Mount Hood

A BOLDER, BLOODIER BOND

BY NATHANIEL DUNAWAY ENTERTAINMENT EDITOR
BY NATHANIEL DUNAWAY
ENTERTAINMENT EDITOR

In regards to the newer MGM James
Bond films, many reviewers have complained
that the series has gotten too
serious, too dour.

Even after the release of “Skyfall,”
the most well-received Bond film in
decades, reviewers were calling for the
spy genre to take its foot off the gritty
pedal and remember its roots: its
jetpack, laser-watch, snappy one-liner
roots. For anyone who agrees with
these sentiments, the new film “Kingsman:
The Secret Service” should be at
the very top of your to-watch list.

Directed by Matthew Vaughn (“Layer
Cake,” “Kick-Ass”), “Kingsman” is
an England-set throwback to the spy
genre of the 1960s. Though it takes
place in modern day and employs modern
technology as an important plot element,
the feel of “Kingsman” is rooted
deeply in the nostalgia of the 60s.

The film stars newcomer Taron
Egerton as Eggsy, a troubled young
man and the son of a secret agent who
belongs to a private spy agency separate
from government control or regulation
called the Kingsman.

Eggsy becomes the protégé of another
Kingsman named Harry Hart,
played superbly by Colin Firth (“The
King’s Speech”), and undergoes training
along with a handful of other potential
candidates all vying for the
chance to become an agent themselves.

The cast is rounded out by Mark
Strong (“Kick-Ass”), Michael Caine
(“The Dark Knight”) and Samuel L.
Jackson (too many options).

The latter serves as the film’s main
villain, one Mr. Valentine, an immensely
wealthy and environmentally
concerned individual who hatches a
diabolical plot to incite a “cull” on the
human race to reduce the population
and help save the planet. Like any
good Bond villain, Valentine is distinguished
by a unique physical abnormality,
his being a comical lisp.

Although its comedic elements
make the film oftentimes laugh-outloud
funny and a joy to watch, where
“Kingsman” really shines is in its action
sequences. And seeing as this is
the director of “Kick-Ass” we’re talking
about, that’s no surprise.

But director Matthew Vaughn outdoes
himself here. The fight scenes
in “Kingsman” are incredible. Some
of the best action I’ve seen in a very
long time. The church fight (yes, I said
church fight) is the bloodiest, boldest,
and funniest scene since the shootout
in the third act of “Django Unchained.”
It’s an ambitious and effective mix
of intense choreography, CGI, Steadicam,
and constant gunfire. Your jaw
will be on the floor.

What also makes “Kingsman” great
is its loyal attachment to the source
material which inspired it. From bullet-
proof suits and lethal umbrellas to
lighter grenades and poisonous pens,
Kingsman agents are supplied with
enough handy (if ludicrous) gadgets to
impress even Desmond Llewellyn’s Q
in the Bond films. But it is also “Kingsman’s”
self-awareness that sets it
apart.

At one point Colin Firth’s character
remarks that today’s spy films are no
fun, and later, Samuel L. Jackson’s
Valentine comments that it’s the part
of the film where he’s supposed to unveil
his grand plan and kill a character
in some elaborate manner. “But,”
Valentine says, “this ain’t that kind of
movie.”

And he’s right. It’s not that kind of
movie at all. Truth be told, I’m hardpressed
to describe just what kind of
movie “Kingsman” is. Other than a really
good one, that is.

KWOU radio station to host winter dance

KWOU Dance Poster

By NATHANIEL DUNAWAY
 Entertainment Editor

KWOU, Western’s premier online radio station, will be hosting the Winter Kickback Dance next month in preparation for the highly anticipated release of their new app, which will be unveiled in the coming weeks.

“It is an exciting time for KWOU right now,” said Station Manager Iain Dexter, “and we expect both the dance and the app to be a success.”

Taking place in the Pacific Room in the Werner University Center on Saturday, March 7, the Winter Kickback will feature multi-colored lights, glow sticks, and electronic dance music.

Four KWOU DJs will be presiding over the dance, which is scheduled from 7 p.m. to 10 p.m. Alex Rockow, aka DJ Rockslide, will be headlining, with Mike Dang (DJ Dang), Garrett Hardie (ItsThaGman), and Tobi Monden (Tobi-Wan Kenobi) serving as DJs.

