Mount Hood

Beetlejuice, Beetlejuice review

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content Warning: This article contains spoilers.

The sequel to the 1988 cult classic “Beetlejuice” hit theaters Sep. 6, continuing the story 36 years later. Actors Winona Ryder, Jefferey Jones and Katherine O’Hara reprise their roles as members of the Deetz family, with Michael Keaton returning as the titular character.

Three generations of Deetz return to Winter River in the wake of a tragedy — the passing of Charles Deetz, the family patriarch played by Jones. Lydia, played by Ryder, is still haunted by Beetlejuice, and her life soon turns upside down when her daughter, Astrid, played by Jenna Ortega, opens a portal to the Afterlife. 

Realizing she needs help navigating the Afterlife, Lydia summons Beetlejuice, who is attempting to stay hidden from his soul-sucking ex-wife, Delores, played by Monica Bellucci. 

The film offers 105 minutes of hijinx, camp and a score by Danny Elfman, and in true fashion of its predecessor, Beetlejuice only appears on the screen for a total of 17 minutes, “He’s such a fun character to write, but he’s not the protagonist of the movie,” said writers and producers Miles Millar and Alfred Gough. “It was tricky in terms of keeping the right balance. People love him so much. It’s called ‘Beetlejuice, Beetlejuice’ for a reason, so he needs to be essential to the movie. It makes you think harder about what those scenes are going to be, and what his contribution to the movie is. It feels incredibly satisfying, and like you’ve spent a lot more time with him than you think. That’s the magic trick of that character.”

The film’s reviews, however, vary between a love for the movie and a lamentation of the movie’s length. 

“It takes way too long — nearly an hour of a 105-minute movie — for Beetlejuice’s actual story to emerge and for Keaton to take center stage again,” said ScreenCrush critic Matt Singer. Many fans also felt that Beetlejuice and Delores’ storyline felt tacked on and that the movie could have done without it. 

However, those who loved the movie, like David Rooney of The Hollywood Reporter, spoke of “zippy pacing, buoyant energy and a steady stream of laugh-out-loud moments” and how the actors “warm to dizzying lunacy.”“Beetlejuice Beetlejuice” grossed $111 million domestically and $147 million worldwide on its opening weekend, and currently sits number nine on ScreenRant’s Top 10 Grossing Movies of 2024 So Far list, between “Twisters” and “Kingdom of the Planet of the Apes.”

Contact the author at howlentertainment@wou.edu

Fall playlist

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Being Cool” — Kimya Dawson

“Rhiannon” — Fleetwood Mac

“All Too Well (10 Minute Version) (Taylor’s Version) (From the Vault)” — Taylor Swift

“Oh Klahoma” — Jack Stauber

“Motion Sickness” — Phoebe Bridgers

“The Yawning Grave” — Lord Huron

“Whistling Tree” — Haunted Like Human

“Blood Orange Morning Light” — Andrew Montana

“In a Bad Way” — Haunted Like Human

“Tree Hugger” — Kimya Dawson & Antsy Pants

“Eleanor Rigby” — Cody Fry

“Harpy Hare” — Yaelokre

“the fruits” — Paris Paloma

“Tire Swing” — Kimya Dawson

“Massachusetts” — Jensen McRae

“this is me trying – the long pond studio sessions” — Taylor Swift

“Which Witch” — Florence + the Machine

Contact the author at howlentertainment@wou.edu

Here there be. . . dragons?

Written by: Jaylin Emond-Hardin | Entertainment Editor

This year saw a resurgence of dragon-based media. Author Rebecca Yarros’ Empyrean series — following Violet Sorrengail at Basgiath War College as she and her friends become dragon riders  — has sold five million copies globally. 

Season two of Max’s “House of the Dragon” — based on author George R.R. Martin’s book “Fire and Blood” — premiered this summer, drawing nearly eight million viewers per episode. Other books that featured dragons, such as “When the Moon Hatched” by Sarah A. Parker and “The Priory of the Orange Tree” by Samantha Shannon, also sold extremely well this year with the latter selling more than one million copies in English worldwide.

What sets all these stories apart is their depiction and definition of dragons. So, time to answer the question: what defines a dragon?

Traditionally, dragons are flying lizards with at least 11 different subspecies, with the most common being wyverns, basilisks and hydras. Most have the ability to breathe fire or water, two elemental abilities that set apart Western and Eastern dragons. 

However, what defines each subspecies of a dragon is not its abilities but its number of limbs. Commonly, dragons have four legs and two wings, meaning any other number of legs and wings would classify the creature as something other than a dragon. For example, the dragons in “House of the Dragon” have two legs and two wings, which would technically classify them as wyverns instead of dragons, although the show never mentions this.

In interviews, when questioned about his choice to only give his dragons two legs, author George R.R. Martin was quick to defend his creative liberty. “No known species in the natural world has four legs and two wings,” Martin said. In doing this, Martin believes he has brought a more realistic feel to his fantasy world.

The Empyrean series has a more traditional definition of dragons and wyverns, dragons with four legs and wyverns with two, as well as having the wyverns occupy a traditionally evil role. The series even goes so far as to classify the dragons by color and tail types. 

With how popular dragon media is, one can’t help but wonder why they have remained so steadfast in pop culture. 

Professor Emily Zarka at Arizona State University has a few ideas as to why this is. “One enduring reason dragons continue to appear in our world could be because they represent the power of nature,” Zarka said, before adding, “More importantly, I believe, the beauty, terror and power of the dragon evokes mystery and suggests that not all phenomena are easily explained or understood.”

Whether fans agree or disagree on the definition of a dragon, one thing is evident: dragons will always be an important part of Eastern and Western media. The creatures are practically ingrained in the cultures and don’t seem to be leaving anytime soon, especially from the reading community.

The third book in the Empyrean series, “Onyx Storm,” is set to release in Jan. 2025, with copies available for preorder now. “House of the Dragon” has been renewed for another two seasons, with filming for season three starting in early 2025. 

