrinth & Zendaya

Contact the author at howlentertainment@wou.edu

Zendaya and Tom Holland

Written by: Sadie Latimer | News Editor

Hollywood’s “it couple” made a big announcement at the Golden Globes, without even saying a word. Zendaya — an actress known for her roles in “Euphoria,” “Dune” and as MJ in the Spider-Man franchise — casually flaunted her engagement ring while attending the Golden Globes. 

Zendaya and Tom Holland — best known for his role as Spider-Man — confirmed their romantic relationship in 2021. The couple has been private about their relationship, however, what they do choose to share to their fans is nothing short of captivating. 

In September 2021, Holland wished Zendaya a happy birthday by posting a picture of the couple on Instagram captioned “My MJ, have the happiest of birthdays. Gimme a call when your [sic] up xxx.”

Then, in December 2021, Zendaya posted on her Instagram two photos of Holland dressed as Spider-Man, but at different ages. She captioned the post, “My Spider-Man, I’m so proud of you, some things never change and good thing.”

Over three years later, Zendaya showed off her diamond ring at the 2025 Golden Globes. Although the couple hadn’t confirmed the news themselves, they are nothing if not intentional with their publicity. 

In a September 2023 interview with Elle magazine, Zendaya said, “Parts of my life, I accept, are going to be public. I can’t not be a person and live my life and love the person I love. But also, I do have control over what I choose to share. It’s about protecting the peace and letting things be your own but also not being afraid to exist. You can’t hide. That’s not fun, either. I am navigating it more than ever now.”

Before Holland’s post in September 2021, paparazzi were able to sneak a picture of the couple in a car, kissing at a red light. Soon after, the photos were plastered over the internet, and neither Holland nor Zendaya had a say in how or when their relationship was publicized. 

In November 2021, Holland was interviewed by GQ magazine and opened up about his lack of privacy.

“One of the downsides of our fame is that privacy isn’t really in our control anymore, and a moment that you think is between two people that love each other very much is now a moment that is shared with the entire world,” said Holland.

Now, Zendaya and Holland are sure to announce their life updates on their own terms when they want the public to know. It wouldn’t be surprising if the next thing we see from them is wedding pictures.

Contact the author at howlnews@mail.wou.edu

The living undead

Written by: Jaylin Emond-Hardin | Entertainment Editor

Bloodsucker, a creature of the night, the living undead. For centuries, vampires have been known by many names and guises.

With Robert Eggers’ “Nosferatu” in theaters, the vampire craze that followed “Twilight” is reoccurring, but this time the obsession isn’t with vampires that are sexy and glitter in the sunlight — it’s with vampires that represent sickness and malaise.

Since the Bronze Age, people have feared that the dead could return and harm the living. Stories of creatures — called vrykolakas, empusas and lamias — that attacked people in their sleep and drained them of their bodily fluids were popular in ancient Greece, and especially so in more rural areas.

These tales flourished further in medieval Europe during times of plague and disease. With a lack of knowledge of infectious diseases came the belief that those turned into vampires would prey upon their family first. 

Of course, modern research and medicine have found that the characteristics of vampires during these times can be traced back to specific diseases like porphyria, tuberculosis, pellagra and rabies.

The word vampire itself comes from Eastern Europe, where these myths were the most popular and likely originated in the first place. Digging up the bodies of those suspected to be vampires was culturally practiced in Eastern Europe, and it was the natural signs of decay — receding gum lines and the appearance of growing nails and hair — that led many to believe that the dead were continuing to live. 

Another lead-up to this belief was incorrect pronouncements of being deceased. Drunk people, the very ill and even people in a coma or a state of shock were pronounced dead, only for them to miraculously recover and come back to life. This led to stakes being driven into corpses’ hearts before burial, now known in vampire pop culture as a way to kill them.

Modern vampire tales stem from the Gothic literature of the 18th and 19th centuries. The most well-known of these is Bram Stoker’s “Dracula,” and is where the most well-known supernatural abilities of the vampire come from. For his undead creature, Stoker took influence from Vlad III Dracula of Transylvania, more commonly known as Vlad the Impaler, and Countess Elizabeth Bathory. Both real-world figures were known for bloody histories of torture and murder. 

The film “Nosferatu” then followed in 1922, but Stoker’s widow sued for copyright infringement because of how similar it was to the original novel. However, in the decades that followed, vampire fiction showed the influence of “Dracula.”

The early 20th century continued with this violent, deadly portrayal of vampires, the most notable work that came out of this period being the 1958 movie “Horror of Dracula” with actor Christopher Lee in the titular role. 

It was in this period that vampires began to take on a more sympathetic role. Anne Rice portrayed vampires as brooding and self-loathing in her book “Interview with the Vampire,” where the protagonist, Louis, often grapples with the morality of feeding from humans. Gone were the animalistic qualities of the undead creatures — now, they were closer to humans, or as close as they could get with their humanity stripped away, almost becoming creatures to pity. 

This portrayal of vampires continued into the 90s, with the creature becoming romantic. “Buffy the Vampire Slayer” featured a star-crossed romance between Buffy and vampire Angel. Angel eventually got a spin-off, which was named after him.

“Interview with the Vampire” also returned to the forefront in the ‘90s when its movie adaptation was released, starring Brad Pitt, Tom Cruise and Kirsten Dunst. The movie grossed over $223 million in its opening weekend alone. 

The turn of the century saw vampires being marketed towards teenagers. “The Vampire Diaries” and the “Twilight” saga put the supernatural beings into high school, where they tangled with love triangles, saving the world and blending in as a “normal” teenager. The two series were eventually developed for the screen and are still extremely popular, with an average of 45,000 “Twilight” fans making the pilgrimage to Forks, Washington annually.

Vampires as action heroes were also extremely popular in the 2000s, with characters such as Blade from the “Blade” trilogy and Selene from the “Underworld” series thrust into roles of heroics. These stories portrayed vampires as hunters, tracking down and killing depraved vampires and werewolves. They also dove into nuances of rivalries and social class, giving much more life to the creatures.

After the success of “Twilight,” vampires began to die off in popular culture in favor of superheroes and dystopian heroes, though there has been a smattering of vampire-related media. In 2017, the anime “Castlevania” was released, based on the 1989 video game of the same name. The series was popular on Netflix until its end in 2021 and the anime has now been moved to Apple TV, where users must buy it to watch.

2020 saw the release of “From Blood and Ash,” the first book in Jennifer L. Armentrout’s “Blood and Ash” series. Currently, “From Blood and Ash” sits as the second most popular romantasy book, though only popular in that circle of readers.

With the newest “Nosferatu” movie taking cinemas by storm, it makes sense that vampires are once again trending in social spaces. Gothic circles are especially the most excited, as the movie’s aesthetics focus heavily on that time period. 

