Mount Hood

Holiday Happenings

Written by: Jude Bokovoy

It’s the most wonderful time of the year – try a few of these activities to create some cheer. Whether one is religious, nonreligious, a homebody or adventurous, there is always a way to celebrate the holidays.

Ice skating — Very similar to roller skating, ice skating can be a great way to spend time with family, friends or even a date. Portland’s Lloyd Center is a great skate spot. Best of all, they have a beautiful gigantic Christmas tree right in the middle of the rink. For events, hours and pricing visit their website at lloydice.com. 

Decorate a gingerbread house — What better way to spend an evening with loved ones than by creating an intricate treat to display? There are many different themes, structures and candy selections that can be used to customize one’s house. 

Secret Santa — This is a great activity and reason for new and old friends to get together. Secret Santa’s are easy to arrange if one sets a budget, sends out the results via the app Santa’s Secret Keeper and has everyone name some gift ideas they would enjoy. Turn it into a longer celebration by having a meal together and watching a festive movie.

Christmas lights in Keizer — Each year the Keizer Police Department hosts a food drive in an extremely lit up neighborhood. Nearly every house in each cul-de-sac is decorated with lights, inflatable decorations, music, nativity scenes and so much more. This neighborhood is marked with a street sign that reads “Holiday Lights” and is guided by lit up police snowmen signs.

Shop for decorations — It is very easy to get overwhelmed with all the decorations and stores to choose from when looking to make one’s home jolly. Hobby Lobby in Salem and Albany is full of amazing decorations, trees, pillows and much more for 20-60% off. But once the Thanksgiving feast is devoured, so are their shelves.

Holiday movies — One of the easiest ways to unwind and get into the holiday spirit is by watching a nostalgic holiday movie. Some festive options include “Elf,” “Home Alone,” “A Charlie Brown Christmas” and “A Christmas Story.”

Find a Christmas tree — Whether it’s in the forest, at a tree farm or in a store, the perfect Christmas tree is waiting to be picked. To ensure the best outcome, measure the height and width of the place a tree will be placed in one’s home before buying.

Make snowflakes — Paper snowflakes are just the thing to spruce up any environment. Since they’re easy to create, require minimal supplies and look like real snowflakes, this craft is truly one of a kind. 

Deck the halls — The time has finally come to completely remodel one’s home into a winter wonderland. Some key elements to keep in mind are planning a consistent color scheme so decorations don’t clash, making sure everyone in the household likes the decor and most importantly, having fun while decorating. 

Christmas Eve service —- For some, Jesus is the reason for the season. A good way to celebrate and feel more connected to a church community is by attending a Christmas Eve service.

Make a winter dessert — Sweet treats fill one’s home with great smells, allow one to share with others and create something to look forward to until they’re all eaten up. Follow this recipe for Winter Forest Cupcakes — they won’t disappoint. 

WINTER FOREST CUPCAKES

Start to finish:

Yields: 24 cupcakes

1 package chocolate cake mix

3 eggs

1 ¼ cups water

½ cup vegetable oil

30 mini waffle cone ends (amount may vary depending on decorative preference. These can be found at Trader Joes or Grocery Outlet)

1 cup white frosting

1 cup powdered sugar

10 drops green food coloring

Start by preheating the oven to 325℉. Combine cupcake mix, eggs and oil in a large bowl. Line a muffin tin with cupcake liners, then fill with mixture till ⅔ full. Bake for 15–20 minutes, then leave out to cool. Using a piping bag and a round tip, create a swirl with white frosting leaving an empty border. Place the desired amount of cone ends with the point facing up. Divide the remaining white frosting into as many different bowls as one would like shades of green. Add drops of green and blue food coloring to each bowl until desired shades are acquired. Frost each cone using a small star tip tool, creating spikes that represent a douglas fur tree. If only using one piping bag for each shade of green, start by completing the trees in the lightest shade then transition to the darkest. To finish, dust each cupcake with powdered sugar to create a tasty, snowy scene. 

Contact the author at howllifestyle@mail.wou.edu





Holiday Article

Written by: Nicholas Sarysz

While holiday festivities are something many look forward to, not everyone feels enthusiastic about them, nor should they have to. After all, it’s usually no fun being vigorously told “Merry Christmas” by boomers who assume your personal holiday traditions are the same, waiting for the same greeting in response.

Family gatherings, along with the traditional facade that all is merry and bright, can be a dreadful combination that many understandably avoid.

There are holiday activities for those who are social and excited, but what about those that want to avoid all the commotion? There are still plenty of alternative activities, which include, but are not limited to, gaming, binge-watching, learning a new hobby or skill and enjoying seasonal delicacies.

Playing video games, despite being a popular year-round activity, can get much more exciting during the holidays. It’s a fully indoor activity, which is crucial given the dreary winter weather. Many platforms have in-game events, as well as special unlocks, challenges and collectibles to commemorate the holidays. For multiplayer games, lobbies fill up quicker and competition is bountiful as many businesses are closed and students are home from school. 

For gamers hoping to try something new, sales extend far further than just Black Friday. Many major platforms, notably Steam, have a holiday sale deep into December.

The high volume of sales in the gaming industry doesn’t stop behind the screen, as many tabletop and card games hold different events during the winter as well. These types of games usually require more time to understand and can get expensive depending on how someone likes to play, which makes winter a great time to dive into something new.

Those who don’t want to spend as much time gaming can utilize their free time to catch up on that list of shows and podcasts that homework always interferes with. After all, everyone might as well use their best friend’s-third-cousin’s Netflix password they asked for two years ago.

The solitude that comes with winter is also one of the best times to pick up a completely new hobby. 

Some popular indoor hobbies include reading, plant care, organization and exercise. While you can do your own research for a new hobby, many locally run stores in the surrounding area would appreciate the support and can be very helpful in getting started.