Contact the author at howlentertainment@wou.edu

“The Silence” anaylsis

Chrys Weedon | Entertainment Editor There seems to have been an uptick in pieces of media that feature characters with disabilities, and storylines that depend on them, in post-apocalypse worlds. “A Quiet Place” was immensely popular — popular enough to warrant a sequel, according to vanityfair.com. Recent Netflix release “Black Summer” features a Deaf character who is challenged by his “disability” in a world infested with zombies. “Bird Box” is based on the premise that being “blind” is the biggest asset one can have when looking at a monster can kill you. Netflix’s newest release, “The Silence,” follows this trend. Released April 10, “The Silence” follows a family, who happens to have a deaf daughter, through the onset of an apocalypse wherein ancient bat-like beasts escape from caves deep within the Earth and viciously attack anything that makes noise. Sound familiar? Similarities between “The Silence” and “A Quiet Place” seem to end there, however. The main character of “The Silence,” Ally, is recently deaf after a severe car accident that led to her deafness. Ally still speaks clearly, has some residual hearing, favors speaking with her voice to her family and even narrates bits of the movie. Ally’s rudimentary signing skills and her preference for speaking aloud fit in well enough with the storyline, since it is mentioned that only three years have passed since she became deaf, but it’s more apparently related to the fact that her actress, Kiernan Shipka, is hearing. Other than the disappointing fact that a Deaf actress wasn’t hired — of which there are many — there were other inconsistencies and unfortunate stereotypes that “The Silence” seemed to play into. Whenever the perspective switched to Ally’s point of view, sounds were muffled — because apparently there’s no other way to show that she is deaf — and there was always a sharp ringing noise that overpowered everything else. The ringing noise had no obvious or necessary reason to exist, as it didn’t tie into the storyline or character development. Although “The Silence” was technically a book before “A Quiet Place” even came out, the film used a lot of the same storytelling techniques that “A Quiet Place” used, with more of the “can you only believe if having a disability wasn’t the end of the world?” sentiment. Other than the tired tropes about disability, “The Silence” used very quick and convenient plotlines to move the story, which is understandable since the movie only runs an hour and 30 minutes. Stanley Tucci did a great job, but the film overall left much to be desired.   Contact the author at howlentertainment@wou.edu Photo courtesy of Netflix.com

“Down the Drain:” a biography of Julia Fox

Written by: Ruth Simonsen | Digital Media Manager

Content warning: this article contains spoilers

Julia Fox, once known as Kanye West’s rebound girlfriend, is best known for donning head-to-toe black latex outfits and hand-drawn eyeliner. In the media’s eyes, she was no more than arm candy to the controversial rapper. 

Since their split in 2022, however, her fame continued to skyrocket and she saw her following grow. Now, she proudly calls herself a female sex symbol, with her bleached eyebrows and lilting voice. 

Once Fox released her recent biography, “Down the Drain,” the world was surprised she was not always this famous.

Julia Fox spent much of her early years in the small town of Saronno in Italy. After moving to New York City to live with her father, her life quickly began to grow rockier by the day. Between her father’s verbal and physical abuse and her mother’s spontaneous wrath, Julia spent most of her childhood couch-surfing and searching for solace in any place that promised even the slightest bit of happiness. 

This mindset frequently landed her in unsafe situations — including a relationship with a controlling drug dealer who stalked and threatened her. However, through her ex boyfriend, she was first introduced to narcotics, many of which would haunt her for the rest of her life. 

The rest of her teen years were spent traveling between Italy and New York City — working as a dominatrix — then settling down as a sugar baby for an extremely wealthy client. Through this resource, she gained her footing by creating a clothing brand leading to a life of extravagance — only to realize she was the one truly being taken advantage of. 

As Julia continued to grow and age, she met and lost many people in her life. Between her near- death experiences and the deaths of many she knew and loved, Julia weaves a cautionary tale with heroin, its use and addiction, as one of the primary villains.

Now, at Julia’s celebrity status, I thought of her as another Kim K, Megan Fox or Hadid sister. I was quick to judge and even quicker to dislike. It was not until I saw an excerpt from her book that my curiosity was piqued. From there, it was pure, unabashed adoration of her and the life she persevered through. 

I found myself on an emotional rollercoaster, first laughing at her snark, then suddenly crying as she described her feelings and experiences of loss. Now, as she finally feels comfortable in who she is and the role she plays in the world today, she ends her biography with this: “Sometimes you just have to say f-ck it and throw your whole life down the drain just to see where you come out on the other side.”

9/10.

Contact the author at howldigitalmediamanager@mail.wou.edu

A new version of “The Talented Mr. Ripley” comes to Netflix

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers and mentions of murder.

Film fanatics may be familiar with the title “The Talented Mr. Ripley,” a thriller that stars Matt Damon, Gwyneth Paltrow and Jude Law in an unconventional love triangle. Netflix has taken on a noir remake of the story with the leading man played by Andrew Scott, who is well known for his roles in “Sherlock,” “Fleabag” and more recently, “All of Us Strangers.” The director’s choice to make the show in black and white was due to the original book cover by Patricia Highsmith. Set in the 1960s between New York and Italy, “Ripley” is a captivating story that is hard to look away from.

In addition to Scott, the new Netflix series also stars Dakota Fanning and Johnny Flynn. Each actor delivered a unique perspective to the remake of the classic story within their individual roles. The chemistry between the trio was undeniable.

Andrew Scott’s stoic performance as Tom Ripley gave the series its unsettling tone. In contrast to Matt Damon’s portrayal of the character, Scott plays Ripley as a calculated, apathetic man with little remorse for his actions. In the 1999 film, Ripley is more frantic after his murders and genuinely seems to be upset about his wrongdoings. Both interpretations are incredible portrayals of the multi-dimensional character, but the passiveness of Scott’s performance is almost terrifying to watch.

The most uncomfortable scene in the series was the practically silent 20-minute murder sequence of Greenleaf, as Ripley tediously and clumsily carries out his plan. The blood on Ripley’s fingers looks black, but the audience can see its unmistakable deep red color as they experience the brutal death of Dickie Greenleaf. Ripley goes on to steal Greenleaf’s identity for his wealth and status. 

Every few minutes there is a shot of religious art, whether it is Greek, Roman or Catholic, a statue or a painting on a church ceiling. Tom Ripley walks in the shadows of these works of art, and at some points, he silently ponders them. This could be interpreted as a higher power looking down at him as he continues to commit acts of sin, whether he chooses to acknowledge it or not. He views himself as the puppetmaster of everything around him, but truly knows he is on the verge of spiraling out of control. Characters such as Marge Sherwood, Dickie Greenleaf’s girlfriend, can see right through Ripley’s actions but have no way to prove his wrongdoings. Something is not quite right with him, which all the people he interacts with take notice of.