A remake of the original, the film follows Ellen and Thomas Hutter, played by Lily Rose-Depp and Nicholas Hoult, and their entanglement with Nosferatu, played by Bill Skarsgard.

The plot is unchanged from the 1922 version, though Eggers emphasizes sensuality and sexuality, with Ellen understanding the role sexuality takes in defeating Nosferatu. 

The film grossed almost $41 million during the Christmas holiday and earned another $20 million the weekend after, beating out “The Lion King: Mufasa,” which had been released five days before. 

Only time will tell if the popularity of “Nosferatu” will continue to push vampires into the forefront of media once again, or if it will die out once the craze has stopped.

Contact the author at howlentertainment@wou.edu

alt-J’s “The Dream” album review

Written by: Kiera Roedel | Copy Editor

Content warning: this article contains references to murder, domestic violence, drugs and addiction.

The death of the American Dream seems a strange subject to tackle for British indie rock trio alt-J, but that is exactly what they did with their fourth studio album, “The Dream.” Released Feb. 15, 2022, the album contains 11 songs, each a short vignette of somebody’s life in modern-day America. The band’s trippy songwriting, with spare, occasionally nonsensical lyrics and stunning guitar work, does a great job of telling these stories in an emotionally impactful and musically satisfying way, exuding the sensation of wandering through the quiet streets of a dying city, where sickly green weeds peek up from cracks in the sidewalk.

“Bane” — The first sound in the first song on this album is the snap-pop of someone opening a soda can, which kind of gives one an idea of what they’re in for here. “Bane” tells the story of a teenager who is so addicted to cola that they dream about a swimming pool full of it. Using plenty of choral vocals and guitar, and a quote from Jesus’ crucifixion — “My God, my God / Why hast thou forsaken me?” — this is an absolutely incredible opening track. 

“U&ME” — If somebody asked about my favorite song of all time, this would be a serious contender. It is one of the most radio-friendly on the record, it’s much more firmly structured and layered musically than most of the other songs, and more positive lyrically. It was also the album’s first single. Its subject is someone spending a summer day high on psychedelics with their partner at a music festival, upon which the singer concludes, “I could hold on to the memory of that day for the rest of my life.” It’s a simple pleasure in a complicated world.

“Hard Drive Gold” — “Hard Drive Gold” is sung from the perspective of a self-important 15-year-old boy who becomes a millionaire by trading cryptocurrency. One of the shortest songs here, it has a catchy chorus and excellent percussion. Fittingly, the music video is about a nuclear attack on the United Kingdom. Neither a critique nor an endorsement, the band stated, “How ironically you interpret [the track’s] message is entirely up to you.” It was a perfect choice as the album’s third single and an overall very solid song.

“Happier When You’re Gone” — Following two radio-friendly songs, “Happier When You’re Gone” is a ballad that swells and shrinks multiple times; its subject is a disgraced lover who kills their partner in a fit of jealous anger. The pre-chorus is ominous, saying, “The smell of burning cattle / hangs on the westerly / sweeping up through the ferns,” which I honestly cannot begin to try to interpret. It’s an okay fourth track.

“The Actor” — Musically, “The Actor” picks up right where “U&ME” left off, which I definitely appreciate. It’s about a theoretical aspiring actor who can’t get a big break and ends up selling cocaine to Hollywood stars. It’s the album’s fourth single and easily one of its best tracks.

“Get Better” — A strange choice for the record’s second single considering how slow and long it is — almost six minutes. It’s also seriously heart-wrenching, its subject being a beleaguered lover whose partner is slowly dying in the hospital. Its lyrics give an idea of what their life together was like, and it’s so sad it sometimes makes me hesitate to listen to “The Dream” start to finish. It’s a bit disingenuous to call the song skippable for that reason, though, it really is great, it’s just not for casually listening to.

“Chicago” — Starting off slow and acoustic, “Chicago” soon shifts to a biting techno track inspired by the music genre it shares a name with, Chicago house. Its lyrics are about a sibling pair hiking in the hills above a town until one of them falls to their death. Blunt and substantial, alt-J pulls off this new musical territory perfectly.

“Philadelphia” — The second song on “The Dream” to take its name from an American city, I can’t help but wonder why the band chose Chicago and Philadelphia specifically. Regardless, “Philadelphia” is told from the perspective of a recent murder victim who hasn’t died yet, wondering how they got there as they bleed to death in the street. The band describes death as “… losing my ability to fathom / Awake and not awake,” which I find fittingly poignant.

“Walk a Mile” — The embodiment of the slow, skippable intro stereotype, when one digs into it, “Walk a Mile” is a fantastic song. “Lyrically simple but melodically diverse,” lead singer Joe Newman said about it. Yet another track about death, it touches on alt-J’s frequent topic of domestic violence and references one partner drowning the other. Musically it’s slow but full-bodied and incredibly satisfying. 

“Delta” — Less than a minute long, “Delta” is an interlude with simple lyrics and no instruments. Perhaps its most interesting feature relates to its title — alt-J is actually the band’s nickname, its rarely-used actual name being Δ, the Greek letter delta. The nickname comes from the Mac keyboard shortcut to type a delta. Clearly, then, this song is important to the band, but I don’t really see it.

“Losing My Mind” — “Losing My Mind” calls back to the musical style of “Happier When You’re Gone” and “Walk a Mile,” though it is faster and more percussion-intensive than either of them. It tells the story of the victim of a serial killer who targets children. Its music builds without a release, which makes the music as strangely uncomfortable as the lyrics. In this case it works in the song’s favor.

“Powders” — Rife with spoken words, including a skit in the middle recorded by drummer Thom Sonny Green and his girlfriend, “Powders” ends “The Dream” on a strangely positive note. With quiet piano and a three-word chorus, it tells of a schoolboy who falls in love with his cashier while buying cologne. It makes the listener wonder what alt-J’s intent really was with this album, with so many stories about murder and dying capped off by one of love.

With its dark and brooding look at Americana and the human condition, “The Dream” definitely requires a degree of emotional commitment. But when one sinks their teeth into it, they find a sensational album filled with experimental songs, amazing instrumentals and lyrics about everything from soda to the murder of children. Turn up your speakers for this one.

10/10.

Contact the author at howlcopyeditor@wou.edu

Bright songs for cloudy days

Written by: Sadie Latimer | News Editor

“Ventura Highway” — America

“Hurricane (Johnnie’s Theme)” — Lord Huron

“Nellie” — Dr. Dog

“Mamma Mia” — ABBA

“First Time” — Hozier

“French Navy” — Camera Obscura

“Only In Your Heart” — America

“Waterloo (English Version)” — ABBA

“Jackie and Wilson” — Hozier

“Where’d All the Time Go?” — Dr. Dog

“Out of My Mind” — Trousdale

“Kids” — Current Joys

“To Noise Making” — Hozier

“Fool for Love” — Lord Huron

“Here You Come Again” — Dolly Parton

“Saturn Nights” — America

Contact the author at howlnews@mail.wou.edu

Limitless frontiers

Written by: Jaylin Emond-Hardin | Entertainment Editor

Tracing its origins back to Mary Shelley’s 1817 novel “Frankenstein,” science fiction has always blurred the lines between myth and fact. With the space race in the 1950s, the genre blossomed further into what it is today. Telling stories of unknown worlds and larger-than-life creatures, sci-fi brings to life mankind’s “what ifs.” 

