Mount Hood

Soft rock for the soul

Written by: Liberty Miller | Lifestyle Editor

“Everlong” — Foo Fighters

“Photograph” — Nickelback 

“100 Year” — Five For Fighting

“Where The Streets Have No Name” — U2

“Lovers in Japan – Osaka Sun Remix” — Coldplay

“My Hero” — Foo Fighters 

“Stop and Stare” — OneRepublic

“Drops of Jupiter (Tell Me)” — Train 

“Use Somebody” — Kings of Leon

“Viva La Vida” — Coldplay 

“Bitter Sweet Symphony – Remastered” — The Verve 

“Sweet Disposition” — The Temper Trap 

“Wonderwall” — Oasis 

“Yellow” — Coldplay 

“For the First Time” — The Script 

“She Will Be Loved” — Maroon 5 

“With Or Without You” — U2

“Iris” — The Goo Goo Dolls 

“Clocks” — Coldplay 

“Wherever You Will Go” — The Calling 

“You And Me” — Lifehouse

Contact the author at

Most anticipated reads of 2024

Written by: Claire Phillips | Entertainment Editor

If you’re a reader who’s looking for new books to add to an already-long reading list, here’s a few more to add that are being released throughout the year.

“Dungeons and Drama” by Kristy Boyce — Musical lover Riley has aspirations to become a director on Broadway, and Nathan is a nerdy employee at Riley’s dad’s game store. When Riley is grounded and has to work at her dad’s store, she doesn’t realize it meant joining Nathan’s D&D game… or flirting with him. Look for this new release on Jan. 9.

“The Color of a Lie” by Kim Johnson — In the 1950s, a Black family passes as white and moves to a “Whites Only” town. Caught between two worlds, teenager Calvin puts his family at risk as he uncovers the racist secrets of the suburbs. Look for this new release on June 11.

“These Deadly Prophecies” by Andrea Tang — Tabatha Zeng, a sorcerer’s apprentice, finds herself caught up in the sorcerer’s death — that he predicted. In order to prove her innocence, she must solve her boss’s murder. Look for this new release on Jan. 30.

“Tehrangeles” by Porochista Khakpour — The four daughters of wealthy reality-TV stars are on the verge of landing their own TV show — until they realize their deepest secrets are about to be revealed to the public before the cameras even roll. Look for this new release on June 11.

“Just Another Epic Love Poem” by Parisa Akhbari — Mitra’s two best friends are Bea and the journal they share, containing an epic, never-ending poem. Nothing is too messy or complicated for “The Book” — except for the fact that Mitra is hopelessly in love with Bea. Look for this new release on March 12.

“James” by Percival Everett — In an action packed reimagining of “The Adventures of Huckleberry Finn” told from the perspective of Jim, Jim is hiding on Jackson Island while Huck Finn is faking his own death to escape his father. Look for this new release on March 19.

“Not in Love” by Ali Hazelwood — Rue has a successful career as a biotech engineer at Kline, and Eli and his business partners want to take over Kline — no questions asked. The one thing that is getting in Eli’s way is Rue — the woman he’s not supposed to want. Look for this new release on June 11.

Contact the author at

Netflix policy change causes chaos

Written by: Sierra Porter | Staff Writer

Netflix is an American subscription streaming service that was created in 1997 by founders Reed Hastings and Marc Randolph. By 2007, they launched their streaming service to compete with Blockbuster which implemented several different family plans. Recently, Netflix has been cracking down on their single household and password sharing policies — making it an absolute nightmare for travelers, large families and especially college students.

The cheapest plan is the standard plan with ads which allows for two devices to watch TV shows and movies for $6.99. 

The standard plan is ad-free, full HD, allows for access among three devices and has the option to add an extra member– for an additional cost of 7.99 a month. The premium plan is also ad-free but offers ultra HD, is accessible on four devices and has the option to add two extra members for $7.99 each. 

The new ability to add members at an extra cost has encouraged Netflix to crack down on password sharing outside of a single household. This means that if one attempts to log in to their Netflix account outside of the designated household, it will log out all other members; regardless of if it is still within the device limit. This policy seems to be a desperate money grab, as it forces members to either buy more expensive plans or pay additional costs. 

Why is this a game-changer for so many? For many students, the full college experience includes living in the dorms, but that also means all funds usually go towards those expenses. Tremendous amounts of students report being forced off their family plans during the months they are on campus — either forced to live without the streaming services or ponying up the extra cost to be an additional member. 

