Mount Hood

“Preacher’s Daughter” review

February 26, 2025

Written by: Kiera Roedel | Copy Editor

Content warning: This article contains mentions of religious trauma, depression, suicide, murder, alcoholism, drug addiction, abusive relationships, domestic violence, police violence, child sexual abuse, prostitution, kidnapping and cannibalism.

Ethel Cain is the name of Hayden Anhedönia’s solo music project. Her music focuses around themes of depression, trauma, Americana and religion, and her voice and musical styling are not dissimilar to the work of Lana Del Rey from the late 2010s. Cain’s 2022 record “Preacher’s Daughter” is a partially autobiographical concept album. It tells the life story of a preacher’s daughter, including stories about her childhood in the American South, adulthood, death and afterlife. The raw emotion on display is accentuated by gaunt instrumentation and especially by Cain’s exquisite vocals, which can convey more pain than a motivational speech even when not using a single actual word. The lyrics evoke some cruel cross between true crime and Gothic horror, gray and dismal. 

“Family Tree (Intro)” — Cain discusses in no uncertain terms how her character — the preacher’s daughter — was doomed from the start by her heritage. She portrays the allegorical concept of a “family tree” as a literal tree, one from which Cain is “swinging by (her) neck,” and compares her own family to that of Christ. Throbbing percussion combined with Cain’s slurring vocals make this an engaging listen and a fantastic opening track.

“American Teenager” — It is here that the story of the preacher’s daughter begins. “American Teenager” is the album’s third single and its most radio-friendly song, with structured lyrics and some addictive synths. Cain discusses her character’s isolation in the rural American South, condemning the nationalistic, Christian, individualist culture that pulses through those environments. To cope, the preacher’s daughter turns to liquor and religion, the latter being something from which she tries and fails to escape throughout the record.

“A House in Nebraska” — Here the preacher’s daughter experiences one of her few content moments in life, describing her time spent loving a man who eventually abandons her. Seven minutes long, even this reminiscence is not soaked in joy; ambient-adjacent vocals, strong percussion and soulful guitar accentuate the melancholy. Cain describes a dirty mattress, bed sores, dirt roads — the epitome of “alone together.”

“Western Nights” — After being shunned by the man in the house in Nebraska, the preacher’s daughter turns to another lover, this one abusive and violent. Despite his faults, she describes her unbreaking love for and codependence on him. Cain sings like she just finished crying her eyes out, over thundering piano chords.

“Family Tree” — “Family Tree” is the only song on the album where the story felt obfuscated. Its lyrics describe a wedding, baptism and threats of violence, but apparently are intended to be about running from the police after the man from “Western Nights” is killed during an armed robbery. Plus, the song isn’t really related to the intro track that shares its name. The guitar solo, however, is sensational.

“Hard Times” — Over some subtle piano and drums, Cain describes the preacher’s daughter’s history of being sexually abused by her father — the preacher — when she was “too young / to notice / that some types of love could be bad.” The events described in the song are not directly autobiographical, but that doesn’t make them any less horrific. Absolutely devastating, and perfectly executed.

“Thoroughfare” —  “Thoroughfare” is a ten-minute epic about the preacher’s daughter running away from home, when she encounters a strange man named Isaiah who promises to take her to California in his truck. On the ensuing long road trip, she slowly falls in love with him, and he with her. However, later lyrics and some lore posted online by Cain indicate that Isaiah actually kidnapped the preacher’s daughter, rather than her going with him consensually. The song starts acoustically, complete with harmonica, but builds to an electric guitar solo before falling away once again, and it is stunning from start to finish.

“Gibson Girl” — Taking its name from a drawing that was once considered to depict the pinnacle of American beauty standards, “Gibson Girl” describes the preacher’s daughter’s work in California as a prostitute and her simultaneous development of a drug addiction. Isaiah encourages her the whole way through, saying “if it feels good / then it can’t be bad.” This was the album’s first single, and is well-deserving of it; I’m especially in love with the drums through the choruses and the outro.

“Ptolemaea” — A million words could describe this song — shoegaze, terror, demonic, chilling — but not even all one million would be enough to honor it. Beginning with an echoing masculine chant, Cain’s voice cuts in like that of an angel. She sings of her fear of Isaiah while he has a psychotic breakdown of some kind. The climax of the song, and really of the album, comes when Cain begins to repeat the word “stop” with building intensity, the final one a bloodcurdling shriek as Isaiah dismembers her. This isn’t one I would ever choose to listen to individually, but as the peak of “Preacher’s Daughter” it is transcendent.

“August Underground” — While “August Underground” lacks lyrics, Cain’s wordless vocals take a prominent role. If death itself had a soundtrack, this would be it.

“Televangelism” — Also an instrumental, “Televangelism” is much brighter and less terrifying than either of the preceding two songs. Predominantly piano, it depicts the preacher’s daughter’s ascent into heaven, and is beautiful to match.

“Sun Bleached Flies” — From heaven, Cain reflects on her life and its few bright spots. In a particularly powerful bridge, she describes what I interpret as meeting God, and she realizes that she misses being alive, especially the man in the house in Nebraska. With driven but digestible instrumentation, “Sun Bleached Flies” is nothing short of cathartic.

“Strangers” — The closer of “Preacher’s Daughter” is also its second single. “Strangers” shows the preacher’s daughter in heaven, watching Isaiah cannibalize her body, and wishing she never fell in love with him. The outro is the most touching thing here — the preacher’s daughter speaks directly to her mother over acoustic guitar, telling her she doesn’t blame her for what happened. Especially interesting is the fact that no woman characters had been previously mentioned except the preacher’s daughter herself. “Strangers” is an excellent closer, bringing together the highlights of the album’s musical style into a cohesive whole.