Rockow pitched the idea of the dance, which will be done in the style of a rave, to Dexter last fall, but planning didn’t officially begin until January.

“I go up to raves in Portland at least once or twice a month,” said Rockow. “Everybody is loving and inviting, and I wanted to bring a little bit of that [to Western].”

“[The dance] is designed to be upbeat and energetic, where people can come out and burn off some energy and stress before the upcoming Dead Week and Finals,” added Dexter.

The hope is that the dance will bring more attention to KWOU, and therefore, more DJs and listeners.

Dexter also added that “we are hoping to make enough money to help pay for [the station] app. The app has already been made and is in the process of being submitted to Apple.”

Beginning Feb. 23, KWOU will be selling tickets for the dance on the second floor of the WUC every day from 10 a.m. to 3 p.m. Tickets are $4 if ordered beforehand and $5 at the door. Tickets for Non-Western students are $8.

Classic cocktails give character to new pub

By LAURA KNUDSON
 Editor-in-Chief

Josh Cronin, owner and bartender of The Three Legged Dog, said he’s got the secret to making the perfect drink.
The new pub, located at 250 S. Main St. in Independence, opened shortly after the New Year, offering classic pre-prohibition style cocktails, complimented by a tasty array of unique dishes you won’t find on menus around town.

Named after their dog James P. Sullivan, or Sully for short, Josh and his wife Natascha, alongside business partner and chef John Rodriguez, felt the three-legged springer spaniel represented them.

“We wanted something that symbolized the three of us,” Josh said. “Three partners, three legs.”

Natascha who holds degrees in anthropology and museum studies, and Josh who has one in archeology, spent a little over a year in Ireland “pretending to be Indiana Jones,” before moving to Oregon, Natascha said.

“We came here because of Rogue Hop Farms,” said Josh. “We fell in love with the community. We’ve been welcomed by everyone.”

The Cronins hired Rodriquez on at Rogue, and from there the three envisioned opening their own pub. After a year spent discussing and planning, in five weeks they turned a former antique shop into an old style classic pub.

Originally, the space was a Farmers State Bank in 1925 before it went out of business during the great depression. After that, it was Calbreath’s Grocery Store before being converted into a jewelry store.

The space stays true to its historical past.

Original stained glass skylights are on display above the bar and customers may even find themselves sitting on a bench seat from the old Cooper building.

Tables near the front windows were made from Pioneer Lanes bowling alley before it closed.

Although Josh said they’re not quite done decorating, they plan on sticking with “that open feel,” he said. “We want people to feel comfortable.”

“We intentionally don’t have televisions,” Natascha said. This allows customers to start up conversations with people they know or don’t know, she said. “It’s a small town, and we want people to either hang out with their neighbor or get to know their neighbor.”

And with constant comical banter between chef and bartender, TVs are not needed.

The menu however is no laughing matter.

Brussels sprouts sautéed with housemade candied bacon, roasted garlic, shallots, and fresh basil will have any vegetable
hater begging for the recipe. And it’s not everyday you can order a duck confit and bacon sandwich on a warm ciabatta with creamy red cabbage slaw. Sweet tooths are quick to try the grilled fruit with honey-lemon-thyme vinegar dessert served with a heaping scoop of vanilla bean ice cream for $6.

Overall, prices are affordable and portion sizes are generous.

“Creativity with the menu in what separates us,” Rodriguez said.

Rodriguez, who has been cooking for 18 years, previously ran J Rods Burgers & Wings in Keizer before helping open the Word of Mouth Bistro in Salem.

The Three Legged Dog has given him the opportunity to use locally sourced ingredients in the kitchen.

A giant blackboard hanging in the pub lists the ingredients and where they come from. Customers biting into the kale and
pear salad might be happy to know the added hazelnuts come from Monmouth or that the chicken in the potpie soup is from
McMinnville.

Spirits are sourced from Bend, Portland, Crater Lake and more.

So far, “almost down the board, everything is served regularly,” he said.

However, the fun, approachable menu still encourages diners to go outside their comfort zone.

A peppered pork belly plate can be ordered for $9 or a Clover Club cocktail made with egg white.

