Mount Hood

Ben Platt’s new album “Sing to Me Instead” gives audiences everything they want

Chrys Weedon | Entertainment Editor

Since the premiere of the Broadway musical “Dear Evan Hansen” on July 9, 2015, Ben Platt has captured audience’s attention with his passionate performances and beautiful voice. After Platt left “Dear Evan Hansen” on Nov. 17, 2017, he performed at the 60th annual Grammy awards and released a mashup with “Hamilton” creator Lin-Manuel Miranda. Aside from these projects, Platt seemed to become more quiet, possibly taking a break from his intense work as Evan in “Dear Evan Hansen.”

But in January 2019, Platt announced his much anticipated debut album “Sing to Me Instead.” Four singles were released before the album’s official release on March 29.

Platt’s songs feature strong piano melodies reminiscent of his “Dear Evan Hansen” days, and soft, more muted guitar riffs that emphasize the heavy, intricate emotions this album is based on. The more simplistic technical aspects of this album could almost categorize the songs as pop, but their combination with lyrical intricacy creates songs that feel like ballads. Platt’s album could be easily characterized as empath rock due to the highly emotional content that reads like poetry.

The relative plainess of the instrumentals throughout the album only serves to support Platt’s killer vocal ability — his range is incredibly strong. Platt’s vocal runs, belts and the pure emotion injected into his voice are the true highlights of this album. Missing are the flashy, Broadway belting vocal moments, which benefits the album in my opinion.

Another highlight of this album are the lyrics. Platt co-wrote the songs on his album with a team, including Eg White, who co-wrote Adele’s “Chasing Pavements.” The songs lean more toward emotional ballads, but a couple songs have more upbeat lyrics, like “Share Your Address,” a song about wanting to take a relationship to the next level. Platt’s lyrics feel like looking through a window and getting a glimpse into his emotional life, like the listener is reading a diary entry.

In a March 27, 2019 USA Today article by Patrick Ryan, Platt is quoted: “the whole point of this (album) is to be honest about my own experiences and talk about things that have happened to me. A lot of those things just happen to be with men that I’ve been in love with.”

 

Overall Rating: I would strongly recommend this album.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ben Platt

The Willamette Heritage Center highlights the valley’s passionate history through exhibit

Chrys Weedon | Entertainment Editor

The Willamette Heritage Center is located in Salem at 1313 Mill St. A cluster of buildings tucked into a scenic corner of the city, the center features permanent exhibits such the historic houses of some of the first families to settle in the Willamette valley, a Thomas Kay Woolen Mill exhibit and Portland General Electric Waterpower exhibit. “The Willamette Heritage Center connects generations by preserving and interpreting the history of the Mid-Willamette Valley,” states willametteheritage.org.

The center also features special, impermanent exhibits. Opening Jan. 24 and lasting through April 20 is an exhibit titled “Romance: Stories of Love and Passion in the Mid-Willamette valley”. The exhibit consists various different displays curated by several different heritage centers in the region that focus on stories of love in the Willamette Valley.

Displays included vignettes on the history of marriage ceremonies from the 19th and early 20th centuries, which didn’t always include a white dress; many brides wore dresses in a variety of colors, such as blue, grey, yellow and even practical colors like brown. An intricate red wedding dress was also on display in this section of the exhibit.

Also included was a collection of artifacts describing the scandalous social dances of the 1800s. Featured were the card and books in which dancers could keep track of their partners, and editorials published in the Oregon Statesman and the Willamette University Newspaper discussed the inappropriate nature of social dances.

The latter newspaper published an editorial by Minnie Frickey in February of 1891, which touched on the subject.

“Thus on every hand stands some monster evil that would destroy all honest, genuine affection, dancing and intemperance alike in fascination and destructiveness,” wrote Frickey, “luxury who would have people so intensely refined that they are unfit for any of the practical duties of life.”

Also included where artifacts such as love self-help books, wedding rings, photographs of young couples and marriage certificates. On display was a law book which included Oregon’s marriage laws over the years. In 1862, Oregon passed a law that made interracial marriage illegal, which wasn’t overturned until 1951. More recently — 2014, to be exact — Oregon passed their same-sex marriage law.

The exhibit at the Willamette Heritage Center brings history into the present, and reminds visitors that love now isn’t much different than love back then.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Chrys Weedon

Marie Kondo’s decluttering controversy: Prescriptivist vs helpful

Chrys Weedon | Entertainment Editor

In 2011, Marie Kondo published a book titled “The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing”. In 2014, the hardcover English translation was released and quickly became a New York Times bestseller.

In her book, Kondo lays out what she calls the KonMari method, an organization method uniquely created through Kondo’s work as a professional organizing consultant. Severely simplified, the KonMari method asks the reader to sort through all their belongings and see what sparks joy — if an object doesn’t spark joy, it should be disposed of. A very important part of the process is thanking an item for its utility before giving the item away or throwing it out.

Kondo has been named on of the New York Time’s 100 most influential people, and many swear by her organization method.

Several celebrities have informally reviewed Kondo’s book as publicity. “I recommend it for anyone who struggles with the material excess of living in a privileged society,” commented Jamie Lee Curtis on the Amazon page selling the book. B.J. Novak also swears by Kondo’s book.

Kondo’s publication has been so successful that Netflix aired a show centered around her and the KonMari method. In the original show, “Tidying up with Marie Kondo”, Kondo visits different families and assists them in decluttering their life. Although this method can be compared to minimalism, they are distinct — hence why Kondo has specially labelled her own method.

However, an incident in episode five of Kondo’s Netflix original show sparked a debate on the internet.

Kondo advised a couple on how they should declutter their books. In a summary of Kondo’s philosophy on books, a Jan. 12, 2019 article by Deseret News wrote that Kondo believes that the true value of books lies in the information within them. Kondo suggests that having books that someone will never read adds clutter to that person’s life. Instead of stockpiling books, Kondo suggests that someone only keeps the books that spark joy, maybe only keeping sections of books that are special.

