Mount Hood

Witches through the years

Written by: Taylor Duff | Lifestyle Editor

The spooky season brings many frights, imagination and of course, costumes. Girls around the world might be dressing as witches this Halloween season, or they have done so in the past, or they just know that witches are generally associated with Halloween. When people think of a witch, they most likely appoint an old decrepit woman who rides a magic broom, casts spells and has a diet that consists of children. This depiction is far from what witches are, so where did the term “witch” come from? Where did they come from? 

It is believed that the term “witch” was a moniker given to women who practiced witchcraft and satanic rituals and ate children — but that is just what the fairy tales say. One early concept of what a witch is says that in mythology, witches were healers, shamans and spiritual workers who could affect the physical and the spiritual world. They used what is called “herbal medicine,” which is healing people with hand-crafted herbs. Not so different from what everyone in ancient times would do, however, witches were believed to have a special talent for healing. Some of the negative connotations come from Greek and Roman mythology: Deities like Hecate and Circe were goddesses that possessed magic and posed potential threats because of their power. 

Whether or not mythology is accurate, the witch hunts during the 15th-18th centuries caused significant harm. These included the Salem Witch Trials of 1692, precipitated by a real-life hysteria that affected many women during the time. A group of teenage girls from Salem, Massachusetts, claimed to be possessed by the devil and accused multiple local women of witchcraft. The trials resulted in the deaths of 25 innocent women, men and children. The purported witches were hung or crushed, not burned, which is a common misconception, as that was done in Europe during the Middle Ages. There is a museum in Salem, Massachusetts, where visitors can see just how the trials began and ended. 

Folklore and stories like “The Crucible,” a play by Arthur Miller, started to paint women as villains and self-absorbed, claiming they were witches. Fairy tales did the same, such as “Hansel and Gretel,” where two siblings travel in the woods and stumble across a witch’s house; she ends up eating them. Witches during this time were generally portrayed as old, bumpy and green; they were meant to look like they arrived out of the devil’s chambers and needed to take sources of life. Green witches appear often in fiction, most famously in “The Wizard of Oz” and its prequel “Wicked,” where the Wicked Witch of the West became the bad guy, and everyone was petrified because she was robbed. In Gothic literature, things looked a little different —  witches were usually painted as seductive and beautiful. But even then, they would use their beauty and seductive nature to lure men and hurt them. 

Women’s International Terrorist Conspiracy from Hell — WITCH — was a 1960s feminist group that used guerrilla theater and public rallies to criticize patriarchy and capitalism. Feminist witchcraft movements in the 1970s reclaimed the image that represents the witch as a powerful monarch. Wicca is the largest modern Pagan or Neo-Pagan religion. Its adherents, known as Wiccans, commonly identify as witches and derive inspiration mostly from pre-Christian customs in Europe. Dianic Wicca, which concentrates upon the worship of a goddess figure, or female deity, and publicly supported feminist values, frequently gained influence from the emerging women’s rights movement of the time. Because of this movement, witches are now more popular in pop culture. Movies such as “The Craft” and “The Love Witch” show women usually painted as outcasts or weird embrace their individuality and sex appeal to contradict the patriarchy. Shows like “Buffy the Vampire Slayer” and “American Horror Story, Coven” showed witches as everyday people who were just trying to navigate the world, and because pop culture sparks, the public made witches more approachable. This also opened up self-expression for LGBTQ+ characters, such as Willow Rosenberg from “Buffy,” emphasizing the connection between magic and gay identity. As environmental problems, feminism and LGBTQ+ rights continue to dominate public discourse, the witch remains a symbol of resistance and self-empowerment. 

TikTok, which has #WitchTok; Pinterest; Instagram and more platforms show modern-day people participating in witchcraft. Many creators provide spells, rituals, tarot readings and astrological insights. They show their lifestyles with aspects such as decor, clothing — witch-inspired Gothic apparel with Bohemian and crystal-laden looks, — black hats, pentagrams, jewelry, tattoos, books and much more. Halloween, in particular, has converted the witch into a fun, approachable figure for people of all ages. The internet enables individuals to combine cultural traditions, such as Wicca, Hoodoo and New Age practices, and participate in virtual covens or communal rituals. 

