Mount Hood

Musical storytelling in cinema

April 2, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: This article contains mentions of violence and death and spoilers

A soundtrack is what makes or breaks a movie. It provides ambience in a scene, sets the tone and communicates the emotions that are meant to be felt when watching a movie. The best composers can make audiences cry, feel utter horror and celebrate when good inevitably triumphs —sometimes all in the same movie. 

It’s in these soundtracks that composers use leitmotifs, or recurring musical themes, to symbolize characters, journeys and even betrayals. It’s in these moments that viewers can understand the deeper context behind a scene, where unspoken words and happenings become evident. 

Maybe they’re not always evident on a first watch-through, but when revisiting a movie or TV show, they become more prominent and jaw-dropping. 

“The Rains of Castamere” by Ramin Djawadi and Serj Tankian — “A Game of Thrones”

The episode of “A Game of Thrones” that this song is known for is perhaps one of the most shocking and bloody episodes of a show in TV history. Many of the main characters — most of whom are of House Stark — are brutally killed, with this haunting melody sung during the slaughter. The song itself speaks of the destruction of Houses Reyne and Tarbeck by Tywin Lannister, whose coat of arms is a golden lion on a red background, and is referenced in the song. 

Of course, it’s revealed that it was the Lannisters who orchestrated this assassination of the Starks, bringing an end to the War of the Five Kings. “The Rains of Castamere” is foreboding in its own right, and between the combination of piano and cello at its core it gives the feeling that, no matter what, the strings will always be pulled by those who have the power.

In later seasons, the song’s melody returns, and is renamed “A Lannister Always Pays His Debts,” playing whenever a member of the House Lannister acts in a way that changes the course of the story — when Tyrion kills his father, Twyin, and former lover, Shae, and when Joffrey succumbs to poison at his wedding. It becomes a leitmotif of death and destruction, exactly what the Lannister family is known for. 

“A Far Green Country” by Howard Shore — “The Lord of the Rings: The Return of the King”

This is a song that never fails to bring me to tears. It’s melancholic at its start but then swells to a peak that reminds audiences of the darkness that the characters still have yet to face. Its first appearance is late in the film when Pippin asks Gandalf about what happens after death, who then tells the Hobbit of “white shores and a far green country under a swift sunrise.” It is from this quote that the melody derives its name, and it comes to represent the hope of peace and the future they fight for. It plays when Sam and Frodo rest on the slopes of Mount Doom and Sam speaks of his lover, Rosie Cotton, and again at Aragorn’s coronation when he is crowned as the first king in centuries. 

The melody plays a final time when Frodo crosses to the Grey Havens, before fading to the lyrics of “Into the West” sung by Annie Lennox, who is famously part of Eurythmics and known for “Sweet Dreams.” Lennox’s performance is nothing short of ethereal, and with “A Far Green Country” as its guiding melody, it starts melancholic and swells at the end. It is a song of longing and things that have passed, but also one of hope, showing that the things to come are still good.

“Across the Stars” by John Williams — “Star Wars: Attack of the Clones”

Williams’ love theme for “Attack of the Clones” is nothing short of breathtaking and plays whenever Anakin Skywalker and Padmé Amidala face the love they have for one another. The best part about this theme? It is almost completely made up of other leitmotifs; however, the weaving of these melodies isn’t exactly obvious. I mean, I knew that it was the recurring theme for Anakin and Padmé, but it wasn’t until my brother — who loves to remind me of how much he knows about music theory — pointed out the structure of “Across the Stars” that I started to pay attention to the story it was telling. 

The first part of the melody comes from Luke’s theme, which is also the main theme of the series. While his theme starts with a rising fifth, referring to the interval of tones between two keys, “Across the Stars” starts with a falling fifth, the exact opposite of Luke’s theme. 

The second part comes from Leia’s theme, where the woodwinds are what carry the melody and stand as the core of the piece. It’s soft and delicate, speaking of hope and love through the galaxy. 

