Mount Hood

True stories of ordinary people

Alexandra Martin | Entertainment Editor

There didn’t appear to be an ounce of tension in the room of Dallas’s Pressed Wine and Coffee Bar on Sept. 30. Maybe it was the soft, warm bread and hummus platters or maybe, just maybe, it was the libations of wine delivered by the staff in the hall that kept the crowd preoccupied while waiting for the night’s entertainment to begin.

Portland Story Theater paid a visit to Dallas for the third annual Dallas Storyteller Festival. The festival is a week-long event full of assorted stories for all ages, workshops and, my favorite, charming recollections of youth.

One such story, told by Beth Rogers entitled “Angels” was a tale recalling her childhood and the trials she experienced being legally blind and attending a public school. After many years, Rogers was fortunate enough to have a teacher who took her under their wing. Now, as an adult, she is able to give back to society as a teacher and provide the same guidance and understanding for her students.

Another narrative, titled “Irish,” dictated by Lynn Duddy, was a chronicle beginning with Saint Patrick and the uncertainty regarding whether or not he was indeed of Irish descent. Duddy delves into the history of Saint Patrick and his everlasting influence on Ireland, despite his genealogy. She effortlessly links times of old with modernity regaling the tale of her upbringing: being put up for adoption and growing up in an Irish family. This was a story of acceptance and belonging to a family or society, like Saint Patrick, despite where life may have started.

Portland Story Theater was founded by Lynn Duddy and Lawrence Howard to be a place where creative minds gather to share their true recollections of growth, opposition, acceptance and the encounters people have throughout a lifetime.

If you missed out on this opportunity, Portland Story Theater holds shows on the first Friday of every month at 3333 NE 15th Avenue in Portland.

 

Contact the author at journalentertainment@wou.edu

The Ladybugs: A big apple jazz ensemble

Alexandra Martin | Entertainment Editor

The 41st season of The Smith Fine Arts Series kicked off the year with The Ladybugs. Hailing from the Big Apple, The Ladybugs’ one of a kind sound immersed the whole of Rice Auditorium this past Friday with their upbeat, contemporary interpretations on early 20th century favorites.

Each member of this incredibly talented foursome is an accomplished musician in their own right, whether it be as working musicians for popular television shows, performing at jazz clubs in New York City, being members of community ensembles or laboring solo artists, The Ladybugs passion was apparent throughout the entirety of the performance.

As part of their NorthWest Tour, they banded together to create a night to remember at Western for the community, university alumni, faculty and students, alike. Featuring musical stylings many performance-goers know and love from the musical “Guys and Dolls,” and other famed artists such as Louis Armstrong. The group played a vast collection of songs old and new, imbued with latin flavor and country flair that aimed to please.

With the jazzy, ethereal vocals of Martina DaSilva and Vanessa Perea, Dylan Shamat’s thumping bass, Joe McDonough’s buoyant trombone solos and the warm bluesy guitar stylings fashioned by Alex Goodman, this group demonstrated that it is just as tasty piecemeal as it is a cohesive, delightful treat for audiences aged six to sixty and anywhere outside or in between.

Western Oregon University was the last stop on The Ladybugs Northwest Tour, which spanned from Canada to Oregon. Their self-titled album, “The Ladybugs” can be purchased through iTunes or from their Facebook page.

The Smith Fine Arts Series shows will reconvene Oct. 6 with BodyVox: BloodyVox at Rice Auditorium, a dance spectacular complete with talented dancers, eerily beautiful choreography and an artful depiction of the creatures and mystery that surround the month of October.

 

Contact the author at journalentertainment@wou.edu

Review: “If It Was A Smile”

Stephanie Blair | Editor-in-Chief

For fans of folk and indie rock, a must-hear album is coming your way — Joseph Demaree and the Great Smoking Mirror: a guitar- and cello-playing duo from Portland, Oregon, will release the band’s 10-track, debut album, “If It Were A Smile,” on Jan. 16, 2018.

The group is composed of frontman Joseph Demaree, who contributes vocals and guitar to the tracks, and Miranda Shapiro, who is featured on vocals and cello. The band describes their sound as “mellow and dreamy with an indie rock edge,” with influences spanning from Duke Ellington to Hank Williams, to The Velvet Underground, to Leonard Cohen named.

The album begins with dialogue that’s been faded and distorted with an effect that’s reminiscent of early 20th century radio broadcasts — this is a part of the story-driven element of the album, which reappears at the beginnings or ends of various tracks. After the initial bit of conversation comes the first song, which opens with the album title as its first line.