Overall, the witch isn’t one type of person. A witch can be multiple types of people, they can be friends, family, teachers, parents and your next-door neighbor. They are someone who embraces their faith and individuality and wears it proudly. Witches just want to be accepted and painted in a light that isn’t demeaning or harmful. The witch is a symbol of feminism and strength and has spent too many years not being understood. 

Contact the author at howllifestyle@mail.wou.edu

Deadpool takes on the Multiverse

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers

Even Deadpool himself couldn’t have been prepared for the chaos he met in “Deadpool and Wolverine.” Between Charles Xaviers’ psychotic sister, his universe on the chopping block and one reluctant Wolverine, the titular anti-hero certainly has a lot on his plate. 

In this third installment in the “Deadpool” universe, movie watchers will see a continuation of Marvel’s “Multiverse Saga,” which began with the series “WandaVision” and will be completed in 2027 when “Avengers: Secret Wars” hits theaters. 

When the Time Variance Authority — TVA — knocks on Deadpool’s door, he learns that his universe’s anchor being is dead and his timeline has been fading ever since. The TVA offers to put him in the “Sacred Timeline,” or the timeline most people think of when they think of Marvel, but Deadpool refuses. Instead, he goes searching across the multiverse for a replacement anchor being, which is revealed to be Wolverine.

When Deadpool finally finds a suitable replacement for his anchor being, the unlikely duo is sent to the Void — where variants are sent for misbehaving in the multiverse or when their universe is destroyed. There they meet variants of superheroes who have already graced the screen or whose movies did not come to fruition, and of course, the fourth-wall-breaking Deadpool knows all about them.

Many of these variants are already well-known. Jennifer Garner returns as Elektra, Wesley Snipes as Blade and Dafne Keen as X-23, a Wolverine variant. Even the canceled 2014 “Gambit” movie was referenced, with Channing Tatum filling the role he was originally intended to play. 

A plethora of memes have arisen from the movie, as well as collaborations with the popular video game Fortnite, fast food company Jack in the Box and motorsport company Alpine Racing. Ryan Reynolds has a stake in Alpine Racing, explaining the connection.

“Bye Bye Bye” by NSYNC and “Like a Prayer” by Madonna were both played in the movie, and both have once again found themselves on Billboard’s Top 30 chart, with “Bye Bye Bye” sitting at number eight and “Like a Prayer” resting at number 16. Their streams have increased globally by a total of 50% and 62% respectively, thanks to social media platforms such as TikTok and Instagram, as well as the use of “Bye Bye Bye” as an emote and jam track in Fortnite. 

“Deadpool and Wolverine” grossed $211 million on its opening weekend at the box office and has earned $1.305 billion globally. It is currently the seventh highest-grossing Marvel movie in both domestic and global earnings. 

It has not yet been announced when “Deadpool and Wolverine” will hit streaming services, but fans anticipate a late October or early November date.

Contact the author at howlentertainment@wou.edu

H

Written by: Jaylin Emond-Hardin | Entertainment Editor

Charlie Brown — no scares, just heartfelt Halloween

“It’s the Great Pumpkin, Charlie Brown” streaming on Apple TV+

Based on Charles M. Schulz’s “Peanuts” comic strip, the Halloween classic follows Charlie Brown and the gang as they celebrate Halloween and Linus waits for the Great Pumpkin. “It’s the Great Pumpkin, Charlie Brown” is perfect if one is looking for a cozy fall movie.

“The Addams Family” streaming on Paramount+

The Addams family is the first family of all things dark and creepy, so what better movie to watch for Halloween? With a live severed hand, a butler of unknown origins and two deranged children, anyone who watches this film will feel the Halloween vibes.

Not So Scary — a few scares, but mostly funny

“Scary Movie” franchise streaming on Paramount+

This movie franchise was the introduction of horror movies into the parody genre that was started by British comedy group Monty Python in the 1970s. The films incorporate elements and tropes from different horror movies, blending them to create a parody that is raunchy, ridiculous and funny all at the same time. 