With more than 30 subcultures, it can be daunting to explore sci-fi, especially when diving into the genre for the first time. In this list, one will find movies, shows and books to begin or continue a journey into the world of science fiction. 

Classic Sci-fi — Foundational works that shape the genre. It oftentimes serves as a lens for mankind to look through and focuses on questions like, “What does it mean to be human?” and “How do we adapt to changing technology?”

“The War of the Worlds” — Whether the original H.G. Wells publication, the Orson Welles radio broadcast or any number of its film adaptations, “The War of the Worlds” is as classic as one can get. Following an unnamed protagonist, the story is written as a firsthand account of a Martian invasion devastating Earth. When Welles read the book on a radio broadcast in 1938, his reading was so realistic that it caused panic among listeners. Most of the movie adaptations have low fan ratings, so the novel or the radio broadcast is recommended. 

“Planet of the Apes” — Originally published in January of 1963, the French novel was released under the title “La Planete des Singes” and was written in the style of a translated manuscript. A movie adaptation was released in 1968, and the movie franchise now spans ten movies. The most recent four are considered to be reboots, but tell the story of the events leading up to apes becoming the dominant species. “Kingdom of the Planet of the Apes” follows a similar storyline to the original novel, but still takes its own spin on the retelling. 

Sci-fi Horror — This subgenre takes the basic elements of science fiction, but twists them with suspense, fear and utter dread. Often revolving around uncharted territories, alien life or hostile technologies, it thrives on the tension between discovery and terror and reminds mankind of our hubris.

“Alien: Romulus” — The newest in the “Alien” franchise, “Alien: Romulus” is set between the events of the first two films. A group of space colonists, led by Rain Carradine, seek to escape from the oppressive Weyland-Yutani Corporation. To do so, they must scavenge parts from an abandoned science station split into two parts — Romulus and Remus. What the group finds, however, is much more terrifying and deadly. 

“Paradise-1” by David Wellington — When communications with Earth’s first deep space colony go silent, Alexandra Petrova is sent with doctor Zhang Li, pilot Sam Parker and ship robot Rapscallion to make contact and figure out why communications have shut down. When their ship’s AI, Acteon, becomes corrupted, they soon find out that things are much more sinister and complicated than they had realized. Facing off against infected AI systems, cannibals and contagious, deadly delusions, this strange crew is pitted against forces alien even to Zhang, the only survivor of a similar outbreak at another colony. 

Kaiju — The term “Kaiju” comes from Japanese, meaning “strange beast,” with the genre originating in Japanese cinema and gaining popularity globally. It is characterized by giant monsters, with a focus on the human vs. nature conflict as humanity attempts to confront these creatures. 

“Godzilla” — The most current “Godzilla” reboot, this film kicks off Legendary Studio’s “MonsterVerse.” Following US Naval Officer Ford Brody as he learns the US government has been hiding the existence of Godzilla and other unidentified monsters, known as MUTOs. The film is filled with elements commonly seen in most “Godzilla” movies, while also breathing its own life into the start of a franchise. Its sequel, “Godzilla: King of the Monsters,” sees Godzilla facing off against his archenemy, King Ghidorah, a three-headed, winged monster.

“Pacific Rim” — When Kaiju begin to emerge from an interdimensional portal at the bottom of the Pacific Ocean, humanity builds giant mecha suits, known as Jaeger, to combat them. Twelve years later, the program begins to lose funding, and in a last-ditch effort, washed-up Jaeger pilot Raleigh Becket is pulled from retirement to pilot one of the last four mecha suits. 

Space Opera — Often overlapping with classic sci-fi, these are sweeping narratives that emphasize the human experience amidst the vastness of space. The stories span galaxies and feature epic battles, galactic politics and moral dilemmas.

“Star Wars” universe — When sci-fi is mentioned, most people think of any one of the shows, movies or video games in the “Star Wars” universe. Spanning across three generations, the main film series follows the Skywalker family and their place within the galaxy. With other series, books, video games and even comic series following other storylines within the galaxy, there is no shortage of content to explore within this universe. 

“Ender’s Game” — Whether the 1985 novel by Orson Scott Card or the 2013 movie starring Asa Butterfield, Harrison Ford and Hailee Steinfeld, “Ender’s Game” is part space opera and part military fiction. To prepare for a third alien invasion, Earth’s international military force begins recruiting and training children to become elite officers, including protagonist Ender. Both the novel and the movie follow Ender during his time at Battle and Command School, and the themes of colonization, genocide and the exploitation of children make the book and movie much deeper than meets the eye.   

Military Sci-fi — Warfare is the focus of this subgenre, especially the experiences of soldiers in futuristic or extraterrestrial settings. The basics of sci-fi are blended seamlessly into the aspects of military life and often focus on themes of duty, loyalty and morality of war.

“Halo” universe — “Halo” has evolved a lot since it started as a video game back in 2001. Since its release, the popular franchise has evolved into 12 games, 35 books, five movies and a series streaming exclusively on Paramount+. Each different format has its own timeline within the universe, with the video game series being the pure, canonical timeline. All iterations follow Spartan John-117, known as Master Chief, a genetically superior soldier who serves the United Nations Space Command in their fight against the Covenant — a military alliance of various alien species, united under one religious worship. 

“Warhammer 40K” — Originally a miniature tabletop game, “Warhammer 40K” has long since evolved into a franchise of video games, novels and an in-the-works TV show with Henry Cavill set to produce and star in it. Combining sci-fi and fantasy elements, “Warhammer 40K” pits humanity against hostile alien races and occult forces. Space Marines are typically at the center of the universe’s media and are favored by most tabletop players. Creator Rick Priestly cites J.R.R. Tolkien, H.P. Lovecraft, “Dune,” “Paradise Lost” and “2000 AD” as major influences for the universe. 