The album would pair with a melancholic montage in a Wes Anderson-esque indie film, or a rainy day of doing the dishes for non-cinematic persons. The tone of the album left this listener with an ache in her heart and the story, a longing for a resolution that would come in the final track: 10 minutes that left me only half-satisfied.

Those with a love for dynamic changes within an album will be disappointed. While the sound is pleasant, each track is extremely similar. Without the interwoven bits of theatrical dialogue between tracks, it could very easily be mistaken for one 46-minute long song. Every track on the album is a waltz, with most featuring the same drumline and extremely similar picking patterns on guitar.

The sound and story isn’t for everyone, but, if you would enjoy hearing a Johnny Cash/David Bowie/Ayreon collaboration album this is it.

 

Contact the author at journaleditor@wou.edu

Music is in the air

Alexandra Martin | Entertainment Editor

Music is a great way to fill any amount of silence with melodic noise. “Spotify has a wide selection…it’s the only way I stream music,” said Ethan Gilbert a junior computer science major. Whether a person is walking to class, driving down the road or finds themselves anywhere in between, streaming music has replaced the classic mp3s and there are about a million ways to get your music fix.

Mary Goodale, a senior communications major, still relies on purchased music but also uses popular streaming services, “I use Pandora or the Google Music app on my phone. I use Pandora when I want a wide range of music I don’t have on my phone and I use Google music when I want to listen to music I’ve purchased throughout the years.”

Surprisingly, many students around campus use more than one streaming service, depending on their mood such as Maria Krueger, a sophomore psychology major, “I like Spotify because the playlists you pick are more specific than when you listen on Pandora. But, I listen to Pandora when I don’t know exactly what I want to listen to and am feeling random.”

Spotify caters to a person’s musical interests with unique playlists and Pandora’s random selection method is great for scratching that musical itch that a person isn’t quite sure how to reach otherwise.

While there is an innumerable amount of other free options including AccuRadio, SlackerRadio and TuneIn, most music streaming services have one thing that most people can agree is possibly the worst kind of interruption when in the middle of a deserted highway or during a high-intensity workout: commercials. However, for a monthly fee these heinous interruptions can be avoided on most streaming sites. Go figure.

One such service, Spotify Premium, is partnering with Hulu to provide unlimited listening and commercial free access to hundreds of shows and movies for students at the discounted price of $4.99 for 12 months.

 

Contact the author at journalentertainment@wou.edu

Murderers, Vampires, Demons, Oh My

Alexandra Martin | Entertainment Editor

October is nearly upon us and what better way to get in the spirit of Halloween than brushing up on those spooky tales that have helped shape this holiday into what it is. Most of us grew up with some experience hearing campfire legends, folk tales and ghost stories, or things of the like.

Whether these venues for inspiring fear are the design of an active imagination or a tool to encourage youngsters to avoid the darkest part of the woods on the edge of the park, they have deeper origins than most begin to consider.

Hollywood has banked millions on the fear of things unknown, many of these being cinema blockbusters, late-night television shows or book series’ such as, “Goosebumps,” “The Changeling” starring Angelina Jolie or the classic Nickelodeon series “Are You Afraid of The Dark?” While these examples may incite some nostalgia for a simpler time, when Hollywood Video was still the place to go for newly released movies and the public library was a frequent haunt, a new form of media is on the rise providing a grander scare than ever before.

“Lore,” a podcast dictated by Aaron Mahnke explores the deepest, darkest depths of history, exposing the origins of cinema’s and television’s beautifully haunting entertainment.

Beginning in 2015, Aaron Mahnke, the producer, host and creative mind behind the award-winning podcast, delved into the campfire stories that, for some, have haunted us into our adulthood; the stories that raise the hairs on the nape of your neck when venturing for a late-night glass of water and instigating a personal conversation like, “Hey there demons, it’s me, your boy. Please don’t chase me up the stairs like last time.”

Mahnke covers those age-old tales that had you convinced in childhood that the boogie man lived in your closet, vampires were a certainty and the old lady next door was most definitely possessed by something other than the Christmas spirit.

There is a unique element of Mahnke’s storytelling that sets it apart from those blockbuster hits and spooky campfire legends. Mahnke works with a team of people to research each and every subject of the podcasts, unearthing folklore from around the world; providing not only a bone-chilling, blood-curdling tale, but a petite history lesson as well. Mahnke covers such infamous celebrities such as: H.H. Holmes, Lycaon the son of Zeus and The Elephant Man. Who says learning can’t be fun? Did I mention that it’s free?

