By: Kiley Prom Freelancer
From the director who has brought us modern-day classics such as “Pirates of the Caribbean” and “The Ring,” comes a poor excuse for a horror movie set in an isolated spa in the Swiss Alps.
The story follows the young protagonist, Lockhart, an executive at a financial institution in New York City, as he travels to the Swiss Alps to retrieve his company’s CEO from his extended vacation. From the moment Lockhart reaches his destination, he can already tell that it wasn’t an ordinary day spa. After being told the history of the grounds by a sketchy cab driver, he walks into the spa with the full intention of bringing back the CEO in no-time-flat. Sadly, his retrieval mission doesn’t go as planned and he begins to learn the true secret behind the secluded wellness center.
The first 40 minutes of the movie are very well done. The aesthetics are absolutely stunning and add to the suspense and intrigue of the film. The story is just engaging enough to keep the audience interested. Once the movie hits about the middle mark, however, the quality quickly goes downhill.
With the way the first half went I expected there to be a big climax, but it never came. The beginning of the movie gives a sense of excitement, but by the third act, the excitement is gone because there are no answers.
The story seemed to be at a stand still and had me glancing at the clock wondering how there was still over an hour left. Honestly, I felt like I could have walked out of the theater halfway through and came back for the last five minutes without missing anything.
The number of plot holes and unexplained phenomena going on were almost laughable as the director, Gore Verbinski, tried to throw in as much randomness as he could just to get a reaction out of his audience. Verbinski also decided to make viewers uncomfortable by turning the film into a worse “50 Shades of Gray,” complete with awkward sex scenes and nudity, but with a repulsive incestual twist.
There was the potential for a good film, but it fell just short of what it was trying to accomplish. The cinematography was beautiful, and the score was one of the best I heard in a film as of late, but it was too long, making it hard to stay invested especially with no climax. This is the kind of film where waiting for it to come out on Netflix isn’t a bad idea. At least then there’s the possibility to fast forward through the mundane parts.
Contact the author at kprom15@wou.edu
1/4
+ Great cinematography
– Squandered ending
