Mount Hood

Buy games; help kids: The Humble Bundle

By Declan Hertel
 Staff Writer

Games are expensive. This is the sad truth of all gaming, be it video, board, or roleplaying: it is a costly hobby. However, efforts to make gaming more accessible have been made.

For video games, Valve (Team Fortress 2, Portal) has the Steam platform, a program that allows users to buy and download games, along with providing support for multiplayer gaming and a social network based around games.

Steam is known for its massive sales, especially during the winter and summer, where they mark down every game on their marketplace by a significant percentage and offer bigger deals on popular games day to day. But these huge sales are rare, and gamers are still on the lookout for cheap games.

Enter the Humble Bundle. Every few weeks on humblebundle.com, a bundle of games is put up for sale, and customers can pay what they want for them. You must pay at least $1, but the more you pay, the more you get.

The Humble Bundle typically offers several tiers of games; the first tier is “pay-what-you-want,” and the second tier requires that you beat the average price (at the time of this writing, the current Bundle has an average of $5.51).

The second tier is generally where the better, more well-known games lie. Relatively recently, Humble Bundle introduced more tiers with fixed prices for a third tier, generally around $15-$20 to get the biggest name games in the bundle. If you pay their highest asking price, you’ll receive all the games from every tier, often getting $250+ worth of games for $20.

“How could this possibly be,” you say? Well, dear reader, it can be because it is for charity.

The proceeds are split between the game developers and one or more charities, which have included Child’s Play, a charity that provides gaming consoles to children’s hospitals; Electronic Frontier Foundation, a “non-profit digital rights group”; Charity: Water, which provides clean drinking water to developing nations, and the American Red Cross, among many others.

Customers are given the opportunity to split their money between the developers and the charities however they want, with a default 10 percent going to charity.

When I first heard about the Humble Bundle, after the initial excitement of 10 games for a dollar, I thought, “How could this possibly be a success? Why doesn’t everyone just give the minimum and be done?”

It turns out that many people are very charitable indeed, even when it would be very easy not to be. In the current bundle, the total amount given (with six days left at the time of this writing) is $462,963.85, and the biggest donation is $1,000.

Since its start in 2010, the Humble Bundle has also introduced Weekly Bundles, Book Bundles, Mobile Bundles for Android, and the Humble Store, which functions like the Steam store, but with a charitable angle.

Humble Bundle is a service that is well worth taking advantage of. You get your cheap games, and the rest of the world gets a little bit brighter. I think the world would do well with more such services, but for now, Humble Bundle will do.

Diversity in books still a work-in-progress

By Emily Pate
 Freelancer

Literature can be an escape from everyday life, a place to retreat from reality. And yet, for many, these retreats are not as accommodating- or as representative–as they should be.

In 2012, Roxane Gay, writing for the Rumpus, surveyed books reviewed by the New York Times in 2011. She discovered that 90 percent of these books were written by white authors.

“That is not even remotely reflective of the racial makeup of this country,” Gay said, “where 72 percent of the population, according to the 2010 census, is white.” In addition, nearly 67 percent of the books were written by men.

It’s not just in adult books that this lack of diversity is found. Also in 2012, the Cooperative Children’s Book Center (CCBC) did a survey of 3,600 books for children. Of all these books, only 7.5 percent were about non-white characters.

CCBC also reports that, over the last two decades, the percentage of children’s books written by or about people of color has remained near 10 percent, instead of the 37 percent that would more accurately reflect the population of the United States.

However, CCBC’s data indicates that the percentage of these books rose in 2014, up from 10 percent to 14 percent. It’s a small step, but still in the right direction.

There are improvements in other areas as well. According to Diversity in YA, at http://www.diversityinya.com, 47 LGBTQ+ books were published by mainstream publishers in 2014, a 59 percent increase from 2013, a number is still distressingly small considering the huge volume of books published every year.

And yet, like the percentages on racial diversity, the numbers are improving.

