Mount Hood

Western hosts high school bands from across Oregon to compete

Chrys Weedon | Entertainment Editor

Once a year, flocks of well-dressed high schoolers walk in groups through campus, untethered and without a tour guide. That’s because every Spring Term, Western hosts high school bands from across the state of Oregon to compete in preparation for their state competition. Outside of league festivals, the event at Western is one of the bigger festivals in Oregon. This year’s competition took place over two days, April 4-5.

Josh Mendoza, a sophomore music major and president of the band council, is in charge of the band festival this year. Mendoza kept in contact with band directors, scheduled the bands and coordinated the volunteers. “It’s a good experience for high schoolers to compete,” said Mendoza.

“I didn’t do it alone. I have Dr. Nail’s help, and (Josiah Glaser),” commented Mendoza. Glaser was the student responsible for the competition last school year.

Mendoza headed the competition this year because he is the president of Western’s band council.

“Usually the band council takes charge of the festival. It’s been like that for the past few years,” said Mendoza about the festival, “once I’m a band director, I’m going to have to host the festival for my school. It’s a learning opportunity. It gets you connected with band directors across the state, it gets my name out there for networking. It’s just an all around a really good experience.”

Usually, Western invites 32 high school bands to compete. This year is slightly different, however: 36 bands were included in the festival.

“(The bands) kind of move from place to place; they’ll show up, we’ll take them to storage … and then they’ll go warm up …” described Mendoza. “They’ll do their performance, where they’ll get critiqued by judges.” After being critiqued, each band will go with one of their judges to a clinic, where they’ll be given pointers and the opportunity to practice with the judge. Their judge will also tell them ways they can improve or things they may want to try doing differently when they go to competition.

“In Oregon, there is six different (school) classifications, there’s 1A, 2A, 3A, 4A, 5A and 6A,” said Mendoza. Each band gets judged on a variety of different things.

“Their quality of sound, that’s out of 30 (points), technique is out of 30, musicality is out of 30 and then other factors which would be appearance, their choice of music… the total score is out of 100,” Mendoza read off the scoring sheet. Each band is evaluated by three different judges, who all add up their scores. In the end, each group receives a score out of 300.

Choice of music can be important in terms of score.

“If you’re a really high level band, you want to be challenged” Mendoza said. If the pieces chosen by a band aren’t seen as challenging enough to the judges, it will negatively affect their scores. Each band has 30 minutes maximum to perform, and they are required to be playing music for at least 18 of those minutes.

Mendoza closed stating that, “If people want to get involved in (the festival), they can come volunteer.” Willing volunteers can contact Dr. Ike Nail at naili@wou.edu or Josh Mendoza at jmendoza17@wou.edu if they are interested in volunteering next year.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Vocal performance major Virtue Cornelison discusses his passion for music

Chrys Weedon | Entertainment Editor

Virtue Cornelison is a second year vocal performance major studying classical music. Hailing from McMinnville, Cornelison was drawn to Western because of its comforting environment. “Doing high school music stuff, there were a couple times that I actually got to perform in Rice here,” said Cornelison, “so I kind of knew already that I felt comfortable with the town.”

The atmosphere wasn’t the only reason Cornelison was drawn to Western. Many students from his high school came to the school for its music program as well.

“I wasn’t the only one from my high school to come here for the music department. There’s actually quite a few people from McMinnville,” Cornelison explained.

Cornelison started choir in his junior year of high school. Back then, he was thinking of pursuing psychology, but wasn’t sure.

“As soon as I did basically the first thing musical that I’d ever attempted, it just kind of clicked,” Cornelison commented. “Like, ‘oh, this is that thing people keep telling me about where … you could do this for the rest of your life without ever waking up regretful.’”

When asked about long term plans, Cornelison had a simple answer: “Just to keep making music.” The vocal major is happy to continue what he is doing right now — learning and making music.