“With so many ingredients at our fingertips, why go elsewhere when we have so much available in the Willamette Valley,”
Natascha said.

“This place is filling a space that it didn’t have originally,” Josh said, something Independence was ready for, he added.

“I don’t think anyone around is trying to do it at the level we are,” Rodriguez said.

“When we put out a plate of food, I think the expectations are pretty huge. And that’s where I want them to be.”

Rodriguez’s goal is to take care of customers and send them on their way, satisfied.

“We want it to be one of the best meals they’ve had in a long time,” he said. “That’s what we’re going for.”

What will be most interesting, according to Natascha, is “to see that as the seasons change, how the menu will change.”

She anticipates customers will get a bit riled up when their favorite menu items disappear as certain ingredients go out of season.

Rodriguez looks at this as an “opportunity to put a new favorite on the menu.”

“We’re all ridiculously excited for spring and summer,” Josh said. “That’s when the whole local food just explodes.”

Local fruits and mint will be used to create fusions and mixed drinks, he said.

“It will be really nice to go to the market at 8 a.m. and cook with ingredients handpicked the day of,” said Rodriquez.

Freshness envelops every aspect of food and drink in The Three Legged Dog.

“Josh has a very distinct vision for those to squeeze all citrus fresh,” Natascha said.

“I’ve had people just blown away by the whiskey sour,” Josh said. But The French 75, a gin and sparkling wine cocktail, is a close second, he said.

And for those seeking a splash of the fresh citrus, The Hakam Hiccup contains orange liqueur and a hint of house-made
orange bitters.

Perhaps the best part of being served at The Three Legged Dog is watching your food and drink handcrafted in front of you.

“We’re the owners and we’re the employees,” Josh said. “When customers come in, they’ll be cooked for by the owners, and
they’ll be served beer by the owners.” Chatting with people for a living is the best part, said Josh.

For Rodriquez, it’s the “instant gratification to drop something off in front of someone and get a reaction.”

“Nobody cares about our business more than we do,” Josh said, “and nobody cares about our customers more than we do.”

Having seen the vision of The Three Legged Dog become a reality, Natascha said they are grateful to have their own
place now.

“Nobody goes to college wishing to be a bartender,” she said. “But we wanted to be business owners and impact our community. Americans are dreamers.”

And that dream, inspired by one three legged canine aims to put care and thought into every plate, glass and conversation.
But there’s another small thing that makes a huge difference.

“People become complacent with what they’re used to,” Josh said, referencing cheap and easy, pre-mixed liquor.

So what’s the secret to the perfect drink? “Squeezing fresh lemons,” he said. “It’s that simple.”

“In the Aeroplane Over the Sea:” 17 Years Later

By DECLAN HERTEL
 Staff Writer

Everyone has a piece of art that speaks to them like no other, and for many people, that work is their favorite music album. There are few more potent ways to learn about who someone is at heart than to listen to their favorite album. Just by knowing that a piece of music speaks to them on some deeper level allows you to connect to them through the music.

This week marks 17 years since the release of my favorite album, Neutral Milk Hotel’s “In the Aeroplane Over the Sea,” released Feb. 10, 1998. It is everything I love about music, and one of only two albums to ever make me tear up (the other being Cage the Elephant’s “Melophobia”). It is heartbreaking, scary, beautiful, and strange.

And I believe it to be perfect.

The album can best be summed up as “absolutely fearless.” Jeff Mangum, the reclusive genius behind the band, clearly just did not give a damn if anyone liked the record, electing to be completely honest and let the work speak for itself.

All the songs carry an urgency of spirit, a sense that he had to get these words and melodies out of his body right now lest he collapse in on himself. His voice cracks and wails, his lyrics are nigh impenetrable on the first listen, and the songs are musically simple with no frills and a lot of lowfi energy. The drums blast, the bass is fuzzed within an inch of its life, and the guitar tracks clip all over the place.

One gets the sense that when songs like the raucous “Holland, 1945,” the band purposefully pushed their equipment right up to the breaking point.

The songs themselves are simple and unpretentious, using simple chords and melodies with unbridled passion and energy. All the musicians on the record are self-taught, including some who learned instruments specifically for recording this record, and this dedication is apparent all through the album.

