Mount Hood

An interactive medium for the horror genre

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By: Darien Campo
Freelancer

It’s a bittersweet time in my house.

Here we are in the final week of the month; October is almost over. On the other hand, it’s almost Halloween!

The final movie countdown has been getting pretty spooky this week with “ParaNorman” (2012), “The Thing” (1982), “Scream” (1996), “Alien” (1979), “Young Frankenstein” (1974), “Silent Hill” (2006), and “Plan Nine from Outer Space” (1959).

Watching “Silent Hill” is always a unique experience for me.

As a huge fan of the Konami video game series that it’s based on, it’s always fun to see all the monsters and locations from those classics brought to the big screen. But at the same time … it’s just not a very good movie.

I enjoyed it more when I was younger, but every time I watch it now I just can’t help but notice how badly put together it is. The plot is a lazy mess with a whole scene at the end that literally has to stop the movie to explain to the viewer what is happening.

That is really bad writing.

The main problem is that “Silent Hill” only works in its original format – as a video game.

Along with my parade of horror movies, I’ve also been playing my fair share of horror games this month. The film borrows heavily from the first two games, so I’ve been replaying those along side this new viewing, and in an interactive medium, Silent Hill thrives.

Horror films are already a form of interactive art. We aren’t asked to sit idly by and watch a story unfold in front of us during a scary movie.

Instead, scary movies will specifically prey on our fears and try to “attack” us directly. A good horror film will do all it can to make the audience feel as if they’re personally in danger. We jump, we scream, we shiver, and we laugh; horror asks for a certain level of audience participation.

This is why I think that video games are actually the perfect medium for a genre like horror, even better than a theatre screen.

Playing a game like “Amnesia: The Dark Descent” (2010), in which the player’s only defense from the grotesque monster is to run as fast as possible and find a place to hide, is an exhilarating experience that is hard to capture in film. Putting the audience in the shoes of “Alan Wake” (2012) gives us a feeling of personal danger that a movie can rarely replicate.

A movie can show us things we’re afraid of, but a video game can make us fear for our own lives.

If it hasn’t been made obvious already, I love horror. I’m a confirmed ghost story and horror film addict. But I’ve also realized that if the horror genre is going to grow, it might be time to start shifting over into a more interactive medium. There will always be a place for horror in cinema, but a scary game is a whole new experience.

It’s no myth

By: Ashton Newton
Staff Writer

Discovery Channel announced last week that “Mythbusters” will officially go off the air in 2016 after its 14th season.

Some of the favorite memories my dad and I share are watching “Mythbusters” all through my childhood.

Like many kids, I was inspired by the science that was made awesome by hosts Adam Savage and Jamie Hyneman.

The beauty of “Mythbusters” is that there is always something to take away from it, whether it’s not to use your toaster in the bathtub or how fast you need to shoot at a tree to go directly through it. “Mythbusters” managed to perfectly merge science and entertainment.

The busters also appealed to TV fans and moviegoers alike with specials for “Breaking Bad” and “Star Wars.”

Last Wednesday, Oct. 21, 2015, Discovery Channel announced the news in a statement, saying “After 248 episodes, 2950 experiments, 1050 myths, and 900 explosions, hosts Adam Savage and Jamie Hyneman will say goodbye to the series this winter.”

Last season saw Kary Byron, Tory Belleci, and Grant Imahara leave the show following drops in the show’s ratings. With them gone, the final season will feature Savage and Hyneman by themselves.

Hosts Savage and Hyneman have known about the shows’ ending for over a year now, and have been planning on how to make the final season the most intriguing season yet.
‘Mythbusters” will still play in syndication on Discovery Channel’s sister network, the Science Channel, after the show’s end.

Fans can also mark their calendars for the “Mythbusters” marathon that is going to play every episode chronologically on the Science Channel starting Dec. 23rd, 2015.

Savage and Hyneman have one more Mythbusters Live Tour coming up in November, with a stop in Eugene on Dec. 12, 2015. Tickets are on sale at www.mythbusterstour.com.

The 14th and final season of “Mythbusters’ starts in Jan. 2016, with an explosive series finale that Adam Savage promises will be amazing.

Hype builds following new Star Wars trailer

By: Ashton Newton
Staff Writer

The theatrical trailer for “Star Wars: The Force Awakens” was released on Monday, Oct. 26, 2015 with advance tickets going on sale immediately after the release.