The juxtaposition of Tom Ripley’s character is what made the 1955 novel and the 1999 film unique. Though he is a con-man and murderer, the character is also described as a sensitive man. The 90s movie depicts Ripley as a queer man, in his odd relationship with Dickie Greenleaf, and even gives him a lover at the end of the movie. His acute awareness of the people around him is what makes him the enticing villain he is. 

With an all-star cast, unique filming style and an incredible setting, “Ripley” is a must-watch for any fans of the original film or audiences interested in the noir genre. The eight-episode show goes into more depth than the movie was able to, and it did not disappoint.

8/10.

Contact the author at howlentertainment@wou.edu

Summer ’24 concerts

Written by: Sierra Porter | Staff Writer

It’s been almost four full years since the Covid-19 pandemic, when lives were completely changed in an instant — forcing people to stay inside, away from friends, family and the things they love most. One of the many things that were missed was amazing concerts. This year, artists and bands everywhere can finally perform, once again, with no restrictions. Here are the summer concerts coming to Oregon: 

June Concerts: 

Vampire Weekend — The “Only God Was Above Us” tour is June 19 at the Hayden Homes Amphitheater located in Bend, Oregon. 

Third Eye Blind & Yellowcard — The “Summer Gods” tour is taking place June 14 and will also be at the Hayden Homes Amphitheater in Bend. 

Cavetown- Indie-rock artist, Cavetown, is stopping by June 14 to perform at McMenamins Historic Edgefield Manor in Troutdale, Oregon. 

Cage The Elephant — Cage The Elephant is performing their “Neon Pill” tour at the Hayden Homes Amphitheater June 24. 

July Concerts:

Noah Kahan — Up-and-coming artist, Noah Kahan, is performing his “We’ll All Be Here Forever” tour July 1. The venue is located in Ridgefield, Washington, but if one can make the drive it would be worth it.  

YG — Rap artist, YG, is coming to the Roseland Theater July 10 in Portland. 

Amtrac — American DJ, Amtrac, is bringing his electric music to Portland at the Holocene nightclub, on July 11. 

Blink-182 with Pierce The Veil — Mainstream rock band, Blink-182, shocked the world when they announced their “One More Time” album tour, featuring legendary rock group, Pierce The Veil. This tour will be July 13 at the Moda Center in Portland, Oregon. 

A Day To Remember — Florida rock band, A Day To Remember, is performing their “The Least Anticipated Album” tour July 14 at the Moda Center. 

Portugal The Man — Adding to their hundreds of previous tours, Portugal The Man is performing July 20 at the McMenamins Historic Edgefield Manor located in Troutdale, Oregon. 

August Concerts: 

Alanis Morissette — The “Triple Moon Tour” will be taking place Aug. 4 at the Moda Center. 

Wallows — The “Model Tour” is Aug. 6, and the group will be at the Moda Center in Portland. 

Jhene Aiko — Performing her “Magic Hour” tour, Jhene Aiko will be taking the stage at the Moda Center Aug. 8. Tickets are selling fast, so get them while still available.

Olivia Rodrigo —  Recent up-and-coming pop artist, Olivia Rodrigo, will be performing her “GUTS” world tour in Portland at the Moda Center Aug. 10. 

Fitz And The Tantrums — This iconic pop group will be performing their “Good Nights” tour Aug. 12 at the Roseland Theater. 

Hobo Johnson & The Lovemakers — Rap artist, Hobo Johnson, is bringing his crew to perform at the Roseland Theater Aug. 14. 

Foo Fighters — Legendary group, Foo Fighters, is performing their “Everything Or Nothing At All” tour, Aug. 16, at Providence Park in Portland. 

Peso Pluma — Latin artist, Peso Pluma, will be bringing his “Exodo” tour to the Moda Center Aug. 17. 

Elle King — King is taking the stage Aug. 20 at the Revolution Hall located in Portland. 

Twenty One Pilots — This iconic rock group is performing their “Clancy World Tour” at the Moda Center Aug. 21. 

$NOT w/ Cochise — These two up-and-coming rap artists are performing at the Roseland Theater Aug. 22. 

Kid Cudi — “INSANO: ENGAGE THE RAGE” tour will be stopping at the Portland Moda Center Aug. 22. 

$uicideboy$ — The $uicideboy$ are bringing their highly anticipated “Grey Day” tour to the Moda Center Aug. 25. Tickets are selling fast, get them while still possible. 

Dave Matthews Band — Still performing after 27 years, the Dave Matthews Band will be continuing on their legacy at the Hayden Homes Amphitheater Aug. 27. 

Kings Of Leon — The “Can We Please Have Fun” tour is coming to Portland this summer as the band will be performing at the Moda Center Aug. 28. 

Bonus September Concerts: 

Jelly Roll — Performing his amazing “Beautifully Broken” tour, Jelly Roll will be performing at the Moda Center Sept. 1. 

Def Leppard w/ Journey — These iconic rock groups took the world by storm announcing this duo tour. They will be performing at the Moda Center Sept. 3. 

Future w/ Metro Boomin — Rap artists, Future and Metro Boomin, are performing their “We Trust You” tour at the Moda Center Sept. 7. 

The Script — This soul rock group will be performing at the Roseland Theater Sept. 8. 

Mitski — Alternative artist, Mitski, is bringing her beautiful music to Portland Sept. 21, performing at the Moda Center. 

Childish Gambino — Shocking fans everywhere with his “New World” tour, Gambino will be performing at the Moda Center Sept. 24. 

Green Day — This alternative rock band will be performing their “Saviors Tour” Sept. 25 at Providence Park. 

Boogie w/ a Hoodie — Performing his “Better Off Alone” tour, Hoodie will be taking the stage at the Moda Center Sept. 25. 

Contact the author at howlstaffwriter@wou.edu

Poetic justice

Written by: Taylor Duff | Staff Writer    Sophie Taylor | Designer

Content warning: this article contains mentions of violence and sexual assault/grooming.      

Kendrick and Drake have a tangled past that includes almost 10 years of static. As Kendrick Lamar’s popularity increased, Drake embraced him — giving him an interlude on his 2011 album, “Take Care,” and inviting him on the ensuing Club Paradise tour. 

The beef between the two began when Kendrick made a personal attack on Drake and 11 other rappers during his feature appearance on Big Sean’s song, “Control,” in August 2013, and tensions escalated. In October 2023, Drake, with fellow rapper J. Cole, released “First Person Shooter.” In the song, J. Cole boasts about his proficiency at rapping. He calls himself, Drake and Lamar the “big three.” 