Many Twitter users were outraged. User Cleve Arguelles, @CleveArguelles, posted: “I’m not sure whether I should love or hate Marie Kondo right now. But she did advise that one can rip out pages from their favorite books & throw away the rest so they can… ‘keep only the words they like.’ So, hate it is.”

Author Jennifer Wright even posted “this woman is a monster,” in reference to Kondo. That tweet has since been deleted.

Danielle Durand, a Western alumna of the psychology program, explained her opinion on the subject.

“She’s not trying to rid people of sentimental items or tell people how much junk they’re allowed to have. She just wants us to be able to recognize what brings us happiness and joy…”

In fact, this is also what Kondo describes in her book. Kondo’s informal motto has become “only keep belongings that spark joy.” Kondo stresses the importance of donating usable books to charities, libraries or schools.

Outraged tweets claiming Kondo wants everyone to get rid of their books may be unfounded. Reading the book and watching Kondo’s show seem to explain her position on decluttering very clearly.

Cait Munro from Refinery29 interviewed Kondo on the subject on Jan. 11. Kondo said, “I think if you’re truly comfortable with clutter in your home, then that’s fine. There’s nothing wrong with that, but I will recommend that you still … understand how much quantity of each category of things you have and need. I think that’s an important awareness to have.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of konmari.com

 

Oscars 2019: Big wins and controversy

Chrys Weedon | Entertainment Editor

Feb. 24, 2019 marked the first time in 30 years that the Academy Awards went on without a host. After Kevin Hart was looked over as a host after several homophobic tweets were rediscovered on his account. These tweets were posted by Hart between the years 2009 and 2011. According to cnn.com, Hart apologized and stepped down as host.

Instead, the 91st Academy Awards were hosted by a revolving door of celebrities including: Amy Poehler, Melissa McCarthy, John Mulaney, Jason Momoa, Serena Williams and many others.

Each year, the most highly anticipated categories are best picture, best actress, actress in a supporting role, best actor and actor in a supporting role.

The ceremony started with Queen performing two of their most popular songs with Adam Lambert filling in for legendary frontman Freddie Mercury, in honor of “Bohemian Rhapsody”, which was nominated for numerous awards, best picture being one of them. Other performances during the awards ceremony featured Lady Gaga and Bradley Cooper singing “Shallow” from “A Star is Born”, Jennifer Hudson singing “I’ll Fight” from the documentary “RBG”, Bette Midler performing “The Place Where Lost Things Go” from “Mary Poppins Returns” and Gillian Welch and David Rawlings playing “When a Cowboy Trades His Spurs for Wings” from “The Ballad of Buster Scruggs”.

The ceremony came to a head when the winner of the best picture award was about to be announced. Finally, “Green Book” was presented as the winner of arguably the most anticipated awards of the show. This award has sparked much controversy — according to the Washington Post in an article posted Feb. 25 of this year, Don Shirley’s (the musician played by Mahershala Ali in the film) family contacted the media claiming that they were not contacted until after the movie was released, and that how the movie portrayed Shirley was inaccurate.

The same Washington Post article also discussed controversy surrounding Viggo Mortensen, who played the driver of Shirley, Tony Vallelonga. Washington Post also wrote Mortensen is reported to have used racial slurs while promoting the film.

“Green Book” winning best picture has proven to be a controversial decision, but does not overshadow the other awards of the show. “Bohemian Rhapsody” won four awards, including Rami Malek taking home the award for best actor, and “Roma” was presented with three awards.

Contact the author at howlentertainment@gmail.com

Accomplished pianist Paul Roberts visits Smith Hall

Chrys Weedon | Entertainment Editor

Paul Roberts can be described as many different things: a writer, lecturer, teacher and pianist. Piano expert Bryce Morrison wrote that “Paul Roberts is an exceptional musician, a fine and deeply sensitive pianist, teacher and an author of the greatest distinction.” Morrison added that “his books on Debussy and Ravel are quite simply the most outstanding and perceptive I have read.”

Roberts has regularly performed in Portland since 1999, according to his website paulrobertspiano.com. Roberts is the artistic director for the international piano summer school, Music at Chateau d’Aix, in France, and also teaches at the Guildhall School of Music & Drama in London. Roberts has written three books and is in the process of writing a fourth.

On Feb. 20, Paul Roberts came to perform in Smith Music Hall. In a performance of two acts, Roberts played selections by Debussy, Liszt and Albeniz.

The first half of the performance consisted of pieces composed by Debussy, an Impressionist composer from the late nineteenth century. The second act consisted of compositions from Liszt and Albeniz. Liszt is a composer from the Romantic era; Albeniz, the post-Romantic era.

Before each section, Roberts explained the individual pieces he was going to play, so the concert was a mixture of lecture and actual performance. On Portland Piano International’s website, portlandpiano.org, founding artistic director Harold Gray wrote that Roberts’s “public lectures immerse the listeners in a magical world of images and ideas … his communicative abilities, whether as performer, writer or teacher, are without equal.”

Roberts’s playing style is passionate and highly expressive. His’ clear enthusiasm for his work brings to mind the concept of “a calling.” Roberts plays with his entire body and moves along with the pieces he plays. He paints a clear picture with his musicality and captivated the audience with his lecture of the history behind each piece.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy Ashlynn Norton

The Nat Turner project brings three mini-exhibits to the Cannon Gallery

Chrys Weedon | Entertainment Editor

Nat Turner was a Black man that led the 1831 Southampton County slave rebellion — the only large-scale slave rebellion in American history. It is after him that the Nat Turner Project is named, a project whose goal is to give a voice to artists of traditionally marginalized groups.

The two members of the Nat Turner Project are Melanie Stevens and maximiliano. They state their mission statement as follows: “NTP allows artists of color to go beyond the usual initial expositions inherent in presenting art borne of marginalized perspectives to a dominant culture; allowing artists of color freedom to create or express their own language within and without the parameters of racial commodification or designation.”

The project has recently introduced three new mini-exhibits into the Cannon Gallery of Art in Campbell Hall. Artists Carla Javier-Brea, Holland Andrews and Alejandra Arias Sevilla are on display in the gallery, which opened on Feb. 20.

