Mount Hood

Folk musician John Gorka visits Western

Chrys Weedon | Entertainment Editor

John Gorka was born into the world of music in a small coffeehouse in Pennsylvania in the 1970s. The coffeehouse, Godfrey Daniels, was a hotspot for musicians and a place that Gorka frequented often, even living in the basement for a time. There at Godfrey Daniels, he met a myriad of musicians who inspired him and he quickly started writing his own music.

Gorka’s first album, “I Know,” was released in 1987. He released his 14th album on January 19, 2018.

Gorka visited Western on Jan. 18 as a visiting artist. As part of the Smith’s Fine Arts series, Gorka came to play his music and share the wisdom he has gathered through his years of making music and touring.

“Of course, I’ve been influenced by mainstream stuff. But I think of myself as something of an insider, and I have always felt that it was better to really strongly affect a small number of people, than to reach a big number of people only superficially or temporarily,” said Gorka in a story in the Huffington Post by journalist Brian D’Ambrosio.

Gorka’s songs are strongly characterized by the storytelling element. Each song takes the listener on a journey. Songs like “Mennonite Girl” and “Edgar the Party Man” are both examples that show off Gorka’s storytelling abilities. Along with his more structured, storytelling songs, Gorka has multiple pieces that are more funny and lighthearted, like “People my Age” and “Like my Watch.” On stage, Gorka is jovial, cracking jokes and telling stories about his travels and his music career.

Behind the scenes, however, Gorka is shy and subdued. Earlier in the afternoon on Friday, Jan 19, Gorka held a song writing workshop to impart his knowledge of the craft and share his writing techniques. He often deflected attention to his instruments and his songs.

“Personally, I wanted to push myself out of my comfort zone,” commented Sage Kiernan-Sherrow, a junior pursuing an English degree with a literature concentration.

“What I got out of it was that you have to be comfortable forcing yourself to create even when you don’t want to,” said Kiernan-Sherrow, “and experimenting with your work when you’re stuck.”

The songs of John Gorka are clearly products of many different influences, but they all have a strong theme of honesty through each one of them. Each melody, each lyric, feels like a secret memory or poem. Gorka’s music can be found on Spotify and iTunes. His website can be found at johngorka.com.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Book review: “The Water Cure”

Chrys Weedon | Entertainment Editor

“If the men come to you, show yourself some mercy. Don’t stick around and wait for them to put you out of your misery.” These are the words of King, the caretaker and creator of a supposedly utopian compound in a world that is plagued by male violence and intense radiation. Here, with their mother, three women liver: Grace, Lia and Sky. King has vanished, apparently killed by the dangerous world outside.

Only Grace still has faint memories of the outside world. Lia and Sky were too young to know what the world is really like. Convinced from a young age that certain death awaited them beyond the borders of the compound, the girls stay with their mother and reminisce about the past, about the years when women would travel to them by sea to be healed.

In order to be cleansed, guests would endure different “therapies” of King’s own design. These included purging, being held underwater for as long as possible before drowning, and burning effigies representative of each woman’s trauma. These all led up to a final therapy — the water cure. For a final time, a woman deemed truly healed would be held underwater within an inch of drowning; if she survived, she was ready, and would travel back into the world.

Grace, Lia and Sky grew up enduring these therapies, all the while learning of the violent and chaotic nature of men, who would hurt you if they got the opportunity. When three men wash up on their shore, tensions rise and the sisters are forced to adapt to their new lives among them. When their mother disappears, the girls start to understand their own strength and capacity for desire.

Author Mackintosh’s descriptive ability and complex writing makes this novel intriguing. The many layers and metaphors in the novel deserve a comprehensive analysis. The distinctive voices of Grace and Lia, who take turns narrating the book, alternate so fluidly and naturally. Mackintosh clearly has a strong command of language. The fact that “The Water Cure” is her first novel is very promising.