Lamar responded to “First Person Shooter” in March 2024 by criticizing Drake and J. Cole during featured verses on “Metro Boomin” and Future’s song, “Like That.” Lamar rejected the notion that there was a “big three,” stating, “f–k the big three, it’s just big me.”

In response, Drake released a song titled “Push Ups (Drop and Give Me 50),” in which he mocked Lamar’s height. Within hours of Drake’s diss, Rick Ross responded with a single called “Champagne Moments,” claiming Drake had undergone plastic surgery, including a nose job, false abs and a Brazilian Butt Lift.

Drake’s “Taylor Made Freestyle” implied that Lamar was too cowardly to release music in the same week as Taylor Swift’s “The Tortured Poets Department.” Drake used artificial intelligence to hurl insults in the voices of Lamar’s heroes: Tupac and Snoop Dogg. 

Lamar released “Euphoria” — after the HBO show of which Drake is an executive producer — which read like a laundry list of grievances against his sparring partner. Lamar described Drake as “predictable,” a “master manipulator” and a “habitual liar.” Less than 72 hours after “Euphoria” dropped, Lamar released a second song, “6:16 in LA.” In this track, he alleged that someone within Drake’s organization was leaking negative material.

Drake’s response was the song, “Family Matters,” which elevated the conflict to new heights. He quotes: “You mentioned my seed; now deal with his father,” Drake said. “I gotta go bad, I gotta go bad.” Drake hypothesized in the song that Lamar could be a perpetrator of domestic abuse — the star has never faced such an allegation. 

Within 20 minutes of Drake’s release of “Family Matters,” Lamar responded with a third diss track, “Meet The Grahams,” which began with the foreboding warning, “You messed up the minute you called out my family’s name.” Each verse was addressed to one of Drake’s closest family members, including his mother, father and six-year-old son, as well as an alleged “daughter” no one knows about. Lamar claims Drake covertly fathered a second child and was hooked on gambling, sex and drugs.

On his fourth diss track, “Not Like Us,” Lamar accused Drake of having connections with underage women. This is one of Lamar’s most popular quotes from “Not Like Us”: “Ain’t you tired? Tryna strikes a chord and it’s probably A Minor.” Drake alleges that an informant purposefully fed Lamar several statements with the expectation that the star would rap about them. 

The “Not Like Us” cover art is also an overhead picture of Drake’s house marked with red tags that would normally represent sex offenders on such websites, making more allegations about Drake. Producer Metro Boomin entered the battle by releasing a beat dubbed “BBL Drizzy,” urging fans to rap over it. Drake had previously criticized Boomin on “Push Ups,” instructing him to “shut up and make some drums.” 

Drake countered with “The Heart Part 6” May 5, denying Lamar’s claims of grooming accusations and saying that his crew deceived Lamar over the secret child. Matters took a bad turn when a security officer outside Drake’s home was shot. It is unclear whether the incident was related to the rappers’ dispute. The latest, Drake raps over “BBL Drizzy,” halfway through his part on Sexyy Red’s “U My Everything.” Shots going back and forth make this a rap battle for this generation and it’s apparent everyone has chosen a side: Kendrick or Drake. 

Contact the authors at tduff23@mail.wou.edu or howldesigner@wou.edu

Divorced dad rock

Written by: Ruth Simonsen | Digital Media Manager

“Comedown” — Bush

“Nutshell” — Alice In Chains

“Superunknown” — Soundgarden

“Show Me How to Live” — Audioslave

“Let Down” — Radiohead

“Heart-Shaped Box” — Nirvana

“Under the Bridge” — Red Hot Chili Peppers

“Be Quiet and Drive (Far Away)” — Deftones

“Falling Away from Me” — Korn

“Chop Suey!” — System Of A Down

“In the End” — Linkin Park

“Second Chance” — Shinedown

“2112: Overture/TheTemples Of Syrinx/Discovery/Presentation/Oracle/Soliloquy/Grand Finale” — Rush

“Owner of a Lonely Heart” — Yes

“Land of Confusion” — Genesis

“Solsbury Hill” — Peter Gabriel

“Tom Sawyer” — Rush

“Mr. Roboto” — Styx

“Black Hole Sun” — Soundgarden

“The Spirit Of Radio” — Rush

“Peace of Mind” — Boston

“Burnin’ for You” — Blue Öyster Cult

“Message In A Bottle” — The Police

“Roundabout” — Yes

“Toxicity” — System Of A Down

“Cherub Rock” — The Smashing Pumpkins

Contact the author at howldigitalmediamanager@mail.wou.edu

Middle-Earth cinematic universe expands

Written by: Jaylin Hardin | Sports Editor

Fans of “The Lord of the Rings” rejoice: Warner Brothers Studios has confirmed a new batch of live-action films set in the Middle-Earth cinematic universe. The first of these, titled “The Hunt for Gollum,” is slated for a 2026 release and will focus on Andy Serkis’ character, Gollum. Serkis played this role between 2001 and 2003 in “The Lord of the Rings” trilogy and later reprised it in the 2014 prequel movie, “The Hobbit: An Unexpected Journey.”

Peter Jackson, the filmmaker for both “The Lord of the Rings” and “The Hobbit” trilogies and his partners Fran Walsh and Philippa Boyens are producing the movie and are quoted as being involved every step of the way.” Walsh and Boyens both worked on the first two trilogies with Jackson, and Serkis is set to direct and star in the film. 

Other live-action films have yet to be revealed but are likely to explore author J.R.R. Tolkien’s works that have not been touched by the industry. 

Warner Bros. announced in February of 2023 that the new studio leaders, Mike De Luca and Pam Abdy, had brokered a deal to make multiple films based on Tolkien’s universe, which will be developed through the New Line Cinema label.

An animated Middle-Earth movie is set to be released into theaters on Dec. 13, 2024, from director Kenji Kamiyama — best known in the United States as a background artist for “Kiki’s Delivery Service” and lead animator for the “Star Wars: Visions” episode, “The Ninth Jedi.”

Set 183 years before the events of “The Lord of the Rings,” “The War of the Rohirrim” will follow a legendary king of Rohan and his family as they defend their country. Brian Cox is set to voice King Helm Hammerhead, and Miranda Otto will reprise her role of Eowyn, who narrates the film. 