If one is looking to be more productive during the winter, it may be a good time to try and pick up a new skill. Some skills one can learn during their free time include learning another language, cooking, sewing and computer coding.

For those that want to do nothing — which is understandable for a long winter break — the holidays can provide that break. Plus, they come with seasonal food and drinks that can be enjoyed in seclusion as much as they can be enjoyed with others. This is especially true for those with a sweet tooth, as the season is filled with gingerbread, sugar cookies, hot chocolate and much more.

While the holidays themselves may not be everyone’s favorite, there is always something to enjoy… even if that happens to be avoiding anything to do with the holidays.

Contact the author at howlstaffwriter@mail.wou.edu



Humanity and Emotion

Written by:Gretchen Sims

Wednesday, Nov. 9 was the opening day of the newest edition to the Cannon Art Gallery, “the audacity of identity + color.” The featured artist —Julio Aleman— is based out of Portland, Oregon. Aleman uses oil paints to highlight the intricacies of human skin to  evoke  powerful emotions associated with it. 

Aleman’s art combines hyperrealism with two-dimensional pops of color   to signify parts of  cultures and backgrounds that are true to his models.

The featured works are  absolutely stunning. The painted faces peer out at passersby and the subjects —often people Aleman knows personally— appear ready to tell their stories. 

The passion and emotion that is conveyed by Aleman seems impossible— many viewers were in disbelief that these were not photographs.

Aleman began painting seriously when he was a senior in high school, but art has always been an important part of  his life.

“Art really is whatever you want it to be, it is like expressing yourself and I feel like I’m totally against ideas that constrict art to some like rulebook or like some pretentious like conversation or idea that isn’t accessible to everybody,” said Aleman. 

“I really strongly believe that people are artists and they don’t even realize it because they make art in so many other different ways that aren’t typically recognized as art.” 

The turnout to Aleman’s artist talk was incredible, and for good reason. Aleman had great advice to extend to aspiring artists, paired with  inspiring stories. Aleman encouraged students to never give up or conform in areas where they stand out. 

“I’ve been making art since I was like five. The story that I recall was like being in like Sunday School and like with all these little kids, you know, I was a little kid… and we were told like the assignment was to draw a picture of the Virgin Mary and baby Jesus and I was like doing my thing and drawing and I realized that everybody was up already, they were done, and I look around and on everybody’s desk is like a big circle and a small circle. And so, I don’t know why, I like crumpled mine up,” said Aleman. 

Western Art Galleries continue to provide excellent examples for aspiring artists to aspire toward in their future careers. 

To check out “the audacity of identity + color” visit the Cannon Art Gallery 8 a.m. – 5 p.m. Monday through Friday until Dec. 9. 

Contact the author at howlentertainment@wou.edu



Black Panther Immortalized by Marvel

Written by:Gretchen Sims

Content Warning: contains spoilers

“Black Panther: Wakanda Forever” broke box offices this weekend with a tear jerking tribute to late actor, Chadwick Boseman. 

The latest edition to the Marvel Cinematic Universe tells the story of a kingdom torn apart by the loss of their beloved King — the Black Panther. Lost in a futile attempt to prevent other countries from gaining access to their precious Vibranium, the people of Wakanda encounter trial after trial in an effort to preserve peace.  

Facing significant changes in leadership and growing instability, it is up to the remaining, yet broken people, to put on a bold face and push through hardships, despite still mourning their late king. 

This film rivaled the newest Doctor Strange for some of the best cinematography of all time. With beautiful graphics, CGI and color, the quality of this film extended past what the human eye should be able to see — as if the producers had been able to unlock the power of vibranium itself to produce these intense visuals.

Letitia Wright —starring as Shuri, the sister of the late King T’Challa of Wakanda— struggles with the loss of her brother. As her mother is also taken from her, Shuri faces anger and seeks vengeance against her mother’s murderer. 

Shuri emerges as the new Black Panther —the savior of Wakanda— and finds comfort amidst her suffering just in time to protect her people.

This beautiful movie played on the real-life emotions of the actors to produce one of the most inspiring motion pictures of the MCU. There was not one dry eye in the audience as the heartbreak of losing a loved one was present throughout the entire film. 

As Shuri fights her desire to burn down the world in response to losing her whole family, audience members were able to put themselves in her place. Not one person could deny the validity of her anger. It is rare that movies accurately portray all the stages of grief, yet Marvel was able to achieve it with the newest edition to the Black Panther franchise. 

Despite the massive amount of heart wrenching moments, “Black Panther: Wakanda Forever” was full of quick-witted humor and real human connection — something movies often fail to accurately portray.

The boldness to show raw emotions with a strong female lead will set an example for many more movies to come. 

8.5/10

Contact the author at howlentertainment@wou.edu 



Western Theater Presents: She Kills Monsters

Written by:Gretchen Sims

Content Warning: contains spoilers

From Nov. 16 – 19, Western Oregon University Theatre Department presented their fall season straight play, “She Kills Monsters.”

 “She Kills Monsters” — written by Qui Nguyen and directed by Jeb Burris — starred Lexy Bolsinger as Tilly Evans and Katie Newsbury as Agnes Evans. The rest of the cast included Cole Richardson, Jeneba Diane King, Jacob Fritts, Emily Paoli, Cody Reece, Sergio Palomar, Brayden Allen, Tessa Douangaphaivong, Loki Cockrill, Paige Murphy, Lucy Garcia, Alyssa Parr, Ally Warner, Mere Butler, Savannah King and Seth Miller. 