I watched the trailer about fifteen times that night, picking through every little detail I could find. I was not alone in doing so; the trailer got 128 million views the first day.

People took their reactions to Twitter; @elmayimbe tweeted, “My pops took me to see the original trilogy in theaters. This time I’m going to take him to see #TheForceAwakens.”

Several large cinema chains who hadn’t fully prepared for such a great influx of fans buying advanced tickets, saw their websites crash soon after the trailer release.

Alamo Drafthouse theater group CEO Tim League apologized, saying the release is “the single biggest simultaneous surge for movie tickets our industry has ever seen.” IMAX alone grossed at $8.6 million with presale tickets. Someone in Philadelphia even took his ticket to eBay, selling it for $1000.

There were those less excited about the new trailer, though.

The hashtag #BoycottStarWarsVII began trending on social media not long after the trailer hit the web. The hashtag was used by people saying that the new Star Wars is “anti-white propaganda” for having an African American as the lead character.

The boycott was later revealed to have begun as a joke, but the sheer volume of tweets could indicate that some have begun to take it seriously.

The majority of the use the hashtag got was people reacting to the appallingly racist reason that others were citing as motivation to boycott the movie, including comedian Patton Oswalt who took this opportunity to mock the boycotters.

JJ Abrams himself responded, saying “We cannot wait to share the trailer with you tonight. We don’t care if you’re white, black, brown, Jawa, Wookie, Jedi, or Sith. I just hope you like it!”

In China, Disney had an event tied to the trailer release. 500 Stormtroopers gathered on the Great Wall of China and handed out lightsabers and other souvenirs to fans that came.

The event was aimed at increasing the fan base for Star Wars in China, which hasn’t been as widely celebrated and watched as it has been in America, so the country is largely unfamiliar with the franchise.

Disney is pushing for greater Star Wars popularity in China because it is currently the world’s second largest film market.

Star Wars: The Force Awakens is shaping up to be one of the most popular new movie releases of all time.

Fandango already released first day ticket sales, stating that they were 700% higher than the previous record holder, and that’s even with their website crashing during the sales.

The next installment of the Star Wars series is looking like it’s going to break some big box office records.

Your New Favorite Podcast: “It’s Wet Outside with Ollie Bergh”

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By:Declan Hertel
Entertainment Editor

I sat down with Ollie Bergh, a BFA Acting/Music major at WOU and creator and host of the podcast “It’s Wet Outside,” to talk about his show.

Declan: So, Ollie Bergh. The man behind the mask. The curtain. The magic. What is “It’s Wet Outside?

Ollie: What is “It’s Wet Outside?” Well, it’s a talk podcast, in the simplest terms. Although, if we’re going to get philosophical, and we are, because we’re college students, it’s become more than that. It’s become an extracurricular activity. In the same way that in high school, your extracurriculars were where your group of friends was founded. “It’s Wet Outside” has become that, at least for me. And I would venture to say [the same] for many of the folks in it. But it’s a talk podcast, I structured it sort of halfway between the way that American talk shows, late night comedy—think Conan—I structured it halfway between that with… in the second year we did it I added sort of what the British late night talk shows do, which is have everybody on at once and kind of have a round table discussion about whatever it is. But it served another purpose: I did a lot of stand-up [comedy] in high school, and I didn’t want to lose that part of me. But with the demanding schedule of being a theatre student, I couldn’t go to Salem on Tuesday nights to do the open mic. So I created the podcast, where I could try to be funny; try to keep that going. [Laughs.]

iwologo(1)D: I’ve got to ask about the name. How did it come about?

O: So my buddy Jackson had a show at [Portland State’s radio station] KPSU; I think they have the radio frequency, they’re big. Huge institution, really great programming there. And he was showing me all the different shows on KPSU, and all of them had these hilarious names. My favorite was “Eat Your Children.” Jackson’s was something simple like… “Big Jack Attack” or something, you know, radio name. But he was like “you know, just think of something funny, and that’ll be your radio show. So I was like, “Radio Puppy.” To me, that had a nice ring to it, it was funny enough, weird enough. But also friendly enough that people would listen to it. And I was in my dorm, and [I said to my girlfriend], “I’m gonna start a KWOU show called Radio Puppy.” And she was like, “that’s such a stupid show title.” And it was pouring outside, and I was like, “well, what else am I gonna call it? Like… like… ‘Bats Eat Mayonnaise?’ Like, ‘It’s Wet Outside?’” And then… wait. There it is. That’s the magic.