“I’m very happy to be learning what I’m learning. I’m making plenty of connections in the music business, as things are,” Cornelison said. “I’m just learning a lot of skills which, even if it’s just me and a few friends, the ability to make music is alone so fulfilling.”

Cornelison studies more traditional classical music, but also likes jazz.

“It’s something that’s a lot closer to what’s popular nowadays, just in terms of it’s not so formal, but there’s still so much technicality with it, it’s something you still really have to study,” said Cornelison.

Cornelison takes part in almost all of the musical groups on campus, including the Chamber Singers and Western Oregon Voices, who are going to perform in Reno, Nevada in June. “The only group I’m not really with is Acapella club, and I don’t know how much longer I can keep myself out of that,” Cornelison joked.

Cornelison only had positive things to say about his experience with the music program so far. “We have some amazing professors that are able to teach… a very small class and get to know you personally. That’s great. But they’re still very prepared to teach you the material. The music department is so tightly-knit it’s really like another home,” Cornelison said.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Chrys Weedon

The Hot Club of San Francisco performs “Cinema Vivant” for Smith Fine Arts Series

Chrys Weedon | Entertainment Editor

For the last 43 years, the Smith Fine Arts Series has been providing Western students with live performances, outreach programs and master classes. The series makes world music, dance and art accessible for local communities and brings more artistic diversity to campus.

In another installment in the series, a group from Southern California will be visiting campus. Coming to Rice auditorium on April 6 is the music group The Hot Club of San Francisco, presenting “Cinema Vivant”, a performance of live self-proclaimed “Gypsy” swing music accompanied by vintage silent films. The movies features are the films of European filmmaker Ladislaw Starewicz, who pioneered stop-action animation.

According to the musical group’s website, hotclubsf.com, their music is strongly influenced by guitarist Django Reinhardt. Reinhardt is a French-Romani musicians who was active from the 1920s through the 1950s and incorporated aspects of American Jazz and his own Romani   culture into his compositions. The musicians are also inspired by Stephane Grappelli, a French jazz violinist that founded Quintette du Hot Club de France along with Reinhardt in 1934.

The Hot Club of San Francisco consists of five players: Paul “Pazzo” Mehling (guitar), Isabelle Fontaine (vocals, guitar), Evan Price (violin), Jordan Samuels (guitar) and Sam Rocha (bass). All members are accomplished musicians who tour both nationally and internationally.

 

Contact the author at howlentertainment@wou.edu

Photos courtesy of Lenny Gonzalez

Staff favorites: Album edition

Chrys Weedon | Entertainment Editor
Album: Demo by G.L.O.S.S. (Girls Living Outside Society’s S**t)

This album was my introduction to a world I never thought existed — the world of Queer Feminist punk rock. I was introduced to the music of G.L.O.S.S. at a crowded punk rock venue when I was in high school, and I have never been the same since. This album is angry, violent and unapologetically genuine. G.L.O.S.S. explores what it’s like to be a woman in a patriarchal world, and specifically examines the lives and experiences of trans women. The album touches on important topics and makes me feel like I have a space where I can be angry when I need to be.

Photo courtesy of girlslivingoutsidesocietysshit.bandcamp.com

 

Caity Healy | Editor-in-Chief

Album: Either/Or by Elliott Smith

I’ve listened to this album more times than I can count, and each time, it evokes a sense of nostalgia and sends me through every emotion possible. From teary eyes, to bright smiles by the final song, this album is by far the most played in my collection. A Portland, OR native, Elliott Smith captures his truth in relation to the town in his song “Rose Parade” with lyrics that convey how he felt he fit in the city. It’s a powerful album that does what Smith set out to make it do — give you a true understanding of how he was feeling by making you feel those emotions, as well.