The play follows mid-twenties English teacher Agnes Evans as she grieves the loss of her younger sister Tilly. Tilly, a well-versed and prevalent Dungeon Master, was a foreign creature to the considerably average Agnes. After the passing of her sister in a horrific car crash, Agnes enlists another nerd, Chuck, played by Richardson, to help her decipher the home-spun module — a homemade and custom-built game of Dungeon and Dragons — her sister left behind.

Through exploring the game created by Tilly, and led by talented and geeky Dungeon Master Chuck, Agnes is able to uncover unknown details of her sister’s personality and existence. These discoveries allow Agnes to gain a deeper understanding of the person Tilly truly was.

By the end, there was not one dry eye in the audience. The cast was incredibly talented and took their audience through a rollercoaster of emotions — from the most outrageous of laughter to the most heart-wrenching tears. No matter where one lies on the nerd spectrum, “She Kills Monsters” resonates with humanity and changes one’s perspective on both real and fictional worlds. 

I am a member of the heartless, “never cries in movies” crew, but even I teared up when Agnes had to say her final goodbyes to Tilly. As the older sibling of two younger sisters, my heart bled for Agnes and felt her pain every step of the way. 

All of the performers did a fantastic job. My two favorite performances were from Cole Richardson as Chuck and Sergio Palomar as Orcus. Students in the Western Oregon University Theatre Department have incredible acting abilities that will continue to be shared throughout the 2022-23 school year, so be sure to check out their upcoming shows.

This production was a game changer.

11/10.

Contact the author at howlentertainment@mail.wou.edu



Is it to Early to Watch Christmas Movies?

Written by: Gretchen Sims

As the holiday season rolls around, many students cannot wait to rip into their boxes of Christmas decorations, pull out their stockings and sit next to a dimly lit tree while drinking a warm drink of their choice. Some prefer to begin this festive frenzy after celebrating Thanksgiving, but for many, the Christmas crazies begin long before that fateful meal. 

One of the most popular holiday activities is the ritualistic worshiping of the Hallmark franchise. Despite these movies being labeled as cheesy, stupid or even cringeworthy, these films have dug themselves into the very fabric of the holidays. 

Regardless of their popularity, these movies are just harmless, are they not? How could such sweet, happy movies full of true love and touching moments be damaging to society, backtracking the hard work of centuries? Is Hallmark spreading a message that is contrary to the success our generation has made toward inclusion and acceptance of those who were once considered outside the social norm?

It is common knowledge that the plot to every Hallmark movie is essentially the same: a girl meets a boy in some strange extenuating circumstance, the boy falls in love with the girl, something comes between them, but eventually love prevails and they live happily ever after. The end.

Is that it? Is that really the end? Or is there some dark beast lurking behind every happy ending? 

Hallmark promotes a straight, white, heteronormative love story that is actually very harmful if taken at surface value. Think about how many people know the classic Hallmark narrative — it’s a classic story. All of these people are being reached with a similar message; one regarding what makes for a happy ending. 

Hallmark is essentially presenting its audience with a recipe for success — what a relationship should look like if one wants to have an ideal partner to bring home for the holidays. However, no matter how “timeless” this may seem, it is the timelessness in itself that presents the issue with Hallmark movies. 

Hopefully, as society progresses, Hallmark will also progress in being more inclusive with its love stories. Inclusion of characters with genders outside of the typical gender binary, relationships that fall outside the traditional values or even inclusion of non-romantic relationships that can be just as satisfying. 

Truly fulfilling holiday adventures will not be complete until all voices are equally represented, especially in Hallmark movies. 



Contact the author at howlentertainment@wou.edu 



Maura Miller is this Months Senior Artist

Written by:Gretchen Sims

Throughout the 2022–23 school year, Western’s art galleries have chosen to honor Western’s senior Art and Design majors by hosting a rotating gallery space in the Werner University Center. 

November’s featured artist is senior Art and Design major, Maura Miller. Miller’s work is influenced by comic culture and pop surrealism as well as Catholic imagery. Miller’s uses several mediums, which typically results in a final product including both digital and traditional media.

Miller is very passionate about art and wants to leave a trail of color in her wake, stating that if she could control how the world operates, every building would be coated in a slew of colors. 

“Though it might be cliche to say, I think that there should be more art in the world because it makes life more intense. A sidewalk is no longer just a sidewalk when it has color, a house is more than just an object when it’s painted with imagery. Art makes us see the world around us in an enhanced way. It allows us to give a second thought to things we might not usually notice.” said Miller.

She continued, “When the redundancy of life gets to be too much, art is there to make us ask questions. It is the most viral form of communication, something that extends past dialect, discomfort and culture. In this way, it amplifies life by creating an understanding between dissimilar people. Through my work, I hope to be able to convey something deeply emotional about myself in a way that others with differing experiences can understand.” 

Miller hopes that her art will bring more color to a dull world and create a deeper understanding between individuals. 

“… my biggest priority through creation is to ensure that my work is impacting my community in a positive way.” 

Miller’s collection — entitled “Hybridization” — includes “Bat,” “Water Serpent,” “CorneaCopia” and “Sacrilege.” Miller’s pieces convey extreme emotions and act as inspiration for many budding artists.

The exhibition is located on the top floor of the WUC on the right of the main entrance past the Wolfstore. 

Contact the artist at howlentertainment@wou.edu



DC: Mr. Steal Ur Gurl

Written by Gretchen Sims

Oct. 20 will go down in history as the day “Black Adam” took audiences across the nation by storm. This latest DC movie blew every fourth-generation Marvel project out of the water. 

Dwayne “The Rock” Johnson stars alongside a star-studded cast in the latest installation of the Shazam universe. 

Popular characters from DC comics are pitted against Johnson as he fights to recognize the hero inside. Released from a prison of his own making, this weapon of mass destruction has a second chance to prove to himself that he is worthy of his power. 

This movie was different from most superhero films — Black Adam is not your typical hero. He does not spare his enemies and promotes violence, yet he will still do whatever it takes to protect his family. 