Jumpscares and Chills — The scare factor is higher, but mostly jumpscares

“Cabin in the Woods” streaming on Peacock

“Cabin in the Woods” is right up there on this list with the “Scary Movie” franchise of parody movies; however, this movie takes on more of the traditional horror genre aspects. 

“The Ritual” streaming on Netflix

A true monster movie, this movie makes the audience feel as if they are being watched and hunted by the creature alongside the main characters. Set in the Swedish wilderness, this movie pits distorted pagan beliefs against modern protagonists. 

Heartstopping Horror — the scares are what makes the plot

“The Conjuring Universe” streaming on Max

This nine-movie franchise follows cases that were worked on and researched by Ed and Lorraine Warren, with most of the movies being interconnected in the universe. The movies have a plethora of antagonists, from possessed dolls to demon nuns, sure to terrify viewers.

Leave the Lights on to Sleep — can’t escape the horror, leave the lights on

“Terrifier” franchise streaming on Peacock

Viewer discretion is advised with any of the four movies within the “Terrifier” franchise. “Terrifier 3” was released in theaters Oct. 11 and is currently #1 at the box office. The movies are unrated, and contain heavy amounts of violence and gore, alongside the traditional horror elements of the movie. 

Contact the author at howlentertainment@wou.edu

Beetlejuice, Beetlejuice review

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content Warning: This article contains spoilers.

The sequel to the 1988 cult classic “Beetlejuice” hit theaters Sep. 6, continuing the story 36 years later. Actors Winona Ryder, Jefferey Jones and Katherine O’Hara reprise their roles as members of the Deetz family, with Michael Keaton returning as the titular character.

Three generations of Deetz return to Winter River in the wake of a tragedy — the passing of Charles Deetz, the family patriarch played by Jones. Lydia, played by Ryder, is still haunted by Beetlejuice, and her life soon turns upside down when her daughter, Astrid, played by Jenna Ortega, opens a portal to the Afterlife. 

Realizing she needs help navigating the Afterlife, Lydia summons Beetlejuice, who is attempting to stay hidden from his soul-sucking ex-wife, Delores, played by Monica Bellucci. 

The film offers 105 minutes of hijinx, camp and a score by Danny Elfman, and in true fashion of its predecessor, Beetlejuice only appears on the screen for a total of 17 minutes, “He’s such a fun character to write, but he’s not the protagonist of the movie,” said writers and producers Miles Millar and Alfred Gough. “It was tricky in terms of keeping the right balance. People love him so much. It’s called ‘Beetlejuice, Beetlejuice’ for a reason, so he needs to be essential to the movie. It makes you think harder about what those scenes are going to be, and what his contribution to the movie is. It feels incredibly satisfying, and like you’ve spent a lot more time with him than you think. That’s the magic trick of that character.”

The film’s reviews, however, vary between a love for the movie and a lamentation of the movie’s length. 

“It takes way too long — nearly an hour of a 105-minute movie — for Beetlejuice’s actual story to emerge and for Keaton to take center stage again,” said ScreenCrush critic Matt Singer. Many fans also felt that Beetlejuice and Delores’ storyline felt tacked on and that the movie could have done without it. 

However, those who loved the movie, like David Rooney of The Hollywood Reporter, spoke of “zippy pacing, buoyant energy and a steady stream of laugh-out-loud moments” and how the actors “warm to dizzying lunacy.”“Beetlejuice Beetlejuice” grossed $111 million domestically and $147 million worldwide on its opening weekend, and currently sits number nine on ScreenRant’s Top 10 Grossing Movies of 2024 So Far list, between “Twisters” and “Kingdom of the Planet of the Apes.”