But even before “The War of the Rohirrim” premieres, season two of “The Rings of Power” will launch on the streaming service, Prime Video, on Aug. 29. The show takes its source material from Tolkien’s “The Silmarillion” and follows elf queen Galadriel, played by Morfydd Clark, as she and her allies defend Middle-Earth from Sauron and his forces. Season one of “The Rings of Power” was first released in September of 2022 and ran for eight episodes. 

On May 14, a trailer for season two was posted to @ringsofpower on Instagram, with the caption “Darkness will bind them. The Rings of Power returns August 29 on Prime Video.”

Whether this new lineup will stun audiences following the first two trilogies will be something only time will tell.

Contact the author at howlsports@wou.edu

Western’s spring dance concert

Written by: Claire Phillips | Entertainment Editor

On May 9, 10 and 11, Western hosted its Spring Dance Concert in Rice Auditorium. Each choreographer, costume designer, lighting designer, professor and dancer brought their all to the concert.

The show opened with a lively number, titled “Not a Tango,” choreographed by Les Watanabe, a professor of dance at Western. The dance was composed of four dancers: two wearing red dresses and two wearing black suits, preening for attention. The dynamics and expressions of each character made the audience laugh throughout the show.

Tim Cowart, the department head of Western’s Department of Theatre and Dance choreographed a meaningful piece, titled “Slump.” The dance engaged the audience right out of the gate with a projector screen depicting the busy, loud streets of a big city. One could observe the pressure of society weighing down on each dancer through their intricate mannerisms. Each was trying to make themselves stand out from the crowd; a futile attempt.

“Hold on…,” choreographed by graduating senior Alia Takashima, was a spiritual, grounding piece memorializing community and friendship. The dance featured incredible formations such as using the dancers’ arms to look like tree branches in their green and brown costumes and holding each other up in lifts.

A “Hunger Games” themed piece, titled “MEMENTO MORI,” choreographed by Charlotte Hreha, was captivating and intense. The iconic whistle that sounded before the music even kicked in gave the audience a hint as to what was to come. The music also utilized the line “enjoy the show” from the arena in “The Ballad of Songbirds and Snakes.” An ear-piercing scream at the end of the performance left everyone speechless.

“Wabash 64130,” choreographed by Winston Dynamite Brown, was a nostalgic performance based on Brown’s mother, siblings and hometown, Kansas City. The dancers lined up and posed for a “family photo” partway through the dance, illustrating each family member and their unique personalities.

After the intermission, “Melt,” choreographed by Valerie Bergman and Darryl Thomas, immersed the audience in an ever-shifting night sky, then an ocean and finally, a forest. A featured dancer donned a pair of pointe shoes, weaving between the other dancers. The choreographers stated that the dance was an “…urgent cry to protect our climate and an homage to the beauty and wonder of our natural habitat.”

As a tribute to their grandmother, Manda Oliver choreographed “Annee des Marguerites,” which translates to “Year of the Daisies.” The dance utilized flower props as a symbol of healing, along with beautiful green and purple costumes. Every dancer lifted each other up and made sure nobody was left behind.

“CYCLICAL,” choreographed by senior Madison Malveaux, began with no music, only the carefully composed rhythm of stomping feet. The piece had the perfect combination of chaos and order and conveyed how the two interacted with each other. 

Before the last dance, it was revealed that Cynthia Gutierrez-Garner, a beloved dance professor, will be leaving Western after 14 years. “Las Caras Lindas” featured eight dancers in bright, traditional dresses sitting around a table. Gutierrez-Garner said, “Thank you for sitting at the table of my pedagogy.” It’s safe to say that Gutierrez-Garner left her mark on all of Western.

Every single dance was unique and stood out from one another. The crowd could never guess what was coming next and was entertained for the full two hours of the show. Thank you, Western Department of Theatre and Dance, for your incredible effort and continuous talent.

10/10.

Contact the author at howlentertainment@wou.edu

Actor Bernard Hills dies at 79

Written by: Jaylin Hardin | Sports Editor

The death of actor Bernard Hill was announced on May 5, 2024 by a representative of Lou Coulson Associates, the British talent agency of which Hill was a member. The agency’s statement did not include or mention his cause of death since Hill led a private life, despite his roles in major blockbusters. He was 79 years old.

Hill was a well-known actor in British television, specifically on the British Broadcasting Channel, BBC, but his biggest roles were that of King Theoden in “The Lord of the Rings” trilogy and Captain Edward Smith in “Titanic.” 

Hill is considered a movie icon by many. “The Lord of the Rings: The Return of the King” and “Titanic” earned one billion dollars at the global box office: Hill was the first person to be in two movies that achieved these numbers. “The Return of the King” and “Titanic” both won 11 Oscars, which means Hill starred in two out of the three movies ever to achieve such success — the 1959 film “Ben-Hur” is the third.

Former co-stars of Hill’s took to social media to share their grief for the loss of the actor.

“So long to our friend, our king, Bernard Hill. We will never forget you,” actor Elijah Wood posted to X, previously Twitter. Wood then quoted “The Return of the King:” “For he was a gentle heart and a great king and kept his oaths; and he rose out of the shadows to a last fair morning.” 

Karl Urban also shared his grief for Hill on Instagram, “To the King. Rest in peace, Bernard.”

Urban and Wood starred in “The Lord of the Rings” alongside Hill, Urban playing Eomer, the nephew of King Theoden, and Wood playing Frodo Baggins, the trilogy’s main protagonist. Hill’s Titanic co-stars did not comment on the actor’s passing.

Hill worked for years in British theater and television. Those close to him said he would often claim his role as Yosser Hughes, from the 1980 movie “The Black Stuff,” as the role that changed his life. He would go on to reprise this role in a miniseries, “Boys from the Blackstuff.”

Hill was set to reprise his role in the BBC drama “The Responder,” starring alongside Martin Freeman, another actor in the Middle-Earth Cinematic Universe — Freeman played Bilbo Baggins in “The Hobbit” trilogy. 

“I don’t think anyone spoke Tolkien’s words as great as Bernard did,” said actor Billy Boyd,  who played Peregrin “Pippin” Took in “The Lord of the Rings” trilogy. “He will be sorely missed.”