D: What was the first iteration of “It’s Wet Outside?” I know it’s been through a couple.

O: I think the first episode is a great way to tell you how it came about. I was on my way to walk into the KWOU building to do the first episode, I had no idea what I was going to do. And I look at a guy in my dorm, Nick Reeve, and I go, “hey Nick! You wanna be on ‘It’s Wet Outside?’” And he’s like, “yeah I’ll be on ‘It’s Wet Outside.’” And I think I scheduled some of [my girlfriend] Sheridan’s friends to come on, we were going to do girl talk, and talk about why girls hate me, or whatever. So it started with me and Nick co-hosting and just doing this show, finding anybody to come on. Not a lot has changed. [Laughs.] But it was more news-based in the early days, I remember one time Nick… Nick loves basketball. And I said, “Nick, do a bit on basketball.” And I thought, ‘this is gonna be so funny,’ right? And he just reported, gave basically a sports column on the air. No jokes. [Laughs.]

D: In that vein, what sort of stuff do you talk about on “It’s Wet Outside?”

O: Basically anything. The way that I try to capture it now is… think of what all your bros

would be goofing off about. It’s like that plus more. It’s real topics, with that aspect, you know?

So [with the upcoming episode], there’s going to be some talk about vegetarianism, so picture

you and your buds just shooting the crap about vegetarians, you know?

D: Have you had a favorite episode?

O: Gosh, there’s been a lot of good episodes. I remember the first episode that really clicked with the whole group was the “Love is Sacrifice” episode. Just because I’d been throwing themes out, and themes had been going off the wire, and finally we had, like, good bits and a cohesive show, and it was like, yeah it was funny but also everything worked, and it was the “Love is Sacrifice” episode. Although, season three, episode one, might also be up there, that was a good show. I had a lot of fun doing that show. Sometimes “It’s Wet Outside” can be more work than fun, given the day. And I had a lot of fun.

D: Has leaving KWOU to go independent afforded you more freedom in what you do?

O: Yeah. The biggest thing I should say is that “It’s Wet Outside” quickly outgrew what KWOU could offer [in terms of tech]. Which was… I had in my apartment more microphones than KWOU. And when I decided, like, I want more people on the show all the time, instead of just these one on one interviews we were doing the first year. I just had to figure out how to do it in my apartment, because I’ve got all these mics. And that’s been very important to me; that there are more people on the show because if it’s just me, the show would have never made it past episode three. But the fact that there were people, other people that wanted to do it, that were there as like, “hey, we doin’ the show,” was able to keep me going. Like, I thrive, “when it’s not fun, it’s work,” right? Because that means I’m still doing it. That means I have to find the juices from deep inside rather than just, “ah, I feel good let’s do this,” then it’s usually better when I’ve had to kind of get myself out of the corner. You know, work through it. And the fact that I’ve had Jade Rayner, who is effectively the manager, stage manager, we call her the microphone manager. The fact that we have… Jade has made everything better for me because she took responsibilities, and I could delegate work, and once that happened to me it was like, here’s a real… we can get a real system. And then I’ve got another guy, who does ads and also helps come up with bits, I call him the producer because he… ‘cause it felt right. [Laughs.] Because he’s producing s–t for the show, producing bits at least.

D: Where do you see “It’s Wet Outside” progressing to? What’s next?

O: What’s next…

D: Like when it progresses from “Wet” to “Flooding.”

O: “It’s Hurricane Patricia Outside.” [Laughs.] Gosh, what I would really love to do is get video recording, and make it, I imagine building a stage in a garage, right, and having a studio audience and s–t. And really go full “Late Night with Jimmy Fallon.”

D: You wanna go full-on late night talk show?