Avid travelers also face this issue from time to time as they lose the ability to log into Netflix in the many places they stay while traveling. Again, one will have to log out the rest of the family in the household and deal with the wrath of streaming rights rage, ball up the extra fees or drop Netflix overall. 

This policy change has been a pain for many and up to 62% of password borrowers said they would rather stop using the streaming service in total than purchase their own account. Netflix’s attempt to force watchers to buy their services, especially the more expensive services, has thus far not been as successful as they hoped. Immediately after these changes, Netflix lost almost 1.2 million subscribers — their biggest loss in over a decade. 

Many are canceling their subscriptions and switching to other streaming services, and we can’t blame them. 

Contact the author at

A playlist to start 2024 off right

Written by: Claire Phillips | Entertainment Editor

“Darlin’ Do Not Fear” — Brett Dennen

“Spice Up Your Life” — Spice Girls

“Time to Pretend” — MGMT

“Nothing You Can Take From Me (Boot Stompin’ Version)” — Rachel Zegler

“You’re Losing Me (From The Vault)” — Taylor Swift

“Now and Then” — The Beatles

“America” — Simon & Garfunkel

“I Love You Always Forever” — Donna Lewis

“Letter To An Old Poet” — boygenius

“New Perspective” — Noah Kahan

“Dive” — Olivia Dean

“Rubber Ring” — The Smiths

“Ghost” — Arlo Parks

“Midnight Moon” — The Paper Kites

“Breaking Down” — Florence and the Machine

“Wrapped Up In Books” — Belle and Sebastian

“A Long Way Past The Past” — Fleet Foxes

“First Light” — Hozier

“Why Do You Let Me Stay Here?” — She & Him

“Strawberry” — Andrew Montana

“the way things go” — beabadoobee

“Traveller” — Chris Stapleton

“So Nice So Smart” — Kimya Dawson

Contact the author at

The Golden Globes and its miserable host

Written by: Jaylin Hardin | Sports Editor

The Golden Globes is an award ceremony held annually to recognize the achievements of actors, directors, composers and even the movies themselves. “Oppenheimer”, “Barbie” and “Killers of the Flower Moon” all walked away with awards this year.

The awards rewarded are as follows:

Best Drama — “Oppenheimer”

Best Actress in a Drama —  Lily Gladstone in “Killers of the Flower Moon”

Best Actor in a Drama — Cillian Murphy in “Oppenheimer”

Best Director — Christopher Nolan in “Oppenheimer”

Cinematic and Box Office Achievement —  “Barbie”

Other winners include Studio Ghibli’s “The Boy and the Heron,” Billie Eilish’s original song “What Was I Made For?” from “Barbie” and director Yorgos Lanthimos’ comedy “Poor Things,” starring Emma Stone and Mark Ruffalo. However, it is not the Golden Globe winners that have been generating a buzz on social media, nor is it Lily Gladstone’s acceptance speech, where she spoke in the Blackfeet language. 

Nope, everyone is worked up about Jo Koy and his “jokes” about “Barbie” and Taylor Swift — whose “Eras Tour” movie was also nominated. 

Koy’s monologue included the comparison of “Oppenheimer” and “Barbie.” “Oppenheimer is based on a 721-page Pulitzer Prize-winning book about the Manhattan Project, and Barbie is on a plastic doll with big boobies,” Koy said.

Almost immediately following the slight, he went after Swift, joking that the difference between the Golden Globes and the NFL was that the Globes showed fewer shots of Taylor Swift.

These “jokes” have taken precedence over the achievements of the directors and actors who worked tirelessly on these movies. Rather than celebrating the fact that “Oppenheimer,” a movie showing the horrific beauties of war, and “Barbie,” a movie celebrating womanhood, won in their categories, everyone is now focused on how much of an absolute joke the Golden Globes award ceremony has become.

These jokes have especially been met with criticism online, with many users saying that 2023 was the year for girlhood and that Koy watered it down to Swift being the star of the NFL and “Barbie” being simply about a plastic doll. “Barbie” and “The Eras Tour Movie” both were huge box office successes, as well as Swift’s Eras Tour garnering millions of dollars. Swift has indeed aided the NFL in their viewership — increasing 7% every week since she started to attend the games in support of her boyfriend, Travis Kelce. The NFL is now at its highest viewership since 2015.

Lily Gladstone received some buzz online — not as much as she deserved — for being the first Indigenous actress to win a Golden Globe for Best Actress. When she received her award, she spoke in her Native Blackfeet language. Language experts at Simon Fraser University and the University of Montana said that her speech translated to: “Hello my friends and relatives. My name is Eagle Woman. I am Blackfoot. I love you all.” Gladstone grew up on the Blackfoot reservation in Montana. 