“I think each of the artists, all of whom I’ve been long time admirers of, are using print and illustration in these really beautiful, soft, and intimate ways.  Each of them, of course, is very different,” said Stevens. “However, I think the that the way Alejandra Arias Sevilla’s work combines the formalities of print and language with social engagement pairs nicely against the rhythmic flow of Holland Andrews’ thoughtful studies of space and body. And Carla Javier-Brea creates these amazing characters that whisper of worlds past and future; memories long gone but lingering on.”

Javier-Brea was born in Berkeley, California to a Dominican family. Her passion for the Dominican Republic’s history and mythology heavily influenced the pieces hanging in the exhibit. “Criaturas que Nacen del Viento” is a series of drawings that are, according to the artist, “executed entirely in graphite, as a form of meditation… a representation of childhood, natural curiosity, and an embrace of the parts of our heritage that modern day colonialism still looks to erase.”

Holland Andrews is a self-taught artist based in Portland, OR, whose exhibit “Low Synth Bass” focuses on representations of the human body and ponders on the nuances of being seen. Andrews’s illustrations are simultaneously minimal and emotional.

The exhibit’s program writes: “frequently highlighting themes surrounding visibility, vulnerability, and identity, Andrews chooses to create a world in which subversion of the status quo is seen for its elegance and power.”

Alejandra Arias Sevilla is a Mexican artist who is also based in Portland, OR. Her work “los susurros de mi ser” focuses on: “the limbo and duality of two opposing identities.” Sevilla’s pieces are done in letterpress and consist of stories and poems in both her native Spanish and in English, touching on the reality of code-switching and hiding parts of her identity in order to assimilate. The intricacy of Sevilla’s work reflects the experience of intersection of two cultures and two identities.

“Garima Thakur gave us this amazing opportunity, and we have been fans and following the work of Carla, Alejandra, and Holland … and love to be able to exhibit it and pay them,” commented maximiliano.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Paul F. Davis

How the Percent for Art program altered Western’s campus

Chrys Weedon | Entertainment Editor

If a stranger were to stroll through Western Oregon University’s campus, they would stumble across many different art pieces of many different mediums: sculptures, tapestries, paintings and more. Oregon’s Percent for Art program is the biggest reason Western’s campus is brimming with art.

Discussions about the program began in Oregon in the year 1975, and by 1977 something that only existed in Marion and Polk counties was extended to a statewide project. The Percent for Art program dictates that when a public construction project is under way, no less than one percent of the project’s funds must be put aside “for the acquisition of public-facing artwork in all state building construction plans with budgets over $100,000,” according to oregonartscommission.org.

The Oregon Arts Commission states that the Percent for Art program places “high quality, accessible, and mostly visible” art where the public can enjoy it. The OAC’s collection now contains more than 2,400 art pieces that represent over 800 artists.

Art for public buildings is collected in one of two ways: existing art pieces are purchased from an artist or gallery, or a site-specific piece is commissioned from an artist. Commissions can be chosen through proposals submitted by artists through either an open call or exclusive invitation. Art pieces are then chosen by a selection committee.

Mike Elliot, the associate director of Facilities Services at Western, outlined the process of choosing an artist.

“It requires setting up a committee to help (with) defining the most appropriate type of art design based on: 1. size of the project, 2. budget of the project (and) 3. appropriate type of art based on the building program and is it new or existing construction.”

A pre-project information checklist for Percent for Art selections, provided by Elliot, states that the selection must consist of one to two representatives of the department where the artwork will be displayed (for example, housing or athletics), one student, one project manager from facilities, a project architect and one landscape architect.

These committees discuss potential art pieces, styles and themes the most appropriate for each building.

“There is a pool of prequalified artists that proposals can be solicited from,” added Elliot. The process for selecting an art piece takes “typically, about 1 year,” according to Elliot.

Elliot also provided forms in which instructions for maintenance of the art piece can be outlined by the artist. These guidelines include sections where the artist can detail handling instructions and “physical qualities for which (Western) should strive in order to maintain the artist’s intent.”

An example of the Percent for Art program is the current renovation of Natural Sciences. According to Western’s website, the renovation budget for the building is six million dollars. Therefore, $67,000 of that budget will go toward buying the art itself, through the Percent for Art program. Originally, $79,000 was set aside, but $7,900 was paid to the Oregon Arts Commission for an administration fee, minus $2,000 for an artists stipend, and minus another $2,100 as contingency.

The Percent for Art program has made a significant impact on Western’s campus, with its newest installation being the flower sculpture in front of the Richard Woodcock Education Center. What installation will the program bring next?

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

“You” and Ted Bundy: Analyzing how society ignores problematic content

Sean Martinez | Freelancer

On Sept. 9, 2018, Netflix introduced the world to a new style of thriller and suspense with a show called “You”. The main character, Joe Goldberg, falls in love with a woman named Beck and makes it his mission to become her boyfriend. But in doing so, he follows her, sees her friends as obstacles and obsesses over her.

While the show captivates its audience, it also sheds light on the social issue of stalking. The show tackles this subject by telling the story through Joe’s perspective, allowing viewers to understand his actions; this has sparked some controversy because it’s easy for people to use this as justification for his actions. The bigger issue, though, is people romanticizing Joe’s character.

Following the show’s success, posts on social media comment on the physical attractiveness of Penn Badgley, the actor who plays Joe. One tweet from @MalikaPlays read, “kidnap me pls,” to which Badgley, under the twitter handle @PennBadgley responded, “No thx.”

However, the issue does not stop with “You”; it continues with an upcoming movie on Ted Bundy’s life: “Extremely Wicked, Shockingly Evil, and Vile.” Scheduled to be released sometime in 2019, the movie trailer highlights the fact that Bundy was a conventionally attractive man, using his charm and charisma to sway people away from the belief he was a serial killer. Zac Efron being casted as Ted Bundy has many people split on the decision.