O: I would love to do that. But, let’s be real, I don’t think that would be how it would happen. But really truthfully, and my step-dad has mentioned this, that I could maybe sell it, get it on NPR. Right? OPB. Have it be a radio broadcast on the air. That would be really cool. Or, it could be a successful podcast, it could be a “WTF with Marc Maron,” it could be a “Comedy Bang Bang.” That would be cool. It might not happen that way, there’s so many options. Maybe it’ll be a stage show. You know what, that’s the next step. That’s truthfully the next step. I want to have a live show this year. On stage. “It’s Wet Outside in Concert.” That’s the next step. Honestly, it wouldn’t have to be anything other than, like, let’s rent out a stage, let’s rent out the Rickreall Event Center and just put on the show the way we normally would, you know? Let’s get a stage and do the show. Get some people there. The industrious person in me says “sell tickets,” at the end of the day it’s like “just get people there,” to come watch the show. Have a reason to get a banner made. I almost made a banner last year, but I had no reason to. [Laughs.] [Pause.] The biggest thing for me is that people like the show. The only thing I’ve ever wanted to do is to make people’s days better, you know. The story I always like to tell is when my dad was going through a real abusive relationship and I would stay up late and just listen to my dad and my step-mom fight. And I would stay up late, and this is when Conan was still on Late Night, so he’s on at, like, midnight slot. And I’d watch Conan, and I’d feel better. You know? He made me laugh. And I thought, “that’s what I want to do.” Make people laugh, make people feel better.

That was all I wanted to do.

 

You can catch “It’s Wet Outside with Ollie Bergh” on Wednesdays on iTunes.

Thrills and chills

By: Darien Campo
Staff Writer

October is slowly coming to a close, but the horror movies keep playing in my house.
This week I watched “Nightmare Before Christmas” (1993), “Sweeny Todd” (2007), “Tusk” (2014), “The Frighteners” (1996), “Goosebumps” (2015), “Cabin in the Woods” (2012), and “Friday the 13th” (1980).

2015 saw the revival of R.L. Stine’s Goosebumps series with a new film starring Jack Black.

While the movie was a bit lacking in places, it was a fun nostalgia trip back into the classic series that used to occupy me for hours. I used to collect all the Goosebumps books as a kid — I loved the creepy, gross, scary, and shocking tales R.L. Stine had provided for me. I was a horror fanatic in a child’s body, and authors like Stine fed my fascination.

I used to read all the ghost story collections I could find back then.

Authors like Bruce Coville gave me plenty of chills, but there was one trilogy of books that really stuck with me all of these years. Alvin Schwartz’s “Scary Stories to Read in the Dark” trilogy gave me legendarily bad nightmares. The grotesque illustrations of Stephen Gammell were twisted beyond all belief and made those books transcendently terrifying.

I’m not alone either, adults still celebrate Schwartz and Gammell’s work, and in fact, a new documentary about their trilogy is currently in the works. Those books may have frightened us, but even as children we knew that it was fun to be frightened.
I don’t feel that enough attention is put into horror entertainment geared toward children.

We tend to assume that it’s an adult-only genre, but there’s a world of opportunity for juvenile horror. We’ve seen some great examples before with movies like “ParaNorman” (2012), and “Coraline” (2009).

These movies know how to scare children and keep them laughing. But the undisputed master of children’s horror would, of course, be Tim Burton. No one else quite has that perfect blend of wondrous, childlike fun mixed with a sick fascination with the morbid and macabre.

Movies like “ParaNorman” are usually met with opposition from parents wanting to protect their children, and the “Scary Stories” trilogy is a regularly challenged book year after year.

It can be hard to imagine horror as an acceptable genre for children. But it’s important to remember that it is a ton of fun to be scared, no matter how old you are.

“Pan” doesn’t fly in weekend box office

By: Ashton Newton
Freelancer 

Warner Brother’s (WB) “Pan” was a huge disappointment at the box office opening weekend. The film cost more than $250 million to make and market, but took home about $40.5 million worldwide.

This just adds to WB’s list of recent box office disappointments with films like “Jupiter Ascending” and “Entourage” also doing poorly. Even with the upcoming Chinese release on Oct. 22, WB is planning on losing at least $100 million on the film. This makes “San Andreas” WB’s only box office success of the year.

Not only was “Pan” a box office disappointment, it was also ripped apart by critics.
Michael Philips, the Tribune Publishing critic, called the film, “The official worst-ever Peter Pan adaption of any sort,” and Peter Bradshaw in a review for The Guardian said, “Joe Wright’s fantastically dull origin-myth reboot of the Peter Pan story resembles nothing so much as a John Lewis Christmas TV ad.”

Director Joe Wright faced some controversy earlier this year for casting Rooney Mara as Tiger Lily. Since the character is supposed to be a Native American, a lot of people were upset about the apparent white washing of the role.