Contact the author at howlsports@wou.edu

Beachy tunes

Written by: Ruth Simonsen | Digital Media Manager

“The Song You’ve Been Waiting For” — Coast Modern

“All Your Life” — Still Woozy

“Little Foot Big Foot” — Childish Gambino

“Lucky” — Rainbow Kitten Surprise

“Be Sweet” — Japanese Breakfast

“Guru” — Coast Modern

“Roly Poly” — Mt. Joy

“Why Do You Feel So Down” — Declan McKenna

“Summer’s Over” — Jordana, TV Girl

“Cinderella” — Remi Wolf

“Dive” — Coast Modern

“My Kink Is Karma” — Chappell Roan

“Feel It” — d4vd

“OMG” — Suki Waterhouse

“Westcoast Collective” — Dominic Fike

“1st Time” — Bakar

“Is It True” — Tame Impala

“Talk” — beabadoobee

“See The Light” — Stephen Sanchez

“Weekend Friend” — Goth Babe

“Sexy Villian” — Remi Wolf

“Window” — Still Woozy

“Hollow Life” — Coast Modern

“Alive!” — Bakar



Contact the author at howldigitalmediamanager@mail.wou.edu

Schneider suing “Quiet on Set producers

Written by: Taylor Duff | Staff Writer

Content warning: this article contains mentions of sexual assault.   

Dan Schneider, former Nickelodeon producer and writer, is suing the producers of “Quiet on Set: The Dark Side of Kids TV,” stating that the show implies sexual assault of young actors with whom he routinely worked. 

Schneider is suing Warner Bros, Discovery, Maxine Productions and Sony Pictures Television, who worked on the production of the series. The case will be brought before the Los Angeles Superior Court on the grounds of alleged defamation with misleading allegations of sexual abuse against child actors. 

Schneider’s lawyers declared that the alleged false statements and implications harmed his reputation and legacy at Nickelodeon. The first four episodes of “Quiet on Set” premiered on March 17 and 18, 2024 while the fifth episode was released on April 7, 2024. 

Schneider responded to the docuseries with a YouTube video titled, “Dan Schneider Talks about Quiet on Set” on Schneider’s YouTube channel, “DanWarp.” In the video, Schneider sits with BooG!e, born Bobby Bowman, who plays T-Bo on one of Nickelodeon’s hit shows, iCarly, that Schneider produced. 

In this video, BooG!e recounts the docuseries and Schneider addresses allegations raised, such as pressuring female employees to perform massages, constant harassment and making co-writers uncomfortable in the writer’s room. 

Concerning the alleged massages, Schneider said, “It was wrong that I ever put anybody in that position… I’d never do it today, I’m embarrassed… I apologize to the people who were walking around Video Village or wherever it happened because there were lots of people there who witnessed it who also may have felt uncomfortable so I owe them an apology as well.” Regarding writers, Schneider stated, “No writer should ever feel uncomfortable in any writer’s room ever, period, the end.”

The docuseries also features two writers, Christy Stratton and Jenny Kilgen, who remember Schneider illegally forcing the women to split their payment “I have nothing to do with paying writers, I never have. I’ve never made a writer’s deal and of all the writers I’ve been in a writer’s room with, I never even knew how much most of them were getting paid… it’s very simple, there’s a common practice in television when hiring… writers for your first job are willing to share a salary, you can both have the job (and) they have the opportunity to say ‘Yes, that sounds good’ or ‘No, no thank you,’” Schnieder said.

Back in 2000, Kilgen filed a lawsuit against Schneider for gender discrimination because of the alleged harassment and illegal payment, prompting an internal investigation. The lawsuit settled for an undisclosed amount.

Schneider states as the lawsuit is served to the producers of “Quiet on Set,” “… I sadly have no choice but to take legal action against the people behind it. In their successful attempt to mislead viewers and increase ratings, they went beyond reporting the truth and falsely implied that I was involved in or facilitated horrific crimes for which actual child predators have been prosecuted and convicted…” 



Contact the author at tduff23@mail.wou.edu

Sleeping at Last album pairs with personality test

Never Retallack |  Entertainment Editor

The human mind is a complicated system of neurons firing, but does it affect one’s personality? 

Over the decades, there have been countless personality tests, some successful — such as the Myers Briggs test — and some not as successful, like the Rorschach Inkblot test.

The Enneagram test is something quite interesting; it was originally used in the 1950s by Oscar Ichazo on spiritual development. Within this test, there are nine dominant personality types — most people identify strongly with one, but after completing the online test, it lists which types you had the highest percentage in. It is believed that the three highest in a person’s score is their personality.

The test itself is fun and eye-opening, but the band Sleeping at Last compiled an album where each song is sung through the perspective of each personality type, creating powerful tunes. The album is called “Atlas: Enneagram” and the songs are simply titled “One” through “Nine.”

I am a type two, and when I first heard of the album I didn’t think much about it. However, listening to the song “Two” brought me to tears. The lyrics are touching and perfectly captured how I feel. Sleeping at Last is a folk-indie band with soothing vocals and haunting melodies, and they impressed me with this album. 

I made my closest friends and family take the test and listening to their songs I was touched and so were they. Each song perfectly captures how each type feels in a surprisingly emotional way.

The Enneagram test is, of course, flawed just like any personality test, but for those who are interested in learning their types and crying to their song, the test can be taken at http://9types.com/.

 

Contact the author at howlentertainment@wou.edu

Photos courtesy of sleepingatlast.com

A Closer Look at Lana Del Ray

Written by: Nicholas Sarysz

Lana Del Rey is an American singer, songwriter and record producer, whose real name is Elizabeth Woolridge Grant. Del Rey rose to fame in 2011 with her debut single “Video Games” and, shortly after, the album “Born to Die.” She is most well known for her melancholic style of pop music.

The artist was born into an upper-middle-class family in upstate New York in the 1980s. Growing up singing in church, Del Rey was later sent to a boarding school as a teenager for her deviant behavior. It wasn’t until a couple of years after she finished school that she started her music career.

Del Rey has received both critical acclaim and criticism throughout her career. Many dislike her because of her image and persona — which they view as inauthentic or manufactured. Others take issue with her lyrics and the themes she often explores, such as Hollywood glamor, sadness and drug use.

Del Rey’s  biggest criticism early  in her career came from many questioning her authenticity. Despite being labeled as an indie artist, her 2008 debut EP, released under the name “Lizzy Grant,” was produced by well-known figure David Kane. When she later changed her stage name to Lana Del Rey and moved to London after a failed album in 2010, the internet quickly flooded with claims of her new persona being fabricated by label executives.