Contact the author at howlentertainment@wou.edu

Intro to K-POP

Written by: Ruth Simonsen | Digital Media Manager

“XO (Only If You Say Yes)” — ENHYPEN

“DNA” — BTS

“Cosmic” — Red Velvet

“WORK” — ATEEZ

“Magnetic” — ILLIT

“New Jeans” — NewJeans

“STEREOTYPE” — STAYC

“BANG BANG BANG” — BIGBANG

“Fact Check” — NCT 127

“CRAZY” — LE SSERAFIM

“Monster” — EXO

“God’s Menu” — Stray Kids

“Spell” — SEVENTEEN

“Supernova” — aespa

“I Need U” — BTS

“Killin’ It” — P1Harmony

“As If It’s Your Last” — BLACKPINK

“Strategy” — TWICE

“Deja Vu” — TOMORROW X TOGETHER

“INCEPTION” — ATEEZ

“Into the New World” — Girls’ Generation

“Fatal Trouble” — ENHYPEN

“Dimple” — BTS

“Crazy Form” — ATEEZ

“MAESTRO” — SEVENTEEN

“Rainism” — Rain

“Falling Up” — Stray Kids

“My Heaven” — BIGBANG

Contact the author at howldigitalmediamanager@wou.edu

Book buying alternatives

Written by: Jaylin Emond-Hardin | Entertainment Editor

We can all admit it — Barnes and Noble is a pretty great store, and buying books from Amazon is more than convenient. While there is nothing wrong with buying from these sources, more and more people have begun to search for much more ethical ways to purchase books. Often, major booksellers promote overconsumption or support authors, viewpoints and movements that do not align with the book buyer’s ideology. That being said, here are three of the best alternatives.

Libraries/Libby — This is perhaps the best alternative, as it doesn’t require any money to sign up for and use, instead just a valid form of identification and proof of address. By signing up for a library card, one immediately receives access to all titles within the library system. For example, the Chemeketa Cooperative Regional Library Service serves Polk, Yamhill and Marion Counties. Library cardholders receive access to 18 libraries across each county, which include Monmouth, Independence and Dallas libraries. Western students aren’t even required to show proof of address, they just need to indicate that they are college students by showing their Western ID or proof of enrollment. With the library card comes access to Libby, an online library with audio and e-books. The only drawback to these services is the often long waitlist for books, though the zero cost might make the wait worth it. 

Secondhand and indie bookstores — Secondhand and indie bookstores are another great alternative, especially if one prefers to own whichever book one is reading. Secondhand bookstores typically use a buy, sell, trade method to get the books they sell, where they buy books from people looking to sell or they trade books of the same value — most stores have a staff member dedicated to this method. When these places do sell new books, they are often purchased from the publisher, so it is a much more ethical approach to buying new books. Indie bookstores operate similarly and run independently. Both kinds of stores often feature independent authors as well, often spotlighting local authors. 

Other online bookstores — If online bookstores are what one is looking for, then there are plenty of alternatives to shopping on Amazon. Websites like thriftbooks.com, bookshop.org and libro.fm are some of the most popular and do not just sell thrifted and independent books, but also support local bookstores and literacy programs across the country. On these sites, customers can purchase books and audiobooks, while also selecting which partnered bookstore they wish to support. The books will come through the mail and the bookstores will still be supported.

Contact the author at howlentertainment@wou.edu

“War of the Rohirrim” review

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers

When “The Lord of the Rings: The War of the Rohirrim” debuted, it had been a decade since Middle Earth had been seen on silver screens — “The Hobbit: The Battle of the Five Armies” was still running in theaters.

“The War of the Rohirrim” is set 183 years before the events of “The Lord of the Rings.” It follows Héra, voiced by Gaia Wise, as she and her father, the legendary Helm Hammerhand, defend their people from Wulf, a ruthless Dunlending lord, voiced by Luke Pasqualino. The film is narrated by Miranda Otto, who played Éowyn in the original trilogy.

When Helm kills Wulf’s father in a brawl and exiles Wulf, the man swears revenge against the people of Rohan, especially those who live in the village of Edoras. He kidnaps Héra, and she learns of his plan to lay siege to Edoras, eventually escaping to tell her father and brothers. The Rohirrim prepare for all-out war but must flee to the Hornburg when they are betrayed by one of their own. 

There, the Dunlendlings continue to lay siege upon the Hornburg, with Helm Hammerhand dying in defense of the keep. Now the last of her house, it is up to Héra to lead her people to victory against Wulf and the Dunlendings. 

The film is a vibrant return to Middle Earth, as well as a return to animated films in the Middle Earth cinematic universe — “The Hobbit” and “The Lord of the Rings” movies of the late seventies were both animated.

Directed by Kenji Kamiyama, the film blends detailed scenery with characters animated in a way reminiscent of Studio Ghibli films. However, not all fans are happy with this choice of animation. The film has received poor reviews, mostly in relation to the art style rather than the plot. At my showtime, one man walked out when he realized it was animated — when there were only seven in the theater to begin with. 

Despite poor reviews, the film has grossed $15 million at the global box office so far, earning $4.5 million in just its opening weekend. 

“War of the Rohirrim” is certainly not for everyone. As an avid fan of the franchise myself, I enjoyed it thoroughly. The characters were well-fleshed out and fit into the world of Middle Earth beautifully, especially considering the chronicles of the war are only in J.R.R. Tolkien’s appendices at the end of “The Return of the King.” However, if one is not as well-versed in the world of “The Lord of the Rings” or does not enjoy anime, then this film could be skipped or will be best viewed at home when released to streaming services. 

9.5/10.

Contact the author at howlentertainment@wou.edu

Fighting raccoons in the woods

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Break Stuff” — Limp Bizkit

“King for a Day” — Pierce the Veil

“Devil” — Shinedown

“Inside Out” — Five Finger Death Punch

“Are You Scared of Me Yet?” — Daisy Grenade

“More Human Than Human” — White Zombie

“Custer” — Slipknot

“Down with the Sickness” — Disturbed

“The Kids Aren’t Alright” — The Offspring

“Dance With The Devil” — Breaking Benjamin

“Last Resort” — Papa Roach

“The Vengeful One” — The Disturbed

“Headstrong” — Trapt

“You’re Gonna Go Far, Kid” — The Offspring

“Riot” — Three Days Grace

“Deadwood” — Really Slow Motion

“All American Nightmare” — Hinder

“So Far” — Buckcherry

“Kryptonite” — 3 Doors Down

“I Miss the Misery” — Halestorm

Contact the author at howlentertainment@wou.edu

Holding space for “Wicked”

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: This article contains spoilers

“Wicked” has officially hit theaters. Fan excitement for the movie skyrocketed in the spring of 2023 when first-look pictures were released. Filming had started the year prior, but was halted from July to November due to the Screen Actors Guild strike. 

Being split into two movies, “Wicked” is a screen adaptation of the Broadway musical that originally premiered in 2003. The musical is based on the 1995 novel, “Wicked: The Life and Times of the Wicked Witch of the West,” by Gregory Maguire, which is, of course, based on the 1900 L. Frank Baum novel, “The Wonderful Wizard of Oz,” and its 1939 film adaptation, “The Wizard of Oz.”

Told from the perspective of witches Galinda and Elphaba, the musical follows events from before and after the arrival of Dorothy. As it progresses, the audience learns about how Elphaba and Galinda become the Wicked Witch of the West and Glinda the Good. Titled “Wicked: Part One,” the movie follows Act One of the musical, with “Wicked: Part Two” set to release sometime in 2025.

