Mount Hood

Tyler the Creator’s “CHROMAKOPIA” simplified

Written by: Taylor Duff | Lifestyle Editor

Tyler the Creator’s newest and eighth studio album is “CHROMAKOPIA.” Released Oct. 28, 2024, it has 14 tracks that explore identity, reflection, sexuality and maturity. The album has garnered several positive reviews and ratings, including praise from The Rolling Stone for its unique mix of sounds and emotional depth. In addition, there are various conflicting views among fans. Many people have not seen or comprehended the album since it differs from his previous seven. Because of its strong and artistic tone, many people have yet to understand the meaning of “CHROMAKOPIA” properly. 

Tyler noted that the album focuses on examining identity and progress and that several of the songs are so intimate that he felt compelled to play them while wearing a mask. He claims he wanted to take a more personal and contemplative approach to his signature styles from the previous two albums, “IGOR” and “Call Me if You Get Lost.” Tyler has indicated a desire to examine issues such as relationships, family and public persona in his songs so that he can connect with people on a more intimate level, rather than simply dismissing them in rap.

“CHROMAKOPIA” is special and unique because of the variety of sounds. “Noid,” “Sticky” and “Take Your Mask Off” have all received recognition for their storyline and production. The songs I enjoyed the most to least are as follows: 

1: “Rah Tah Tah” — Very frenetic and drum-heavy.

2. “St. Chroma” (feat. Daniel Caesar) — An incredible album opening with soulful undertones.

3: “Noid” — Explores anxiety and paranoia.

4: “Judge Judy” (feat. Childish Gambino) — A fun yet shining light on women’s judgment.

5: “Take Your Mask Off” (feat. Daniel Caesar) — This is an appeal to sincerity and transparency.

6: “Thought I Was Dead” (ft. ScHoolboy Q & Santigold) — A stirring praise of survival.

7: “Balloon” (feat. Doechii) — A cheerful, lighthearted melody about childhood memories.

8: “Darling, I” (feat. Teezo Touchdown) — A melodic track about love and complexity.

9: “Hey Jane” — A playful but melancholy composition inspired by emotions.

10: “Sticky” (feat. GloRilla, Sexyy Red and Lil Wayne) — A noteworthy feature.

11: “I Hope You Find Your Way Home” — A meaningful closing that reflects on life’s path and seeks closure.

12: “Like Him” (feat. Lola Young) — This is a soft song about individuality and acceptance.

13: “I Killed You” — Explores themes of competition and forgiveness.

14: “Tomorrow” — This is a forward-looking song about hope and resilience. 

Overall, “CHROMAKOPIA” explores Tyler’s thoughts on childhood lessons, adulthood and life changes. This is a new chapter for Tyler the Creator, demonstrating his continued progress as an artist, and “CHROMAKOPIA” is no exception.

Contact the author at howllifestyle@mail.wou.edu 

Poetic justice

Written by: Taylor Duff | Staff Writer    Sophie Taylor | Designer

Content warning: this article contains mentions of violence and sexual assault/grooming.      

Kendrick and Drake have a tangled past that includes almost 10 years of static. As Kendrick Lamar’s popularity increased, Drake embraced him — giving him an interlude on his 2011 album, “Take Care,” and inviting him on the ensuing Club Paradise tour. 

The beef between the two began when Kendrick made a personal attack on Drake and 11 other rappers during his feature appearance on Big Sean’s song, “Control,” in August 2013, and tensions escalated. In October 2023, Drake, with fellow rapper J. Cole, released “First Person Shooter.” In the song, J. Cole boasts about his proficiency at rapping. He calls himself, Drake and Lamar the “big three.” 

Lamar responded to “First Person Shooter” in March 2024 by criticizing Drake and J. Cole during featured verses on “Metro Boomin” and Future’s song, “Like That.” Lamar rejected the notion that there was a “big three,” stating, “f–k the big three, it’s just big me.”

In response, Drake released a song titled “Push Ups (Drop and Give Me 50),” in which he mocked Lamar’s height. Within hours of Drake’s diss, Rick Ross responded with a single called “Champagne Moments,” claiming Drake had undergone plastic surgery, including a nose job, false abs and a Brazilian Butt Lift.

Drake’s “Taylor Made Freestyle” implied that Lamar was too cowardly to release music in the same week as Taylor Swift’s “The Tortured Poets Department.” Drake used artificial intelligence to hurl insults in the voices of Lamar’s heroes: Tupac and Snoop Dogg. 

Lamar released “Euphoria” — after the HBO show of which Drake is an executive producer — which read like a laundry list of grievances against his sparring partner. Lamar described Drake as “predictable,” a “master manipulator” and a “habitual liar.” Less than 72 hours after “Euphoria” dropped, Lamar released a second song, “6:16 in LA.” In this track, he alleged that someone within Drake’s organization was leaking negative material.

Drake’s response was the song, “Family Matters,” which elevated the conflict to new heights. He quotes: “You mentioned my seed; now deal with his father,” Drake said. “I gotta go bad, I gotta go bad.” Drake hypothesized in the song that Lamar could be a perpetrator of domestic abuse — the star has never faced such an allegation. 

Within 20 minutes of Drake’s release of “Family Matters,” Lamar responded with a third diss track, “Meet The Grahams,” which began with the foreboding warning, “You messed up the minute you called out my family’s name.” Each verse was addressed to one of Drake’s closest family members, including his mother, father and six-year-old son, as well as an alleged “daughter” no one knows about. Lamar claims Drake covertly fathered a second child and was hooked on gambling, sex and drugs.

On his fourth diss track, “Not Like Us,” Lamar accused Drake of having connections with underage women. This is one of Lamar’s most popular quotes from “Not Like Us”: “Ain’t you tired? Tryna strikes a chord and it’s probably A Minor.” Drake alleges that an informant purposefully fed Lamar several statements with the expectation that the star would rap about them. 

The “Not Like Us” cover art is also an overhead picture of Drake’s house marked with red tags that would normally represent sex offenders on such websites, making more allegations about Drake. Producer Metro Boomin entered the battle by releasing a beat dubbed “BBL Drizzy,” urging fans to rap over it. Drake had previously criticized Boomin on “Push Ups,” instructing him to “shut up and make some drums.” 

Drake countered with “The Heart Part 6” May 5, denying Lamar’s claims of grooming accusations and saying that his crew deceived Lamar over the secret child. Matters took a bad turn when a security officer outside Drake’s home was shot. It is unclear whether the incident was related to the rappers’ dispute. The latest, Drake raps over “BBL Drizzy,” halfway through his part on Sexyy Red’s “U My Everything.” Shots going back and forth make this a rap battle for this generation and it’s apparent everyone has chosen a side: Kendrick or Drake. 

Contact the authors at tduff23@mail.wou.edu or howldesigner@wou.edu