Despite the criticism, Lana Del Rey has grown to become an incredibly successful and influential artist. Her music has been praised for its haunting beauty, melancholic lyrics and vintage aesthetic. Her albums have topped the charts in multiple countries and sold millions of records worldwide. She has won several awards and has gone multi-platinum with many of her albums — solidifying her place in the music industry. 

Whether or not Lana Del Rey’s image and persona are authentic is irrelevant. What matters is the impact she has had on the music industry and the emotions her music evokes in her listeners. Love her or hate her, there’s no denying that Lana Del Rey is a unique and impactful artist.

Contact the author at howlstaffwriter@wou.edu

Welcome home, neighbor

Written by:Mikayla Coleman

Content warning: this article contains themes pertaining to psychological horror 

Nostalgia — derived from the Greek words “notos,” meaning return, and “algos” meaning pain — has been a hot commodity in the contemporary art, horror and gaming scenes. Modern games such as “Five Nights at Freddy’s” and “Undertale” have enthralled audiences with the feeling of longing for the past and simultaneously terror-filled experiences. A new alternate reality game has hit the scene with a wonderful harmony between the horrific and the familiar — “Welcome Home.” 

“Welcome Home” is an interactive horror alternative reality game, or ARG, where users explore a website by clicking, highlighting and isolating images to unravel the mystery surrounding a beloved and forgotten 1970s children’s television show. 

“You are to accompany a colorful cavalcade of puppets as their beloved neighborhood begins to skew and distort into a nightmarish memory that they can barely recall. Through illustrated books, recordings and an array of old merchandise, you will find what dwells within this colorful home,” says the project’s creator, Clown.

Despite its bright and friendly appearance, through exploring, audiences will become attuned to the dark underbelly of the world of the neighborhood. 

The game’s cast consists of several muppet-inspired characters with their own unique quirks, including Eddie Dear, Howdy Pillar, Barnaby B. Beagle, Frank Frankly, Julie Joyful, Sally Starlet, Poppy Partridge and the series’ beloved main character, Wally Darling. A thorough description of each character, detailing their individual attributes, interests and relationships, is listed on the project’s website, which can be accessed at www.clownillustration.com/welcomehomeyou. 

Clown, the artist behind ClownIllustrations, is a Northern Californian artist specializing in illustration and character design. Clown is currently working towards a Bachelor of Arts degree in studio arts. Their artistic interests are vast, including sewing, building puppets and creating stories and art that blur the line between macabre and delightful topics. 

“Welcome Home is a way to explore what I can do as an artist and try out new things, especially with limited materials” says Clown. 

The production of “Welcome Home” has been in progress since 2018, and with good reason. Clown’s immense attention to detail is what gives Welcome Home an immense amount of utterly-70s charm and believability. 

Recently, “Welcome Home” has gone viral on a multitude of social media platforms, particularly Tiktok and Youtube, where fans of the game have shared their theories and findings while poking around on the project website. The project is still in-progress, but has a massive audience waiting for the continuation of the friendly and freaky friends that make up “Welcome Home.” 

Contact the author at howleditor@wou.edu 




John Wick movies ranked

Written by:  Mirella Barrera-Betancourt

Content warning: contains spoilers for “John Wick: Chapter 4”

The “John Wick” movie universe returned on March 24 with the release of the fourth installment, “John Wick: Chapter 4,” which left audiences reeling with unexpected shock. Here are all four movies in the franchise — ranked from worst to best, by the News Editor — as audiences question whether or not to mourn the beloved protagonist.

4 — “John Wick: Chapter 2” (2017)

Ranking on Rotten Tomatoes: 89%

The second installment of the franchise continues right after the violent events of the previous movie, which arrive to haunt John Wick and permanently kick him out of retirement. As far as sequels go, I thought the movie was good. There were significantly fewer action sequences than in the first installment, which was disappointing. Frankly, the middle of the movie left me on the brink of snoring. However, I have to give them credit for the fight sequence in the mirror cabinet, as well as the shocking and bleak ending that plagued me for weeks. 

3 — “John Wick” (2014)

Ranking on Rotten Tomatoes: 86%

The inaugural movie which introduces the audience to the character of John Wick received mixed critic reviews. This was the film that established John Wick as the bada–, titular character known as “Baba Yaga,” successfully managing to instill fear amongst audiences and the assassin underworld. Even though it was the lowest-rated movie in the franchise, the movie was heavily packed with both action and emotion, which I believe makes it a strong contender for the position as one of the top three movies in the series. 

2 — “John Wick: Parabellum” (2019)

Ranking on Rotten Tomatoes: 89% 

This movie cements the legacy of the John Wick universe as possibly the best action or neo-noir film series. In my opinion, the most daring and unrestrained movie in the series — “John Wick: Parabellum” goes heavy with gore and violence, which functions well in adding to the thrilling intensity of the stakes at play. This was the film that truly left me terrified for John Wick’s survival.

1 — “John Wick: Chapter 4” (2023) 

Ranking on Rotten Tomatoes: 94%

In the alleged “final” installment of the franchise, “John Wick: Chapter 4” follows John Wick on the run from the villainous “Powers That Be” — the High Table. The movie put to rest a long-standing debate regarding the shocking betrayal by the character of Winston Scott, the manager of The Continental Hotel, in the third film. This was the perfect movie to wrap up the beloved franchise, as well as the story of the weary and heartbroken but formidable assassin — even if, at times, I felt the long runtime to be excessive. Moreover, the fight scenes and long-range shots were excellent, appearing straight out of a video game. 

Keanu Reeves is a fantastic actor, and a perfect casting for a character in a franchise that grew with time in size, scope and success. I am content with the ending of the series. However, if Keanu Reeves decides to return with the mantle, I will happily line up to watch him in theaters once again.

Contact the author at howlnews@wou.edu

Staffs favorite movies

Written by: Sierra Porter | Staff Writer

“The Western Howl” staff is filled with crazy cool personalities, a variety of talents and a plethora of different hobbies and passions. One thing is for sure: we are all movie fanatics and live vicariously through the characters we love. Here are the staff’s favorite movies and why we continue to enjoy them. 

Editor in Chief, Gretchen Sims, expresses her love for the movie “Braveheart.” Sims says, “I actually learned how to play the main theme ‘For the Love of a Princess’ from Braveheart early on in high school. I fell in love with the score and convinced my parents to let me watch it. My mom isn’t one for gore, but I loved the film and it is now one of my all-time favorites!” 