The bridge of “Across the Stars” is what ties it all together. The deep brass harmonies are a dark presence in the song and initially seem almost out of place. But, when compared to the “Imperial March,” they become a perfect pair. Anakin and Padmé’s theme tells their story, one that would not have been told without their children or Anakin’s turn to the Dark Side. 

“Cornfield Chase” by Hans Zimmer — “Interstellar”

Hans Zimmer is perhaps the most prolific composer of the 20th and 21st centuries. Working on 159 films, from “Batman Begins” to “Spirit: Stallion of the Cimarron,” Zimmer has dipped his toes into nearly every genre of movie, but “Interstellar” proves to be his most emotional project. 

The film’s main theme is introduced in “Cornfield Chase,” where the minimalistic theme repeats its piano motif, which serves as the backbone of the theme. The inclusion of strings and brass shifts the piece from introspective to exploring the epic scale of space. Its swell represents the smallness of man and the transcendence of space and dimensional travel.

This theme plays again and again in the moments of space travel and as Cooper, the film’s main character, interacts with his daughter Murph across time and space. The emotional impact of the theme is clear in each scene it plays in, shifting the movie from science fiction that warns mankind of its folly to one where mankind has hope for the future and survival. 

Contact the author at howlentertainment@wou.edu

Musical storytelling in cinema

April 2, 2025

Written by:  Jaylin Emond-Hardin | Entertainment Editor

Content warning: This article contains mentions of violence and death and spoilers

A soundtrack is what makes or breaks a movie. It provides ambience in a scene, sets the tone and communicates the emotions that are meant to be felt when watching a movie. The best composers can make audiences cry, feel utter horror and celebrate when good inevitably triumphs —sometimes all in the same movie. 

It’s in these soundtracks that composers use leitmotifs, or recurring musical themes, to symbolize characters, journeys and even betrayals. It’s in these moments that viewers can understand the deeper context behind a scene, where unspoken words and happenings become evident. 

Maybe they’re not always evident on a first watch-through, but when revisiting a movie or TV show, they become more prominent and jaw-dropping. 

“The Rains of Castamere” by Ramin Djawadi and Serj Tankian — “A Game of Thrones”

The episode of “A Game of Thrones” that this song is known for is perhaps one of the most shocking and bloody episodes of a show in TV history. Many of the main characters — most of whom are of House Stark — are brutally killed, with this haunting melody sung during the slaughter. The song itself speaks of the destruction of Houses Reyne and Tarbeck by Tywin Lannister, whose coat of arms is a golden lion on a red background, and is referenced in the song. 

Of course, it’s revealed that it was the Lannisters who orchestrated this assassination of the Starks, bringing an end to the War of the Five Kings. “The Rains of Castamere” is foreboding in its own right, and between the combination of piano and cello at its core it gives the feeling that, no matter what, the strings will always be pulled by those who have the power.

In later seasons, the song’s melody returns, and is renamed “A Lannister Always Pays His Debts,” playing whenever a member of the House Lannister acts in a way that changes the course of the story — when Tyrion kills his father, Twyin, and former lover, Shae, and when Joffrey succumbs to poison at his wedding. It becomes a leitmotif of death and destruction, exactly what the Lannister family is known for. 

“A Far Green Country” by Howard Shore — “The Lord of the Rings: The Return of the King”

This is a song that never fails to bring me to tears. It’s melancholic at its start but then swells to a peak that reminds audiences of the darkness that the characters still have yet to face. Its first appearance is late in the film when Pippin asks Gandalf about what happens after death, who then tells the Hobbit of “white shores and a far green country under a swift sunrise.” It is from this quote that the melody derives its name, and it comes to represent the hope of peace and the future they fight for. It plays when Sam and Frodo rest on the slopes of Mount Doom and Sam speaks of his lover, Rosie Cotton, and again at Aragorn’s coronation when he is crowned as the first king in centuries. 