One of the most impressive parts of this film was the cinematography and visuals throughout the movie. The vibrant colors and crispness of every scene were unparalleled. However, some of the CGI was unimpressive and some lengths of clips were questionable. 

This movie started off slow, and the plot seemed rushed and uninteresting for the first hour. Still, just when the movie seemed like it was going nowhere, the plot arch redeemed itself — making “Black Adam” one of the best superhero movies to be released since the end of the Marvel CinamaticUniverse. 

This movie touched on popular contemporary issues while tying these issues back to systemic abuse of the past. This movie’s storyline of oppression will be familiar to audiences, while giving hope for the future. “Black Adam” pursues the trope that common people are the true heroes — from which real change begins.

Overall, this movie did not deserve the low rating it received on Rotten Tomatoes. The loveable characters and quick-witted humor vastly overshadowed the clumsy CGI and roller coaster of a plotline. “Black Adam” is the beginning of a bright future for the DC Shazam universe. 

Marvel better watch out. 

8/10.

Contact the author at howlentertainment@wou.edu

iCarly returns for season two

Paramount+ iCarly’s season two continues to look at life from the lens of adulthood, as well as welcomes back familiar faces

Mirella Barrera-Betancourt | Staff Writer

 

Contact the author at howlstaffwriter@wou.edu

This article contains minor spoilers for season two of iCarly.

The reboot of the beloved Nickelodeon children’s series, iCarly, has returned for a second season with a release of three new episodes. Available for streaming on Paramount+ on April 8, iCarly’s new season will pick up right where season one left off, with Carly trying to adjust to adulthood while also working to gain traction for her revived web channel. While the first season was a hit amongst many fans of the early show, some were left with the question of whether season two will be just as notable. Here is this Staff Writer’s thoughts on the three recent episodes of the iCarly revival.

 

Episode 1: “iGuess Everyone Just Hates Me Now,” tackles the topic of “cancel culture” and the struggles female influencers and creators often encounter juggling their love life and careers. Viewers also get to see some of the old “Creddie” action present in the first series of iCarly in this episode, as Carly tries — and fails — to make viewers like her again. Thanks to the topic and message this episode covers, it easily became my favorite episode from the season so far, with seven more to go.

 

Episode 2: In “iObject Lewbert,” the iCarly gang’s escapades as children come back to bite them in the form of archnemesis and doorman Lewbert. Not going to lie, as someone who grew up watching the original iCarly show, it felt refreshing to see the iCarly cast finally face the consequences of their actions. This episode also features my favorite line of the entire season so far: “What kind of millennial hell is this?” I’m using that from now on.

 

Episode 3: “i’M Wild and Crazy” has Carly attempting to keep up with the adventures of her eccentric  best friend, Harper, in order to be less “boring.” I’m not saying I relate to Carly, but I relate to Carly. How many of us have tried to step out of our comfort zone in order to prove someone else wrong? While this episode wasn’t my favorite from the current bunch, it was entertaining and relatable.

 

The new season will also feature Paul, played by Josh Peck, as Carly’s manager for the iCarly web series. It will also allegedly reintroduce the beloved character of T-Bo, the quirky Groovy Smoothie manager in future episodes, according to teasers from Miranda Cosgrove. iCarly season two has a total of 10 episodes, with new episodes premiering weekly on Fridays. Don’t miss out. So far, it’s an 8/10.

The best Earth Day films

A list of movies and documentaries to celebrate Earth Day

Camille Lenning | Entertainment Editor

 

Contact the author at howlentertainment@wou.edu

Documentaries about saving the earth:

  • “Kiss the Ground” — Scientists, farmers, and politicians are joined by celebrity activists in an effort to save the Earth’s vital topsoil, narrated by Woody Harrelson. 
  • “Ice on Fire” — Explores how to prevent extinction level events by reducing and reversing our carbon footprint, narrated by Leonardo DiCaprio. 
  • “Mission Blue” — Follows the journey of Dr. Sylvia Earle, a marine biologist, oceanographer and environmentalist, as she works to create marine sanctuaries. 
  • “David Attenborough: A Life on Our Planet” — Attenborough outlines what he’s observed of humanity’s impact on the planet throughout his prolific career, and details solutions to these problems. 
  • “Chasing Coral” — Scientists and divers embark on a journey to discover why the coral reefs are dying. 

Documentaries about the small wonders of the world: 

  • “Dancing with the Birds” — Birds of paradise show off their most impressive courtship moves in a colorful display of feathers. 
  • “Fantastic Fungi” — A visually stunning take on how fungi can heal and sustain life on Earth, narrated by Brie Larson. 
  • “My Octopus Teacher” — Follows the unique bond between diver Craig Foster and a curious young octopus over months of visits to her den. 
  • “Life in Color with David Attenborough” — A three-part series showing the captivating colors animals use to survive and thrive. 
  • “Animal” (2022) — A docuseries following the creatures of the Earth in their natural habitats, narrated by celebrity guests like Pedro Pascal and Rebel Wilson.   

Movies about the apocalypse:

  • “2012” — During a series of catastrophic natural disasters, a man and his family flee to the safety of a secret government fleet of arks meant to save the elite.
  • “The Day After Tomorrow” — A climatologist tries to find his son and his friend as a global superstorm overtakes the world. 

Movies about living after the apocalypse:

  • “The Day the Earth Stood Still” (2008) — An alien and his robot counterpart are sent to Earth to decide if humanity is worthy of living on the planet. 
  • “Mad Max: Fury Road” (2015) — In a world where water and gasoline are scarce, a warrior liberates the fives wives of a tyrannical warlord and teams up with another former captive to bring them to freedom. 
  • “Snowpiercer” (2013) — During a man-made ice age, the last remnants of humanity live on a train organized by social class, where the richest live in luxury and the poorest in squalor under armed guard. 
  • “Io” — The Earth’s atmosphere is toxic, and most people now live in a space station near one of the moons of Jupiter, but a scientist who stayed behind hopes to cleanse the air and make Earth livable again. 