The strengths of “Preacher’s Daughter” rest primarily in the story it tells and the soundscape it creates — less like music and more like the listener is just floating around inside Cain’s head throughout the course of these events. This isn’t a flawless record, but in some ways that just makes it more perfect. Absolutely worth a listen.

Contact the author at howlcopyeditor@wou.edu

Black stories, timeless voices

February 26, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

The voices, stories and lives of Black creators are through these works, collected in honor of Black History Month.

Movies and Shows:

“One Night in Miami” — Regina King’s directorial debut, “One Night in Miami,” follows a fictionalized account of the Feb. 25, 1964 meeting of Malcolm X, Cassius Clay, Sam Cooke and Jim Brown. The four reflect on their place in society as prominent African American men during the Civil Rights movement, and the movie shows the tension among African American activists and figureheads leading up to Malcolm X’s assassination in 1965. “One Night in Miami” is free to stream on Amazon Prime and Tubi.

“Black-ish” — Running from 2014 to 2022 for eight seasons, “Black-ish” follows the Johnson family as they juggle personal, familial and sociopolitical issues, especially their wishes to stay true to their black identities while they live in a wealthy, suburban, white neighborhood. The show is available for purchase on Apple TV and Google Play.

“The Boondocks” — Part of the original lineup on Adult Swim, “The Boondocks” is an animated comedy series that follows the Freeman family as they settle into the fictional suburb of Woodcrest. Showcasing a mixture of cultures, social classes, lifestyles and racialized identities provides the show with its comedy and conflict throughout each episode. “The Boondocks” is streaming on Max and Adult Swim. 

“Poetic Justice” — This 1993 film follows Justice, a talented poet, as she road trips to Oakland with her friends in a mail truck. All four are struggling with the loss of different friends, and the film stands as a journey of discovery, rather than a commentary on society. The film is streaming on Apple TV. 

Books:

“Children of Blood and Bone” by Tomi Adeyemi — Inspired by Nigerian mythology, the first book in the “Legacy of Orïsha” trilogy follows Zélie, Tzain and Princess Amari as they set out to restore their people’s system of magic to Orïsha. While it is a young adult novel, it deals heavily with themes of oppression, racism and slavery, with the kosidán and maji — both fictitious social classes — standing in place of real-world institutions and groups. The book is also set to become a movie, starring Cynthia Erivo, Idris Elba and Amandla Stenberg, and directed by Gina Prince-Bythewood. 

“All We Were Promised” by Ashton Lattimore — Set in 1837 Philadelphia, “All We Were Promised” follows three black women — Charlotte, a fugitive slave; Nell, an abolitionist from a wealthy black family; and Evie, Charlotte’s friend from her time as a slave — as they navigate life and find freedom in Philadelphia during a time marked by race riots and attacks on abolitionists. “All We Were Promised” is currently a nominee for the 2024 Readers’ Favorite Debut Novel award from Goodreads. 

“Things Fall Apart” by Chinua Achebe — Considered one of the great novels about the colonial era, “Things Fall Apart” follows Okonkwo, a traditional leader of the fictional Igbo tribe of Umuofia. A feared warrior and wrestling champion, Okonkwo opposes colonialism and the early Christian missionaries, and the book follows him as he claws his way through the turbulent period. 

“It’s Elementary” by Elise Bryant — How far is too far when it comes to parents getting involved in their children’s lives? Bryant’s novel explores just that. Mavis has never been a PTA mom, not when she has too much on her plate, but she surprises herself when she caves to PTA president Trisha Holbrook’s wish for her to lead the school’s DEI committee. When the principal goes missing after Mavis sees Trisha wearing long yellow gloves and hauling cleaning supplies and black trash bags to her minivan, she’s determined to get to the bottom of things. With help from the school psychiatrist, Mavis launches an investigation that ends up challenging her views on parenting, friendship and elementary school politics. 

Music: 

“Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell — Gaye and Terrell’s duet is an uplifting, soulful anthem about unconditional love, devotion and support. The song talks about how no obstacle — mountain, valley or river — can keep people from being apart from the one they care about most. The song is a classic, uplifting the importance of commitment and the strength of human connection. 

“Hurry Up Tomorrow” by The Weeknd — The Weeknd’s newest studio album debuted Jan. 31 and wraps up the trilogy that includes his 2020 album “After Hours” and his 2022 album “Dawn FM.” With 22 songs spanning well over 90 minutes, it explores themes of fame, personal struggle and artistic transformation, with heavy R&B and synth-pop elements. The album currently sits at number one on the Billboard 200 Chart, where it’s been since its debut. 

“Exodus” by Bob Marley and the Wailers — One of the most influential and iconic reggae albums of our time, Marley recorded this 1977 album in London after surviving an assassination attempt while in Jamaica. Divided into two halves, “Exodus” focuses on political struggle, exile and social justice, while also delivering timeless, soulful songs about love and unity. In 1999, Time magazine named “Exodus” the best album of the 20th century, which solidified Marley’s legacy as both a musical and cultural icon.  

“Proud Mary” by Tina Turner — Originally performed by Creedence Clearwater Revival, Turner turned this song into one of her most iconic, adding her own signature to it. Lyrically, the song tells the story of leaving behind a mundane life to work on a Mississippi Riverboat and Turner’s version adds personal freedom and the joy of living life to the fullest. Blending soul and funk, Turner’s version of “Proud Mary” has become a timeless classic even more well-known than the original. 