Humanities and English major, junior Never Retallack, believes that casting Efron as Bundy is “… pushing that charismatic factor a little too far.” She goes on to explain that this choice is “… taking away who Ted Bundy really was (because) it’s Zac Efron playing him.”

On the other end of the spectrum, Jasmine Morrow, a junior English major, thinks casting Efron is “more realistic than anybody else because of how attractive he is and he has a charming side.” With Morrow’s perspective, in order for the movie to capture the accuracy of Bundy, it makes sense to cast someone as idolized as Efron.

Regardless of the controversy, it is possible that Efron will attract many people to this movie. The more people who watch it, the better odds are that people will receive the message. We are entering a new era of television where serious issues are presented on entertainment platforms. Shows like “You” and Netflix’s Jan. 24 release centered around Bundy titled “Conversations with a Killer: The Ted Bundy Tapes” attempt to illuminate, enlighten, and educate audiences on the scope of these topics. But the controversy surrounding them and the tendency for some to warp the stories and misunderstand their messages can lead to the glorification of problematic and malicious people.

 

Contact the author at martinezs17@wou.edu

Photo courtesy of mylifetime.com

Review: Esmé Weijun Wang’s “The Collected Schizophrenias”

Chrys Weedon | Entertainment Editor

Esmé Weijun Wang has attended the prestigious institutions of Harvard University and Stanford University, and has an MFA from the University of Michigan. Wang is the winner of the 2016 Graywolf Press Nonfiction Prize, a published novelist and an experienced fashion blogger and editor. Wang also has schizoaffective disorder, bipolar type.

In her book “The Collected Schizophrenias,” Wang includes 13 essays concerning her life and what it’s like to live with schizoaffective disorder, bipolar type and late-stage lyme disease. The book starts with the essay “Diagnosis,” wherein Wang describes the science, and controversy, behind her diagnosis and related disorders such as bipolar disorder and schizophrenia.

Wang emphasized the importance of her diagnosis, even though some others with mental illness believe that diagnoses can be stigmatizing: “…I’ve always found comfort in preexisting conditions. I like to know that I’m not pioneering an inexplicable condition.”

In another essay, “High Functioning,” Wang discusses with brutal honesty the sensitivity she has about “appearing” ill. “I’m uncomfortable because I don’t want to be lumped in with the screaming man on the bus, or the woman who claims that she’s the reincarnation of God,” Wang wrote. The author wrote about how she often overcompensates with her fashion choices, so she can seem more high-functioning than she often feels.

Other essays cover topics including her choice to not have kids, how her psychosis has affected her life and higher education’s tendency to reject mental illness. Wang writes the fine line between accepting her mental illness as a large part of her life and being frightened of deteriorating and losing control of her life.

Wang’s writing is both relatable and informative — so little is known about schizophrenia and schizoaffective disorder, and misconceptions about the disorders run rampant. Wang’s transparency and eloquent writing style was truly a breath of fresh air for me, a person who also identifies as mentally ill.

“The Collected Schizophrenias” is a courageous and important piece of literature that looks at the complexity of mental illness through an intersectional lens. Wang’s most recent work describes what mental illness is like and reminds readers that a life with mental illness is worth living.

Overall rating: I would strongly recommend this book.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of graywolfpress.org

Western’s production of “Speech and Debate” starts a discussion about the secret life of teens

Chrys Weedon | Entertainment Editor

“Speech and Debate” follows three teens attending North Salem High School grappling with a sex scandal that is on the verge of imploding.

Madeline Weinstein, a junior theater major, attended the production.

“The characters (Diwata, an over-the-top wannabe high school actress pregnant with an unwanted baby, Howie, an openly gay high school student who goes on chatrooms with other gay men in order to hook up, and Solomon, a headstrong closeted gay student who is a reporter for the school newspaper) find their way into each other’s lives through the Speech and Debate club,” said Weinstein. Solomon, Diwata and Howie are brought together when Solomon, a tenacious reporter for the school newspaper, starts an investigation into the school’s theater teacher, Mr. Healy.

After hearing of the mayor’s inappropriate sexual contact with young men, Solomon starts building an article on the subject, much to the anger and chagrin of the school administration. Howie gets involved when he lets slip that he may have evidence against Mr. Healy. Diwata is reluctant to join in on the investigation, although she also has evidence against the teacher, and only agrees when the boys agree to become a part of the school’s new speech and debate club.

The play then follows Diwata, Howie and Solomon’s attempts to get the club funded by the school board, a process in which they have to prepare a mock debate presentation.

“The three students invite a reporter for the Oregonian newspaper to write about their presentation for Speech and Debate, and instead of addressing the actual problems that the students wanted, the reporter instead degraded them and said that this is what high-schoolers do in order to separate themselves from adults, and plugged her own book as well,” explained Weinstein.

The three students are all stubborn and strong-willed, and they bump heads often. Throughout the play, it is revealed that each of the speech and debate members have secrets of their own — secrets that could alter their lives in monumental ways.

This production follows tough topics such as sexual assault, sexual orientation and the lack of comprehensive sex education available to teenagers. “Speech and Debate” analyzes the ways in which American society fails it’s young people, refusing to speak to them frankly about substantial topics that affect their lives. The play tackles the important questions: is Oregon, and other states viewed as “liberal,” as open-minded as many people would like to believe? And are adults really keeping kid’s best interests at heart?

Some moments were laughable, while other moments were gasp-worthy. Overall, the production captures the essence of what it’s like to be a teenager: grappling with identity, personality and how they fit into the world — the subject matter is dark, but hauntingly realistic. The characters were familiar, with personalities that audience members may remember from their time in high school.

“I wasn’t so sure of what to expect when I went to see the show, so I came into the black box with an open mind,” said Weinstein. The main message, in Weinstein’s opinion, was: “to not be afraid of speaking up and doing what’s right.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Scott Grim

Staff picks: Favorite romantic movies

Chrys Weedon | Entertainment Editor

“Call Me By Your Name” (2018)

Based on a book of the same name, “Call Me By Your Name” is a movie following a young man named Elio who falls in love with a graduate student named Oliver. Oliver is staying with Elio’s family in Northern Italy, studying ancient sculptures for the summer. This film was nominated for best picture in 2018, and for good reason. The cinematography is superb and many important topics are explored, such as Judaism and how LGBTQ love was seen as forbidden at the time. Timothée Chalamet (Elio) and Armie Hammer (Oliver) are at an acting skill level that is matched in few other films.