Upon deeper listening, one finds the method to all the madness: the record is a concept album about plant-like people, a two-headed fetus in a jar, Mangum’s own life, and Anne Frank.

It expresses the rage, hope, loneliness, despair, sexuality, sensitivity, fear,
and love of these strange characters as their worlds change and go up in flames around them.

The whole album lays out an atmosphere of darkness, but within that darkness there is hope for these doomed misfits that they might find love and comfort in their unique existence.

There is apprehension about the future, but because of this uncertainty, we must now “lay in the sun and count every beautiful thing we can see,” as Mangum sings on the title track.

“Aeroplane” speaks to me like no other record ever made. It would be impossible for me to articulate exactly why that is, so I’ll settle for this: please seek this record out. Even 17 years after its release, I could not possibly give “In the Aeroplane Over the Sea” a high enough recommendation.

Game night: table-top games with huge replay value

By NATHANIEL DUNAWAY
 Entertainment Editor

My friends and I have taken up to playing games.

Right now, you might be imagining kickball or “Grand Theft Auto”; however — while those are both awesome — the games we’ve been playing aren’t at home outside or on the TV, but instead on the tabletop (or the carpet).

Game night has become a weekly tradition at my house, and in case you’re considering making it a tradition at yours, here’s a quick rundown of some of the best board and card games my roommates, friends, and I keep returning to every weekend. All of these games are best played with 2-6 players.

“Once Upon a Time”

My only disclaimer for this card game is this: it’s not for everyone. Or maybe a better way to put it is that not everyone is for this game. The entire focus of “Once Upon a Time” is on storytelling.

Players have a hand of cards with fairy tale elements such as “Princess,” “Dragon” and “Dungeon.” These are called Story Cards. The game begins as one player, the Storyteller, who begins telling a story, utilizing their cards to
further the plot, guiding it to their specific Ending Card.

The other players can use Interrupt Cards to become the new Storyteller. The first player to play all their Story Cards and reach their ending wins. It may sound complicated, but you get the hang of it quickly. The more creative and inventive the players are, the better. The stories created during this game can be hilarious and exciting, and you’ll find yourself wanting to write some of them down.

“Clue Mysteries” *

If I have any complaints about the game “Clue,” it’s that games don’t last nearly
long enough. If you agree with that sentiment, and also worry that “Clue” isn’t complicated or convoluted enough, then “Clue Mysteries” is the board game for you.

Taking the mystery-solving theme of “Clue” and expanding it from a single crime in a single house to 50 individual crimes in a whole town full
of suspects, “Clue Mysteries” has a terrific amount of replay value. The gathering of clues involves getting statements from characters (many of them new, although the usual suspects are still present), cracking codes, and traveling all across town to catch a criminal.

While the classic murder weapons are unfortunately absent, the game makes up for it with cool detective tools such as a magnifying glass, mirror, and key.

“Fluxx” *

Another card game and one of the wildest, most wonderfully unpredictable games
I’ve ever played. In “Fluxx,” the rules are determined by the cards in your hand, and they’re always changing.

Complete aspects of the game can be changed with a single card, such as how many cards can be drawn, how many or what cards can be played, and what it takes to win. Games can last five minutes or they can last an hour.

There are dozens of versions, ranging from “Cartoon Network Fluxx” to “Cthulhu
Fluxx” and “Monty Python Fluxx.” Every play-through is different, making “Fluxx” endlessly enjoyable.

Board and card games are fun; that’s kind of the whole point. And while some are
more fun than others (I’m not a huge fan of “Settlers of Catan,” but it’s a popular one you should also check out), try to be open to whatever games come your way. You’ll find the ones that stick.

Tabletop games may not be as popular as sports or video games, but they can be just as much — if not more — fun.

*Shout out to Sarah Cotter for recommending these games.

International Championship of Collegiate A Capella

Western’s all female group competes in their first ICCA quarterfinal.
Western’s all female group competes in their first ICCA quarterfinal.
15 Miles West reference to their University of Oregon competitors On the Rocks during their performance. The group placed third in the ICCA quarterfinals. PHOTOS BY NEIL GRAVATT | STAFF PHOTOGRAPHER
15 Miles West reference to their University of Oregon competitors On the Rocks during their performance. The group placed third in the ICCA quarterfinals. PHOTOS BY NEIL GRAVATT | STAFF PHOTOGRAPHER
By STEPHANIE BLAIR
 Staff Writer

An array of pink, purple and blue streams of light are splashed across the stage and overhead the house lights bathe the audience in a soft yellow as they wait for the International Championship of Collegiate A Cappella (ICCA) Quarterfinals to begin.