With the musical talents of Cynthia Erivo and Ariana Grande as the leading ladies, the film excels in its production design and emotional storytelling. Bathed in shades of pink and green, “Wicked” shows the importance of challenging what might be a societal norm and understanding the nuances of good and evil. Elphaba’s journey, for example, from outcast to Wicked Witch shows how society’s perceptions and labels of someone can change their identity. 

“Wicked” has also smashed box office records. With a United States opening of $114 million and a worldwide opening of $50.2 million, it is currently the biggest opening ever for a film based on a Broadway show, as well as the third-highest earning premier weekend of 2024. The original cast recording has broken records, as well, with “Defying Gravity” and “Popular” racking up a combined 7.8 million streams within the first three days of its release. 

Rounding out the cast is Michelle Yeoh as Madame Morrible, Jeff Goldblum as the Wizard of Oz, Johnathan Bailey as Fiyero and Ethan Slater as Boq. All actors will reprise their roles when “Wicked: Part Two” is released, though some will be in different forms. Bailey and Slater’s characters Fiyero and Boq are set to become the Scarecrow and the Tinman, two of Dorothy’s companions in the iconic “The Wizard of Oz.”

In my opinion, “Wicked” is an adaptation worthy of being seen. Between its well-rounded cast, a live soundtrack and allegorical messages, it is a film that can be enjoyed by all, whether one is typically a fan of musicals or not.

10/10.

Contact the author at howlentertainment@wou.edu

Max’s new series “The Penguin”

Written by: Taylor Duff | Lifestyle Editor

Content Warning: This article contains spoilers about the show and characters.  

“The Penguin,” directed by Matt Reeves, is a spin-off series to the 2022 film “The Batman.” The show is set to premiere on Max, formerly HBO Max, and is based on the character Oswald Cobblepot, in the show referred to as Oz, popularly known as The Penguin, played by Colin Farrell in the 2022 film. “The Penguin” centers on Gotham’s criminal underworld, taking a more gritty, mobster-like approach to the Batman universe. Internal power battles and conflict in the underworld are the focus, rather than large superhero encounters. Like other gangster dramas, it is an examination of identity and self-perception. Oz’s physical flaws — his bulbous nose and stocky build — make him an outcast in a society where image and looks are everything. He is always concerned with how people view him, which motivates his desire for vengeance and ambition. Oz is still reeling from the horrific repercussions of his confrontation with Batman and the mayhem caused by the Riddler. But, as Gotham’s power players compete for domination, Oz sees an opportunity. Oz is determined to reach the top, no matter the cost. The show is a ruthless examination of his schemes, friendships and betrayals as he navigates groups of competing gangs, crooked politicians and undercover cops. 

“The Penguin” also focuses on Sofia Falcone, played by Cristin Milioti. Falcone’s role is essential to the show’s intricate web of intrigue, ambition and power. She returns to Gotham after her father, Carmine Falcone, is murdered in “The Batman.” Then, her brother Alberto Falcone is killed by Oz, creating the central storyline as Sofia plans to regain her family’s legacy and establish herself as a boss. Sofia and Oz’s relationship is important to the plot. Initially, they developed a strained alliance. Both have similar goals: they desire power and influence over the city’s criminal enterprise. Plus, they have a history, as Oz used to be Sofia’s driver before she went to Arkham Asylum, which is another story entirely. However, both of their tactics and temperaments are completely different. Despite his brutality, Oz is typically motivated by his insecurities and a desire for respect. Sofia, on the other hand, displays confidence and bears the weight of her family’s past with authority. 

“The Penguin” takes viewers on an exciting journey through Gotham’s dark underbelly, following Oz’s ascent to power. The legendary villain gives a deep and engaging portrayal as a vicious crook rising through the ranks of Gotham’s crime scene. The show is notable for its emphasis on character-driven narrative, which explores themes of ambition, deception and survival. It delves deeply into the complicated motivations of its characters, from Oz’s vulnerabilities to Sofia’s strategic mindset, with outstanding performances, dramatic drama, and a dark, immersive atmosphere all in a mobster style. “The Penguin” is a must-watch for fans of Batman and anyone who appreciates crime dramas with deep, layered characters.

10/10.

Contact the author at howllifestyle@mail.wou.edu

Maui Melts student mural

Written by: Jaylin Emond-Hardin | Entertainment Editor

When the Alley Activation Project for the alleyway between the updated City Hall and the new Maui Melts location wrapped up, Western student McKenna Brinkman was tasked with painting a mural on the bare wall that hadn’t been touched by the project.

The project, funded by a grant from the AARP, aims to understand how the pedestrian alleyway can best serve the community. In two phases, the project seeks to incorporate peaceful, calming elements, while also providing an inclusive space and is part of the larger 2042 Downtown Improvement Plan. The 2042 Downtown Improvement Plan is what will guide city policy and planning over the next 20 years. 

Brinkman, who goes by “Mick,” started the mural in October, after Maui Melts owners Graham and Ruthie had seen her chalk art in The Sippery, where she has worked since the spring of this year. 

“One thing I’ve enjoyed about the job is getting to do all the art for the chalkboards,” Brinkman said. “A couple of my regulars (have) been coming in every day since they own and have been working on the new Maui Melts next door. We’ve gotten to know each other through conversations while I make their soy lattes.”

The mural — a painting of an enlarged longhorn beetle, which is native to Oregon — sits on a grey background on the east exterior wall of Maui Melts, facing Monmouth City Hall. 

“Graham and Ruthie were extremely encouraging the whole way through the month-long process,” she said. “I think (a) cool experience I had while doing this mural was talking (with) locals who would ask about it.”

Brinkman has always enjoyed art, something she says was natural to her as a child. When she came to Western as a first-year, she started as a biology major, but after taking a drawing class, she switched her major to art and never looked back. “I’ve enjoyed every single art class I have taken in my time here,” she said. “There has yet to be a moment where I have felt burnt out with art.

“I love how this has further bonded me with the Monmouth community. I am happy to leave my mark, literally, on Motown.”