Movies about corporate greed, evil intentions and the earth:

  • “Avatar” (2009) — On an alien moon, a marine tasked with infiltrating the indeginous population to uncover their mineable resources must question whether he is fighting on the right side.  
  • “Okja” — A young girl must embark on a mission to save her genetically engineered super pig best friend, who was repossessed by the company that created her to boost the food industry. 
  • “Kingsman: The Secret Service” —  A new recruit to a secret spy organization must stop a billionaire from launching his plot to end climate change by killing everyone on the planet he deems unworthy.  

Animated movies about saving the planet: 

  • “Wall-E” — A lonely waste allocation robot living alone on Earth falls in love with a probe sent by humans living in space, who leads him to the adventure of a lifetime. 
  • “The Lorax” — After happening upon a stranger while searching for a sapling, the object of his crush’s desires, a boy listens to his tale of greed that destroyed nature. 
  • “FernGully: The Last Rainforest” — When human deforestation and those who thrive on it threaten a fairy’s homeland, she and her human friend must work together to stop them.

 

Tips for concert etiquette

How to improve the concert experience

Mikayla Coleman | Managing Editor

Contact the author at howlmanagingeditor@wou.edu

 

Recently I attended two live shows back to back. I enjoyed both artists to the same extent, but each concert experience was distinct based upon the characters I was surrounded by. The crowd can make or break the concert experience. Use these tips to ensure that everyone has a fulfilling time seeing their favorite artists. 

 

Get to know people that are close. People are going to bump into one another. But since pushing and bumping into each other is inevitable, getting to know the people that are near can help ease the tension. Saying something before the concert starts like “I just want you to know that if I run into you, it is not deliberate and I am sorry” can be a good way to make sure that everyone nearby is on the same page. Asking where people are from, what their names are or how they feel about the performance can break the ice and make those interactions less awkward. At the second concert I attended, my friend and I were able to make friends with those who were around us and it was a major improvement. 

 

Take care of one another. The venue of the first concert was very poorly ventilated, which made the crowd an even more dangerous place to be. Attendees were passing out before the opener even played. Eventually the band asked for water bottles to be handed out to the crowd, but that does not always happen. Being aware of the state of people nearby is crucial in these types of settings. Concerts are as mentally and physically exhausting as they are incredible. When someone needs water or medical assistance, the crowd needs to alert the right authorities and make room so that person is able to get help as quickly as possible. A simple “Are you doing okay?” to check in usually does the trick. 

 

Think about the experience of others. Everyone loves to scream their favorite songs when they are being performed live. People also like to get videos of specific songs to be able to watch back later. If one is screaming louder than the performer, perhaps it is time to take a second to adjust the volume of their voice. This doesn’t mean that everyone should be quiet at all times or not enjoy themselves, but it is something to be aware of. The second concert was a better experience for me on almost all levels, except there was a person behind me who was screaming along to every song so loudly that my phone only picked up their voice instead of the actual performer, which was extremely disappointing. At the first concert, a person in front of me decided they were going to record the entirety of every single song on their phone, blocking the view of those behind us. I understand taking strategic videos so that there is something to look back on, but remember, these are live events and the whole point of going is to be able to live the experience, not see the entire thing through a phone. 

The sea of sexualities: Western’s 25th drag show

Entertainment Editor reviews the 25th annual drag show

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

April 2022 brought Western’s 25th annual drag show, “Down Where It’s Wetter,” a nonstop celebration of all Queer identities. The Triangle Alliance sponsored show explored sexuality and relationships through the stories of multiple characters finding and accepting themselves under the sea.

Narrated by the aptly named “Rainbow Fish,” the performance was far more story-oriented than the average drag show. It followed our main character, a human named Quinn, who knows she isn’t straight but doesn’t know what her label is. She is approached by lesbian mermaid princess Leah, who offers to help guide Quinn on her journey of self exploration by turning her into a mermaid. 

This transformation was marked with the iconic “H2O” theme song “No Ordinary Girl” by Indiana Evans — which was not only a fitting choice for such an event but also enjoyable for those who grew up with the show, like myself. 

Honestly, all the music choices were fantastic. Songs ranged from “Call Me Mother” by RuPaul to “Supermassive Black Hole” by Muse, covering a wide array of genres and all choreographed to perfection. 

One thing I didn’t expect from this drag show was to be brought to tears by the story of a polyamorous relationship who’s third partner has to be kept a secret. 

Trey, a shark, is in a polyamorous relationship with mermaid Kai and jellyfish Noni, but can’t tell anyone because they’re afraid of judgment. In a dance choreographed to Harry Styles’ “Falling,” Trey pines after the two as they are forced to ignore him in public. I was a mess throughout the whole song. 

The story made a point to acknowledge the many gender expressions, relationships and sexualities out there, with special emphasis on the validity of polyamorous relationships and Queer, aromantic and genderfluid individuals. 

Throughout the show, the energy in the room was immaculate — I’ve never heard an audience scream so loudly. The performers gave it their all, and I left Rice Auditorium with a scratchy voice and ringing ears.

This was my first drag show, so I walked in not knowing what to expect, and I was blown away by the effort that was so clearly put into this performance. Altogether, it’s clear the 25th annual drag show was a resounding success. 9.5/10. 

Sonatas for springtime

An array of music perfect for the new season

The Western Howl Collective

Contact the author at howlentertainment@wou.edu 

Spring is here, and what better way to celebrate the changing season than with a new playlist? Below is a collection of songs compiled by the Western Howl staff that we like to jam out to in the spring. Check out this playlist along with others we’ve done on Spotify at @The Western Howl.