It is Jan. 31, 2015 at the Rolling Hills Community Church in Tualatin, Ore., and this is the first and last competition of the season for Western’s two a cappella
groups: the powerhouse, all-male group, 15 Miles West and the freshfaced, all-female group, Suspended.

Across the room, friends, family and a cappella fanatics alike, have come from all over the state to watch as tonight’s performers compete for the top two spots, which will continue on the semi-finals in March. This means that for eight of the ten groups here their competitive season ends tonight.

The lights go down and Courtney Jensen, Brigham Young University alumna and vocal percussionist of the Backbeats (the Sing Off season two competitors), climbs the stage and begins the night, announcing herself as the MC for the evening. The first group to perform is Suspended.

They take the stage in Western’s school colors, wearing a mixture of black, red and white — each in their personal style — and form a triangle, with junior Meghann Thilberg standing at the front. The women start us off with the ‘90s classic “Zombie” by the Cranberries, which bleeds into their rendition of “Where is the Love?” by the Black Eyed Peas, in which first year Jennifer Lindley dominates the piece with her fluid ability to rap.

The piece comes to an end and the audience is treated to two arrangements:
Florence and the Machine’s “Shake It Out” and Fall Out Boy’s “Centuries”– the hit single off of their new album “American Beauty/American Psycho.”

This final number was the biggest crowd-pleaser of the set, with lead vocals
sung by first year Lauren Hebing, whose older brother, senior Max Hebing, would sing the first number of 15 Miles West’s set.

In contrast to Suspended’s organized and ordered walk to the stage, 15 Miles West runs and yells, climbing the stage to the sounds of Western fans shouting out their names in anticipation of the performance to come.

The entirety of the set was composed of mashups, arranged by senior Jake
Yoakum, including songs by Beyoncé, George Michael, and an original section
calling out the all-male groups from University of Oregon (On the Rocks) and Oregon State University (Outspoken), which riled up the crowd even further.

“15 Miles West, to me, had the most fun on stage,” said 15 Miles West choreographer Michael Johnston. “The audience was having fun watching them
perform.”

Of the whole night, 15 was definitely the biggest crowd pleaser, receiving the most laughs and engaged applause during their performance.

The choreography in particular, courtesy of Johnston, stirred the audience up instantly. The surprise of men twerking, swaying their hips, and doing hair flips to Beyoncé’s “Crazy in Love” was overwhelming for the audience.

“15 Miles West blew the house down,” Jensen said. “I’ve never seen boys move like that — in a good way.”

However, despite incredible performances from both Western groups, neither will be advancing to the semi-finals at Paloma College in March. 15 Miles West placed third, behind University of Oregon’s two a cappella groups, Mind the Gap and On the Rocks, who took first and second, respectively.

“You obviously always want to finish first, but sometimes things don’t go your way,” said senior Grant Harris. “We learned a lot from the experience.”

“We just wanted to show people how much fun we have singing and performing,” member David Takano said. “And if you were there, you could tell that the crowd really enjoyed our set.”

Suspended, on the other hand, did not place but were pleased to compete in their first ICCAs.

“It was more for the experience and to meet people from other groups,” said first year Brianna Williford. Sydney Culpepper said, “The experience of competing and meeting other a cappella groups was great, and we’re already looking forward to next year.” The season is over, but these vocalists are not finished yet.

“Right now we are working with Digital Production Services and Dr. Dirk Freymuth on campus to produce Western’s first official music video,” Harris said. “It will be all a cappella and made to promote [15 Miles West] as well as the school.”

Harris also hinted at spring auditions being held for the men’s group in the next few months, as 15 will continue to perform at events around campus for the remainder of the year.

Auditions for both groups will be held again in the fall. For more information,
each group can be contacted through email at 15mileswest@gmail.com and suspended.acapella@gmail.com.