Whether one follows the Golden Globes or not, what should be focused on is the achievements of these movies, and how they have affected audiences around the world. 

Contact the author at

Mixed feelings on Timothee Chalamet’s new movie

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Just in time for the holiday season, a sweet prequel, based on a beloved children’s novel by Roald Dahl, arrived in theaters in the United Kingdom Dec. 8 and the United States Dec. 15. French-American actor Timothée Chalamet stars as a younger version of “Charlie and the Chocolate Factory’s” chocolatier, Willy Wonka. “So quiet up, and listen down. Nope, scratch that, reverse it,” as Wonka says.

The movie features talented actors, such as Hugh Grant, Olivia Colman and Keegan-Michael Key. Timothée Chalamet has acquired a fan base of young women from his roles in movies such as “Call Me By Your Name,” “Lady Bird” and “Little Women.” Word of Chalamet playing a familiar favorite spread quickly. However, some movie-goers had mixed feelings about the new take on the classic. 

“Charlie and the Chocolate Factory ” has already seen two adaptations, starring Gene Wilder and Johnny Depp as Wonka. Additionally, the original book has a sequel, and some fans were wondering why a prequel made it to the screen before an adaptation of the sequel did.

Lili Minato, a sophomore at Western, is a film fanatic and meticulously selects her movies. She proposed a thoughtful question in regards to the new addition to the “Charlie and the Chocolate Factory” universe — “I think (prequels) can be done well… but if you want to make a prequel, is it needed?”

Perhaps the initial audience reaction to “Wonka” was due to its misleading advertising. “I thought it was weird that they didn’t (advertise) Wonka as a musical. People went and saw it, and were like, wait, why are they singing?” Minato said. 

Minato also commented that marketing the movie as a musical would have brought in more theater fans. “For some people, that sounds like the total package.”

The movie has an 82% on Rotten Tomatoes and it has many qualities that make for a great movie. With its vibrant costumes, catchy music and elaborate sets, it’s hard to look away. Elements incorporated from older movies such as “Annie” and “Mary Poppins” make “Wonka” all the more charming. For many musical fans, a new timeless classic has just been born.


Contact the author at

“Down the Drain:” a biography of Julia Fox

Written by: Ruth Simonsen | Digital Media Manager

Content warning: this article contains spoilers

Julia Fox, once known as Kanye West’s rebound girlfriend, is best known for donning head-to-toe black latex outfits and hand-drawn eyeliner. In the media’s eyes, she was no more than arm candy to the controversial rapper. 

Since their split in 2022, however, her fame continued to skyrocket and she saw her following grow. Now, she proudly calls herself a female sex symbol, with her bleached eyebrows and lilting voice. 

Once Fox released her recent biography, “Down the Drain,” the world was surprised she was not always this famous.

Julia Fox spent much of her early years in the small town of Saronno in Italy. After moving to New York City to live with her father, her life quickly began to grow rockier by the day. Between her father’s verbal and physical abuse and her mother’s spontaneous wrath, Julia spent most of her childhood couch-surfing and searching for solace in any place that promised even the slightest bit of happiness. 

This mindset frequently landed her in unsafe situations — including a relationship with a controlling drug dealer who stalked and threatened her. However, through her ex boyfriend, she was first introduced to narcotics, many of which would haunt her for the rest of her life. 

The rest of her teen years were spent traveling between Italy and New York City — working as a dominatrix — then settling down as a sugar baby for an extremely wealthy client. Through this resource, she gained her footing by creating a clothing brand leading to a life of extravagance — only to realize she was the one truly being taken advantage of. 

As Julia continued to grow and age, she met and lost many people in her life. Between her near- death experiences and the deaths of many she knew and loved, Julia weaves a cautionary tale with heroin, its use and addiction, as one of the primary villains.

Now, at Julia’s celebrity status, I thought of her as another Kim K, Megan Fox or Hadid sister. I was quick to judge and even quicker to dislike. It was not until I saw an excerpt from her book that my curiosity was piqued. From there, it was pure, unabashed adoration of her and the life she persevered through. 

I found myself on an emotional rollercoaster, first laughing at her snark, then suddenly crying as she described her feelings and experiences of loss. Now, as she finally feels comfortable in who she is and the role she plays in the world today, she ends her biography with this: “Sometimes you just have to say f-ck it and throw your whole life down the drain just to see where you come out on the other side.”


Contact the author at