 

  • “Young, Wild & Free” — Snoop Dogg, Wiz Khalifa, Bruno Mars
  • “Wonderwall” — Oasis
  • “Breakin’” — The All-American Rejects
  • “Painting Flowers” — All Time Low
  • “Mustache Man (Wasted)” — CAKE 
  • “Breezeblocks” — alt-J
  • “Walkin’ On The Sun” — Smash Mouth 
  • “Superfast Jellyfish (feat. Gruff Rhys and De La Soul)” — Gorillaz 
  • “Stunnin’” — Curtis Waters ft. Harm Franklin
  • “Doubt”  — Hippo Campus
  • “Spring Has Sprung”  — Skeggs
  • “Shaky in the Knees”  — Grizfolk 
  • “Mushroom Abolitionist” — Vegyn
  • “Chaise Lounge”  — Wet Leg
  • “Silvertongue” — Young the Giant
  • “Spring Day” — BTS
  • “June” — Surfaces
  • “Shine On Top” — Surfaces
  • “Sunroof” — Nicky Youre, dazy
  • “AMAZING” — Rex Orange County
  • “Watermelon Sugar” — Harry Styles
  • “Life is a Highway” — Rascal Flatts
  • “Here Comes the Sun” — The Beatles
  •  “Good Kisser” — Lake Street Dive

Student directors debut work

The Student Directed One Acts festival returns for Western’s theatre program

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

The Student Directed One Acts Festival returns April 14 – 16 and will showcase the directorial talents in Western’s theatre program. The wide array of genres displayed this year is a testament to the creativity of these seven student directors and actors. 

Thursday night will kick off the one-acts festival, where four of the seven students’ plays will debut.

Junior theater major Grace Porter is among those premiering their plays on opening night. “Hiding in Flowers,” written by playwright Roni Ragone, will feature one female and one nonbinary character, and the performance focuses on their relationship when “a charcter comes out, but not as what you would think,” said Porter. 

Another play in the Thursday lineup is “Rough Edge” by Sara Jean Accuardi, directed by senior education and theater major Braden Pippert. Set in 1994 at the Clackamas Town Center Mall months after the Tonya Harding scandal, two frozen yogurt shop employees discuss the infamous crime. 

“I’m excited to show off what (the cast) has done and what I’ve kind of put together,” Pippert said of the show. 

Sophomore theater major Wyatt R. King will be joining Porter and Pippert on Thursday night, with Julia Specht’s play, “i believe in a Republic in which money has a great deal to say.” This show is a satirical take on economic class in America.

“There’s this idea of pulling yourself up by your bootstraps, and this play kind of pokes fun at this idea because people who don’t even own boots are supposed to pull themselves up by these bootstraps,” King said.

Also premiering on Thursday is Pendleton King’s play, titled “Cocaine” and directed by senior theater major Andres Avila. The plot centers on two characters, a former boxer and a prostitute, as they deal with poverty, withdrawls and the threat of homelessness. 

The Friday night showing will feature the remaining three students, including sophomore theater education major Ally Warner directing “Overtones” by playwright Alice Gerstenberg. In this play, two gentlewomen must temper their agressive alter-egos, or inner thoughts in physical form, as they interact with each other. 

Also on Friday, junior theater education major Mere Butler is directing “Bride Before a Fall,” by Robert Scott. A dark humor piece, this play focuses on Victor and his mistress Madelyn, who are attempting to kill Victor’s rich wife for her fortune. Unfortunately, she seems to be unkillable. 

Sarah Pitz, a senior actor training major, will be directing fellow Western student Sara Wright’s play, “Woman Slay.” A comedic take on the “strong female lead” trope, the performance will feature a clueless heroine and an increasingly frustrated narrator.  

The Thursday one-acts will have a second round of performances on Saturday April 16 at 7:30 p.m., and the Friday shows will have theirs the same day at 2 p.m. in Rice Auditorium, room 113. Tickets are free to all. 

 

Vibrant Black identities in art

An exhibition of Black identities through a variety of materials

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

The colors of spring have slowly washed over campus, and in response, the Cannon Gallery of Art has debuted a vibrant exhibition, “thank you, black materials.” The pieces on display — curated by award winning Portland artist Intisar Abioto — feature six Oregon artists expressing the Black experience through their mediums. 

The inspiration behind this exhibition came to Abioto through her ongoing research on Black artist culture in Oregon. This research allowed her to interact with elder Black artists and develop an appreciation for their resilience, ingenuity and the materials they used in their work. 

Though the majority of her work has focused on these elder artists and their impact, “thank you, black materials” features poignant modern creators with connections to Abioto herself. 

“With this (show) I just decided to focus on artists who I admired, and who I felt that — even though they’re not doing the same thing — I felt that there was some kind of kinship in …  their approach,” Abioto said of her decision to include contemporary artists. “I just think they’re doing insightful things. It was also the show that I wanted to see very much.” 

Abioto’s selections for this exhibition include acrylic portraits, ceramics, prints and performance art by artists Jeremy Okai Davis, Nikesha Breeze, Ni Abioto, Rob Lewis, Ebin Lee and sidony o’neal. 

“I just think these are vibrant thinkers,” Abioto said. “I hope (viewers) are able to approach with curiosity and are able to sense something of truthful relevance for them.” 

The “thank you, black materials” exhibition will be open in the Cannon Gallery until May 6. Stop by between building hours 8 a.m. – 5 p.m. to experience these works firsthand.

Review: “Turning Red”

“Turning Red”: The starting point of representation for this generation’s teenagers

Mirella Barrera-Betancourt | Staff Writer

Contact the author at howlstaffwriter@wou.edu

This review contains spoilers. 