Through the success of “Lore,” having won Best of iTunes 2015 & 2016, Mahnke has also written a book which is due to come out this October entitled “The World of Lore: Monstrous Creatures.” To further augment his ever-growing brand, Mahnke is also collaborating with Amazon Prime to produce an exclusive mini-series that will premiere on—yep, you guessed it— Friday, Oct. 13.

“Lore” is broadcasted every two weeks on Mondays through Apple podcasts. Personally, I am waiting with bated breath for the mini series to come out. October and Halloween are positively my favorite times of the year and there is nothing I enjoy more than a good scare, but you can be the judge. “Lore” is worth giving a listen, watch or read; if not for the stories, then for the soothing, evocative voice of Aaron Mahnke to lull you into a slumberous, nightmarish sleep.

Contact the author at journalentertainment@wou.edu

A summary of summer

Alexandra Martin | Entertainment Editor

Being on the “Path of Totality” undoubtedly put Oregon on the map this summer, casting a bit of a shadow on the events—no pun intended—that came before and after the once in a lifetime occurrence around the state and the nation. Across the United States, this past season was not only filled with long hot days, but, at the risk of sounding cliché, hotter and longer nights.

Burning Man, the Superbowl of self-proclaimed “radical” festivals held in Black Rock City, Nevada is one of the grandest festivals of modern day. This festival is one that will surely cost a pretty penny; around 425-1200 of them to be exact according to burningman.org. Aside from the cost, Burning Man is one of the few festivals that promote community, self-reflection and the free exchange of goods and services. This freedom is something that draws people from all walks of life to attend each year.

Another lighthearted event that took place this past summer was based out of Veneta, Oregon. The Oregon Country Fair shares a similar outlook as Burning Man, being one of the state’s most artisanal and free-spirited events. Riddled with music, puppeteers, dancing and an assortment of other liberated happenings throughout the three-day festival; it is something every Oregonian ought to experience in their lifetime.

From quirky alternative to funky blues comes the Waterfront Blues Festival in Portland, Oregon. An annual 3 to 5 day engagement, this festival is unlike others in that it is held in the heart of the city. But once inside the gates, a person tends to forget the hustle and bustle of the city life surrounding them and is immersed in those rhythmic, soulful, funky beats that almost no one can withstand enjoying.

Of course, these are just a couple examples of where this past summer has taken us. Naturally, one thing is always certain: next summer will undoubtedly be just as, if not more, spectacular.

Contact the author at journalentertainment@wou.edu

Upcoming performances in a town near you

Alexandra Martin | Entertainment Editor

Take off those Ugg boots and put down that pumpkin spiced whatchamacallit that you’ve waited for this whole year; grab your dancing shoes and prepare yourself for a musically filled fall to remember. Sure, the autumnal weather may have taken a bit of pep out of your summer swagger, but that doesn’t mean we can’t keep the music turned all the way up to 11 until the winds change. Here are some concerts, events and performances coming to a city near you that are sure to satiate even the most particular aesthetic appetite:

 

Monmouth, OR:

Sept. 29, 2017: The Ladybugs at Rice Auditorium

Oct. 6, 2017: BodyVox: BloodyVox at Rice Auditorium

Oct. 6, 2017: Laser Tag in Ackerman Grove

Oct. 13, 2017: Tom Bergeron Brasil Band featuring Choro Das 3 at Smith Music Hall

For more information on these events please visit: calendar.wou.edu

Portland, OR:

Oct. 3, 2017: Bleachers-Gone Now Era-Part 1 at the Roseland Theatre (roselandpdx.com)

Oct. 3, 2017: Nekromantix at the Hawthorne Theatre (mikethrasherpresents.com)

Oct. 3, 2017: Lil Peep-Come Over When You’re Sober Tour at the Wonder Ballroom (roselandpdx.com)

Oct. 4, 2017: DOPE at the Hawthorne Theatre (mikethrasherpresents.com)

Oct. 4, 2017: Damian “Jr. Gong” Marley at the Roseland Theatre (roselandpdx.com)

Oct. 5, 2017: HelloGoodbye at the Hawthorne Theatre (mikethrasherpresents.com)

Oct. 7, 2017: MAX at the Hawthorne Theatre (mikethrasherpresents.com)

Oct. 8, 2017: The Menzingers at the Hawthorne Theatre (mikethrasherpresents.com)

Oct. 8, 2017: The Shins at the Roseland Theatre (roselandpdx.com)

Eugene, OR:

Oct. 29, 2017: Jimmy Eat World at the McDonald Theatre (mikethrasherpresents.com)

Contact the author at journalentertainment@wou.edu