The melody plays a final time when Frodo crosses to the Grey Havens, before fading to the lyrics of “Into the West” sung by Annie Lennox, who is famously part of Eurythmics and known for “Sweet Dreams.” Lennox’s performance is nothing short of ethereal, and with “A Far Green Country” as its guiding melody, it starts melancholic and swells at the end. It is a song of longing and things that have passed, but also one of hope, showing that the things to come are still good.

“Across the Stars” by John Williams — “Star Wars: Attack of the Clones”

Williams’ love theme for “Attack of the Clones” is nothing short of breathtaking and plays whenever Anakin Skywalker and Padmé Amidala face the love they have for one another. The best part about this theme? It is almost completely made up of other leitmotifs; however, the weaving of these melodies isn’t exactly obvious. I mean, I knew that it was the recurring theme for Anakin and Padmé, but it wasn’t until my brother — who loves to remind me of how much he knows about music theory — pointed out the structure of “Across the Stars” that I started to pay attention to the story it was telling. 

The first part of the melody comes from Luke’s theme, which is also the main theme of the series. While his theme starts with a rising fifth, referring to the interval of tones between two keys, “Across the Stars” starts with a falling fifth, the exact opposite of Luke’s theme. 

The second part comes from Leia’s theme, where the woodwinds are what carry the melody and stand as the core of the piece. It’s soft and delicate, speaking of hope and love through the galaxy. 

The bridge of “Across the Stars” is what ties it all together. The deep brass harmonies are a dark presence in the song and initially seem almost out of place. But, when compared to the “Imperial March,” they become a perfect pair. Anakin and Padmé’s theme tells their story, one that would not have been told without their children or Anakin’s turn to the Dark Side. 

“Cornfield Chase” by Hans Zimmer — “Interstellar”

Hans Zimmer is perhaps the most prolific composer of the 20th and 21st centuries. Working on 159 films, from “Batman Begins” to “Spirit: Stallion of the Cimarron,” Zimmer has dipped his toes into nearly every genre of movie, but “Interstellar” proves to be his most emotional project. 

The film’s main theme is introduced in “Cornfield Chase,” where the minimalistic theme repeats its piano motif, which serves as the backbone of the theme. The inclusion of strings and brass shifts the piece from introspective to exploring the epic scale of space. Its swell represents the smallness of man and the transcendence of space and dimensional travel.

This theme plays again and again in the moments of space travel and as Cooper, the film’s main character, interacts with his daughter Murph across time and space. The emotional impact of the theme is clear in each scene it plays in, shifting the movie from science fiction that warns mankind of its folly to one where mankind has hope for the future and survival. 

Contact the author at howlentertainment@wou.edu

The ad-pocalypse hits streaming

March 5, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

“If I wanted to pay for commercials I couldn’t skip, I’d sign up for Hulu.” Who knew a throw-away line in a 2014 episode of “The Simpsons” would still be so prevalent today? I mean, the episode wasn’t even about commercials or advertisements — it was about Homer pirating movies and consequently being arrested by the FBI.

But, Homer did have a point. Why pay for streaming services when they have ads?

When companies like Netflix and Hulu first launched, they both offered an ad-free service as their basic plan, which now both have ads. Even Hulu’s so-called “ad-free” subscription — the most expensive of their plans at $18.99 — is adding ads to certain programming, alongside Disney+, which Hulu is now partnered with. 

There’s not really a definitive answer for why these services are including ads, but it doesn’t make sense in the first place. After all, when Netflix and Hulu first launched as apps, they offered ad-free services for a fraction of the cost of cable. So what’s changed?

The first is the very reason why Netflix, Hulu and Disney+ gained popularity: no ads for a fraction of the cost. As more and more users joined, the companies realized that they needed a solution to make up for the revenue they were losing. Even with every user paying the monthly fee, they still needed support from advertisers. Thus, they began to offer two services — ad-free and basic with ads. 

Eventually, these evolved into different subscription plans for each service, some being ad-free, some offering partnerships with live TV or other streaming services. Currently the most popular partnership is the Hulu bundle, offering no ads on Hulu, a Disney+ subscription with no ads and ESPN+ with ads.