“We’ve all got an inner beast. We’ve all got a messy, loud, weird part of ourselves hidden away. And a lot of us never let it out.”

It seems that Disney and Pixar have a knack for calling out the faults present in modern parenting methods. While I liked the film, I honestly would not have watched it if it hadn’t been for the trending topics caused by the film’s release.

For those unfamiliar with the premise of the movie, it follows the story of Meilin Lee — who is referred to as Mei throughout most of the film — a thirteen year old girl at the onset of her teenage years. Unbeknownst to Mei for the first few minutes of the film, she is the descendant of a gifted — or cursed — lineage, which instantly transforms her into a fluffy red panda.

Ever since its release, the film has sparked controversy among viewers for issues related to “taboo” topics. What I have to say is: f–k them. 

The film hits audiences in the feels, like most Pixar films do. It is a heartwarming and relatable story that discusses the importance of menstrual cycles in a hilarious, yet educational way. It also makes a suggestive joke on “gyrating,” or what I would call, “twerking.” While others might see all this as inappropriate, I just see it as the real representation of teenagers and their quirks.

My favorite aspect of the film was the conflict Mei found herself in while choosing between her friend group, who seemed to understand her for who she really was, and her mother, who all but dumped her own dreams and expectations onto her. I loved the idea that this soft red panda represented the wild and carefree side of Mei and how her splitting away from the red panda meant she was separating from an integral part of who she was.

Also, don’t get me started on Mei’s mother. On occasions, I thought her mother was incredibly selfish. However, as the film delved further into the storyline, I slowly grew to like her. Perhaps mothers and grandparents can have the best intent in mind but go about it in selfish ways. 

Like all films, “Turning Red” has its fair share of dislikable elements. I was slightly put off with the stereotypes present within the film, such as that all girls only think about boys or that menstruation is deemed critical to reaching womanhood. There’s also the small fact that Mei’s friends criticize her for seemingly being a “goody two-shoes,” which only adds to the plight of the already negative connotation attached to the term.

But who cares? In the end, “Turning Red” is a film soon-to-be and existing teenagers should watch. I know that if I were a teenager, I would have appreciated such a film to help me laugh on the ups and downs of adolescence. Rating: 8.5/10.

Wallowing in Wallows

Indie music scene gains “Tell Me That It’s Over” Spring release

Mikayla Coleman | Managing Editor

 

Contact the author at howlentertainment@wou.edu 

On March 25, the indie pop band Wallows released their sophomore album Tell Me That It’s Over. Wallows is made up of three members, Dylan Minnette (who you might recognize as Clay from the Netflix series “13 Reasons Why”), Braeden Lemasters and Cole Preston. The album consists of ten songs, crossing and combining several different aspects of the indie pop, folk and rock genres in a unique and artistic way. 

 

“Hard to Believe” — I enjoy how the melody kind of climbs up and down. It is a really pleasing scale. The guitar is pretty grunge, but the bridge has a really light hearted whistle break with some interesting synth-type orchestral moments. It’s a good contrast. The lyrics and vocals are very simplistic in nature, but I think that adds to the song overall. 

“I Don’t Want to Talk” — The whistle hook at the beginning of the song reminds me a lot of the band Dayglow. I wasn’t sure how I felt about the harmonica at first but it has grown on me. The lyrics describe the ending of a relationship and wanting to have a clean, quick cut off rather than stretching out the break up process. It does a good job of explaining a specific experience that is often hard to articulate. 

“Especially You” — I think that the modulation of the synth takes the cake in this one. It compliments the rest of the song really well. The lyrics are again, very simple, but very relatable. I mean, who isn’t confused by people all of the time? The guitar is much cleaner on this, making it a great beachy road trip song. 

“At the End of the Day” — I love Braeden’s vocals. No offense to Dylan, but I have always been more into Braeden as a vocalist. These lyrics have a good amount of complexity that makes the song more personal. It does an interesting job of interpreting the “If you love her, let her go” trope.

“Marvelous” — This is much more upbeat and fast than the previous tracks. Not sure if I am down with the repeated use of “hole.” Stadium synth came in clutch. This song sounds like how my brain feels when I have an ADHD episode. 

“Permanent Price” — Definitely feeling more of a folk-indie vibe from the use of strings. Not my favorite. I feel like it’s a bit cookie-cutter in comparison to the other songs that have something special sprinkled in. The harmonies make it feel like something from the early 2000s. 

“Missing Out” — Another slow one. The beginning is a little bit misleading. It starts with a nice classic piano scale, but takes a sharp turn to a more rock-type and autotune-diluted chorus. This variation is interesting, but I don’t think that it is my cup of tea. 

“Hurts Me” — 80’stastic!  I’m getting funky with the synth in the beginning. I could see someone humorously singing this in the context of struggling with a vape addiction. Makes me feel like going to a roller rink after struggling through a week of finals. 

“That’s What I Get” — The percussion makes the difference in this one. Also the staccato strings in the bridge. The lyrics are pretty basic and it’s hard to figure out if it is in an iconic way or if it’s just another stereotypical love song. I am leaning towards the latter. 

“Guitar Romantic Search Adventure” — We got some Dylan vocals! Very fitting for the mood of this song. I am very down with it. I think that it tops all the rest of the slower songs in the album. The piano and synth together give a very ethereal, Beach House kind of feel. 

 

I am a longtime fan of Wallows and I have significantly enjoyed their early work. “Tell Me That It’s Over” was able to simultaneously maintain inclusion of things that made me enjoy them initially and also spread their wings, adventure and experiment with different styles and instruments. 7.5/10. 