Overall Rating: I would strongly recommend this book, but would advise caution. There is some imagery of abuse and sexual assault that could adversely affect some readers.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of penguin.co.uk

Student artist spotlight: Madeline Weinstein

Chrys Weedon | Entertainment Editor

Madeline Weinstein is a junior studying theater at Western Oregon. Originally hailing from Seattle, Washington, Weinstein didn’t have much enthusiasm for the idea of college after her graduation from high school.

“It’s really cheesy, but then I visited Western Oregon, I was very hesitant. And then I realized, this is a very friendly place. People are waving ‘hi’ to each other, even on the weekends,” Weinstein said.

After visiting Western, Weinstein knew she wanted to apply.

“My mom actually said something that is going to stick with me forever, and it’s: ‘pick a school where you feel comfortable walking into a room and feeling confident that someone would help you,’” commented Weinstein, “that was the deciding factor.”

Weinstein had plenty of acting experience when she started at Western. She acted in all twelve shows that her high school produced in her four years there. In fact, Weinstein’s main inspiration was her high school drama teacher. Because of that one teacher, she decided to get her bachelor’s degree in theater and then continue on to get her master’s degree in education.

Weinstein hopes to relocate back to Washington after graduating to teach high school drama; “I want to give back and inspire my high schoolers,” she remarked.

Since coming to Western, Weinstein has participated in multiple shows in a various number of capacities. As a first-year, she was responsible for the sound in Western’s production of “Shakespeare in Hollywood.” She has also been a part of paint crew, and has acted in one-acts and ten-minute plays.

“Even if I don’t get into the main stage shows, I know that there’s still a chance for me to act in the one-acts and the ten minutes,” said Weinstein.

Something that Weinstein loves about the theater program is that “they don’t always put the ‘perfect’ actors in there, they put people who they know can learn from the experience and… who can grow more.”

Overall, Weinstein’s experience in the artistic community at Western has been positive: “I’m not a number, I’m an actual person with a name.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Podcast Review: “Just Break Up”

Chrys Weedon | Entertainment Editor

If anyone could claim that they were addicted to podcasts, it would probably be me. I am a self-diagnosed podcast addict, and I have an endless supply at my fingertips; it seems like everyone and their mother has a podcast, and of course they do: everyone believes they have something important to say. I mean, I review stuff. I’m pretty much roasting myself here.

A recent addition to my arsenal of podcasts that I keep up with regularly is a show called “Just Break Up.” True to its title, the show tackles topics related to relationships, including friendships, familial relationships and romantic ones.

The first episode of the podcast was released on July 15, 2018. The two co-hosts are Sam Blackwell and Sierra DeMulder, two English majors based in Minnesota. Sierra DeMulder is also published poet and author of four books of poetry.

“Sierra and Sam hope to convey what they’ve learned throughout their own romantic journeys to bring comfort and support to others who might be going through similar situations,” said the podcast website, justbreakuppod.com.

Anyone can be endlessly validating, but that is not always healthy, and may even cause an unhealthy situation to continue. In my opinion, sometimes being stern while giving advice or expressing a perspective on an issue is key. My love of “Just Break Up” stems from the fact that Sam and Sierra manage to be validating while also being brutally honest. The co-hosts accept submitted letters from listeners and formulate thoughtful responses providing advice and support.

“They’re affirming and validating, but not to the point where they’re making excuses for the way we can act badly about relationships,” said Western alumna Danielle Durand, who introduced me to the podcast. “I learn something new about myself every time… And I find myself looking forward to Mondays every week now.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of justbreakuppod.com

Rainbow Dance Theater

Chrys Weedon | Entertainment Editor

On the evening of Friday, Jan.11, students and community members alike packed into Rice Auditorium to experience the Rainbow Dance Theater. The RDT has been performing at Western since the year 2000, after the dance company moved from Honolulu, Hawaii, where it was founded.

Friday’s performance consisted of two separate dances, each telling a separate and unique story. Both dances were choreographed by Valerie Bergman and Darryl Thomas.