Linden Loren, coordinator, advising & virtual engagement, dubbed the “dad” of the Howl, recommends “LinkedIn: The Movie.” All one needs is a LinkedIn account and some salt to snack on — truly inspiring. 

The Howl’s Digital Media Manager, Ruth Simonsen’s, favorite movie is “Predestination,” a sci-fi thriller released in 2014. Simonsen says, “This movie made me rethink my life and everything I believed in. It brought to light how frail yet beautiful humanity is, and how one truly needs to make the most of it while one has it. Trust oneself and always grow, but give oneself the grace to recognize that one is a completely different person in every phase of your life, never to be the same person twice.” 

Cami Ansley, Copy Editor, deems “Crazy Rich Asians” as her favorite movie. Ansley says, “This movie was really relatable to me as an Asian American and the ending was so perfect and satisfying to watch. It was also nice to see an all Asian cast with actors and actresses that I’d never seen before.”

Head Designer Addie Floyd’s favorite movie is “Tangled,” based on the timeless story of Rapunzel and her long hair. Floyd expressed, “This movie is my comfort movie. It just brings me so much joy. No matter the mood I’m in, Tangled can always cheer me up.” 

Our other amazing Designer, Sophie Taylor, says her movie favorite is “Coraline,” released in 2009. Taylor says, “Coraline” is one of the earliest movies I ever remember watching. Ever since I was little, the claymation animation style has always captured my attention. There are so many subtle hints and clues that foreshadow the movie that every time I watch it, I find something new. There have been so many conspiracy theories and rabbit holes to go down. Keep Portland weird.” 

Photo Editor Quinlan Elise has a short and sweet response on why she loves “Napoleon Dynamite:” “there is no other choice.” 

Hannah Field, the Howl’s News Editor’s favorite movie is “Fox and The Hound.” Field recalls some of her favorite memories with the film, “I can remember watching this movie on VHS tape in the garage while my dad worked on his cars. I would sit on a stool or a tiny chair with my neck craned upward at a 120 degree angle looking at that tiny box TV playing my favorite movie. I think it’s an underrated but beautiful piece of work and hope everyone has the pleasure of watching it one day.”

Claire Phillips, our Entertainment Editor’s movie of choice is “Fried Green Tomatoes,” released in 1991. Phillips says, “This historical classic takes on many heavy topics that are still relevant today. It will make one cry, it will make one laugh and above all, it will make one crave some good Southern food.” 

Sports Editor, Jaylin Hardin, says her favorite movie is “The Lord of the Rings: The Two Towers.” Hardin expressed, “I’ve loved the trilogy since I was a kid, but ‘The Two Towers’ was always my favorite because I love the plot. Extended edition just makes it so much better because it adds so many more details from the books.” 

Creative Lifestyle Editor, Liberty Miller expresses her love for “The Sorcerers Apprentice,” released in 2010. Miller says, “This movie was one of the more psychologically formative movies of my younger years. Nicholas Cage and Jay Baruchel create a seamless duo performance and take on their roles to the point where they become their character. The storyline was intriguing and the pace of the movie created the perfect elements of suspense — the soundtrack was also incredible, with ‘Secrets’ by OneRepublic still being one of my all-time favorite songs. My favorite scene from the movie included that song being played while the Tesla Coils are run by David Stutler.” Miller also gives a special shout-out to “Crazy Rich Asians” as a close second. 

Taylor Duff, one of our great Staff Writers, chose the movie “SuperBad,” released in 2007, as her movie favorite. Duff said, “I love this comedy that explores growing up and learning to just be oneself. Plus I still crack up every time I watch. Viewer discretion is advised.” 

Talented Freelancer Lili Minato expresses her love for “Twin Peaks: Fire Walk with Me.” Minato says, “At its release, ‘Twin Peaks: Fire Walk with Me’ was considered a bad prequel to its beloved predecessor, ‘Twin Peaks.’ Now, it has a cult following of many who enjoy the story of Laura Palmer. It’s a film full of bizarre scenes and a devastating plotline. In true David Lynch fashion, it is weird and wonderful.” 

As for myself, my favorite movie is “The Karate Kid,” released in 1984. There are so many reasons why this is my favorite movie but long story short, I love an underdog story. Not to mention the amazing soundtrack. 

Contact the author at howlstaffwriter@wou.edu

The romantic’s diary

Written by: Taylor Duff | Staff Writer

“Dinner & Diatribes” — Hoizer 

“Gimme All Your Love” — Alabama Shakes 

“I Wanna Be Yours” — Arctic Monkeys 

“Freakin’ out on the Interstate” — Briston Maroney 

“Tennessee Whiskey” — Chris Stapleton 

“Out of My League”— Fitz and The Tantrums

“Gooey” — Glass Animals

“Light My Love” — Greta Van Fleet 

“Shut up My Moms Calling” — Hotel Ugly 

“Broken” — Lovelytheband

“For the First Time” — Mac DeMarco 

“Sweater Weather” — The Neighborhood 

“July” — Noah Cyrus & Leon Bridges 

“Something in the Orange” — Zach Bryan 

“Somebody Else” — The 1975 

“Shades of Cool” — Lana Del Rey 

“Chemical” — Post Malone 

“Cranes in the Sky” — Solange 

“Right Person, Wrong Time” — MMC

“Deja vu” — Olivia Rodrigo 

“Run” — Joji 

“The Less I Know The Better” — Tame Impala 

“Body Paint” — Arctic Monkeys 

“Wait a Minute” — Willow 




Contact the author at tduff23@mail.wou.edu

Western Oregon University

Facebook   Instagram   X  YouTube

WESTERN OREGON UNIVERSITY
345 Monmouth Ave. N.
Monmouth OR 97361

503-838-8000 | 1-877-877-1593

Tools

Campus Maps
Canvas
Find People
Portal
WOU Email
Technical Support

Resources

A-Z Index
Accessibility
Academic Calendar
Class Schedule
Jobs at WOU
News
Explore WOU
Partnerships
Student Services
Freedom of Expression

Western Oregon University’s Land Acknowledgement
Western Oregon University in Monmouth, OR is located within the traditional homelands of the Luckiamute Band of Kalapuya. Following the Willamette Valley Treaty of 1855 (Kalapuya etc. Treaty), Kalapuya people were forcibly removed to reservations in Western Oregon. Today, living descendants of these people are a part of the Confederated Tribes of Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians.

Accessibility    Public Records    Privacy    Student Consumer Information

WOU prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by WOU.