The second reason for advertisements becoming more prevalent on streaming services goes hand in hand with the bundling of streaming services: the amount of content offered. As content becomes available through cross-platforming, like Hulu titles and ESPN+ live sporting events being available on Disney+, the cost of licensing increases. The only streaming services that seem to avoid the need for ads due to cross-platforming are HBO Max and Prime Video, though Prime still has ads on when watching titles from its library or other non-Max affiliated services. 

With all these ads, it seems that streaming services have become cable, but if streaming services have become the new cable, what’s the next step?

For starters, visit a local library. They have extensive collections of movies and shows on DVD, though a DVD or Blu-ray player is required. Thrift stores typically also have copies of movies and shows, and ownership of one’s favorite titles might bring peace of mind — especially with the way titles are traded between services. However, a major downside of this is that many newer movies and series are not available on DVD, especially with the popularity of streaming services and digital copies. 

Contact the author at howlentertainment@wou.edu

Galentine’s Day

February 12, 2025

Written by: Isabelle Jones | Lifestyle Editor

Feb. 13, unofficially known as Galentine’s Day, has become a beloved holiday for women around the world. While Valentine’s Day often centers on romantic love, Galentine’s Day shines a spotlight on the power of friendship and the importance of strong female bonds. Galentine’s Day offers the perfect opportunity to celebrate supportive women that make life more enjoyable.

At its core, the holiday is about appreciating the women in one’s life who bring love, support and laughter. These friendships may have been formed in school, at work or through common interests, and they often become the pillars of emotional well-being. In a world where female rivalry has often been emphasized, Galentine’s Day serves as a reminder of the power of women supporting women. By fostering an environment of support and solidarity, women can empower one another to reach their goals and continue challenging societal norms. It’s a chance to focus on the collective power of women, who — together — can accomplish incredible things. 

Ways to celebrate Galentine’s Day

1. Host a brunch or dinner party
Hosting a brunch or dinner with close friends and female family members is one of the most popular ways to celebrate. Whether it’s dining out or serving up homemade favorites, the focus should be on sharing good food and good conversation with wonderful peers. The Lively Station in South Salem is a quiet, tucked away restaurant perfect for any group wanting local food. 

2. Spa day or self-care retreat
For those who want a more relaxing celebration, a spa day or DIY pampering session with friends can be a great way to bond. Facemasks, manicures and a cozy atmosphere can provide the perfect setting for relaxing and rejuvenation. Turn the living room into a DIY spa sanctuary with calming music, candles and soothing treatments.

3. Movie or TV show marathon
There’s nothing like having a cozy night in with friends, snacks and a good movie. According to Good Housekeeping, among the most popular Galentine’s Day movies to watch include “Pitch Perfect,” “Legally Blonde,” “Bridesmaids,” “Booksmart,” “13 Going on 30,” “A League of Their Own” and “Pride and Prejudice.” 

4. Go on a fun adventure
Create new and fun memories with one’s gal pals by going on a day adventure. If one is looking for a unique activity in Salem, head to the Coin Jam, 21 and over only, Exitus escape room or Wreckingballers. It’s sure to be a blast and a great way to relieve some stress. 

Whether it’s celebrating with an extravagant gathering or a quiet evening with close friends, Galentine’s Day is about embracing the value of female friendship and the power of connection. It serves as a reminder that love isn’t confined to romantic relationships and that the bonds formed by our friends are just as meaningful and important. Galentine’s Day encourages us to lift each other up. It’s a day to recognize the strength, beauty and resilience that come from celebrating and supporting each other.

Contact the author at howllifestyle@wou.edu

“The Howl” staff picks

February 5, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

Looking for a new show to binge or a new artist to fill the homework hours? The staff of “The Western Howl” has all avenues covered — and then some. 

Shows and movies:

“Attack on Titan” — Sophie Taylor, designer

One of the highest-rated animes of all time, Taylor’s choice of “Attack on Titan” is a show that “is breathtaking and was crafted to perfection. Twists and turns that no one sees coming will leave you jaw-dropped, looking at your own reflection on the black screen.” 