Act one, titled “Origins,” follows the development of life on Earth, starting within the darkness of the deep ocean. The audience witnesses the birth of single-celled organisms and their metamorphosis into more complex multi-celled beings and eventually primitive humans. The whole first act is submerged in complete darkness, with performers illuminated with suits of light. This type of dance is called “iLumiDance” by the dance company.

Act two, “The Garden of Earthly Delights” is a dance that was performed at the Spring term 2018 dance concert.

“Both music composition and choreography were inspired by the eponymous early 16th-century triptych by Hieronymus Bosch,” explained the program. This piece was set to an original scored by Leroy Osmon that was commissioned by the Salem Concert Band to be performed in early 2018.

This second act opens with Eve in the paradise that is the Garden of Eden. The audience follows as Eve loses her innocence, meets various animals and magical beasts and travels with Noah through the great flood. Throughout the dance, Eve is introduced to a world filled with eroticism and animal lust.

The end of act two sees Eve reappear, transformed into a peaceful and strong figure bringing the hope of peace and beauty in the chaotic world that was displayed throughout the performance.

Since its inception, the Rainbow Dance Theater has toured the globe, performing on multiple continents and throughout the United States. During a regular touring season, the RDT performs over 60 concerts. According to the concert program: “The Company celebrates diversity with its virtuosic style that fuses West African Dance, Haitian Dance, Hip Hop, Martial Arts with American Modern Dance.”

Earlier in the day on Jan. 11, the RDT gave a special performance for around 200 students aged from kindergarten through eighth grade. This interactive concert was performed as a part of the Smith Fine Arts’ Education Outreach initiative. The young students participated in a special demonstration that showed them how STEM processes are used to create new technologies within the dance world. A number of students were given the opportunity to create their own dance with a light-wire puppet.

RDT’s most recent performance is innovative kinesthetically and creatively. The technical complexity of the first act is truly amazing, as is the skill level of the dancers. Although the second act is a dance that Western has seen before, it is still just as complex and interesting as the 2018 performance.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

 

A year in review: Movie edition

Chrys Weedon | Entertainment Editor

According to the Motion Picture Association of America, an average of 600 movies are released every year in the United States. Out of those movies, only a handful of them stand above the rest. Although I couldn’t have possibly seen every movie released this year, I did make it a goal to see as many as I could. Below I will discuss four of my favorite movies of 2018. Reader beware: there may be spoilers.

Fourth place: “A Star is Born”

So, in the interest of complete transparency, Lady Gaga could record herself watching paint dry and I would absolutely love it. With that in mind, I enjoyed this movie immensely. The movie is the fourth remake of the original 1937 movie starring Fredric March and Janet Gaynor. This new version is widely different from the previous versions, but it works.

Lady Gaga’s talent makes the film. I believe that many people went into theaters not expecting much from Gaga, as I did myself. I was very surprised to find, however, that she matches veteran Bradley Cooper’s acting skills. Her singing skills, however, blow Cooper’s out of the water. In my opinion, the only detriment to the movie is Bradley’s mediocre singing.

But where Cooper’s musical skills fall behind, he makes up for with his directorial vision. The cinematography is beautiful and accentuates the chemistry between Gaga and Cooper. Not only is the acting full of emotion, the way the movie is shot accentuates that emotion and drew me into the film.

Overall, I would give the movie a four out of five stars.

Third place: “BlacKkKlansman”

I consider this movie in my top four of 2018 not because it was fun to watch, but because it was hard to watch. The movie was difficult to digest because while it portrays the prevalence of the Klu Klux Klan in Colorado Springs in the 1970s, it connects the the present, in which racist rallies are still being held.

The movie was so impactful in my opinion because although it ends with a victory for the main character (based on a real person), there really is no happy ending. The movie ends with four minutes of video of the racist rally in Charlottesville in 2017. It really accentuates the political tension we are feeling in America today; it made me wonder how far we have really come.

I would rate “BlacKkKlansman” four out of five stars.