There are organizations that strive to take progress even farther. One such organization is the We Need Diverse Books Campaign, created in 2014 as a result of the lack of diversity in literature, especially in books directed towards young people.

On their website, http://weneeddiversebooks.org, the campaign defines itself as an organization that “advocates essential changes in the publishing industry to produce and promote literature that reflects and honors the lives of all young people.”

Representation is, as the We Need Diverse Books Campaign says, essential. Even aside from the desire to see oneself reflected in the pages of a book, diversity in literature, especially in books directed towards children and young adults, can teach empathy and self-confidence.

Better representations gives readers a broader, and more accurate, view of the world. Diversity is also something that anyone can contribute to. Through readers purchasing diverse books and encouraging better representation, the publishing industry can be directed towards literature that better represents all readers.

Max Max: Second Opinion

By Declan Hertel
 Staff Writer

In sharp contrast to my colleague Nathaniel, I hated “Mad Max: Fury Road.” I hated it because it was a perfect action film and, therefore, has ruined all other action films for me.

I didn’t know that movie genres could be won, but “Mad Max: Fury Road” has won action films.

I couldn’t look away for a second. “Mad Max” is, for my money, the most visually beautiful film since 2009’s “Avatar.” The vibrant orange and blue color palette brings the wasteland to life, deftly avoiding the brown deluge that often plagues post-apocalyptia.

Every element of the world — from the absurdly dangerous automobiles to the religious fervor of the War Boys; even the bungee-suspended, pajama-wearing flamethrower-operator/war-guitarist (take a second to absorb that) — just feels… right.

Without exaggeration, I say even the weakest action sequence in the film is far and away better than any other I’ve seen recently. Every scrap is executed with complete abandon, reveling in the madness without a care in the world; it’s an attitude best expressed by Nux during an utterly unhinged battle sequence: “What a day! What a LOVELY day! “

Have yourself a “lovely day” at the cinema. Go see “Mad Max.”

4.5 paws out of 4, and I’, not even kidding.

KWOU APP HAS ARRIVED

By Nathaniel Dunaway
Entertainment Editor

kwou2

Western’s student-run campus radio station KWOU now has an official app available through the Apple iTunes Store.

The app, called “KWOU: Western Oregon Radio,” is free to download, and features common radio and podcast app features, such as “Listen Now” and “The DJs,” the latter of which gives a rundown of the station’s 20 DJs and shows, including Space Legs, Renegade Riley, and Domination Nation.

“It has been a long process to finally get it out,” said KWOU Station Manager Iain Dexter. “But, we appreciate the work that Bruin Mobile from UCLA has done to help get this out. I am extremely excited to finally have the app ready for students and the Monmouth community to download and make access to our station much easier.”

“Weekly Schedule,” “Events,” and instant connection to KWOU’s various social media platforms are also available through the app, as well as information on how to get involved with the radio station, a part of Western’s student media.

The app requires iOS 7.0 or later, and is compatible with iPhone, iPad, and iPod Touch.

“I’m looking forward to seeing KWOU grow through this introduction to mobile devices, which is what most people use to listen to music and the radio” said Clara Pratt, KWOU’s technical engineer.

KWOU joins Abby’s House as the two student-led organizations on campus with apps available through the iTunes Store.

“With any new technology, there are always initial kinks to work out,” Dexter said. “Currently, we are updating information, but you’ll always have access to our music and shows.”

In addition to the app, listeners can access KWOU at wou.edu/kwou.

Flailing is fun:

By Declan Hertel
 Staff Writer

The surge in indie games has brought with it a new genre of game: interactive slapstick. Funny games used to be games where you do a thing, someone says a joke, repeat. While those games still exist in fine form (“Portal 2” is a prime example), there is a new sort of comedy game that derives humor from its physics or controls.

Below is a list of very fine examples of the genre, and all come with high recommendations from me.

“Surgeon Simulator 2013”

This game is an example of an absurd control scheme used for humorous effect. In “SS2013,” you must perform complex surgeries with the use of only one hand.