Photo courtesy of killrockstars.com

 

Kyle Morden | Digital Media Manager

Album: Lemonade by Beyoncé

This album is a true body of art. In a story about love, betrayal and redemption, Beyoncé gives us the monumental and breathtaking visual album, “Lemonade.” The album features talents such as Kendrick Lamar, Serena Williams and The Weeknd. It also includes a variety of genres such as pop, reggae, hip hop, soul and country. Throughout the album, Beyoncé delivers her songs in a powerful and poetic way. In “Formation” and “Freedom,” she inspires people to change their opinions from apathy to activism. “Lemonade” is an empowering album that covers concepts such as self-love and healing.

Photo courtesy of beyonce.com

 

Bailey Thompson | News Editor

Album: Red by Taylor Swift

Within this album, Taylor Swift offers a raw glimpse at a wide range of human emotion — from the joy and hope of “Everything has Changed”, her collaboration with Ed Sheeran, to the vulnerable, autumnal “All Too Well” and “Red.” Although I acknowledge that people tend to hold polarizing opinions of her, one thing that has always drawn me to Swift, and this album in particular, is that she writes her songs in a way that invites the listener to share in her experiences and relate their lives to hers. “Red” is therapeutic, artistic and real, and I have listened to it on countless occasions.

Photo courtesy of taylorswift.com

 

Paul F. Davis | Managing Editor

Album: Channel Orange by Frank Ocean

Frank’s breakout album is a musical moment that you experience and you have to question if it was real. Frank accomplishes this once in a generation orchestration by creating soundscapes that inspire a feeling of riding a wave of emotion, up and down. Channel Orange also rises above all else because of its ability to work in all kinds of situations, from the spiritual experience of making love with someone you love to enjoying a drink with friends by a fire. This power resides in the album’s hard hitting melodies and Frank’s floaty tenor voice. Frank defines a generation of ears with his first album, so treat yourself to a good time, plug in your head phones, and let Frank take you to another land of his creation.

 

Ashlynn Norton | Photo Editor

Album: Mt. Joy by Mt. Joy

Being a huge music nerd, I have a broad taste in music. I tend to listen to movie soundtracks and artists ranging from Aretha Franklin, to Led Zeppelin and even Lady Gaga. So picking a favorite album is hard, but the one that I’ve been listening on repeat lately is Mt. Joy by the band Mt. Joy. It’s a nice break from listening to mostly classic 70s and 80s rock. Mt. Joy has more of an indie/folk vibe that puts you in the mood for a good road trip with the windows and the sun on your face.

Photo courtesy of mtjoyband.com

 

Rachel Hetzel | Designer

Album: American Beauty/American Psycho by Fall Out Boy

When it comes to music, I usually only like one or two songs in an album. There aren’t many entire albums I enjoy, but American Beauty/American Psycho is one of the exceptions. Fall Out Boy has gone from rock to more pop over the years, and this album is a nice in-between. Their songs always have memorable lyrics, but they really stand out to me in this album. All of the songs in this album are great, but my favorites are “Twin Skeletons”, “Novocaine” and “The Kids Aren’t Alright.”

 

Cora McClain | Copy Editor
Album: The Disappearance of a Girl by Phildel

I introduce the album which kicked off my interest into what my friends call “my weird music” ⏤ “The Disappearance of a Girl.” Phildel, the British singer/songwriter strips her songs down to the bones, her haunting vocals and piano while sprinkling in a hint of electronic manipulation. Beyond how truly beautiful her songs are (I highly recommend listening to my favorite song on the album, “Funeral Bell”) the beauty of the story she lays out through the 12 tracks causes both tears and smiles. Through her whimsical and haunting songs, she tells the story of surviving abuse she sustained as a child, and how she moved forward through the good relationships in her life while feeling the sorrow of having to detach from her family to escape the abuse. “The Disappearance of a Girl” transports you into a fantastical world of pain and at the same time inspiration.