The show follows protagonist Eren Yeager as he joins the elite Survey Corps and faces off against Titans — gigantic, humanoid creatures that feed on humans — and is currently streaming on Apple TV+ and Crunchyroll.

“River Monsters” — Sophia Pierce, designer

“After 9 seasons, the show has sadly been discontinued since Jeremy Wade, the show’s star, has caught essentially all our waters have to offer,” Pierce said. 

Following Jeremy Wade as searches for exotic fishes, both big and small, the show goes across the globe and explores the cultures and stories of the people who have seen these creatures. 

“When a Stranger Calls” — Quincy Bentley, sports editor

Bentley’s love for horror shows in his pick, calling it a horror movie without the gore. “Though it was made in 1979, the suspense remains timeless. The utter intensity of the film kept me on the edge of my seat for the full 97 minutes,” he said. “(It’s) definitely worth the watch.”

The film follows high school student Jill Johnson who is terrorized by a killer during an evening of babysitting. She receives repeated calls asking her, “Have you checked the children lately?”

Books:

“Jurassic Park” by Michael Criton — Isabelle Jones, lifestyle editor

Jones is a self-professed lover of all things “Jurassic Park,” and her pick had her captivated by the relationship between man and dinosaurs — and its destructive nature. “For those waiting for Jurassic World Rebirth, take some time and learn about the origins of the franchise in this vicious adventure,” she said. 

The first in a duology, “Jurassic Park” explores the concept of cloning dinosaur DNA and its consequences. Much of the plot is similar to the movie, though of course creative liberties were taken during its filming. 

“The Invisible Life of Addie LaRue” by V.E. Schwab — Hannah Field, editor-in-chief

“My favorite book of all time. Addie LaRue is cursed to live forever and be known by nobody — until somebody remembers her and, against all odds, they vow to rewrite their past and future as one. V.E. Schwab writes with magnetic prose in this standalone novel, capturing the human experience in such a captivating story,” Field says. 

“The Book Thief” by Markus Zusak — Addie Floyd, head designer

Perhaps one of the greatest books of our time, Floyd’s choice is one that she says broke her heart to pieces. “(It’s) definitely a life-changing book. I finished this book when I was in class my senior year of high school,” she says. “Worst idea ever. I should have known better. After all, it is narrated by death.”

Music:

“Preacher’s Daughter” by Ethel Cain — Ruth Simonsen, digital media manager

At Terry House, there’s one rule: in Ruth’s music we trust, and her choice of Ethel Cain’s album is the best example of why this is. “This album strikes home for anyone with religious trauma, as it follows the daughter of a preacher through her life, brutal death and afterlife,” she says. “Listen to this album during the quiet hours of the evening, preferably with a candle burning and noise-canceling headphones.”

“the sugar machine” by slenderbodies — Kiera Roedel, copy editor

Aside from being our copy editor, Roedel is also phenomenal at writing deep-dive album reviews, so this is familiar territory for her. 

“A falsetto-laden dream-pop record about yearning for days gone by and wishing for love and tranquility. Soft guitars, synthesizers and unusual percussion lines make it a peaceful yet engaging listen,” she says. “It doesn’t hurt that almost every song has an earworm chorus.”

“Imaginary Appalachia” by Colter Wall — Jaylin Emond-Hardin, entertainment editor

My personal pick, Wall’s debut album is reminiscent of the days of Johnny Cash, Willie Nelson and Loretta Lynn. With soulful lyrics that dredge up images of the American South, this album is sure to make one yearn for the days of open ranges, cowboys and whiskey so strong it would knock the fuzz off a peach. 

Podcasts:

“The Magnus Archives” — Sadie Latimer, news editor

A horror anthology podcast, “The Magnus Archives” progresses as Jonathan Sims archives a collection of statements dealing with the paranormal. Each episode varies between 20 and 40 minutes and is sure to keep listeners riveted. 

“This podcast is long, but so worth it. Throughout the 200 episodes, it delves into the supernatural world and what it really means to be human,” Latimer says. 