Contact the author at howlentertainment@wou.edu

Fall playlist

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Being Cool” — Kimya Dawson

“Rhiannon” — Fleetwood Mac

“All Too Well (10 Minute Version) (Taylor’s Version) (From the Vault)” — Taylor Swift

“Oh Klahoma” — Jack Stauber

“Motion Sickness” — Phoebe Bridgers

“The Yawning Grave” — Lord Huron

“Whistling Tree” — Haunted Like Human

“Blood Orange Morning Light” — Andrew Montana

“In a Bad Way” — Haunted Like Human

“Tree Hugger” — Kimya Dawson & Antsy Pants

“Eleanor Rigby” — Cody Fry

“Harpy Hare” — Yaelokre

“the fruits” — Paris Paloma

“Tire Swing” — Kimya Dawson

“Massachusetts” — Jensen McRae

“this is me trying – the long pond studio sessions” — Taylor Swift

“Which Witch” — Florence + the Machine

Contact the author at howlentertainment@wou.edu

Here there be. . . dragons?

Written by: Jaylin Emond-Hardin | Entertainment Editor

This year saw a resurgence of dragon-based media. Author Rebecca Yarros’ Empyrean series — following Violet Sorrengail at Basgiath War College as she and her friends become dragon riders  — has sold five million copies globally. 

Season two of Max’s “House of the Dragon” — based on author George R.R. Martin’s book “Fire and Blood” — premiered this summer, drawing nearly eight million viewers per episode. Other books that featured dragons, such as “When the Moon Hatched” by Sarah A. Parker and “The Priory of the Orange Tree” by Samantha Shannon, also sold extremely well this year with the latter selling more than one million copies in English worldwide.

What sets all these stories apart is their depiction and definition of dragons. So, time to answer the question: what defines a dragon?

Traditionally, dragons are flying lizards with at least 11 different subspecies, with the most common being wyverns, basilisks and hydras. Most have the ability to breathe fire or water, two elemental abilities that set apart Western and Eastern dragons. 

However, what defines each subspecies of a dragon is not its abilities but its number of limbs. Commonly, dragons have four legs and two wings, meaning any other number of legs and wings would classify the creature as something other than a dragon. For example, the dragons in “House of the Dragon” have two legs and two wings, which would technically classify them as wyverns instead of dragons, although the show never mentions this.

In interviews, when questioned about his choice to only give his dragons two legs, author George R.R. Martin was quick to defend his creative liberty. “No known species in the natural world has four legs and two wings,” Martin said. In doing this, Martin believes he has brought a more realistic feel to his fantasy world.

The Empyrean series has a more traditional definition of dragons and wyverns, dragons with four legs and wyverns with two, as well as having the wyverns occupy a traditionally evil role. The series even goes so far as to classify the dragons by color and tail types. 

With how popular dragon media is, one can’t help but wonder why they have remained so steadfast in pop culture. 

Professor Emily Zarka at Arizona State University has a few ideas as to why this is. “One enduring reason dragons continue to appear in our world could be because they represent the power of nature,” Zarka said, before adding, “More importantly, I believe, the beauty, terror and power of the dragon evokes mystery and suggests that not all phenomena are easily explained or understood.”

Whether fans agree or disagree on the definition of a dragon, one thing is evident: dragons will always be an important part of Eastern and Western media. The creatures are practically ingrained in the cultures and don’t seem to be leaving anytime soon, especially from the reading community.

The third book in the Empyrean series, “Onyx Storm,” is set to release in Jan. 2025, with copies available for preorder now. “House of the Dragon” has been renewed for another two seasons, with filming for season three starting in early 2025. 