The arm and hand are controlled with the mouse, and each of the fingers and the thumb are operated with the A, W, E, R, and Spacebar keys on your keyboard.

Picking up a scalpel becomes a gargantuan task, never mind using it to any great effect.

On more than one occasion, I’ve taken the heart I’m to transplant and accidentally thrown it full force into the patient’s face and watched it fall to the floor, never to be seen again. After many failed attempts, I finally completed the operation by removing everything from the man’s chest cavity and plopping the heart in. This is good enough in “Surgeon Simulator.”

“Goat Simulator”

The other main type of interactive slapstick comes from odd usages of physics. The developers of “Goat Simulator” left in every bug and glitch that didn’t crash the game, created a monster that plays like a demented “Tony Hawk’s Pro Skater,” awarding points for tricks and stunts like running up walls, getting thrown across the map by a speeding truck, or knocking over a crowd of people by headbutting some poor sap into them.

That’s all you do; run around the map and cause mayhem as a goat. And it somehow never gets old. Every time you fire it up, you find some new way to mess with everything.

“Octodad: Dadliest Catch”

“Octodad,” a fusion of the above two methods of interactive slapstick, is a heartwarming game by Young Horse Inc. about a suburban father trying to be the best dad and best husband that he can possibly be while keeping his dark secret safe from the world, and even from his family; his secret being that he is, in fact, an octopus.

The player must guide the titular cephalopod through simple activities, like making breakfast, while controlling each of his super-elastic limbs individually.

But you also have a secret to keep, so you must fight against your rubbery appendages and try to accomplish these mundane tasks as mundanely as possible.

You’ll be doing well, walking around the kitchen, making small talk with your family, and then one false move later you’ve thrown the milk across the kitchen, and then as you go to retrieve it you knock over some chairs, and that sends your leg flying into the air and you flip into the wall, and after much hilarious flailing, you finally deliver a bowl of cereal to your daughter, who thanks you wholeheartedly. And all is right.

Actors Wanted

Next week, Western’s department of theatre and dance will hold open auditions for its summer outdoor production of Shakespeare’s “As You Like It.”

Director David Janoviak will cast a combination of student and community actors in Shakespeare’s classic pastoral comedy. Parts for approximately 12 men and six women will be available.

The auditions will consist of an optional prepared Shakespearean monologue as well as cold readings from the script. No preparation is necessary to audition, but a familiarity of the play is highly recommended.

Audition dates are Friday, May 15 from 6 to 9 p.m., and Saturday, May 16 from 12 to 3 p.m. in the Math / Nursing Building, room 108.

The play will rehearse Monday through Friday evenings (6-9:30 p.m.) beginning on June 22 and will perform from July 30 through Aug. 1 on the outdoor stage adjacent to Rice Auditorium.

The part of Jaques is precast. All other parts are available.

“As You Like It” is one of Shakespeare’s most popular comedies, and features the famous phrase “all the world’s a stage.” It tells the story of Rosalind and Celia, cousins who run away to the Forest of Arden, where they find true love.

For more information, please contact Professor David Janoviak (Director) at 503-559-1551 / janovid@wou.edu

BIGGER, BOLDER, MORE SUGAR?

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[fruitful_ibox column=”ffs-two-one” title=”Fed Up”]
By Jenna Beresheim
Staff Writer

Looking for a non-shaming, obesity-epidemic-blasting documentary? Look no further than “Fed Up” by Stephanie Soechtig.

Narrated by Katie Couric and averaging a rating of 4 out of 5 stars, this documentary is well-made and definitely worth the watch. Plus it is free on Netflix.

Popcorn and soda pop not included, but at only an hour and a half, snackage will not be required.

Unlike some other marathon movies that require pre-apocalyptic hoarding to survive to credits, this documentary will be over in a blink. And may even make you re-consider those sugary snacks.