 

Second place: “Hereditary”

The release of “Hereditary,” I believe, raised the bar for the entire genre of atmospheric horror cinema. As someone who enjoys horror movies that do not rely too heavily on jumpscares (I have a higher tolerance for body horror, and I think less of movies that use jump scares as a crutch) I enjoyed this movie tremendously. Every element of the film came together perfectly and was executed with a level of skill that I believe is hard to match. The acting was superb (Toni Collette, you’re doing so good sweetie), and the use of color, depth of field and the development of three-dimensional characters combine to create a movie unlike what the horror genre has ever seen before. The film is a slow burn; a descent into madness.

The movie tackles so many complex things and weaves a story that isn’t too cluttered or too simple — easy mistakes to make in the horror genre. It is rare for a singular movie to change the landscape of a genre forever, but I believe that is what “Hereditary” has done.

Overall, I would rate this film five out of five stars.

First place: “Spider-Man: Into the Spider-Verse”

I didn’t expect to be impressed by this movie, much less find it to be one of my favorite movies of the entire year. I’m not even much of a Spider-Man fan. But aside from the plot or characters, the animation alone would have shot this movie into my top four. I felt like I was inside a comic book. The animation is like nothing I’ve ever seen before, and the pure artistic talent within the movie is astounding.

Even though I am fairly new to the Spider-Verse, the movie was easy to become involved in, as the storyline is pretty accessible to people new to the Marvel universe. I even caught on to some of the smaller details from watching other, smaller Marvel shows, such as Daredevil. The Spider-Man humor is right up my alley and watching all the Spider-People interact was incredibly fun. John Mulaney is in it; who wouldn’t love that?

Overall, I would give this movie a five out of five stars.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of livenationproductions.com (“A Star is Born”), focusfeatures.com (“BlacKkKlansman”), sonypictures.com (“Spider-Man: Into the Spider-Verse”)

Analysis: “Birdbox” vs. “A Quiet Place”

Chrys Weedon | Entertainment Editor

In early April 2018, the box-office hit “A Quiet Place” premiered in theaters around the country. According to Forbes.com, the post-apocalyptic film made over $213 million dollars in less than a month.

Ushering in the end of 2018 was another movie about the end of the world along the same vein, “Birdbox.” Since its release on Dec. 23, “Birdbox” has been watched by 45 million Netflix accounts, according to Forbes.

Both films entertain the idea of an apocalypse in which humanity has to adapt to the “loss” of one of their senses; in “A Quiet Place” it’s hearing or sound.

“Many people in the deaf community (myself included) are cheering the film on…’” commented Pamela J. Kincheloe in her guest article on the Huffington Post website. While the movie is a refreshing take on horror, popular criticisms of the movie cite the fact that the film is catered only to hearing audiences.

“The scenes with ASL are captioned for the hearing audience, but the spoken scenes were not captioned for the deaf audience,” said blogger T. Frohock on his website tfrohock.com.

Another criticism of “A Quiet Place” centers on the closing scene of the film. In the end, mother Evelyn and her daughter Regan discover that the secret to killing the bloodthirsty aliens lies in Regan’s cochlear implant.

“It is the implant, not the signing deaf person, that is heroic,” said Kincheloe.

The biggest difference shown in “Birdbox” is that blindness, in the end, is seen as a true advantage in the new world. In this way, blindness isn’t portrayed as a disability, really. But where “Birdbox” improves upon “A Quiet Place” in certain arenas, it still falls flat in some ways.

“Instead of killing themselves in gratuitously gory ways… people with mental illnesses become literal agents of evil, obsessed with carrying out the monsters’ mission to destroy humanity,” commented writer Jess Joho in her Mashable article. So it seems that while “Birdbox” portrays one disability as a positive, it throws a whole other set under the bus.

While “A Quiet Place” and “Birdbox” are audience favorites, the way they portray disability leaves some wanting more.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of netflix.com (“Birdbox”), paramountmovies.com (“A Quiet Place”)