Contact the author at howlentertainment@wou.edu

Swoon-worthy romances

February 12, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Chestnut Springs” series by Elsie Silver — A five-book romance series, Silver’s books follow the Eaton family in their small town of Chestnut Springs, British Columbia. Whether looking for a cowboy, hockey or single-dad romance, this series has it all. If one is looking for a steamy romance with plenty of swoon-worthy moments, this series is geared in the right direction. If one is looking for more cowboy romance, check out Silver’s other series, “Rose Hill” and “Gold Rush Ranch.”

“This is How You Lose the Time War” by Amar El-Mohtar and Max Gladstone — All it took was one correspondence for two agents on opposite sides of a war to form an unlikely bond. One correspondence turned to many, transforming from taunting to flirting, then love. “This is How You Lose the Time War” is a sapphic novel that explores what it means to be soldiers on opposite sides of a war, and what will happen when that love brings them to choose each other over their empires. If one is looking for more sapphic romance, check out “The Priory of the Orange Tree” by Samantha Shannon. 

“Pride and Prejudice” by Jane Austen — A classic enemies-to-lovers story, Austen’s novel has been remade into different screen adaptations that leave readers and viewers wishing they were Elizabeth Bennet. Travel back in time to the Regency Era, where balls and stolen glances across the room were all the rage, and heroines would swoon into a hero’s arms at a moment’s notice. If one is looking for more regency romance with dark-haired love interests, also check out the “Bridgerton” book series by Julia Quinn. 

“Better Than the Movies” by Lynn Painter — A teen rom-com about rom-coms, “Better Than the Movies” is a young adult novel that will leave readers blushing. A constant daydreamer, Liz Buxbaum fell for Michael a long time ago, and now that he’s back in town, she will stop at nothing to get him to notice her. With the help of her next-door neighbor, Wes, she’s convinced Michael will notice her in time to ask her to prom, but Liz finds herself drawn more and more to Wes and their scheming goes on. Its sequel “Nothing Like the Movies” was recently released, continuing Liz and Wes’ story. 

“Outlander” series by Diana Gabaldon — A romance series set in the Highlands, British nurse Claire Randall is transported to 18th century Scotland, where she meets and falls in love with warrior Jamie Fraser. With nine of the ten planned books published and a series streaming on Apple TV, there is sure to be plenty of Jamie Fraser to go around. For more Scottish highlands romance, also check out “Rebellion” by Nora Roberts. 

Contact the author at howlentertainment@wou.edu

Valentine’s Day playlist

February 12, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Belong Together” — Mark Ambor

“Stargazing (Moonlight Version)” — Myles Smith

“My Universe” — Coldplay x BTS

“So High School” — Taylor Swift

“Anyone Else But You” — The Moldy Peaches

“Am I Okay?” — Megan Moroney

“Today Was A Fairytale (Taylor’s Version)” — Taylor Swift

“The Girl” — City and Colour

“Ends of the Earth” — Lord Huron

“Do I Wanna Know?” — Hozier

“Love & War in Your Twenties” — Jordy Searcy

“All I Want Is You” — Barry Louis Polisar

“The Mountain Song” — Tophouse

“Sun to Me” — Zac Bryan

“Forever” — Noah Kahan

“You Are In Love (Taylor’s Version) “ — Taylor Swift

“We Fell in Love in October” — girl in red

“Go There” — Trousdale

“Your Love (Deja Vu)” – Glass Animals

“Hot Tea” — Half-Alive

“The Howl” staff picks

February 5, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

Looking for a new show to binge or a new artist to fill the homework hours? The staff of “The Western Howl” has all avenues covered — and then some. 

Shows and movies:

“Attack on Titan” — Sophie Taylor, designer

One of the highest-rated animes of all time, Taylor’s choice of “Attack on Titan” is a show that “is breathtaking and was crafted to perfection. Twists and turns that no one sees coming will leave you jaw-dropped, looking at your own reflection on the black screen.” 

The show follows protagonist Eren Yeager as he joins the elite Survey Corps and faces off against Titans — gigantic, humanoid creatures that feed on humans — and is currently streaming on Apple TV+ and Crunchyroll.

“River Monsters” — Sophia Pierce, designer

“After 9 seasons, the show has sadly been discontinued since Jeremy Wade, the show’s star, has caught essentially all our waters have to offer,” Pierce said. 

Following Jeremy Wade as searches for exotic fishes, both big and small, the show goes across the globe and explores the cultures and stories of the people who have seen these creatures. 

“When a Stranger Calls” — Quincy Bentley, sports editor

Bentley’s love for horror shows in his pick, calling it a horror movie without the gore. “Though it was made in 1979, the suspense remains timeless. The utter intensity of the film kept me on the edge of my seat for the full 97 minutes,” he said. “(It’s) definitely worth the watch.”

The film follows high school student Jill Johnson who is terrorized by a killer during an evening of babysitting. She receives repeated calls asking her, “Have you checked the children lately?”

Books:

“Jurassic Park” by Michael Criton — Isabelle Jones, lifestyle editor

Jones is a self-professed lover of all things “Jurassic Park,” and her pick had her captivated by the relationship between man and dinosaurs — and its destructive nature. “For those waiting for Jurassic World Rebirth, take some time and learn about the origins of the franchise in this vicious adventure,” she said. 

The first in a duology, “Jurassic Park” explores the concept of cloning dinosaur DNA and its consequences. Much of the plot is similar to the movie, though of course creative liberties were taken during its filming. 

“The Invisible Life of Addie LaRue” by V.E. Schwab — Hannah Field, editor-in-chief

“My favorite book of all time. Addie LaRue is cursed to live forever and be known by nobody — until somebody remembers her and, against all odds, they vow to rewrite their past and future as one. V.E. Schwab writes with magnetic prose in this standalone novel, capturing the human experience in such a captivating story,” Field says. 