Contact the author at cweedon16@wou.edu

Caity Healy | Editor-in-Chief

“My Bloody Valentine” (1981)

For those who know me, this choice comes at no surprise. I’ll take any opportunity I get to promote a classic horror film. Not a huge fan of romantic movies? This might just be your perfect Feb. 14 flick. It’s everything one could want in a cheesy 80s slasher — the holiday-hating deranged murderer wielding a pickaxe, who, in this case, has it out for anyone celebrating Valentine’s Day; the cliche one-liners, which in this movie come in the form of Valentine poems to warn of an imminent death; and the absolutely unnecessary amount of gore. What’s not to love?

Contact the author at chealy16@wou.edu

Kyle Morden | Digital Media Manager

“Crazy Rich Asians” (2018)

As a fellow Asian American, it is only befitting for me to recommend this movie. This film features an all-Asian cast, and it captures the true essence of what it is like to be a part of an Asian family — always having to live up to expectations. The story follows Rachel Chu as she meets her boyfriend’s crazy-rich family. Throughout the film, Rachel struggles to live up to the standards of her boyfriend’s mother. Although this movie might sound pretty dramatic, it’s a romantic comedy. You will be shedding tears of sadness and joy.

Contact the author at kmorden17@wou.edu

Rachel Hetzel | Designer

“The Princess Bride” (1987)

One of my all time favorite movies, “The Princess Bride,” is a witty fairy-tale adventure movie based on a novel by William Goldman. Buttercup is separated from her true love by Prince Humperdink, who plans to murder her and blame it on an opposing country to start a war. Her true love, Wesley, sets out to rescue her. Once reunited they must overcome the three dangers of the Fire Swamp: find the six fingered man, acquire a miracle and crash a wedding. This movie is inconceivably amazing, and I highly recommend it.

Contact the author at rhetzel18@wou.edu

Bailey Thompson | News Editor

“While You Were Sleeping” (1995)

If anybody is looking for a good old-fashioned romantic comedy that is not “The Notebook” or “When Harry Met Sally,” look no further than “While You Were Sleeping.” This hilarious and heartwarming story follows Lucy, a lonely ticket booth worker with no one in her life, as she finds a new family in the unlikeliest of ways. After saving a man’s life at her work, Lucy is mistakenly believed by his family to be the man’s fiancé. In the number of twists and turns that ensue, Lucy’s journey is one that will make you laugh, reminisce and admire the wonderful Sandra Bullock.

Contact the author at bthompson15@wou.edu

Ashlynn Norton | Photo Editor

“How to Be Single” (2016)

When it comes to Feb. 14, I’m the person who says “Happy birthday, Oregon” rather than “Happy Valentine’s Day.” Don’t get me wrong, I’m a romantic at heart, but I’m perpetually single so Valentine’s Day is not my fave. That’s why I recommend the rom-com “How to Be Single”. This movie is about four single women who are trying to go through life while being single. I love this film because it’s about finding yourself and how love looks differently for every person. You don’t have to be in relationship to be happy or feel love — just do what makes you happy.

Contact the author at anorton17@wou.edu

 

Photo courtesy of Paul F. Davis

Review: Netflix original “Velvet Buzzsaw” breathes life back into the slasher genre

Chrys Weedon | Entertainment Editor

Are you ready to be thrown back in time, to the age of slasher flicks with their dramatic cinematography and sense of impending doom? “Velvet Buzzsaw,” released on Jan 31, does just that. Featuring the talents of Jake Gyllenhaal, Toni Collette and Rene Russo, “Velvet Buzzsaw” brings old-school horror to a modern setting — the world of elite art.

This film begins with the secretary for an artist manager, Josephina, finding a collection of mesmerizing paintings when her elderly upstairs neighbor, Vetril Dease, dies. After being revealed to her boss Rhodora, the paintings are sold and showed in galleries, and Vetril Dease becomes one of the most talked-about artists in the scene.

In the beginning, all the audience knows about Dease is that his final wish was for all of his art to be destroyed. As Dease’s background is slowly revealed, he posthumously begins to take his revenge. Every person who used Dease’s art for personal gain is killed in a new and gruesome way.

“Velvet Buzzsaw” takes a satirical look at the world of the rich art elitist and adds in elements of suspense and murder, creating a slasher flick that was as nostalgic as it was unique.

For a Netflix original, the CGI was impressive. The cinematography was great, with its combination of wide shots and close-ups, along with dramatic zooms.

The sterile image of art galleries and the homes of the ultra-rich stood in stark contrast with the darkness and dirtiness of Dease’s art. The art focused heavily on the eyes — all of the figures in his paintings had their eyes closed or blurred out, almost like they had been gouged. Images of fire and smoke throughout the film were also significant, seen through the destruction of Dease’s pieces by fire and the abundance of smoking amongst the characters.

The dramatic imagery, obsession with revenge and satire within “Velvet Buzzsaw” made the movie an instant winner in my opinion. It had all the right qualities to make it a classically cheesy slasher film without seeming like just another sub-par remake. Also, It didn’t hurt that Jake Gyllenhaal was in it.

Overall rating: I would recommend this film to horror fans and newbies alike.

 

Contact the author at howlentertainment@wou.edu

Guest poet Todd Davis gives a poetry reading at WOU

Chrys Weedon | Entertainment Editor

Born to two farmers from Kentucky and Virginia, Todd Davis grew up working beside his father as his veterinarian assistant and bonding over poetry. Today, Davis lives in Tipton, Pennsylvania and teaches creative writing, American literature and environmental studies at the University of Pennsylvania. He spends much of his time outside, in the field collecting data to fuel his poetry.