Contact the author at howlentertainment@wou.edu

“The Silence” anaylsis

Chrys Weedon | Entertainment Editor There seems to have been an uptick in pieces of media that feature characters with disabilities, and storylines that depend on them, in post-apocalypse worlds. “A Quiet Place” was immensely popular — popular enough to warrant a sequel, according to vanityfair.com. Recent Netflix release “Black Summer” features a Deaf character who is challenged by his “disability” in a world infested with zombies. “Bird Box” is based on the premise that being “blind” is the biggest asset one can have when looking at a monster can kill you. Netflix’s newest release, “The Silence,” follows this trend. Released April 10, “The Silence” follows a family, who happens to have a deaf daughter, through the onset of an apocalypse wherein ancient bat-like beasts escape from caves deep within the Earth and viciously attack anything that makes noise. Sound familiar? Similarities between “The Silence” and “A Quiet Place” seem to end there, however. The main character of “The Silence,” Ally, is recently deaf after a severe car accident that led to her deafness. Ally still speaks clearly, has some residual hearing, favors speaking with her voice to her family and even narrates bits of the movie. Ally’s rudimentary signing skills and her preference for speaking aloud fit in well enough with the storyline, since it is mentioned that only three years have passed since she became deaf, but it’s more apparently related to the fact that her actress, Kiernan Shipka, is hearing. Other than the disappointing fact that a Deaf actress wasn’t hired — of which there are many — there were other inconsistencies and unfortunate stereotypes that “The Silence” seemed to play into. Whenever the perspective switched to Ally’s point of view, sounds were muffled — because apparently there’s no other way to show that she is deaf — and there was always a sharp ringing noise that overpowered everything else. The ringing noise had no obvious or necessary reason to exist, as it didn’t tie into the storyline or character development. Although “The Silence” was technically a book before “A Quiet Place” even came out, the film used a lot of the same storytelling techniques that “A Quiet Place” used, with more of the “can you only believe if having a disability wasn’t the end of the world?” sentiment. Other than the tired tropes about disability, “The Silence” used very quick and convenient plotlines to move the story, which is understandable since the movie only runs an hour and 30 minutes. Stanley Tucci did a great job, but the film overall left much to be desired.   Contact the author at howlentertainment@wou.edu Photo courtesy of Netflix.com

“Down the Drain:” a biography of Julia Fox

Written by: Ruth Simonsen | Digital Media Manager

Content warning: this article contains spoilers

Julia Fox, once known as Kanye West’s rebound girlfriend, is best known for donning head-to-toe black latex outfits and hand-drawn eyeliner. In the media’s eyes, she was no more than arm candy to the controversial rapper. 

Since their split in 2022, however, her fame continued to skyrocket and she saw her following grow. Now, she proudly calls herself a female sex symbol, with her bleached eyebrows and lilting voice. 

Once Fox released her recent biography, “Down the Drain,” the world was surprised she was not always this famous.

Julia Fox spent much of her early years in the small town of Saronno in Italy. After moving to New York City to live with her father, her life quickly began to grow rockier by the day. Between her father’s verbal and physical abuse and her mother’s spontaneous wrath, Julia spent most of her childhood couch-surfing and searching for solace in any place that promised even the slightest bit of happiness. 

This mindset frequently landed her in unsafe situations — including a relationship with a controlling drug dealer who stalked and threatened her. However, through her ex boyfriend, she was first introduced to narcotics, many of which would haunt her for the rest of her life. 

The rest of her teen years were spent traveling between Italy and New York City — working as a dominatrix — then settling down as a sugar baby for an extremely wealthy client. Through this resource, she gained her footing by creating a clothing brand leading to a life of extravagance — only to realize she was the one truly being taken advantage of. 

As Julia continued to grow and age, she met and lost many people in her life. Between her near- death experiences and the deaths of many she knew and loved, Julia weaves a cautionary tale with heroin, its use and addiction, as one of the primary villains.

Now, at Julia’s celebrity status, I thought of her as another Kim K, Megan Fox or Hadid sister. I was quick to judge and even quicker to dislike. It was not until I saw an excerpt from her book that my curiosity was piqued. From there, it was pure, unabashed adoration of her and the life she persevered through. 

I found myself on an emotional rollercoaster, first laughing at her snark, then suddenly crying as she described her feelings and experiences of loss. Now, as she finally feels comfortable in who she is and the role she plays in the world today, she ends her biography with this: “Sometimes you just have to say f-ck it and throw your whole life down the drain just to see where you come out on the other side.”

9/10.

Contact the author at howldigitalmediamanager@mail.wou.edu

A new version of “The Talented Mr. Ripley” comes to Netflix

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers and mentions of murder.