“The Book Thief” by Markus Zusak — Addie Floyd, head designer

Perhaps one of the greatest books of our time, Floyd’s choice is one that she says broke her heart to pieces. “(It’s) definitely a life-changing book. I finished this book when I was in class my senior year of high school,” she says. “Worst idea ever. I should have known better. After all, it is narrated by death.”

Music:

“Preacher’s Daughter” by Ethel Cain — Ruth Simonsen, digital media manager

At Terry House, there’s one rule: in Ruth’s music we trust, and her choice of Ethel Cain’s album is the best example of why this is. “This album strikes home for anyone with religious trauma, as it follows the daughter of a preacher through her life, brutal death and afterlife,” she says. “Listen to this album during the quiet hours of the evening, preferably with a candle burning and noise-canceling headphones.”

“the sugar machine” by slenderbodies — Kiera Roedel, copy editor

Aside from being our copy editor, Roedel is also phenomenal at writing deep-dive album reviews, so this is familiar territory for her. 

“A falsetto-laden dream-pop record about yearning for days gone by and wishing for love and tranquility. Soft guitars, synthesizers and unusual percussion lines make it a peaceful yet engaging listen,” she says. “It doesn’t hurt that almost every song has an earworm chorus.”

“Imaginary Appalachia” by Colter Wall — Jaylin Emond-Hardin, entertainment editor

My personal pick, Wall’s debut album is reminiscent of the days of Johnny Cash, Willie Nelson and Loretta Lynn. With soulful lyrics that dredge up images of the American South, this album is sure to make one yearn for the days of open ranges, cowboys and whiskey so strong it would knock the fuzz off a peach. 

Podcasts:

“The Magnus Archives” — Sadie Latimer, news editor

A horror anthology podcast, “The Magnus Archives” progresses as Jonathan Sims archives a collection of statements dealing with the paranormal. Each episode varies between 20 and 40 minutes and is sure to keep listeners riveted. 

“This podcast is long, but so worth it. Throughout the 200 episodes, it delves into the supernatural world and what it really means to be human,” Latimer says. 

“Old Gods of Appalachia” — Jaylin Emond-Hardin, entertainment editor

Another horror anthology podcast, “Old Gods of Appalachia” narrates the sordid and violent events surrounding the town of Barlo, Kentucky and its paranormal origins. 

With a backing soundtrack that throws listeners into the moment, this is a podcast that is truly terrifying. 

“Ologies” — Ruth Simonsen, digital media manager

This podcast is filled with interviews from experts in basically every field — “If it has an ‘-ology,’ it has an episode,” Simonsen says. 

With more than 130 episodes, the podcast explores the truly wild and niche fields, including basket weaving, called canistrumology. 

Contact the author at howlentertainment@wou.edu

“Onyx Storm” review

February 5, 2025

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Onyx Storm” was perhaps the most anticipated book of 2025, an accomplishment it certainly lives up to. The third installment of Rebecca Yarros’ “Empyrean” series, “Onyx Storm” continues where its older sister “Iron Flame” left off. 

The series follows Cadet Violet Sorrengail during her time at Basgiath War College, but as the series progresses, the stakes only increase and become more sordid. 

This book was a roller coaster of emotions, leaving me speechless from cover to cover and in tears by the end. The characters that Yarros fleshed out so lovingly in “Fourth Wing” and “Iron Flame” get so much more depth in this third book, and many side characters take the forefront of the plot. I beg: especially pay attention to Ridoc and Aotrom and, now beloved by the fandom, “Broccoli the Cat.”

In its first week alone, “Onyx Storm” sits at the top of not one, but two “New York Times” bestsellers lists — Combined Print and E-Book and Print Hardcover — with “Fourth Wing” and “Iron Flame” holding numbers two and three on these lists. 

Copies of this book have flown off the shelf, with the Target exclusive edition selling out within hours of the book’s release and remaining sold out for the time being. This edition featured a colored map of The Continent — where most of the story takes place — in its endpapers, full-color art and a pre-attached black ribbon bookmark. Copies of this edition are currently being sold for $100 or more on eBay.

With the cliffhanger ending readers are left, anticipation for the fourth installment is already high. However, Yarros herself has stated that she has not started working on it, nor is likely to until 2026. As a disabled author — like her series’ protagonist, Yarros has Ehlers-Danlos syndrome — the grind of meeting the deadline while also trying to be a mother of six proved rather difficult for her health, and as such, she is taking a much-needed break. 

Until then, fans can only scour their copies for any clues and speculate what will happen next.

10/10.

Contact the author at howlentertainment@wou.edu

Translated media wave

Written by: Jaylin Emond-Hardin | Entertainment Editor

“The amount of time you spent together probably matters, but less time doesn’t mean less love. Whether it’s a day or year, human or cat, and even if we may never see them again, there are those who are irreplaceable in our lives.”

All it took was for me to see one quote from Syou Ishida’s book, “We’ll Prescribe You a Cat,” on Instagram — and I was hooked. 

The novel, translated from Japanese by E. Madison Shimoda, explores the concept of prescribing a cat as medication for those who find the mysterious Nakagyō Kokoro Clinic for the Soul. Often puzzled by this strange prescription, patients “take” their cat for the prescribed amount of time and find monumental changes in their lives. 

After falling in love with “We’ll Prescribe You a Cat,” I quickly searched for more translated works by Japanese authors, and found “Days at the Morisaki Bookshop” by Satoshi Yagisawa and “Before the Coffee Gets Cold” by Toshikazu Kawaguchi at The Book Bin in Salem. With similar life-changing premises as “We’ll Prescribe You a Cat,” it made me wonder why these novels were becoming so popular in the US. After all, until recently, I had never seen any books translated into English from another language in stores unless they were manga. 