Davis has written six full-length poetry collections, the most recent of which is titled “Native Species.” Davis writes of the visceral, potent habits of nature and often utilizes memory to tell his stories.

Davis started writing poetry when he entered college. Since then, according to Davis’s website, todddavis.com, over 300 of his poems have been published in a variety of magazines, including American Poetry Review and Poetry Daily. On Feb 4, in Hamersly Library room 107, Davis gave a poetry reading that was open to the public.

“Death is something I’ve always written towards in my poems, trying to make peace with it,” said Davis as he prefaced a poem he read called “Homily.”

Half sermon, half poetry reading, Davis’s event was incredibly silent, reflecting how his words captured the attention of Hamersly 107, a room packed with onlookers. His poems drew inspiration from many different sources, such as John Coltrane, Judeo-Christian theology, James Wright and his own family and students.

In his poetry, Davis faces many questions, like “are humans an invasive species?”, “how will we give our bodies back to the Earth when we die?” and “is death really an end or a transformation?” But these complex ideas are translated through simple language, bringing an accessibility to Davis’s poetry that some other, more traditional poets may avoid.

Davis left the crowd with a poem that he recited as a blessing: “Being a man who has seen no angels, and who at times doubts what he’s been told in church, I’ll simply ask what the poet asked: that God would make this world as beautiful to you as it has been to me.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

2019 Oscar nominations and demographics

Chrys Weedon | Entertainment Editor

In 2016, outcry from celebrities and audiences alike started the twitter trend #OscarsSoWhite — a hashtag addressing the fact that all 20 actors nominated for lead and supporting roles for the year 2016 were white. There were also several movies featuring actors of color that were looked over for nominations, such as “Beasts of No Nation.” Suffice it to say, the Oscars don’t have the best track record for diverse nominations. But how diverse are this year’s nominees?

Although every nomination by the academy is seen as prestigious, the categories shown in this graphic are some of the most anticipated by audiences. These categories also provide the most visibility to those nominated, and are historically how diverseness of the awards are gauged.

[fruitful_tabs type=”accordion” width=”100%” fit=”false”]
[fruitful_tab title=”Best Picture”]

“Black Panther,” Kevin Feige, Producers

“BlacKkKlansman,” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers

“Bohemian Rhapsody,” Graham King, Producer

“The Favourite,” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers

“Green Book,” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers

“Roma,” Gabriela Rodríguez and Alfonso Cuarón, Producers

“A Star is Born,” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers

“Vice,” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

[/fruitful_tab]

[fruitful_tab title=”Actor in a Leading Role”]

Christian Bale, “Vice”

Bradley Cooper, “A Star Is Born”

Willem Dafoe, “At Eternity’s Gate”

Rami Malek, “Bohemian Rhapsody”

Viggo Mortensen, “Green Book”

[/fruitful_tab]

[fruitful_tab title=”Actor in a Supporting Role”]

Mahershala Ali, “Green Book”

Adam Driver, “BlacKkKlansman”

Sam Elliott, “A Star Is Born”

Richard E. Grant, “Can You Ever Forgive Me?”

Sam Rockwell, “Vice”

[/fruitful_tab]

[fruitful_tab title=”Actress in a Leading Role”]

Yalitza Aparicio, “Roma”

Glenn Close, “The Wife”

Olivia Colman, “The Favourite”

Lady Gaga, “A Star Is Born”

Melissa McCarthy, “Can You Ever Forgive Me?”

[/fruitful_tab] [fruitful_tab title=”Actress in a Supporting Role”]

Amy Adams, “Vice”

Marina De Tavira, “Roma”

Regina King, “If Beale Street Could Talk”

Emma Stone, “The Favourite”

Rachel Weisz, “The Favourite”

[/fruitful_tab] [fruitful_tab title=”Cinematography”]

“Cold War,” Łukasz Żal

“The Favourite,” Robbie Ryan

“Never Look Away,” Caleb Deschanel

“Roma,” Alfonso Cuarón

“A Star is Born,” Matthew Libatique

[/fruitful_tab] [fruitful_tab title=”Directing”]

“BlacKkKlansman,” Spike Lee

“Cold War,” Paweł Pawlikowski

“The Favourite,” Yorgos Lanthimos

“Roma,” Alfonso Cuarón

“Vice,” Adam McKay

[/fruitful_tab] [fruitful_tab title=”Writing (Original Screenplay)”]

“The Favourite,” Written by Deborah Davis and Tony McNamara

“First Reformed,” Written by Paul Schrader

“Green Book,” Written by Nick Vallelonga, Brian Currie, Peter Farrelly

“Roma,” Written by Alfonso Cuarón

“Vice,” Written by Adam McKay

[/fruitful_tab]
[/fruitful_tabs]

Contact the author at entertainmenteditor@wou.edu

Designed by Brittany Figueroa

Review: “Oculus”

Chrys Weedon | Entertainment Editor

“For all my sisters” reads the dedication of Sally Wen Mao’s newest collection of poetry, “Oculus.”

In this her second collection of poems, released Jan 15, Mao weaves a complex story of technology, patriarchy, racism and time. Each poem is well-researched — not a single poem stands alone, but fuses into the landscape and context of a much bigger picture. Whether it be how technology has grasped our lives or describing the history of racist Asian caricatures in American cinema, every poem is carefully penned and laced with morbid imagery.

A series of poems throughout the book follows the imaginary journeys of actress Anna May Wong, considered the first Chinese-American actress in the United States, through time. Given the power of a time machine, Wong migrates through time and the history of American cinema, witnessing the way the industry typecasts and violates Asian people through racism.

Wong sees how Chinese women’s bodies are objectified and rejected simultaneously. Different Asian cultures are often appropriated in American shows and movies, but, as Mao focuses on in her writing, many Asian characters are portrayed by white actors in yellowface. Over the course of her journey, actress Wong travels beyond her death, and through Mao’s wit and style, calls for a reclamation of her culture and narrative.