“The message that’s been pushed on us: it’s your fault you’re fat,” Dr. Mark Hyman, the chairman for the Institute for Functional Medicine said, in regards to the obesity epidemic in America:

“Forget about it.”

Top scientists and board members across the country in all forms of public health take a stand to break long-standing problems in the way we view health, debunking myths such as calories are calories, regardless of what form they are in, as well as what it really means to balance diet and exercise.

Instead, the focus is on sugar and how exactly it works in the body — even going so far as to compare junk food companies to tobacco companies.

Following the lives of several children suffering from zobesity, the viewer gets a more personal view of the daily struggles of those who are overweight and cannot seem to break away from it.

No matter how hard these children try, what they do is not working. Until they begin making the “right” changes to their daily life.

Unlike some documentaries, this film does not force the facts upon the viewer or demand a strict allegiance to their cause be made. Instead, “Fed Up” focuses on the facts and providing information, encouraging the public to reduce sugar intake, backing it up with all the right reasons. For those who wish to make the change to their lifestyle, this documentary offers a 10 day sugar-free challenge to break the habit.

FOUR OUT OF FOUR PAWS

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[fruitful_ibox column=”ffs-two-one” title=”Avengers: Age of Ultron” last=”true”]By Declan Hertel
Staff Writer

In the first 10 minutes of “Avengers: Age of Ultron,” Captain America (Chris Evans) does a high-speed endo on a motorcycle, launches into a front-flip, and throws the motorcycle into a Hydra troop truck that spectacularly explodes upon impact. This is utterly ridiculous; it is also TOTALLY AWESOME.

Those two words are the core of “Age of Ultron,” Joss Whedon’s final foray into the Marvel Cinematic Universe. I saw this movie at a midnight showing during its opening weekend, and throughout the entire movie the audience was laughing and cheering as the punches flew, the lasers pew-pewed, and the Hulk smashed everything.

The fight choreography is without flaw and everyone gets their chance to be the butt-kicking action hero. And oh boy, do butts get kicked: “Age of Ultron” takes the over-the-top stylized violence of the first “Avengers” film and ratchets it up to 11, and then says “nah, man, we can go higher.”

The film starts out at “Nuts” with the fight in a European forest that includes the aforementioned motorcycle stunt and keeps pushing until it hits “Completely Freaking Bonkers” in the third act. I won’t spoil any other fight scenes; you’ll thank me.

Joss Whedon is well known for the one-liners and rapier wit he brings to his scripts, and he is on top of his game here. Every character packs as many quips as they can into the 141 minute runtime; they are almost all hilarious, and the ones that aren’t are worth a chuckle.

Jeremy Renner’s Hawkeye delivers my favorite of the film right in the middle of the climactic battle, which ought to be a pleasant surprise to anyone who saw the first “Avengers,” where Hawkeye was pretty boring.

To be honest, Hawkeye steals the show. Ultron (a masterful voice performance by James Spader) may have his name in the title, but Hawkeye’s subplot and improved characterization really lend the film its emotional heart.

The addition of a romantic subplot involving Black Widow (Scarlett Johansson) and Bruce Banner/Hulk (Mark Ruffalo) made me skeptical at first, but Whedon’s writing and the performances of Ruffalo and Johansson sealed the deal, and I was on board. Well done, Mr. Whedon. Well done.

My only real complaint about the movie is that when you’re driving a behemoth of a story at maximum overdrive as this movie does, bits are bound to fall off. There are a number of small happenings in the movie that are never explained and come off as useless. Whether they actually are or they’re foreshadowing the next phase of the MCU, it’s irritating.

That said, this only mattered to me after the movie was over, and I wiped the doofy smile from my face.

In all honesty, if you’ve liked the MCU so far, you’ll love “Age of Ultron.” If you hate the MCU, you’ll likely hate this too. But if you’re just looking for two hours of plain old escapism, you can’t do much better than this.

THREE AND A HALF OUT OF FOUR PAWS[/fruitful_ibox][/fruitful_ibox_row]