The Harry Potter series was hugely successful for WB as it appealed to younger audiences and adults alike, so the studio wanted to fill that gap with retold classic stories. The studio was already developing a sequel to “Pan” and has a re-imagined “Tarzan” coming next summer.

WB needs a success with a huge year coming up in 2016, featuring “Batman v. Superman: Dawn of Justice”, and “Suicide Squad” hoping to kick off a large DC Cinematic Universe.
With the modern superhero movie craze, those films are projected to do very well for the studio.

There’s also the hotly anticipated Harry Potter Spin-off “Fantastic Beasts and Where to Find Them” coming out 2016 that looks extremely promising, but now the pressure is really on for WB with their upcoming lineup of films.

Goosebumps: frights, delights, pretty alright

By: Declan Hertel
Entertainment Editor

When I was a kid, I was a wimp. As such, I only read a few of R.L. Stine’s bestselling “Goosebumps” stories. They were “2spooky4me,” as the joke goes.

That said, the ones I did read, I really loved, especially “Night of the Living Dummy.” They were spooky, fun reads starring kids just like me! And with 350 million copies sold as of 2014 and a further two million copies a year according to Scholastic, there are far more people who are far more invested in the series than I ever was.

The new film, starring Jack Black (“School of Rock”) as R.L. Stine himself, is clearly meant for that dedicated fan base, right down to the story following the same formula as many of the books: kid moves to new town, many spooky things happen, and the spooky things are eventually triumphed over.

This may sound disparaging, but I think keeping the formula intact helped the movie achieve its purpose: a healthy dose of nostalgia for the older viewers, while introducing the younger generation to these old tales of terror.

I expected three things out of this movie: scares, heart, and laughs; what I consider the three pillars of children’s horror cinema.
While the movie was lacking in the first and decent in the second, it definitely had plenty of the third.

The lack of any appreciable frights is easily the biggest disappointment of the movie. Even though the source material was kid lit, it was called “Goosebumps” for a reason.

While the visual rendering of virtually every monster from the book series is really cool, none of it ever approaches frightening, and the “greatest hits” parade of monsters unfortunately feels rushed. However, the inclusion of Slappy the Dummy (also Jack Black) as the main antagonist of the story was pretty darn freaky.

“Goosebumps” was better at delivering on the heart, though it took some time to get around to it.

While the lack of scares was disappointing, the biggest problem with the movie is that it takes far too long to get off the ground. Though once it does, it starts to pick up speed admirably with the introduction of Hannah (Odeya Rush, “The Giver”) to our handsome, witty protagonist Zach (Dylan Minnette).
I was initially skeptical of the impending romantic subplot, but I was pleasantly surprised by the chemistry and charm the two brought.
Speaking of pleasant surprises, “Goosebumps” is really, really funny, mostly thanks to Jack Black devouring the scenery. Black dominates every scene he’s in, carrying with him his trademark high-energy antics, a complete embrace of how ridiculous this entire exercise is, and a very conspicuous and utterly made-up accent (seriously, his exclamation of “Slappeh!” during the climax of the film made me double over with laughter).
If I am being honest, “Goosebumps” was nothing special, but if you like the books, want to see promising young actors deliver solid performances, or just can’t get enough Jack Black, you can’t go wrong.
3 out of 4 Paws.

Gory and Groovy: The Triumphant Return of “Fargo”

By: Declan Hertel
Entertainment Editor

When my father asked me several years ago if I had ever seen “Fargo,” the Coen Brothers’ 1996 cinematic masterpiece, I told him I hadn’t. Without saying another word, he went into our living room and turned it on.

There was no question about it: “Fargo” immediately became one of my top three films of all time.

It was sometime in 2012 when I heard that a television show was to be made, also called “Fargo,” that continued to build on the setting and themes of the film: somewhere in the frozen Midwest, in or around Fargo, ND, there are people too desperate and ambitious for their own good, ruthless-yet-quirky criminals who would gut a man for a buck, and good-hearted, innocent police officers forced to come face to face with the darkest face of mankind.

The news filled me with a delight and anticipation I had never felt for pop culture before.

Much to my delight, the first season was unbelievable. It was near-perfect in every facet. “Fargo” ran to nearly universal acclaim, and though it was initially touted as only a miniseries, it seemed like FX, and creator/show-runner Noah Hawley would have been insane to not make another season.

That is precisely what they did. The new season premiered on Oct. 12.