“Old Gods of Appalachia” — Jaylin Emond-Hardin, entertainment editor

Another horror anthology podcast, “Old Gods of Appalachia” narrates the sordid and violent events surrounding the town of Barlo, Kentucky and its paranormal origins. 

With a backing soundtrack that throws listeners into the moment, this is a podcast that is truly terrifying. 

“Ologies” — Ruth Simonsen, digital media manager

This podcast is filled with interviews from experts in basically every field — “If it has an ‘-ology,’ it has an episode,” Simonsen says. 

With more than 130 episodes, the podcast explores the truly wild and niche fields, including basket weaving, called canistrumology. 

Contact the author at howlentertainment@wou.edu

Translated media wave

Written by: Jaylin Emond-Hardin | Entertainment Editor

“The amount of time you spent together probably matters, but less time doesn’t mean less love. Whether it’s a day or year, human or cat, and even if we may never see them again, there are those who are irreplaceable in our lives.”

All it took was for me to see one quote from Syou Ishida’s book, “We’ll Prescribe You a Cat,” on Instagram — and I was hooked. 

The novel, translated from Japanese by E. Madison Shimoda, explores the concept of prescribing a cat as medication for those who find the mysterious Nakagyō Kokoro Clinic for the Soul. Often puzzled by this strange prescription, patients “take” their cat for the prescribed amount of time and find monumental changes in their lives. 

After falling in love with “We’ll Prescribe You a Cat,” I quickly searched for more translated works by Japanese authors, and found “Days at the Morisaki Bookshop” by Satoshi Yagisawa and “Before the Coffee Gets Cold” by Toshikazu Kawaguchi at The Book Bin in Salem. With similar life-changing premises as “We’ll Prescribe You a Cat,” it made me wonder why these novels were becoming so popular in the US. After all, until recently, I had never seen any books translated into English from another language in stores unless they were manga. 

“In Japanese fiction, readers are finding comforting stories about ordinary lives transformed by small adjustments of attitude, suggesting positive change is something we can all reach if we are open to it,” said Jane Lawson, deputy publisher at Doubleday Publishing, suggesting that readers are finding what may not be in English literature in its Japanese counterpart.

This then led me to Korean Dramas, or K-Dramas, subbed and dubbed anime, movies and shows. Slice-of-life plots and heroes with super abilities were the majority of what I found, but they all had one similar theme: a life-changing experience for the better. 

The popularity of Japanese literature, K-dramas and other media from these regions is part of the “Hallyu,” or Korean Wave, that started in the 1990s and gained momentum in the 2000s. Who could forget Psy’s hit song “Gangnam Style,” which rocked 2012?

As these books continue to hit shelves and gain popularity, I would recommend them wholeheartedly. It wasn’t until I read “We’ll Prescribe You a Cat” that I realized how close to home Ishida’s words had hit and how my own cat has helped me immensely in the last few months, even as he bites my hands while I type this. 

Contact the author at howlentertainment@wou.edu

Staffs favorite movies

Written by: Sierra Porter | Staff Writer

“The Western Howl” staff is filled with crazy cool personalities, a variety of talents and a plethora of different hobbies and passions. One thing is for sure: we are all movie fanatics and live vicariously through the characters we love. Here are the staff’s favorite movies and why we continue to enjoy them. 

Editor in Chief, Gretchen Sims, expresses her love for the movie “Braveheart.” Sims says, “I actually learned how to play the main theme ‘For the Love of a Princess’ from Braveheart early on in high school. I fell in love with the score and convinced my parents to let me watch it. My mom isn’t one for gore, but I loved the film and it is now one of my all-time favorites!” 

Linden Loren, coordinator, advising & virtual engagement, dubbed the “dad” of the Howl, recommends “LinkedIn: The Movie.” All one needs is a LinkedIn account and some salt to snack on — truly inspiring. 