“In Japanese fiction, readers are finding comforting stories about ordinary lives transformed by small adjustments of attitude, suggesting positive change is something we can all reach if we are open to it,” said Jane Lawson, deputy publisher at Doubleday Publishing, suggesting that readers are finding what may not be in English literature in its Japanese counterpart.

This then led me to Korean Dramas, or K-Dramas, subbed and dubbed anime, movies and shows. Slice-of-life plots and heroes with super abilities were the majority of what I found, but they all had one similar theme: a life-changing experience for the better. 

The popularity of Japanese literature, K-dramas and other media from these regions is part of the “Hallyu,” or Korean Wave, that started in the 1990s and gained momentum in the 2000s. Who could forget Psy’s hit song “Gangnam Style,” which rocked 2012?

As these books continue to hit shelves and gain popularity, I would recommend them wholeheartedly. It wasn’t until I read “We’ll Prescribe You a Cat” that I realized how close to home Ishida’s words had hit and how my own cat has helped me immensely in the last few months, even as he bites my hands while I type this. 

Contact the author at howlentertainment@wou.edu

Fantasy heroine training

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Trouble” — Valeroie Broussard

“To Ashes and Blood” — Woodkid

“Le Monde” — Richard Carter

“Little Girl Gone” — CHINCHILLA

“Mermaids” — Florence + the Machine

“LABOUR (the cacophony)” — Paris Paloma

“Me and the Devil” — Soap&Skin

“It Will Come Back” — Hozier

“Power” — Kayne West

“Black Sheep” — Metric feat. Brie Larson

“the fruits” — Paris Paloma

“Venom” — Eminem

“ZITTI E BUONI” — Måneskin

“SHUM” — Go_A

“Supermassive Black Hole” — Muse

“Control” — Halsey

“bury a friend” — Billie Eilish

“Blood // Water” — grandson

“Play with Fire” — Sam Tinnesz feat. Yacht Money

“All for Us” — Labrinth & Zendaya

Contact the author at howlentertainment@wou.edu

Zendaya and Tom Holland

Written by: Sadie Latimer | News Editor

Hollywood’s “it couple” made a big announcement at the Golden Globes, without even saying a word. Zendaya — an actress known for her roles in “Euphoria,” “Dune” and as MJ in the Spider-Man franchise — casually flaunted her engagement ring while attending the Golden Globes. 

Zendaya and Tom Holland — best known for his role as Spider-Man — confirmed their romantic relationship in 2021. The couple has been private about their relationship, however, what they do choose to share to their fans is nothing short of captivating. 

In September 2021, Holland wished Zendaya a happy birthday by posting a picture of the couple on Instagram captioned “My MJ, have the happiest of birthdays. Gimme a call when your [sic] up xxx.”

Then, in December 2021, Zendaya posted on her Instagram two photos of Holland dressed as Spider-Man, but at different ages. She captioned the post, “My Spider-Man, I’m so proud of you, some things never change and good thing.”

Over three years later, Zendaya showed off her diamond ring at the 2025 Golden Globes. Although the couple hadn’t confirmed the news themselves, they are nothing if not intentional with their publicity. 

In a September 2023 interview with Elle magazine, Zendaya said, “Parts of my life, I accept, are going to be public. I can’t not be a person and live my life and love the person I love. But also, I do have control over what I choose to share. It’s about protecting the peace and letting things be your own but also not being afraid to exist. You can’t hide. That’s not fun, either. I am navigating it more than ever now.”

Before Holland’s post in September 2021, paparazzi were able to sneak a picture of the couple in a car, kissing at a red light. Soon after, the photos were plastered over the internet, and neither Holland nor Zendaya had a say in how or when their relationship was publicized. 

In November 2021, Holland was interviewed by GQ magazine and opened up about his lack of privacy.

“One of the downsides of our fame is that privacy isn’t really in our control anymore, and a moment that you think is between two people that love each other very much is now a moment that is shared with the entire world,” said Holland.

Now, Zendaya and Holland are sure to announce their life updates on their own terms when they want the public to know. It wouldn’t be surprising if the next thing we see from them is wedding pictures.

Contact the author at howlnews@mail.wou.edu

The living undead

Written by: Jaylin Emond-Hardin | Entertainment Editor

Bloodsucker, a creature of the night, the living undead. For centuries, vampires have been known by many names and guises.

With Robert Eggers’ “Nosferatu” in theaters, the vampire craze that followed “Twilight” is reoccurring, but this time the obsession isn’t with vampires that are sexy and glitter in the sunlight — it’s with vampires that represent sickness and malaise.

Since the Bronze Age, people have feared that the dead could return and harm the living. Stories of creatures — called vrykolakas, empusas and lamias — that attacked people in their sleep and drained them of their bodily fluids were popular in ancient Greece, and especially so in more rural areas.

These tales flourished further in medieval Europe during times of plague and disease. With a lack of knowledge of infectious diseases came the belief that those turned into vampires would prey upon their family first. 

Of course, modern research and medicine have found that the characteristics of vampires during these times can be traced back to specific diseases like porphyria, tuberculosis, pellagra and rabies.

The word vampire itself comes from Eastern Europe, where these myths were the most popular and likely originated in the first place. Digging up the bodies of those suspected to be vampires was culturally practiced in Eastern Europe, and it was the natural signs of decay — receding gum lines and the appearance of growing nails and hair — that led many to believe that the dead were continuing to live. 

Another lead-up to this belief was incorrect pronouncements of being deceased. Drunk people, the very ill and even people in a coma or a state of shock were pronounced dead, only for them to miraculously recover and come back to life. This led to stakes being driven into corpses’ hearts before burial, now known in vampire pop culture as a way to kill them.