Contact the author at howlentertainment@wou.edu

Unconventional Christmas carols

Written by: Jaylin Emond-Hardin | Entertainment Editor

“I Won’t Be Home for Christmas” — Blink-182

“If We Make It Through December” — Phoebe Bridgers

“All I Want for Christmas Is You” — My Chemical Romance

“Please Don’t Jump (It’s Christmas)” — Dallon Weekes

“Christmas Saves the Year” — Twenty One Pilots

“Christmas Lights” — Coldplay

“Christmas/Sarajevo 12/24” — Trans-Siberian Orchestra

“Christmas Is Going to the Dogs” — Eels

“Mistress for Christmas” — AC/DC

“White Winter Hymnal” — Fleet Foxes

“Christmas Time (Don’t Let the Bells End)” — The Darkness

“Fairytale of New York” — Vance Joy

“Carol of the Bells” — Bad Wolves

“Jingle Bell Rock” — Thousand Foot Krutch

“Merry Flippin’ Christmas” — Bowling for Soup

“We Wish You a Merry Christmas” — Weezer

“The Little Drummer Boy” — Christopher Lee

“Christmas with the Devil” — Spinal Tap

“The Child With the Star On His Head” — Sufjan Stevens

“Lights On” — Tyler, The Creator

“Holiday” — Lil Nas X

Contact the author at howlentertainment@wou.edu

Native American representation in the media

Written by: Jaylin Emond-Hardin | Entertainment Editor

During the last decade of the 19th century, Native Americans began to take part in public entertainment. Buffalo Bill employed Native Americans in his “Wild West” shows, bringing them, along with buffalo and horses, to Europe to act in romanticized depictions of cowboys, Plains Natives and outlaws. 

As the movie industry evolved, Native Americans were presented as a documentary subject — inventor Thomas Edison captured Lakota ghost dancers on early forms of cameras. The “hostile savage” stereotype first appeared on camera in the 1914 film “The Battle of Elderbush Gulch,” and became synonymous with the Western genre. In the 1950s, John Wayne was at his most macho when he was “finishing the job,” or shooting a Native who was already in their grave. Even the 1953 animated film “Peter Pan” portrays a romanticized stereotype of Natives.

These films hide the true story of what Natives endured, instead pushing “manifest destiny,” or the idea that white settlers were ordained to move west and control North America. In the post-war period, Natives were forced to live on reservations, struggled for rights and political influence and couldn’t own businesses or property outside of reservations. When the 1965 Voting Rights Act was passed — more commonly associated with the breakthrough for African American civil rights — Native Americans were given the right to vote in every state. The more defined Indian Civil Rights Act of 1968 allowed them to push for more historical and realistic media representation without fear. 

The 1970 film “Soldier Blue” was a more empathetic and realistic view of Natives, as they were involved in the filmmaking process. The movie is an allegory for the Vietnam War, wherein a soldier is enlisted to hunt Native Americans but realizes the horror of an invader army killing people on the land they are from. 

Cree activist Buffy Sainte-Marie, who wrote the title track for the movie, had said, “No one knows Soldier Blue in North America. I can guarantee you won’t find three people in the U.S. who know it. It was taken out of the theaters after a few days. … Why? What year did Soldier Blue come out? 1970? Oh, that’ll be Richard Nixon.” Sainte-Marie was also blacklisted in the United States for her political activism by J. Edgar Hoover and the Federal Bureau of Investigation during this time. 

Of course, Native American representation in the media has evolved since the days of John Wayne and Richard Nixon. The comedy-drama show “Reservation Dogs” — fondly called “Rez Dogs” by fans — follows four Native American teenagers growing up on a reservation in eastern Oklahoma. The 2021 show features an almost entirely Native American cast and crew, marking a breakthrough for Indigenous representation in the media. 

The 2023 movie “Killers of the Flower Moon” details the 1920 murders of members of the Osage Tribe, when oil was found on Osage tribal land and local political bosses sought to take control. “Killers of the Flower Moon” was nominated for 10 Academy Awards and seven Golden Globe Awards, where lead actress Lily Gladstone won Best Actress in a Motion Picture. 

“I’m excited to see more Native people actually get representation,” said Western junior Morgan Pemberton. Pemberton is Mi’kmaq and Algonquin from the Kopit Clan and the social media manager for Western’s Native Indigenous Culture Club.

“I think for a long time, even in the 2010s they were still just painting people,” she added, referencing Johnny Depp’s role as Tonto in “The Lone Ranger.”

“I see a lot of (Natives) online talk about how people in interviews will try to get them (to) talk in the traditional Native accent, which is not always accurate. I think even in having just one Native character, they’re a one-dimensional version of what Native people look like when I don’t always think that’s the case.”

Pemberton also talked about how a majority of people who watch shows like “Reservation Dogs” are not likely to be white people, but rather other Natives. The show, after all, is a love letter to Natives, from Natives.

“Not that we have to make everything to teach white people about what (it is) to be Native, but I feel like when they want to include Native people, they want to include a stereotypical Native person, which I think does a service and a disservice. It’s an only good or bad thing.”

Pemberton also spoke about how, growing up, she watched the Disney movies “Pocahontas” and “The Lone Ranger,” considering them less-than-perfect representations of Native Americans. Depp’s role in the latter was a big deal in her house. 

“Pocahontas” is considered perhaps the worst modern representation of Natives and Native history. A romanticized retelling of when the first white colonists arrived in the Americas, the titular figure’s story has little historical accuracy. Pocahontas, whose true name was Matoaka, was around 10 or 11 when the Virginia Company came to North America and did not save John Smith’s life. A few years after the colonists’ arrival, she was taken captive and converted to Christianity. When Matoaka was 18, she married John Rolfe, who was 10 years her senior and had a son named Thomas a year later. 

Matoaka was then taken to England and paraded around as a celebrity, presented as an example of a “civilized savage.” In 1617, the family set sail with the intent to return to Virginia, but the voyage was halted as Matoaka and Thomas both fell ill, and both mother and son died in Gravesend, Kent, England. The location of their bodies is unknown, and Matoaka is considered the first Missing and Murdered Indigenous Woman, or MMIW. 

“It’s really good that we have Native representation because brown Native people are more discriminated against, so having them highlighted is something I really enjoy. I do hope that there is a future in which there is nuance in talking about Natives and I think that starts in classrooms making sure teachers understand what Native identities are,” Pemberton said. 

Contact the author at howlentertainment@wou.edu

Coldplay’s “Everyday Life,” five years in

Written by: Kiera Roedel | Copy Editor

Content warning: this article contains references to police violence, war and suicide.

Nov. 22 was the fifth birthday of Coldplay’s 2019 album “Everyday Life.” The project sticks with Coldplay’s well-established pop-rock sound, but mixes in influences like classical, afrobeat and jazz, making it one of the band’s most experimental releases. 

Lyrically, “Everyday Life” focuses on unity between people, regardless of ethnic or national barriers. This is perhaps best showcased by the fact that the only-ever live performance of the full tracklist was streamed globally from the Amman Citadel in Jordan, though Coldplay themselves are British.

The album’s 16 tracks, split into “sunrise” and “sunset” halves, have proved divisive among fans. Many proclaim certain songs as some of the band’s best ever, while dismissing others as pointless filler. So, five years on, how does “Everyday Life” stack up?

“Sunrise” — “Everyday Life’s” opener is a short instrumental track driven by calm, spare string music. It is compositionally simple and its lack of lyrics really count against it for me — not a favorite.