For more information regarding the ICCAs, visit varsityvocals.com

Student-directed Play “None of the Above”

PHOTO FROM SCOTT GRIM
PHOTO FROM SCOTT GRIM
By NATHANIEL DUNAWAY
 Entertainment Editor

Directed by Bachelor of Arts theatre major Dani Potter, “None of the Above,” a play by Jenny Lyn Bader, opened this weekend and will run for a total of four performances.

Starring Bachelor of Fine Arts actors Rosie Peterson and Nicholas Kintz, “None of
the Above” is a comedy about Jamie (played by Peterson), a rich New York City private school student, and her SAT tutor Clark (played by Kintz).

Throughout the play, the two are at odds over their respective priorities, and importance of the SATs.

Jamie is a part-time drug dealer with distant parents, and Clark is a geeky graduate student who counts all the words in the sentences Jamie says.

In order to be chosen to direct this year’s studio play, Potter was required to take both directing classes on campus, as well as direct a 10-minute play and a one-act play for last year’s one-act festival.

“Then it was a waiting game,” Potter said. “The powers-that-be met and talked
about all of the work I had done and how they felt my productions went. Then [I was told] at the end of spring term 2014 that I was chosen to direct the studio show.”

Peterson and Kintz were cast back in December, with rehearsals beginning at the start of winter term. Potter said that she’s had this show picked out since last July, and was notified of its approval the following month.

“Directing ‘None of the Above’ has been an experience I will never take for granted,” Potter said. “It has taught me so much about myself, about people, and about how important art is for the educational process.”

“None of the Above” will continue its run Friday, Feb. 6 and Saturday, Feb. 7 at 7:30 p.m., with a 2 p.m. matinee performance on Feb. 7 as well.

Performances are in the Studio Black Box theatre of Rice Auditorium. Tickets are $12 general admission, $10 seniors, $7 students and Western students can get in free with student ID.

Tickets can be purchased at the Rice Auditorium box office by calling 503-838-8462. Box office hours are Monday-Friday 12:30-4:30 p.m.; it will also be open an hour before each performance.

“Breaking Bad” spin-off “Better Call Saul” to premiere this weekend

By NATHANIEL DUNAWAY
 Entertainment Editor

Television spinoffs get a bad rap. And when you look at shows like “Joey,” “AfterMASH” and “Saved by the Bell: The College Years,” it’s not exactly hard to see why. Sometimes companion shows just don’t work.

This concern was the first to pop into many a viewer’s mind when it was announced last year that “Breaking Bad,” one of the most critically-acclaimed and audience-adored television dramas of all time, would be getting a spinoff.

But for every “Buddies” (spun off from “Home Improvement”), there is a “Frasier” (spun off from “Cheers”) and for every “Joanie Loves Chachi” (spun off from “Happy
Days”) there is an “Angel” (spun off from “Buffy the Vampire Slayer”).

For my money, “Better Call Saul,” the “Breaking Bad” spinoff focusing on the early years of sleazy criminal lawyer Saul Goodman (played by Bob Odenkirk) will certainly fall into the same realm those latter examples reside in.

We first met Saul in season two of “Breaking Bad,” when he became the full-time attorney of chemistryteacher-turned-drug-lord Walter White.

Throughout the series, Saul used his wits, charm, and legal know-how to keep Walt and his partner Jesse out of jail (or worse, the morgue or a ditch in the desert).

“Better Call Saul,” produced and co-written by “Breaking Bad” showrunner Vince Gilligan, takes place five years before Walter White’srise to power, when Saul was still known as James McGill, a struggling, unknown defense attorney.

In addition to Odenkirk reprising his role as Saul, actor Jonathan Banks will return to play fan-favorite hitman and fixer Mike Ehermantraut in the prequel series.

So will “Better Call Saul” find itself among the ranks of the great spinoffs like “The Legend of Korra” (spun off from “Avatar: the Last Airbender”) and “The Simpsons” (spun off from “The Tracey Ullman Show”)? With much of the same talent that made “Breaking Bad” great returning, I’d say it’s a safe bet.

“Better Call Saul” premieres Sunday, Feb. 8 on AMC, right after the mid-season premiere of “The Walking Dead.