Early reviews stated that it was even better than the almost flawless season one, and I am pleased to announce that two episodes into the second season, it looks like they were right: “Fargo” round two is absolutely killer.

Centering on the “Sioux Falls Incident,” an event oft-mentioned but never explained in season one, season two takes us to Luverne, Minnesota and Sioux Falls, South Dakota in 1979.

The nation is reeling from Watergate and the end of the Vietnam War; and as is the way in the “Fargo” universe, someone with too much ambition and too little brain creates a huge problem in a small town for both the local police and criminal populace.

This season stars Patrick Wilson (“Watchmen”) as Lou Solverson, a State Trooper recently returned from combat in Vietnam, Kirsten Dunst (“On the Road”) as Peggy Blomquist, a hair stylist with a creeping obsession with having a better life, and Jesse Plemons (“Breaking Bad”) as Ed Blomquist, Peggy’s dutiful husband and local butcher.

All their performances thus far are pitch perfect, especially Kirsten Dunst as one of the most compelling characters I’ve ever seen in any medium. The aforementioned are just scratching the surface of an amazing cast, which includes Ted Danson (“Damages”), Nick Offerman (“Parks and Recreation”), Jean Smart (“24”), and Bruce Campbell (“Evil Dead”) as Ronald Reagan on the campaign trail.

Thus far, season two’s most promising aspect is that while it’s retained the dark charm, murder, and mayhem that is the essence of all things “Fargo,” it is absolutely coming into its own as a piece of television.

If I have but one real criticism of season one, it’s that it stuck too closely to the movie in terms of plotting and characterization, at least early on. Not so with season two, which takes place almost ten years before the movie, and almost twenty before season one.

The only thing this season needs to do is make the “Sioux Falls Incident” something worth remembering, and with a vehicular mansla
ughter cover-up, two crime syndicates facing off, and a brutal triple murder already, I can’t wait to see how this season escalates.

I feel the phrase “must-see TV” is a cliché, but I am using it here. “Fargo” is truly must-see TV. When “Breaking Bad” and “Mad Men” ended, all of a sudden the honor of “Best Show on Television” was up for grabs.

I’m calling it now: “Fargo,” by midway through this season, will have one major entertainment news outlet declare it as such. And they will be right.

If you have any love in your heart for black comedy, for murder mysteries, for perfectly executed drama, for the art of the television show, the verdict is simple: if you are not watching “Fargo,” you are criminally misusing one hour of your time every week.