“Church” — Considered by many to be the true opening track, “Church” is one of the strongest on the album. Its almost four minutes are driven by a strong percussion line while lead singer Chris Martin weaves a love story that compares his significant other to a divine figure. Later in the song, Arabic vocals by guest Norah Shaqur bring the entire song together, and Martin’s sing-rapped couplet at the end over them is nothing short of incredible.

“Trouble in Town” — The first appearance of this album’s oft-discussed political themes. “Trouble in Town” condemns police violence with floaty yet strong piano-centric instrumentals and a profanity-laden recording depicting verbal abuse while a police officer detains a suspect. Not for everyone, but fantastic for those unfazed by its unique characteristics.

“BrokEn” — A divisive song due to its style — an almost a capella gospel track — and a strange choice to follow up “Trouble in Town.” Its strong religious themes and direct references to God would not be out of place if sung by a church choir. I find it catchy.

“Daddy” — This song hits some harder than others. It is sung from the perspective of a child with an absent father figure, wondering where he has been and whether he will ever return. It is slow and ethereal throughout, opening with heartbeat sound effects before a somber piano melody begins a few seconds in. The emotion in this one is bare and painful, definitely a highlight.

“WOTW / POTP” — The sound of this demo track is defined by an acoustic guitar, quiet singing and birds chirping in the background. To me, it has almost no staying power and may as well have not been included.

“Arabesque” — The title here references a style of visual art involving intricate repeating patterns covering large surfaces. Similarly “Arabesque,” one of the album’s singles, discusses unifying the people, proclaiming that we “share the same blood.” Its aggressive, percussive rhythm thumps along like a freight train, and the song is without a doubt in the top 3 best on the album.

“When I Need a Friend” — Another short, less-than-impressive track. Its slow, formless, layered vocals recall holiday carols, or more church-choir music, with a Spanish spoken-word segment inserted awkwardly at the end.

“Guns” — Aggressive and biting, “Guns” begins the “sunset” segment of the album and is perhaps the antithesis to the prior track. It is extremely political, referencing climate change, oppression of the working class, violent revolutions and the military-industrial complex. I love it for that.

“Orphans” — The other single from “Everyday Life,” “Orphans” was a breakout hit and a song that many have likely heard already. It tells the struggles of a girl and her father who become refugees during the oppressive Syrian Civil War. Thematically and musically a masterpiece, this might be the objective best on the record.

“Èkó” — Calm and relaxed, the quaint and hopeful “Èkó” shares the name of a town in southwest Nigeria. Honestly, it serves pretty well as a comfort song, but nothing special. 

“Cry Cry Cry” — Angel Moon, Coldplay’s alien vocalist who is really just a digital effect, sings along with Chris Martin throughout this deceptively optimistic song. It might have been good if its themes were better developed and it had more than a verse and a half of actual lyrics.

“Old Friends” — Another slow, calm song with simple lyrics. It describes a childhood friend of Martin’s who saved him from being hit by a car when they were riding bikes as kids. While the theme is heartfelt, the song isn’t very engaging.

“بنی آدم” — The Arabic title of this song is taken from a Persian poem, pronounced “Bani Adam.” The majority of its lyrics are a verse from the poem, spoken softly in Arabic. A great idea, but it has almost two minutes of piano solo and was likely better suited to being a 90-second interlude rather than the over-3-minute full feature that “بنی آدم” purports to be. 

“Champion of the World” — To be blunt, this is far and away my favorite song on the album. Its lyrics begin with short anecdotes of the failures of the lead singer, going so far as to specifically reference suicide and gravestones. As the music slowly builds, the lyrics pull away from the depression, asserting that whatever happens, we are still here, and that is a success in itself. The song climaxes when Martin and drummer Will Champion sing in duet that “giving up won’t work / Now I’m riding on my rocket ship / And I’m champion of the world.” “Champion of the World” has the overwhelmingly positive theme and grandiose musical style that are hallmarks of recent Coldplay, and to me, it’s probably their single greatest song in the past decade at least.

“Everyday Life” — The final song, bringing back earlier themes of the album like the similarities between and power vested within the people of the world. Musically spare but proud, it uses the same chord progression as the earlier “Church,” which helps tie the album together. While a little unimpressive in the shadow of the previous song, “Everyday Life” is still an excellent closing track. 

Overall, “Everyday Life’s” occasional extremely strong tracks have their impact lessened somewhat by slow and underdeveloped songs that hold almost no significance to the overall styling of the record. Still, those strong tracks stand as some of the best in the history of Coldplay, and are each excellent on their own. Plus, “Everyday Life’s” aesthetic is confident, with unique lyrical themes and experimental music styles strongly contributing to the album’s identity. Lyrically and musically, Everyday Life shows what Coldplay can be when at its best, even if it is interspersed with a few less-than-amazing songs.

8/10.

Contact the author at howlcopyeditor@mail.wou.edu

Trap

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers and mentions of violence and suicide

M. Night Shyamalan’s most recent theatrical release, “Trap,” has hit the streaming service Max. The movie follows Cooper Abbott, played by Josh Hartnett, as he and his daughter attend a Lady Raven concert, where it is revealed they are at the center of a dark and sinister plot.

The Federal Bureau of Investigation — FBI — has set up agents, SWAT team members and police officers throughout and around the concert venue and are set on one task: to find the serial killer nicknamed “The Butcher.”

Viewers come to find out that Abbott is who they are searching for and throughout the film, he constantly outsmarts and outmaneuvers the FBI agents and their profiler, Dr. Josephine Grant. 

One of the most pivotal scenes in the movie is when Lady Raven, played by Shyamalan’s daughter Saleka, is trapped in the Abbotts’ bathroom and reveals to the family that their patriarch is The Butcher. She then uses an Instagram livestream to urge her followers to find and free Abbott’s next victim. When chosen as his newest victim, Lady Raven manages to outsmart and escape him, even while Abbott continues to stay one step ahead of the FBI.

At the climax of the film, Abbott returns home, planning on staging a murder-suicide after figuring out it was his wife, Rachel, who had reported him to the police in the first place. What he doesn’t know is that Rachel has gotten ahold of his bag and drugs him using his supplies. When the FBI and SWAT team arrive, Cooper is already hallucinating, seeing the specter of his mother. He is ultimately taken into custody, but the movie concludes with him using the spoke of a bike wheel to unlock his cuffs. 

The film is a true thriller, keeping viewers on the edge of their seats. Shyamalan is best known for his plot twists, like in his movie “The Sixth Sense,” and heavily utilizes them in “Trap.” 

The film is also based on the true story of Operation Flagship.

In 1985, the US Marshals Service sent invitations to 3,000 fugitives — with over 5,000 outstanding warrants between them all — in Washington, D.C., under the guise that they had won tickets to a Washington Redskins football game. That day, 101 fugitives attended and were arrested on the spot. “Trap” follows that sting operation, with the concert being used to find and arrest The Butcher. 