Modern vampire tales stem from the Gothic literature of the 18th and 19th centuries. The most well-known of these is Bram Stoker’s “Dracula,” and is where the most well-known supernatural abilities of the vampire come from. For his undead creature, Stoker took influence from Vlad III Dracula of Transylvania, more commonly known as Vlad the Impaler, and Countess Elizabeth Bathory. Both real-world figures were known for bloody histories of torture and murder. 

The film “Nosferatu” then followed in 1922, but Stoker’s widow sued for copyright infringement because of how similar it was to the original novel. However, in the decades that followed, vampire fiction showed the influence of “Dracula.”

The early 20th century continued with this violent, deadly portrayal of vampires, the most notable work that came out of this period being the 1958 movie “Horror of Dracula” with actor Christopher Lee in the titular role. 

It was in this period that vampires began to take on a more sympathetic role. Anne Rice portrayed vampires as brooding and self-loathing in her book “Interview with the Vampire,” where the protagonist, Louis, often grapples with the morality of feeding from humans. Gone were the animalistic qualities of the undead creatures — now, they were closer to humans, or as close as they could get with their humanity stripped away, almost becoming creatures to pity. 

This portrayal of vampires continued into the 90s, with the creature becoming romantic. “Buffy the Vampire Slayer” featured a star-crossed romance between Buffy and vampire Angel. Angel eventually got a spin-off, which was named after him.

“Interview with the Vampire” also returned to the forefront in the ‘90s when its movie adaptation was released, starring Brad Pitt, Tom Cruise and Kirsten Dunst. The movie grossed over $223 million in its opening weekend alone. 

The turn of the century saw vampires being marketed towards teenagers. “The Vampire Diaries” and the “Twilight” saga put the supernatural beings into high school, where they tangled with love triangles, saving the world and blending in as a “normal” teenager. The two series were eventually developed for the screen and are still extremely popular, with an average of 45,000 “Twilight” fans making the pilgrimage to Forks, Washington annually.

Vampires as action heroes were also extremely popular in the 2000s, with characters such as Blade from the “Blade” trilogy and Selene from the “Underworld” series thrust into roles of heroics. These stories portrayed vampires as hunters, tracking down and killing depraved vampires and werewolves. They also dove into nuances of rivalries and social class, giving much more life to the creatures.

After the success of “Twilight,” vampires began to die off in popular culture in favor of superheroes and dystopian heroes, though there has been a smattering of vampire-related media. In 2017, the anime “Castlevania” was released, based on the 1989 video game of the same name. The series was popular on Netflix until its end in 2021 and the anime has now been moved to Apple TV, where users must buy it to watch.

2020 saw the release of “From Blood and Ash,” the first book in Jennifer L. Armentrout’s “Blood and Ash” series. Currently, “From Blood and Ash” sits as the second most popular romantasy book, though only popular in that circle of readers.

With the newest “Nosferatu” movie taking cinemas by storm, it makes sense that vampires are once again trending in social spaces. Gothic circles are especially the most excited, as the movie’s aesthetics focus heavily on that time period. 

A remake of the original, the film follows Ellen and Thomas Hutter, played by Lily Rose-Depp and Nicholas Hoult, and their entanglement with Nosferatu, played by Bill Skarsgard.

The plot is unchanged from the 1922 version, though Eggers emphasizes sensuality and sexuality, with Ellen understanding the role sexuality takes in defeating Nosferatu. 

The film grossed almost $41 million during the Christmas holiday and earned another $20 million the weekend after, beating out “The Lion King: Mufasa,” which had been released five days before. 

Only time will tell if the popularity of “Nosferatu” will continue to push vampires into the forefront of media once again, or if it will die out once the craze has stopped.

Contact the author at howlentertainment@wou.edu

alt-J’s “The Dream” album review

Written by: Kiera Roedel | Copy Editor

Content warning: this article contains references to murder, domestic violence, drugs and addiction.

The death of the American Dream seems a strange subject to tackle for British indie rock trio alt-J, but that is exactly what they did with their fourth studio album, “The Dream.” Released Feb. 15, 2022, the album contains 11 songs, each a short vignette of somebody’s life in modern-day America. The band’s trippy songwriting, with spare, occasionally nonsensical lyrics and stunning guitar work, does a great job of telling these stories in an emotionally impactful and musically satisfying way, exuding the sensation of wandering through the quiet streets of a dying city, where sickly green weeds peek up from cracks in the sidewalk.

“Bane” — The first sound in the first song on this album is the snap-pop of someone opening a soda can, which kind of gives one an idea of what they’re in for here. “Bane” tells the story of a teenager who is so addicted to cola that they dream about a swimming pool full of it. Using plenty of choral vocals and guitar, and a quote from Jesus’ crucifixion — “My God, my God / Why hast thou forsaken me?” — this is an absolutely incredible opening track. 

“U&ME” — If somebody asked about my favorite song of all time, this would be a serious contender. It is one of the most radio-friendly on the record, it’s much more firmly structured and layered musically than most of the other songs, and more positive lyrically. It was also the album’s first single. Its subject is someone spending a summer day high on psychedelics with their partner at a music festival, upon which the singer concludes, “I could hold on to the memory of that day for the rest of my life.” It’s a simple pleasure in a complicated world.

“Hard Drive Gold” — “Hard Drive Gold” is sung from the perspective of a self-important 15-year-old boy who becomes a millionaire by trading cryptocurrency. One of the shortest songs here, it has a catchy chorus and excellent percussion. Fittingly, the music video is about a nuclear attack on the United Kingdom. Neither a critique nor an endorsement, the band stated, “How ironically you interpret [the track’s] message is entirely up to you.” It was a perfect choice as the album’s third single and an overall very solid song.