The Howl’s Digital Media Manager, Ruth Simonsen’s, favorite movie is “Predestination,” a sci-fi thriller released in 2014. Simonsen says, “This movie made me rethink my life and everything I believed in. It brought to light how frail yet beautiful humanity is, and how one truly needs to make the most of it while one has it. Trust oneself and always grow, but give oneself the grace to recognize that one is a completely different person in every phase of your life, never to be the same person twice.” 

Cami Ansley, Copy Editor, deems “Crazy Rich Asians” as her favorite movie. Ansley says, “This movie was really relatable to me as an Asian American and the ending was so perfect and satisfying to watch. It was also nice to see an all Asian cast with actors and actresses that I’d never seen before.”

Head Designer Addie Floyd’s favorite movie is “Tangled,” based on the timeless story of Rapunzel and her long hair. Floyd expressed, “This movie is my comfort movie. It just brings me so much joy. No matter the mood I’m in, Tangled can always cheer me up.” 

Our other amazing Designer, Sophie Taylor, says her movie favorite is “Coraline,” released in 2009. Taylor says, “Coraline” is one of the earliest movies I ever remember watching. Ever since I was little, the claymation animation style has always captured my attention. There are so many subtle hints and clues that foreshadow the movie that every time I watch it, I find something new. There have been so many conspiracy theories and rabbit holes to go down. Keep Portland weird.” 

Photo Editor Quinlan Elise has a short and sweet response on why she loves “Napoleon Dynamite:” “there is no other choice.” 

Hannah Field, the Howl’s News Editor’s favorite movie is “Fox and The Hound.” Field recalls some of her favorite memories with the film, “I can remember watching this movie on VHS tape in the garage while my dad worked on his cars. I would sit on a stool or a tiny chair with my neck craned upward at a 120 degree angle looking at that tiny box TV playing my favorite movie. I think it’s an underrated but beautiful piece of work and hope everyone has the pleasure of watching it one day.”

Claire Phillips, our Entertainment Editor’s movie of choice is “Fried Green Tomatoes,” released in 1991. Phillips says, “This historical classic takes on many heavy topics that are still relevant today. It will make one cry, it will make one laugh and above all, it will make one crave some good Southern food.” 

Sports Editor, Jaylin Hardin, says her favorite movie is “The Lord of the Rings: The Two Towers.” Hardin expressed, “I’ve loved the trilogy since I was a kid, but ‘The Two Towers’ was always my favorite because I love the plot. Extended edition just makes it so much better because it adds so many more details from the books.” 

Creative Lifestyle Editor, Liberty Miller expresses her love for “The Sorcerers Apprentice,” released in 2010. Miller says, “This movie was one of the more psychologically formative movies of my younger years. Nicholas Cage and Jay Baruchel create a seamless duo performance and take on their roles to the point where they become their character. The storyline was intriguing and the pace of the movie created the perfect elements of suspense — the soundtrack was also incredible, with ‘Secrets’ by OneRepublic still being one of my all-time favorite songs. My favorite scene from the movie included that song being played while the Tesla Coils are run by David Stutler.” Miller also gives a special shout-out to “Crazy Rich Asians” as a close second. 

Taylor Duff, one of our great Staff Writers, chose the movie “SuperBad,” released in 2007, as her movie favorite. Duff said, “I love this comedy that explores growing up and learning to just be oneself. Plus I still crack up every time I watch. Viewer discretion is advised.” 

Talented Freelancer Lili Minato expresses her love for “Twin Peaks: Fire Walk with Me.” Minato says, “At its release, ‘Twin Peaks: Fire Walk with Me’ was considered a bad prequel to its beloved predecessor, ‘Twin Peaks.’ Now, it has a cult following of many who enjoy the story of Laura Palmer. It’s a film full of bizarre scenes and a devastating plotline. In true David Lynch fashion, it is weird and wonderful.” 

As for myself, my favorite movie is “The Karate Kid,” released in 1984. There are so many reasons why this is my favorite movie but long story short, I love an underdog story. Not to mention the amazing soundtrack. 

Contact the author at howlstaffwriter@wou.edu