Photo courtesy of phildel.com

 

Rebecca Meyers | Lifestyle Editor

Album: Connect the Dots by Misterwives

There were a number of albums I considered before choosing my favorite, but I came back to this one because not only do I enjoy all the songs on the album, but the overall tone of it is very uplifting, even the more serious ones like “Revolution,” that can’t help but improve my mood whenever I listen to them. I listen to “Out of Tune Piano” when I’m feeling stressed or overwhelmed, “Machine” is one of my all time favorite songs and “Band Camp” and “Chasing This” make me excited and hopeful for my future plans.

Photo courtesy of misterwives.com

Ben Platt’s new album “Sing to Me Instead” gives audiences everything they want

Chrys Weedon | Entertainment Editor

Since the premiere of the Broadway musical “Dear Evan Hansen” on July 9, 2015, Ben Platt has captured audience’s attention with his passionate performances and beautiful voice. After Platt left “Dear Evan Hansen” on Nov. 17, 2017, he performed at the 60th annual Grammy awards and released a mashup with “Hamilton” creator Lin-Manuel Miranda. Aside from these projects, Platt seemed to become more quiet, possibly taking a break from his intense work as Evan in “Dear Evan Hansen.”

But in January 2019, Platt announced his much anticipated debut album “Sing to Me Instead.” Four singles were released before the album’s official release on March 29.

Platt’s songs feature strong piano melodies reminiscent of his “Dear Evan Hansen” days, and soft, more muted guitar riffs that emphasize the heavy, intricate emotions this album is based on. The more simplistic technical aspects of this album could almost categorize the songs as pop, but their combination with lyrical intricacy creates songs that feel like ballads. Platt’s album could be easily characterized as empath rock due to the highly emotional content that reads like poetry.

The relative plainess of the instrumentals throughout the album only serves to support Platt’s killer vocal ability — his range is incredibly strong. Platt’s vocal runs, belts and the pure emotion injected into his voice are the true highlights of this album. Missing are the flashy, Broadway belting vocal moments, which benefits the album in my opinion.

Another highlight of this album are the lyrics. Platt co-wrote the songs on his album with a team, including Eg White, who co-wrote Adele’s “Chasing Pavements.” The songs lean more toward emotional ballads, but a couple songs have more upbeat lyrics, like “Share Your Address,” a song about wanting to take a relationship to the next level. Platt’s lyrics feel like looking through a window and getting a glimpse into his emotional life, like the listener is reading a diary entry.

In a March 27, 2019 USA Today article by Patrick Ryan, Platt is quoted: “the whole point of this (album) is to be honest about my own experiences and talk about things that have happened to me. A lot of those things just happen to be with men that I’ve been in love with.”

 

Overall Rating: I would strongly recommend this album.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ben Platt

The Willamette Heritage Center highlights the valley’s passionate history through exhibit

Chrys Weedon | Entertainment Editor

The Willamette Heritage Center is located in Salem at 1313 Mill St. A cluster of buildings tucked into a scenic corner of the city, the center features permanent exhibits such the historic houses of some of the first families to settle in the Willamette valley, a Thomas Kay Woolen Mill exhibit and Portland General Electric Waterpower exhibit. “The Willamette Heritage Center connects generations by preserving and interpreting the history of the Mid-Willamette Valley,” states willametteheritage.org.

The center also features special, impermanent exhibits. Opening Jan. 24 and lasting through April 20 is an exhibit titled “Romance: Stories of Love and Passion in the Mid-Willamette valley”. The exhibit consists various different displays curated by several different heritage centers in the region that focus on stories of love in the Willamette Valley.

Displays included vignettes on the history of marriage ceremonies from the 19th and early 20th centuries, which didn’t always include a white dress; many brides wore dresses in a variety of colors, such as blue, grey, yellow and even practical colors like brown. An intricate red wedding dress was also on display in this section of the exhibit.

Also included was a collection of artifacts describing the scandalous social dances of the 1800s. Featured were the card and books in which dancers could keep track of their partners, and editorials published in the Oregon Statesman and the Willamette University Newspaper discussed the inappropriate nature of social dances.