“Happier When You’re Gone” — Following two radio-friendly songs, “Happier When You’re Gone” is a ballad that swells and shrinks multiple times; its subject is a disgraced lover who kills their partner in a fit of jealous anger. The pre-chorus is ominous, saying, “The smell of burning cattle / hangs on the westerly / sweeping up through the ferns,” which I honestly cannot begin to try to interpret. It’s an okay fourth track.

“The Actor” — Musically, “The Actor” picks up right where “U&ME” left off, which I definitely appreciate. It’s about a theoretical aspiring actor who can’t get a big break and ends up selling cocaine to Hollywood stars. It’s the album’s fourth single and easily one of its best tracks.

“Get Better” — A strange choice for the record’s second single considering how slow and long it is — almost six minutes. It’s also seriously heart-wrenching, its subject being a beleaguered lover whose partner is slowly dying in the hospital. Its lyrics give an idea of what their life together was like, and it’s so sad it sometimes makes me hesitate to listen to “The Dream” start to finish. It’s a bit disingenuous to call the song skippable for that reason, though, it really is great, it’s just not for casually listening to.

“Chicago” — Starting off slow and acoustic, “Chicago” soon shifts to a biting techno track inspired by the music genre it shares a name with, Chicago house. Its lyrics are about a sibling pair hiking in the hills above a town until one of them falls to their death. Blunt and substantial, alt-J pulls off this new musical territory perfectly.

“Philadelphia” — The second song on “The Dream” to take its name from an American city, I can’t help but wonder why the band chose Chicago and Philadelphia specifically. Regardless, “Philadelphia” is told from the perspective of a recent murder victim who hasn’t died yet, wondering how they got there as they bleed to death in the street. The band describes death as “… losing my ability to fathom / Awake and not awake,” which I find fittingly poignant.

“Walk a Mile” — The embodiment of the slow, skippable intro stereotype, when one digs into it, “Walk a Mile” is a fantastic song. “Lyrically simple but melodically diverse,” lead singer Joe Newman said about it. Yet another track about death, it touches on alt-J’s frequent topic of domestic violence and references one partner drowning the other. Musically it’s slow but full-bodied and incredibly satisfying. 

“Delta” — Less than a minute long, “Delta” is an interlude with simple lyrics and no instruments. Perhaps its most interesting feature relates to its title — alt-J is actually the band’s nickname, its rarely-used actual name being Δ, the Greek letter delta. The nickname comes from the Mac keyboard shortcut to type a delta. Clearly, then, this song is important to the band, but I don’t really see it.

“Losing My Mind” — “Losing My Mind” calls back to the musical style of “Happier When You’re Gone” and “Walk a Mile,” though it is faster and more percussion-intensive than either of them. It tells the story of the victim of a serial killer who targets children. Its music builds without a release, which makes the music as strangely uncomfortable as the lyrics. In this case it works in the song’s favor.

“Powders” — Rife with spoken words, including a skit in the middle recorded by drummer Thom Sonny Green and his girlfriend, “Powders” ends “The Dream” on a strangely positive note. With quiet piano and a three-word chorus, it tells of a schoolboy who falls in love with his cashier while buying cologne. It makes the listener wonder what alt-J’s intent really was with this album, with so many stories about murder and dying capped off by one of love.

With its dark and brooding look at Americana and the human condition, “The Dream” definitely requires a degree of emotional commitment. But when one sinks their teeth into it, they find a sensational album filled with experimental songs, amazing instrumentals and lyrics about everything from soda to the murder of children. Turn up your speakers for this one.

10/10.

Contact the author at howlcopyeditor@wou.edu

Bright songs for cloudy days

Written by: Sadie Latimer | News Editor

“Ventura Highway” — America

“Hurricane (Johnnie’s Theme)” — Lord Huron

“Nellie” — Dr. Dog

“Mamma Mia” — ABBA

“First Time” — Hozier

“French Navy” — Camera Obscura

“Only In Your Heart” — America

“Waterloo (English Version)” — ABBA

“Jackie and Wilson” — Hozier

“Where’d All the Time Go?” — Dr. Dog

“Out of My Mind” — Trousdale

“Kids” — Current Joys

“To Noise Making” — Hozier

“Fool for Love” — Lord Huron

“Here You Come Again” — Dolly Parton

“Saturn Nights” — America

Contact the author at howlnews@mail.wou.edu

Limitless frontiers

Written by: Jaylin Emond-Hardin | Entertainment Editor

Tracing its origins back to Mary Shelley’s 1817 novel “Frankenstein,” science fiction has always blurred the lines between myth and fact. With the space race in the 1950s, the genre blossomed further into what it is today. Telling stories of unknown worlds and larger-than-life creatures, sci-fi brings to life mankind’s “what ifs.” 

With more than 30 subcultures, it can be daunting to explore sci-fi, especially when diving into the genre for the first time. In this list, one will find movies, shows and books to begin or continue a journey into the world of science fiction. 

Classic Sci-fi — Foundational works that shape the genre. It oftentimes serves as a lens for mankind to look through and focuses on questions like, “What does it mean to be human?” and “How do we adapt to changing technology?”

“The War of the Worlds” — Whether the original H.G. Wells publication, the Orson Welles radio broadcast or any number of its film adaptations, “The War of the Worlds” is as classic as one can get. Following an unnamed protagonist, the story is written as a firsthand account of a Martian invasion devastating Earth. When Welles read the book on a radio broadcast in 1938, his reading was so realistic that it caused panic among listeners. Most of the movie adaptations have low fan ratings, so the novel or the radio broadcast is recommended. 