Chamber music for a new audience

Contemporary string quartet, Thalea, performs at Western

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu 

The internationally acclaimed music group, Thalea String Quartet, made an appearance on campus on April 2. In a performance made possible by the Smith Fine Arts Series, Thalea wowed the audience with their contemporary take on chamber music. 

The group began by gracing Rice Auditorium with a piece by contemporary composer Akshaya Avril Tucker, called “Radha in the Forest.” Violinist Kumiko Sakamoto introduced the song by reading from the program note written by Tucker, which described the emotions portrayed by the composition as “delirious joy, floating above painful loneliness.”

The piece featured soprano vocals from Sakamoto, a first for the chamber group. Her operatic voice filled the room with a bittersweet song as she painted the scene of the classical Sanskrit heroine Radha pine for her lover, Krishna, in a cold winter forest in 2020. 

Thalea’s concert program included a rendition of the iconic B-side medley, “The Long One,” on the Beatles’ album, Abbey Road. Guitar and drum solos were transposed for violin and cello, and musicians Christopher Whitley and Titilayo Ayangade did not disappoint in their renditions of the iconic Beatles tunes. 

Ayangade then introduced their next piece, Florence B. Price’s “Five Folk Songs in Counterpoint.” An inspirational Black artist, Price’s composition includes five popular American melodies, “Cavalry,” “Clementine,” “Drink to Me Only with Thine Eyes,” “Shortnin’ Bread” and “Swing Low, Sweet Chariot.” Each song spurred quiet declarations of recognition, and the latter song featured an impressive cello-forward performance from Ayangade.  

Violist Lauren Spaulding introduced the next work, a folk-inspired piece by Czech composer Antonín Dvořák. The piece consisted of four movements that aimed to capture the spirit of America, which Dvořák came to appreciate after his time in the country. The joyful piece was clearly a favorite of Spaulding’s, who more than once rose from her chair, swept up in the music. 

When they had finished their main set, Thalea granted the audience an encore that required their participation. 

“There are only two rules,” Whitley said of the piece, “when we clap, you clap. When we don’t clap, you don’t clap.” 

What followed was a song that featured the talents of all four musicians in bouts of solos, while the audience clapped to the beat as directed by those onstage. 

Springtime romance

Season two of “Bridgerton” brings love and angst to our screens

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu

This review contains spoilers. 

“Bridgerton” season two premiered on March 25 and has already reached the number one spot on Netflix’s “Top 10 in the U.S. Today” list. 

Overall, “Bridgerton” is a great show to get anyone into a springtime mood. The colorful clothes, garden sets and lavish parties are enough to get even the most critical of people excited about the change of seasons. The marketing team was spot on with their release date. 

The plot this season, while a little over complicated and slow-paced at times, was entertaining enough to keep me enthralled. The angsty romance between Anthony Bridgerton and Kate Sharma alone was a fantastic representation of an enemies-to-lovers storyline — which helped keep things moving at slow points. 

Side plots were in abundance this season, including Eloise Bridgerton’s discovery of the feminist movement, added money troubles for the Featherington’s and even more Lady Whistledown drama. These plots were fairly compelling, but they could’ve cut much of the filler and still come out with a good season. 

My only real issue with season two was the consistent lack of communication between characters. While it certainly stoked the fires of drama, I can’t help but think the plot could’ve been simplified by just having characters talk to one another. The bond between sisters Kate and Edwina Sharma, for example, is often tested throughout the season. Kate refuses to tell Edwina she had feelings for Anthony, who is courting Edwina, which unnecessarily drives them apart during the climax.

Altogether, this season sated my hunger for a springtime period piece, but it was by no means a masterpiece of television. 6/10. 

 

The Gravity of Connection

Western presents “The Theory of Relativity” this winter term

Camille Lenning | Entertainment Editor

The 2021 – 22 academic year marks the return of in person shows on campus. Western’s theatre department is keeping to its winter term biennial tradition with their production of “The Theory of Relativity,” a musical written by playwright Brian Hill, with music composed by Neil Bartram. 

The musical offers a unique situation for those involved with its production — a large cast with relatively little set dressing. “The Theory of Relativity” is a largely student-produced play, featuring 18 actors and several student crew members, with only a few staff and faculty supervisors. 

The show itself is essentially a collection of songs with a recurring theme, according to the play’s director and Western theatre professor Dr. Michael Phillips. 

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people,’” Phillips explained. “Out of those stories came the music for the show.”

Each song has its own unique topic, but all orbit around the theme of human connection. They eventually tie together in the grand finale, circling the center of gravity Einstein theorized in his theory of relativity.

Senior theater-actor training major Tessa Rosenau plays the character Beth in the musical, and will perform in the duet “Lipstick.” The song details an interaction between two individuals making eye contact on a busy sidewalk, and the mental anguish that follows. 

The dramedy promises to be a delightful addition to Western’s winter musical repertoire. 

“The Theory of Relativity” will have its opening night on Feb. 24 at 7:30 p.m., and will play at the same time through Feb. 26, as well as March 2 – March 5. There will be a matinee show at 2 p.m. on Feb. 27. Friday showings will be ASL interpreted. 

General admission will cost $14, senior citizens and Western faculty and staff tickets will cost $10, and Western students with a valid school ID can pick up their tickets for free.

“It’s really about how everybody is just getting through life and is in some way affected by and affecting others around them, and how that plays out in multiple different ways.”

18 students in the cast, 3 stage managers, 1 assistant director 

“I think it’s really close to being ready, I’m really excited. I think we’ve just peaked at the right time in the rehearsals. It feels like it’s ready to be presented to an audience, so I’m really excited for that.”

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people, and what it means to be in relationships with people around you,’ and out of those stories came the music for the show. It’s really a show that originated with college aged people and is perfect for college aged people to perform. It’s good! You should come see it!”

Contact the author at howlentertainment@wou.edu

 

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