The latter newspaper published an editorial by Minnie Frickey in February of 1891, which touched on the subject.

“Thus on every hand stands some monster evil that would destroy all honest, genuine affection, dancing and intemperance alike in fascination and destructiveness,” wrote Frickey, “luxury who would have people so intensely refined that they are unfit for any of the practical duties of life.”

Also included where artifacts such as love self-help books, wedding rings, photographs of young couples and marriage certificates. On display was a law book which included Oregon’s marriage laws over the years. In 1862, Oregon passed a law that made interracial marriage illegal, which wasn’t overturned until 1951. More recently — 2014, to be exact — Oregon passed their same-sex marriage law.

The exhibit at the Willamette Heritage Center brings history into the present, and reminds visitors that love now isn’t much different than love back then.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Chrys Weedon

Marie Kondo’s decluttering controversy: Prescriptivist vs helpful

Chrys Weedon | Entertainment Editor

In 2011, Marie Kondo published a book titled “The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing”. In 2014, the hardcover English translation was released and quickly became a New York Times bestseller.

In her book, Kondo lays out what she calls the KonMari method, an organization method uniquely created through Kondo’s work as a professional organizing consultant. Severely simplified, the KonMari method asks the reader to sort through all their belongings and see what sparks joy — if an object doesn’t spark joy, it should be disposed of. A very important part of the process is thanking an item for its utility before giving the item away or throwing it out.

Kondo has been named on of the New York Time’s 100 most influential people, and many swear by her organization method.

Several celebrities have informally reviewed Kondo’s book as publicity. “I recommend it for anyone who struggles with the material excess of living in a privileged society,” commented Jamie Lee Curtis on the Amazon page selling the book. B.J. Novak also swears by Kondo’s book.

Kondo’s publication has been so successful that Netflix aired a show centered around her and the KonMari method. In the original show, “Tidying up with Marie Kondo”, Kondo visits different families and assists them in decluttering their life. Although this method can be compared to minimalism, they are distinct — hence why Kondo has specially labelled her own method.

However, an incident in episode five of Kondo’s Netflix original show sparked a debate on the internet.

Kondo advised a couple on how they should declutter their books. In a summary of Kondo’s philosophy on books, a Jan. 12, 2019 article by Deseret News wrote that Kondo believes that the true value of books lies in the information within them. Kondo suggests that having books that someone will never read adds clutter to that person’s life. Instead of stockpiling books, Kondo suggests that someone only keeps the books that spark joy, maybe only keeping sections of books that are special.

Many Twitter users were outraged. User Cleve Arguelles, @CleveArguelles, posted: “I’m not sure whether I should love or hate Marie Kondo right now. But she did advise that one can rip out pages from their favorite books & throw away the rest so they can… ‘keep only the words they like.’ So, hate it is.”

Author Jennifer Wright even posted “this woman is a monster,” in reference to Kondo. That tweet has since been deleted.

Danielle Durand, a Western alumna of the psychology program, explained her opinion on the subject.

“She’s not trying to rid people of sentimental items or tell people how much junk they’re allowed to have. She just wants us to be able to recognize what brings us happiness and joy…”

In fact, this is also what Kondo describes in her book. Kondo’s informal motto has become “only keep belongings that spark joy.” Kondo stresses the importance of donating usable books to charities, libraries or schools.

Outraged tweets claiming Kondo wants everyone to get rid of their books may be unfounded. Reading the book and watching Kondo’s show seem to explain her position on decluttering very clearly.

Cait Munro from Refinery29 interviewed Kondo on the subject on Jan. 11. Kondo said, “I think if you’re truly comfortable with clutter in your home, then that’s fine. There’s nothing wrong with that, but I will recommend that you still … understand how much quantity of each category of things you have and need. I think that’s an important awareness to have.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of konmari.com