Adam Carter Sets out to find America’s Sound

By: Declan Hertel
Entertainment Editor

I sat down with WOU Student and musician Adam Carter over a pint this weekend to talk about his upcoming documentary project.
Declan: So what is this documentary all about?
Adam: Me and my friend JT [Mozingo], we’re going to go around the country, trying to find amateur musicians, and professional musicians, we’re going to do everything music. We’re going to go to recording studios, talk to teachers, talk to students, and we’re going to try to record intimate sessions with them, interviews, and live performances of songs. We want to give exposure to amateur artists, and we want to show everybody that there’s a lot of hardworking people out there that have a lot to offer, but aren’t going to get the exposure.
D: So the super underground?
A:Yeah, the super underground and the super popular. We want to do everything. Doesn’t matter who it is, we want everybody.
D: How did the idea come about?
A: I was walking home from school, and I was thinking about the road. Last summer, I went on a trip for a month last summer, we went all around the west coast. And I was thinking about life on the road, and how I missed it, because it’s different, you know? There’s no routine, something new every day. I was thinking about how I could do something like that for the rest of my life, or make some kind of career out of it, something like that. And I thought, “wouldn’t it be cool to make a documentary about a road trip?” But that’s really not enough, and I love music, and everybody around me loves music, making it, listening to it, so why not put the two together? Go on a road trip for a year, interviewing amateur artists from all over the place. It’s a travel documentary, people like traveling, people like music, there’s a market for it, and this is the kind of thing that doesn’t happen that much, people don’t really go around doing this. And what really inspired me: Alan Lomax, in the 30s and 40s, him and his dad would go around in the south and record a bunch of blues musicians, blues was their favorite I think, but they went all over the world, at least Alan did, and recorded music that wouldn’t have been documented if he didn’t do that. A lot of my favorite songs were recorded by him, and we wouldn’t have them if he didn’t go around and do that. So I think it’d be cool to discover some stuff that wouldn’t normally be out there, and turn people onto some new things.
D: I love that. The idea that there’s so much music that’s beautiful and worth listening to in the world, and I’m not going to hear even half of it…
A: Yeah! And even if I’m not a fan of it, other people will be. What we want to do is give exposure to every single person that records with us. We don’t want to take ownership of any songs or anything.
D: What’s the time frame for getting started in earnest?
A: We want to be on the road in spring of 2017. We have a lot of work to do though; we need to get experience with cameras and editing. We just got a couple cameras; we’re hoping to start shooting pretty soon. We’re going to start shooting locally before we branch out, so Portland, Salem, even Monmouth. Another thing we want to do is go around to bars in the Salem area, and if they have live music, interview the musicians there, the owner, the patrons, just to get some sort of a following first. I think just even locally there’s so many people working hard and making music, and they deserve some exposure.
D: Amen. Speaking of support, are there plans for a Patreon or something where people can support your efforts?
A: There’s not right now, but we’re going to do a Kickstarter when it’s closer to being time to go. We’re gonna be saving up ourselves, a lot. The main thing you can do to support us right now is share. Tell your friends.
D: If we know people, send them your way?
A: We would love to hear from everyone we possibly can. We want to answer questions, we want to give no misconceptions that we’re trying to screw anybody over. We’re in it for, I mean obviously it’s selfish in some ways, but we really do want to give exposure [to artists] and have an adventure while we do it.
We’ve got connections so far in a few different places around the country; we’ve heard from a lot of people in Indiana, we’ve been talking to a guy who lives in Georgia, [some people in] Arizona, Utah, New Mexico. We’ve got a lot of different prospects going on, and we want to get as many people [as we can], all around the country. So we want to advertise and make it available for people.
D: Do you know of any places that have a super vibrant indie scene? I know San Francisco’s got a crazy scene.
A: I’ve heard Austin, Texas has a lot, they’ve got some good stuff going on, San Francisco like you said. I don’t know about indie, but I know Chicago’s got a big urban blues scene, I believe that they are the blues capital currently. And I have family in Chicago, so that’ll be nice. What I’m looking forward to most is Mississippi, I love that Delta Blues.
D: Are there any other places you’re especially looking forward to?
A: The whole south I’m looking forward to, just because I’m such a huge blues fan. But I want to try to go to as many national parks as we can too, because I love national parks. Our country is very beautiful, and a lot of people don’t know just how insane some of the natural wonders are. We want to document those too, that’s part of the adventure. We visited seven of them last summer, it’s amazing. Yosemite National Park, if you’ve ever been there is just… I think we went to seven national parks and Yosemite was by far my favorite. Grand Canyon’s got nothing on it.
D: How do you think the acoustics are at the bottom of the canyon?
A: Echoey. Maybe we’ll do a session down there, ride the mules down.
D: Do you have any plans to shoot in cool locations like that, or mostly living rooms?
A: We want to be able to record outside, definitely. We also want to rig the video we have to have a little studio so we can record if we don’t have anywhere else. We’re also probably going to be renting a studio. One thing I’m really excited for is, apparently, JT knows a guy[…] who runs this bus in San Francisco, and it’s like a punk bus, there’s a stage in the back and there’s punk shows on the bus. They drive around San Francisco with a punk band playing in the back. That sounds really, really cool and I can’t wait check that out.
I’m really excited to shoot the WOU too. As many people as want to do this, I want to do it with them. Just shoot me an email, we’ll set up a time. I would love samples, I can’t get enough of them.
D: You’ve already got some people, yeah?
A: Yeah, we want to do a few practice sessions by ourselves [first], and then we want to start doing that. We’ve got access to microphones and editing equipment through the recording studio. We’re probably going to do our first session […] within the month, then make the Facebook page live. Our goal is to start putting out weekly videos, after we get a few videos, so I want to get three or four before we start. We want to keep people updated and keep them into it; we want to have content coming out at a consistent rate.
D: Do you have a route planned?
A: We’re going to go down south through California, the same route we took on our trip last year. We’re going to go all the way to the bottom, there’s this place called Slab City, you know where that is?
D: Yeah! That’s kinda like a… commune or something? Lawless?
A: Yeah, it’s a squatter’s community. We met some cool people there last time we went, we want to go back. They have concerts every Saturday night. There’s this place called the Range, it’s a bunch of buses put together with a stage. We met some people there, you know, we hung out with them for a few hours, but when we were leaving it felt like we were leaving our family a little bit. It was amazing. We want to go back and connect with them, and that’s going to be interesting to shoot. There are so many crazy people down there. Insane. Meth-heads, their pastor came while we were there to say a prayer over Mariah, the woman’s foot… fun fact, Mariah is, if you’ve seen the movie “Into the Wild”, the girl that Kristen Stewart plays is based on her. But anyway, he was this guy, he was really skinny, he had his shirt off, he looked like a miner. He had this huge beard and this hat, and he was the pastor! I’ve never seen a pastor like that. Everything down there is pretty crazy.
D: Then down through Arizona?
A: Through Arizona, through Texas, there are a couple places in Texas like Austin and Houston; Lightnin’ Hopkins is from Houston and I want to try to delve into that, see if there’s anything about him down there because he’s one of my favorite performers. And then make our way into the South, kind of zig zag through the Midwest, go up the East Coast, then head back through the North. I’m from Illinois originally, I have some family, southern Illinois and Chicago, so I hope to visit them. A guy that’s going to be one of our camera men, he’s from Indiana, so he’s got connection out there. We’re going to try to hit as many states as possible. And we have a year, that’s what we’re planning on doing it in.
D: This is super cool. I’m guilty of this, people talk about big plans, and like “I’m writing a novel!” or something like that, and you never do it. And to see a couple of dudes who said, “let’s do a thing,” and then are going to do the thing, it’s reassuring.
A: My whole life people have been telling me “follow your dreams,” right? And then whenever it’s time to do that, people say, “well, is that really realistic? Is that really going to work, you’re kind of going out on a limb here.” But my whole life people have been saying follow your dreams. So let’s do it! We would regret it if we didn’t, so we’re going to do it. That’s what it’s about, you know. Not having any regrets, looking back when I’m thirty and saying, “wow, I wish I had made that documentary, I wish that I had done that. That would have been a really great life experience but I can’t really do that anymore.” I have a kid or something, you know. I don’t have any kids! I’m 21 years old, I don’t have anything really tying me down. So we’re going to do some cool stuff. Try to travel as much as I can, see as much of the world as I can before I settle down.