In a poem that gives her book its title, Mao described how a young woman in Shanghai posted her suicide to Instagram in 2014. In the last section, Mao wrote a second poem under the same title, cataloging her experience watching Solange perform at the Guggenheim museum, the most photographed place in the world. Mao intricately analyzes, in these and other poems, how technology has morphed into a third limb for many, turning society into a sort of cyborg which catalogs everything.

In her poem “After Nam June Paik,” Mao wrote: “On the LCD screen, I offer light but no breath/ I author breadth but no depth/“… the surveillance camera records our prettiest nightmares.”

Mao’s poetry is eerie, brutal, futuristic and stunning. Mao writes on topics many find difficult to discuss, but shifts focus on what could be and what is to come. This collection truly is unique.

Overall rating: I would strongly recommend this book.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of graywolfpress.org

Civil rights film series on campus

Chrys Weedon | Entertainment Editor

Civil Rights Film Schedule:
Jan.30 Eyes on the Prize (Continued episodes)
Feb. 6 Freedom Riders (Famous bus trips across the South in support of desegregation)
Feb.13 The Black Panthers (A documentary on the Panthers and their demise)
Feb. 20 A Good Day to Die (The story of Dennis Banks and the American Indian Movement)
Feb. 27 Incident at Oglala (The Leonard Peltier story of injustice on the Pine Ridge Reservation)
Mar. 6 American Outrage (The struggle of Western Shoshone women for tribal rights)
Mar. 13 The People Speak (Howard Zinn and friends provide a critical, social movement based history of the  U.S.)

The three months that make up winter term hold within them many significant dates: the anniversary of the women’s march (Jan. 20, 2018), Martin Luther King Jr. day (Jan. 21) and Black History Month (February), to name a few.

Winter Term also offers a class that focuses on film from the civil rights movement. For six years, Dr. Dean Braa has been teaching Sociology 407.

“I invented it, sort of. Years ago (the sociology department) had a discussion and we discovered that a lot of students, most students, didn’t know anything about the civil rights movement,” commented Dr. Braa. “Not many students have that opportunity, and we have looked at US history books … and most of the US history books I use, even around here, say little or nothing about civil rights.”

The film series is open to everyone, no matter if they are registered for the class or not. Participants watch 12 films across the term, including the documentary series “Eyes on the Prize” and documentaries following the Native American civil rights movement.

“We try to make it fun, I tell people ‘bring popcorn, bring snacks, bring your dinner if you want to,’” said Dr. Braa.

In the 50 years since Dr. Martin Luther King Jr’s death and the 37 years since the end of the Black Panther Party, civil rights film has been replayed in educational settings across the country. But why is rewatching this film so important?

“Well (the class) raises consciousness about social movements, it raises consciousness about racism and how terrible it is … this racism wasn’t just in the south,” explained Dr. Braa. Watching films from and about the civil rights movement is not only educational, but can teach about present-day movements as well. Dr. Braa discussed, “(injustice) is still going on now. We haven’t fixed it … (the film series) serves to show a connection; we gotta keep this movement going.”

Film and other art that was born out of the civil rights movement can show how successful social change happens.

“You want people to understand, positive change doesn’t usually come from within government, it comes from outside,” said Dr. Braa. Film from this specific period of American history shows that change usually happens when the status quo is upset.

“Social movements that kind of threaten government or put government under duress, that’s where positive change comes from,” remarked Dr. Braa.

A film is shown every Wednesday night from 5:30 to 8:00 p.m. in the Health and Wellness Center in room 203. All are welcome to attend.

“What we hope you’ll take from this: to see (America’s) past but apply it to the present and see we still need to make some big changes,” concluded Dr. Braa.

 

Contact the author at howlentertaiment@wou.edu

Photo courtesy of Ashlynn Norton

Dodie Clark’s “Human” EP review

Chrys Weedon | Entertainment Editor

Back in 2007, Dodie Clark started started posting her original songs — and covers — onto her Youtube channel, doddleoddle.

Since the its birth, Clark’s main channel and second channel, called doddlevloggle, have blown up, becoming a staple on Youtube. Hailing from Essex, England, Clark writes and performs on a variety of instruments, including ukulele, guitar and piano. On her first channel, Clark has over 1.7 million subscribers and has surpassed 200 million views; her second channel has seen similar success, with more than 900,000 subscribers and 100 million views, according to socialblade.com. Clark also has a VEVO channel, dodieVEVO.

Clark has released three EPs over the years, including “Intertwined” and “You.” Her most recent EP, released on Jan 18, is titled “Human,” and like her other EPs, was self-released. The title track to the album was released in September as a single and a teaser for her new project.

“Human” includes seven songs, most of which are studio-recorded versions of acoustic songs that Clark has posted on her Youtube channel previously.

The EP has a newly recorded version of Clark’s song “She,” which is arguably her most well-known song. “She” tell the story of Clark’s infatuation with a female friend and her struggle with accepting her sexuality.

This very personal collection of songs analyzes complex emotions and themes such as falling back in love after being hurt, losing friendships and the crushing pressure and guilt that often comes with internet fame. Clark’s intense vulnerability and her superb writing ability have only gotten better with age. When an audience gets to witness one of their favorite artists grow and mature through their music, the bond between them grows stronger.

The stringed instruments layered into the background and the vocal harmonies add a new depth to Clark’s songs. Clark has managed to keep the simplicity in her music that attracted her fanbase in the beginning, but she has also incorporated a new complexity that keeps her EP fresh.

Overall rating: I would recommend this album.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of dodie.co

 

Art on campus: “Soliloquy”

Chrys Weedon | Entertainment Editor

In the first stairwell of Hamersly Library hangs an intricate tapestry that many students may not give a second glance. “Soliloquy” by Shelley Socolofsky has been living in the library since it opened its doors. The art piece was commissioned specifically for the library as a part of the Percent for Art program.

The Oregon Arts Commission started the Percent for Art program in 1975, when it applied only to Marion and Polk counties. The program legislates that any building with a budget of $100,000 or more must set aside one percent or more of their budget for public artwork. In 1977, the legislation took effect in all Oregon counties.

