Written by:  Mikayla Coleman

Released on Netflix Apr. 6, the 10-episode drama mini-series “Beef” has been taking the world by storm. The series, created by Lee Sung Jin, stars Steven Yeun as Danny Cho, Ali Wong as Amy Lau and David Choe as Isaac Cho. 

The series follows Danny Cho, a struggling contractor, and Amy Lau, a prestigious business owner, as their worlds collide and implode after a particularly spicy road rage incident between the two. Instead of setting things aside and moving on as most typically would, both characters allow the incident to fester into a bitter feud that completely takes over their professional and personal lives — putting everything and everyone in jeopardy. 

The two main characters’ lives could not be more different. The show begins by depicting Danny struggling to maintain his contracting business and cohabitating with his younger brother in a small apartment. 

Amy Lau is on the cusp of a major business deal that will allow her to sell her small business and finally be able to enjoy the luxury that she has worked hard for. Amy has a young daughter and a mildly famous husband, known for being the son of a famous Japanese artist. While Amy seems to have the “better” life, it becomes clear throughout the series that money truly cannot buy happiness. Amy is painstakingly choosing to be surrounded by many tone-deaf members of the one percent — earnestly trying to ignore the blatant philosophical and ethical differences between herself and those close to her. 

And despite the money that Lau has access to, there is a major parallel between both Danny and Amy — their utter, bitter unhappiness. This common thread of struggle weaves the two together in a beautiful melancholy throughout the entire series and ultimately brings them together when they are both at their lowest. 

Most episodes begin by displaying paintings by David Choe, carrying heavy visual metaphors and symbolism for what is to come. The seething energy that is present between these two characters, along with several deviations and side plots, makes every minute captivating. 

9.5/10.

Contact the author at howleditor@wou.edu