Film fanatics may be familiar with the title “The Talented Mr. Ripley,” a thriller that stars Matt Damon, Gwyneth Paltrow and Jude Law in an unconventional love triangle. Netflix has taken on a noir remake of the story with the leading man played by Andrew Scott, who is well known for his roles in “Sherlock,” “Fleabag” and more recently, “All of Us Strangers.” The director’s choice to make the show in black and white was due to the original book cover by Patricia Highsmith. Set in the 1960s between New York and Italy, “Ripley” is a captivating story that is hard to look away from.

In addition to Scott, the new Netflix series also stars Dakota Fanning and Johnny Flynn. Each actor delivered a unique perspective to the remake of the classic story within their individual roles. The chemistry between the trio was undeniable.

Andrew Scott’s stoic performance as Tom Ripley gave the series its unsettling tone. In contrast to Matt Damon’s portrayal of the character, Scott plays Ripley as a calculated, apathetic man with little remorse for his actions. In the 1999 film, Ripley is more frantic after his murders and genuinely seems to be upset about his wrongdoings. Both interpretations are incredible portrayals of the multi-dimensional character, but the passiveness of Scott’s performance is almost terrifying to watch.

The most uncomfortable scene in the series was the practically silent 20-minute murder sequence of Greenleaf, as Ripley tediously and clumsily carries out his plan. The blood on Ripley’s fingers looks black, but the audience can see its unmistakable deep red color as they experience the brutal death of Dickie Greenleaf. Ripley goes on to steal Greenleaf’s identity for his wealth and status. 

Every few minutes there is a shot of religious art, whether it is Greek, Roman or Catholic, a statue or a painting on a church ceiling. Tom Ripley walks in the shadows of these works of art, and at some points, he silently ponders them. This could be interpreted as a higher power looking down at him as he continues to commit acts of sin, whether he chooses to acknowledge it or not. He views himself as the puppetmaster of everything around him, but truly knows he is on the verge of spiraling out of control. Characters such as Marge Sherwood, Dickie Greenleaf’s girlfriend, can see right through Ripley’s actions but have no way to prove his wrongdoings. Something is not quite right with him, which all the people he interacts with take notice of.

The juxtaposition of Tom Ripley’s character is what made the 1955 novel and the 1999 film unique. Though he is a con-man and murderer, the character is also described as a sensitive man. The 90s movie depicts Ripley as a queer man, in his odd relationship with Dickie Greenleaf, and even gives him a lover at the end of the movie. His acute awareness of the people around him is what makes him the enticing villain he is. 

With an all-star cast, unique filming style and an incredible setting, “Ripley” is a must-watch for any fans of the original film or audiences interested in the noir genre. The eight-episode show goes into more depth than the movie was able to, and it did not disappoint.

8/10.

Contact the author at howlentertainment@wou.edu

Summer ’24 concerts

Written by: Sierra Porter | Staff Writer

It’s been almost four full years since the Covid-19 pandemic, when lives were completely changed in an instant — forcing people to stay inside, away from friends, family and the things they love most. One of the many things that were missed was amazing concerts. This year, artists and bands everywhere can finally perform, once again, with no restrictions. Here are the summer concerts coming to Oregon: 

June Concerts: 

Vampire Weekend — The “Only God Was Above Us” tour is June 19 at the Hayden Homes Amphitheater located in Bend, Oregon. 

Third Eye Blind & Yellowcard — The “Summer Gods” tour is taking place June 14 and will also be at the Hayden Homes Amphitheater in Bend. 

Cavetown- Indie-rock artist, Cavetown, is stopping by June 14 to perform at McMenamins Historic Edgefield Manor in Troutdale, Oregon. 

Cage The Elephant — Cage The Elephant is performing their “Neon Pill” tour at the Hayden Homes Amphitheater June 24. 

July Concerts:

Noah Kahan — Up-and-coming artist, Noah Kahan, is performing his “We’ll All Be Here Forever” tour July 1. The venue is located in Ridgefield, Washington, but if one can make the drive it would be worth it.  