Shelley Socolofsky is currently based in Portland, Oregon. According to her website, shelleysocolofsky.com, “informed by long histories of textile production with its orientation to pattern and decoration, her work explores the material, conceptual and poetic nuances of ‘craft’ through a hybrid practice incorporating both digital technology and analogue hand processes.”

“Soliloquy” is a tapestry in Gobelin Tapestry style, a technique born from Les Manufactures des Gobelins in Paris and Uzes, France, where Socolofsky completed an apprenticeship. According to Hamersly Library’s website, Gobelins is a tapestry style that was developed during the middle ages in Europe from cloth making traditions developed over centuries.

“Part of why I like it so much is that it’s huge, and it represents so much work,” said Paula Booth, an art professor and director of the Cannon Gallery of Art in Campbell Hall, “I also find that it looks totally different when you’re standing at a distance.”

The tapestry features a woman whose head opens into a cloudscape. Flowing upward, clouds turn into tree branches and finally the top of the tapestry sits baby birds, mouths agape. The pieces represents the hunger for new knowledge, open-minded thinking and the search for new ideas. Woven behind the image of the woman are excerpts from an Anne Sexton poem; the words are very subtle and visible only at a semi-close distance. The tapestry captures the mission statement and vision of a library — the pursuit of knowledge and exposure to new ideas.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Youtube channel Girls Play features WOU alumnae

Chrys Weedon | Entertainment Editor

According to the 2016 census, Monmouth’s population is about 10,000 people. The Girls Play Youtube channel’s subscriber count currently sits at about 246,000, which is 24 times more people than the population of Monmouth.

Girls Play is a channel that has been building a following for six years. The group also has a considerable following on Twitch, a streaming channel where viewers can interact live with streamers. Many women have joined and left the channel over the years, but the current team is about 10 people. One of the original members, Larson, was working at Target and attending Western when the channel was born.

“One of my friends realized ‘hey, there’s no girls in this platform, and especially a group. How cool would it be if we could get a group of girls in this niche that’s starting to grow and see what we could do with it?’” said Larson.

The channel started in a bedroom, and in the beginning it was just a hobby. Larson commented that for the first four years, she was only recreationally making videos while also working and going to school. But as their following grew, it became a full time job.

“I’ve only been full time two-years with this,” Larson commented, “it was very hard. Even though we look big and professional now, it’s still a struggle and I don’t think a lot of people ever realize that the struggle at the beginning is real.”

Natalie Doerfler, a junior theater major at Western, joined the channel about a year ago.

“Now people are recognizing Youtube and Twitch as actual jobs and you get paid to do them,” Doerfler said.

Although maintaining the channel takes a lot of work, Natalie enjoys being able to do something she loves.

“It’s become about just hanging out with friends on a Youtube channel and on Twitch, and just being able to play video games,” commented Doerfler.

The Girls Play channel has videos on a diverse group of video games.

“We’re… variety, which was originally why we liked the idea of the girl group,” said Larson, “because you have so many different personalities, whereas a lot of channels especially are very solo focused.”

Specific challenges come along with being a group of women online in a Youtube genre that is dominated by men.

“There are gonna be the men who come into chat and talk about how much makeup you’re wearing and how distracting it is,” said Doerfler, “and then you’ll have another guy come into maybe a different stream where you’re wearing a little bit less makeup and they’ll judge you for how little makeup you’re wearing.” But, in the end, the girls say that the community they’ve built is worth everything.

“We are completely relying on the community to keep (the channel) going,” Larson said.

Doerfler said the most important thing about the channel to her was to engage with other women within the gaming community.

“I think it’s important to show men that, hey, this is happening and it’s okay for you to enjoy this as well,” said Doerfler. “I just want people to see that women are having fun with video games just as much as men.”

 

Contact the author at howlentertainment@wou.edu

Video courtesy of Chrys Weedon

Photo courtesy of Paul F. Davis

Folk musician John Gorka visits Western

Chrys Weedon | Entertainment Editor

John Gorka was born into the world of music in a small coffeehouse in Pennsylvania in the 1970s. The coffeehouse, Godfrey Daniels, was a hotspot for musicians and a place that Gorka frequented often, even living in the basement for a time. There at Godfrey Daniels, he met a myriad of musicians who inspired him and he quickly started writing his own music.

Gorka’s first album, “I Know,” was released in 1987. He released his 14th album on January 19, 2018.

Gorka visited Western on Jan. 18 as a visiting artist. As part of the Smith’s Fine Arts series, Gorka came to play his music and share the wisdom he has gathered through his years of making music and touring.

“Of course, I’ve been influenced by mainstream stuff. But I think of myself as something of an insider, and I have always felt that it was better to really strongly affect a small number of people, than to reach a big number of people only superficially or temporarily,” said Gorka in a story in the Huffington Post by journalist Brian D’Ambrosio.

Gorka’s songs are strongly characterized by the storytelling element. Each song takes the listener on a journey. Songs like “Mennonite Girl” and “Edgar the Party Man” are both examples that show off Gorka’s storytelling abilities. Along with his more structured, storytelling songs, Gorka has multiple pieces that are more funny and lighthearted, like “People my Age” and “Like my Watch.” On stage, Gorka is jovial, cracking jokes and telling stories about his travels and his music career.

Behind the scenes, however, Gorka is shy and subdued. Earlier in the afternoon on Friday, Jan 19, Gorka held a song writing workshop to impart his knowledge of the craft and share his writing techniques. He often deflected attention to his instruments and his songs.

“Personally, I wanted to push myself out of my comfort zone,” commented Sage Kiernan-Sherrow, a junior pursuing an English degree with a literature concentration.

“What I got out of it was that you have to be comfortable forcing yourself to create even when you don’t want to,” said Kiernan-Sherrow, “and experimenting with your work when you’re stuck.”

The songs of John Gorka are clearly products of many different influences, but they all have a strong theme of honesty through each one of them. Each melody, each lyric, feels like a secret memory or poem. Gorka’s music can be found on Spotify and iTunes. His website can be found at johngorka.com.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

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