Dead by dawn

By: Darien Campo 
Freelancer

Continuing my October horror movie marathon, this week brought me … “Coraline” (2009), “House on Haunted Hill” (1999), “Nightmare on Elm Street” (1984), and “The Babadook” (2014).

I also had a chance to re-watch my favorite trilogy of movies — and just in time, because with a brand new television show premiering this month, Sam Raimi’s “Evil Dead” series is about to come back in style.

I watched “Evil Dead” at a young age, and I’ve been hooked ever since. The original “Evil Dead” (1981) is a testament to perseverance, brimming with the potential of fledgling director Sam Raimi and actor Bruce Campbell.

Reading Campbell’s autobiography “If Chins Could Kill” gives a great insight into the impossible odds these college students faced trying to make their first feature-length film. It may stumble in its delivery, but “Evil Dead” is an accomplishment in gore cinema.

“Evil Dead II” (1987) is by far my favorite of the series. The sloppy mess of violence that made the original Evil Dead great is now mixed with Bruce Campbell’s unique style of Three Stooges-esque slapstick overacting.

This sequel/reimagining takes a more comedic turn on the genre, giving us a hilariously twisted romp that has you gasping in shock between peals of laughter. “Evil Dead II” knows you’re not taking it seriously, so it doesn’t bother either.

The final film in the trilogy is the funny and endlessly quotable “Army of Darkness” (1992). While “Evil Dead II” strikes a perfect balance between scares and shticks, the third movie has made it all the way to other side of the spectrum, where it is now a straight comedy with horror elements.

The second film may have had its over-the-top moments, but “Army of Darkness” is an over-the-top film. The entire setting of the series is flipped on its head and our hero, Ash, becomes a cheesy one-line spewing powerhouse of hilarity.

But true to its themes the “Evil Dead” series lives on.
2013 brought us a fantastic remake that had all the heart of the original and all the special effects of today. A hilariously messy musical has also found its way to the stage, which you can see at the 2nd Street Theatre in Bend, Ore. every year.

Finally, you can catch the fast-approaching “Ash vs. the Evil Dead” series on STARZ, premiering Oct. 31, 2015. It is a terrific time to be a fan of “Evil Dead.”