YG — Rap artist, YG, is coming to the Roseland Theater July 10 in Portland. 

Amtrac — American DJ, Amtrac, is bringing his electric music to Portland at the Holocene nightclub, on July 11. 

Blink-182 with Pierce The Veil — Mainstream rock band, Blink-182, shocked the world when they announced their “One More Time” album tour, featuring legendary rock group, Pierce The Veil. This tour will be July 13 at the Moda Center in Portland, Oregon. 

A Day To Remember — Florida rock band, A Day To Remember, is performing their “The Least Anticipated Album” tour July 14 at the Moda Center. 

Portugal The Man — Adding to their hundreds of previous tours, Portugal The Man is performing July 20 at the McMenamins Historic Edgefield Manor located in Troutdale, Oregon. 

August Concerts: 

Alanis Morissette — The “Triple Moon Tour” will be taking place Aug. 4 at the Moda Center. 

Wallows — The “Model Tour” is Aug. 6, and the group will be at the Moda Center in Portland. 

Jhene Aiko — Performing her “Magic Hour” tour, Jhene Aiko will be taking the stage at the Moda Center Aug. 8. Tickets are selling fast, so get them while still available.

Olivia Rodrigo —  Recent up-and-coming pop artist, Olivia Rodrigo, will be performing her “GUTS” world tour in Portland at the Moda Center Aug. 10. 

Fitz And The Tantrums — This iconic pop group will be performing their “Good Nights” tour Aug. 12 at the Roseland Theater. 

Hobo Johnson & The Lovemakers — Rap artist, Hobo Johnson, is bringing his crew to perform at the Roseland Theater Aug. 14. 

Foo Fighters — Legendary group, Foo Fighters, is performing their “Everything Or Nothing At All” tour, Aug. 16, at Providence Park in Portland. 

Peso Pluma — Latin artist, Peso Pluma, will be bringing his “Exodo” tour to the Moda Center Aug. 17. 

Elle King — King is taking the stage Aug. 20 at the Revolution Hall located in Portland. 

Twenty One Pilots — This iconic rock group is performing their “Clancy World Tour” at the Moda Center Aug. 21. 

$NOT w/ Cochise — These two up-and-coming rap artists are performing at the Roseland Theater Aug. 22. 

Kid Cudi — “INSANO: ENGAGE THE RAGE” tour will be stopping at the Portland Moda Center Aug. 22. 

$uicideboy$ — The $uicideboy$ are bringing their highly anticipated “Grey Day” tour to the Moda Center Aug. 25. Tickets are selling fast, get them while still possible. 

Dave Matthews Band — Still performing after 27 years, the Dave Matthews Band will be continuing on their legacy at the Hayden Homes Amphitheater Aug. 27. 

Kings Of Leon — The “Can We Please Have Fun” tour is coming to Portland this summer as the band will be performing at the Moda Center Aug. 28. 

Bonus September Concerts: 

Jelly Roll — Performing his amazing “Beautifully Broken” tour, Jelly Roll will be performing at the Moda Center Sept. 1. 

Def Leppard w/ Journey — These iconic rock groups took the world by storm announcing this duo tour. They will be performing at the Moda Center Sept. 3. 

Future w/ Metro Boomin — Rap artists, Future and Metro Boomin, are performing their “We Trust You” tour at the Moda Center Sept. 7. 

The Script — This soul rock group will be performing at the Roseland Theater Sept. 8. 

Mitski — Alternative artist, Mitski, is bringing her beautiful music to Portland Sept. 21, performing at the Moda Center. 

Childish Gambino — Shocking fans everywhere with his “New World” tour, Gambino will be performing at the Moda Center Sept. 24. 

Green Day — This alternative rock band will be performing their “Saviors Tour” Sept. 25 at Providence Park. 

Boogie w/ a Hoodie — Performing his “Better Off Alone” tour, Hoodie will be taking the stage at the Moda Center Sept. 25. 

Contact the author at howlstaffwriter@wou.edu