While the movie’s plot is well-written and easy to follow, it is also extremely anxiety-inducing. Hartnett’s portrayal of a level-headed killer is convincing to the point where viewers will feel as if they are caught in the trap with Cooper Abbott. 

My recommendation: if one has a history of post-traumatic stress disorder or may be sensitive to violence, do not watch this film. While the film itself is well done, Hartnett’s chilling portrayal of Abbott may be triggering. Viewer discretion is advised. 

10/10.

Contact the author at howlentertainment@mail.wou.edu

Why you should try “Grey’s Anatomy”

Written by: Hannah Field | Editor-in-Chief

Content warning: this article contains spoilers and discusses fictitious violence

Season 20 of “Grey’s Anatomy” was released to Netflix June 29, 2024, featuring ten episodes on top of its already prominent 430, spanning from 2005 to the present. Since premiering, “Grey’s Anatomy” has been nominated for 39 Emmys, won a Golden Globe Award for Best Drama Series and a People’s Choice Award for Favorite TV Drama, inspired two spin-off shows and hit an all-time audience record of 37.88 million viewers for episode 16 of season two.
The show has gone on so long that most of the main cast has moved on, their characters being killed or written off, with even protagonist Ellen Pompeo — Meredith Grey — stepping back in the latest seasons.

Most credit the success of “Grey’s Anatomy” to Shonda Rhimes, founder of the production company Shondaland and creator of “Grey’s Anatomy.” Rhimes has become well known for her tendency to kill off characters in the most tragic ways possible, with more than nine notable recurring character deaths overall. In 2015, Rhimes left “Grey’s Anatomy,” but the calamity persists in her absence.

Meredith Grey survived not just a plane crash, a shooting, a physical assault, a bomb, drowning and COVID-19, but also managed to scrape by after a miscarriage, the death of her husband, multiple deaths of her friends, losing her parents and even going to jail in season 16 for — easy guess — insurance fraud.

The show has always incorporated real-world issues, mixing them with fictitious characters and applying a level of relatability for viewers to connect to. Characters struggle with infertility, lack of insurance, love triangles, affairs, religion, relationships, family, cancer and more. “Grey’s Anatomy” takes those issues to an extreme level, allowing for an eventful watch in any episode, and often mixes humor in with how the characters interact and work together.

Most iconic are the original five interns of Seattle Grace Hospital, Meredith Grey, Cristina Yang, Alex Karev, Izzie Stephens and George O’Malley, starting strong in season one until, one by one, the team falls apart through loss, separation and other work opportunities. Most viewers refer to the first few seasons of “Grey’s Anatomy” as the best, having great rewatchability and incredible banter.

Although this might be the case for many viewers, the later seasons add more flexibility and characters and the budget increases over time, allowing for incredible set design, new actors and new plots — meaning more riveting turmoil for “Grey’s Anatomy’s” most loveable characters.

At the end of the day, “Grey’s Anatomy” is an ideal show to watch when coping with something difficult — why? Because Meredith Grey will always be having a worse day.

Contact the author at howleditorinchief@mail.wou.edu

20th century grooves

Written by: Sadie Latimer | News Editor

“Ain’t That a Kick in the Head” — Dean Martin

“Lay All Your Love On Me” — ABBA

“Could It Be I’m Falling in Love” — The Spinners

“Don’t Stop” — Fleetwood Mac

“My Girl” — The Temptations

“From Russia With Love” — Matt Monro

“When Winter Comes” — Artie Shaw and His Orchestra

“Waterloo” — ABBA 

“If Anyone Falls” — Stevie Nicks

“I Call Your Name” — The Mamas & The Papas

“Do You Believe in Magic?” — The Lovin’ Spoonful

“Rock With You” — Michael Jackson 

Contact the author at howlnews@mail.wou.edu

Hallmark-esque books

Written by: Jaylin Emond-Hardin | Entertainment Editor

While Hallmark is well known for its movies, outside the realm of children’s books, the company has no printed publications — perhaps meant to distract from its lucrative greeting card and ornament business. As the world waits for a Hallmark romance book, here are some that have the same cozy, sugary sweet vibes as their films. 

“Virgin River” by Robin Carr —

Following Melinda “Mel” Monroe as she moves to the remote mountain town of Virgin River, California after responding to a help wanted ad, Mel hopes that it will be the perfect place to escape the heartache of her husband’s passing and to refuel her love for her nursing career. However, when she arrives in the small town, she finds the roads are treacherous, the cabin she is supposed to be staying in is run down and the local doctor she is meant to be assisting wants nothing to do with her. Prepared to leave the next morning, Mel’s plans change when a baby is abandoned on the doctor’s front porch and former marine Jack Sheridan cements them further into place. The first in a 25-book series. “Virgin River” is also now a Netflix special TV show.

“Welcome to Fae Cafe” by Jennifer Kropf —

Kate Kole never meant to kill the fae assassin, she just wanted to teach him some manners. Now she has the four deadliest assassins, one of whom is the Crown Prince Cressica, from the North Corner of Ever hot on her tail for breaking a fairy law — one she didn’t even know about. However, things go sideways once the assassins arrive in the human realm. Three of the assassins get roped into running Kate Kole’s cafe and are forced to blend in by learning to do everyday tasks like doing the dishes, driving without road rage and participating in book clubs without getting into Alpha Male fights over what they’re reading. Meanwhile, Prince Cressica is determined to get revenge on Kate Kole, only to find himself enchanted with her in more ways than one. When the dark powers of the Ever Corners enter the human realm, he must make a choice that could change everything. The first in the “High Court of the Coffee Bean” series.

“Reserved” by Bridget L. Rose —

Adrian Romana should be focusing on one thing: the Drivers’ Championship. When it was snatched from him in the last race of the season, he vowed history wouldn’t repeat itself, which means no distractions — all until he meets Nevaeh Fuchs. When Formula One’s Playboy meets the shy, quiet journalist, he finds himself drawn to her more and more, even when Nevaeh is declared off-limits. Now, he’s determined to make her his, just as much as he’s become hers. The fifth of the “Pitstop” series, but can be read as a standalone.

“Where the Heart Is” by Billie Letts —

Isn’t seven supposed to be a lucky number? For Novalee Nation, it’s the exact opposite. Just an hour ago, the 17-year-old was headed to California with her boyfriend. Now, she’s stranded at a Wal-Mart in Sequoyah, Oklahoma, seven months pregnant and with just $7.77 in change. But what she ends up discovering is the small Southwestern town is full of people who would do anything to help the single mother. Between Bible-thumping Sister Thelma Husband and Forney Hull, the town’s eccentric librarian, Novalee finds people who love her even more than she loves herself. This book is a novel and has a movie based on it starring Natalia Portman and Ashley Judd. 

Contact the author at howlentertainment@mail.wou.edu