WOU A Capella Groups Prep for NW Quarter Finals

DSC058103

 

Photos by Neil Gravatt

Western’s very own a cappella groups, 15 Miles West (below) and Suspended (above) at their dress rehearsal on Jan. 28, will be competing in the Northwest Quarter Finals of the Inter-Collegiate Competition of A Capella (ICCAs) on Saturday, Jan. 31 at the Rolling Hills Community Church in Tualatin. This will be Suspended’s first time competing at the ICCAs, while 15 Miles West has taken top-two since 2013 and, in fact, tied with the University of Oregon’s all male a cappella group On the Rocks last year. The a cappella faculty adviser, Dr. Dirk Freymuth, said performing in a larger performance space (rather than Smith Hall) will only enhance their performances.

Science, storytelling and sock-puppets

By Nathaniel Dunaway
 Entertainment Editor

“Portal. noun: a door, gate or entrance. A way in. Any entrance or access to a place.”

This is the definition provided by Portal Theatre’s website, and it helps to paint an accurate portrait
of the mission statement this small, Portland-based theatre company strives to uphold.

Portal Theatre wants to take you somewhere.

Created by Western associate professor of theatre Michael Phillips, Portal Theatre is a devised theatre company, meaning that their scripts are not the work of a playwright, but instead are created through the collaboration and experimentation of its members.

Last summer, the company took their very first show “No Belles” to Scotland to perform at the world-renowned Edinburgh Festival Fringe.

“It’s daunting to take your first show to the biggest festival in the world,” said Phillips, “where
you’re competing with 3,200 other shows for audience and press.

But, we were in a great venue … [and] we managed to get five press reviews. To put that in perspective, many shows go the entire festival without a single review.”

All of the reviews for “No Belles” were positive, earning raves from “The Scotsman,” “The Cult Den,” “Broadway Baby,”

“Arts Award Voice” and “The Public Review.”

One reviewer said, “I know it’s early in the month but this is my show of the Fringe this year and
anything else will have to be truly great to beat it.”

The focus of “No Belles” is women in science, and how they’ve gone undervalued and virtually unrecognized by the Nobel Prize committee for decades.

The statistics are dismal: of the 566 winners of the Nobel Prize for Science, only 15 of them have been women. Some of these women — as well as some who didn’t win, but whose contributions
to science were nonetheless paramount — are portrayed in the show.

Using song, storytelling, poetry, reenactments, and one delightful scene featuring sock-puppets, “No Belles” captures the audience’s attention from the word go.

The cast of “No Belles” is made up of Western theatre graduate Kimberly Wilson, as well as actors Jade Hobbs and Melissa Schenter. Western alum Jenessa Raabe serves as production manager.

After their success overseas, Portal will be performing “No Belles” at three separate fringe festivals in Canada this summer.

“We’ll make three stops,” Phillips said. “Winnipeg, Saskatoon and Edmonton. There are advantages to trading off between Edinburgh and Canada, in that Canada doesn’t cost the company near as much, and has the potential to actually make us a bit of money, which would then go to support the next trip to Edinburgh.

“So, the tentative plan is do that: switching off between Edinburgh and Canada every other year. And, of course, that means making new work,” Phillips said. “We figure that each show will have a life cycle of about two years, and during that time we’ll be putting a new show together. We’ll be starting on our next show soon.”

Phillips has some experience with devised theatre. In 2013, he directed the Western theatre department production “Half a Block from Home,” a play which dealt with themes of social injustice and discrimination, and was written by a company of Western students.

Another devised play, once again led by Phillips, is currently in development, slated for spring 2015. Just as the body of students collaborating on the Western shows has changed, the members of Portal Theatre will evolve as well.

“Not everyone involved in the company will work on each show, but the idea is to gather a small group of people who we can draw from for various projects.” Phillips said. “And, ideally, I would begin to use a few current [Western] students from time to time. I’ve already brought on a student intern, who will be helping with the nuts and bolts of the company in the coming year. It would be good to include a student actor in the near future also.”

Phillips added that there isn’t an idea yet for what Portal Theatre’s next project will be, but he’s enthusiastic for the company to begin work on their sophomore show.

“What matters most is that we really care about what we’re working on, and that it makes a personal connection with the audience. It’s an adventure, and we don’t know exactly where it will lead, but
finding out should be a lot of fun.”