“Planet of the Apes” — Originally published in January of 1963, the French novel was released under the title “La Planete des Singes” and was written in the style of a translated manuscript. A movie adaptation was released in 1968, and the movie franchise now spans ten movies. The most recent four are considered to be reboots, but tell the story of the events leading up to apes becoming the dominant species. “Kingdom of the Planet of the Apes” follows a similar storyline to the original novel, but still takes its own spin on the retelling. 

Sci-fi Horror — This subgenre takes the basic elements of science fiction, but twists them with suspense, fear and utter dread. Often revolving around uncharted territories, alien life or hostile technologies, it thrives on the tension between discovery and terror and reminds mankind of our hubris.

“Alien: Romulus” — The newest in the “Alien” franchise, “Alien: Romulus” is set between the events of the first two films. A group of space colonists, led by Rain Carradine, seek to escape from the oppressive Weyland-Yutani Corporation. To do so, they must scavenge parts from an abandoned science station split into two parts — Romulus and Remus. What the group finds, however, is much more terrifying and deadly. 

“Paradise-1” by David Wellington — When communications with Earth’s first deep space colony go silent, Alexandra Petrova is sent with doctor Zhang Li, pilot Sam Parker and ship robot Rapscallion to make contact and figure out why communications have shut down. When their ship’s AI, Acteon, becomes corrupted, they soon find out that things are much more sinister and complicated than they had realized. Facing off against infected AI systems, cannibals and contagious, deadly delusions, this strange crew is pitted against forces alien even to Zhang, the only survivor of a similar outbreak at another colony. 

Kaiju — The term “Kaiju” comes from Japanese, meaning “strange beast,” with the genre originating in Japanese cinema and gaining popularity globally. It is characterized by giant monsters, with a focus on the human vs. nature conflict as humanity attempts to confront these creatures. 

“Godzilla” — The most current “Godzilla” reboot, this film kicks off Legendary Studio’s “MonsterVerse.” Following US Naval Officer Ford Brody as he learns the US government has been hiding the existence of Godzilla and other unidentified monsters, known as MUTOs. The film is filled with elements commonly seen in most “Godzilla” movies, while also breathing its own life into the start of a franchise. Its sequel, “Godzilla: King of the Monsters,” sees Godzilla facing off against his archenemy, King Ghidorah, a three-headed, winged monster.

“Pacific Rim” — When Kaiju begin to emerge from an interdimensional portal at the bottom of the Pacific Ocean, humanity builds giant mecha suits, known as Jaeger, to combat them. Twelve years later, the program begins to lose funding, and in a last-ditch effort, washed-up Jaeger pilot Raleigh Becket is pulled from retirement to pilot one of the last four mecha suits. 

Space Opera — Often overlapping with classic sci-fi, these are sweeping narratives that emphasize the human experience amidst the vastness of space. The stories span galaxies and feature epic battles, galactic politics and moral dilemmas.

“Star Wars” universe — When sci-fi is mentioned, most people think of any one of the shows, movies or video games in the “Star Wars” universe. Spanning across three generations, the main film series follows the Skywalker family and their place within the galaxy. With other series, books, video games and even comic series following other storylines within the galaxy, there is no shortage of content to explore within this universe. 

“Ender’s Game” — Whether the 1985 novel by Orson Scott Card or the 2013 movie starring Asa Butterfield, Harrison Ford and Hailee Steinfeld, “Ender’s Game” is part space opera and part military fiction. To prepare for a third alien invasion, Earth’s international military force begins recruiting and training children to become elite officers, including protagonist Ender. Both the novel and the movie follow Ender during his time at Battle and Command School, and the themes of colonization, genocide and the exploitation of children make the book and movie much deeper than meets the eye.   

Military Sci-fi — Warfare is the focus of this subgenre, especially the experiences of soldiers in futuristic or extraterrestrial settings. The basics of sci-fi are blended seamlessly into the aspects of military life and often focus on themes of duty, loyalty and morality of war.

“Halo” universe — “Halo” has evolved a lot since it started as a video game back in 2001. Since its release, the popular franchise has evolved into 12 games, 35 books, five movies and a series streaming exclusively on Paramount+. Each different format has its own timeline within the universe, with the video game series being the pure, canonical timeline. All iterations follow Spartan John-117, known as Master Chief, a genetically superior soldier who serves the United Nations Space Command in their fight against the Covenant — a military alliance of various alien species, united under one religious worship. 

“Warhammer 40K” — Originally a miniature tabletop game, “Warhammer 40K” has long since evolved into a franchise of video games, novels and an in-the-works TV show with Henry Cavill set to produce and star in it. Combining sci-fi and fantasy elements, “Warhammer 40K” pits humanity against hostile alien races and occult forces. Space Marines are typically at the center of the universe’s media and are favored by most tabletop players. Creator Rick Priestly cites J.R.R. Tolkien, H.P. Lovecraft, “Dune,” “Paradise Lost” and “2000 AD” as major influences for the universe. 

Contact the author at howlentertainment@wou.edu

Intro to K-POP

Written by: Ruth Simonsen | Digital Media Manager

“XO (Only If You Say Yes)” — ENHYPEN

“DNA” — BTS

“Cosmic” — Red Velvet

“WORK” — ATEEZ

“Magnetic” — ILLIT

“New Jeans” — NewJeans

“STEREOTYPE” — STAYC

“BANG BANG BANG” — BIGBANG

“Fact Check” — NCT 127

“CRAZY” — LE SSERAFIM

“Monster” — EXO

“God’s Menu” — Stray Kids

“Spell” — SEVENTEEN

“Supernova” — aespa

“I Need U” — BTS

“Killin’ It” — P1Harmony

“As If It’s Your Last” — BLACKPINK

“Strategy” — TWICE

“Deja Vu” — TOMORROW X TOGETHER

“INCEPTION” — ATEEZ

“Into the New World” — Girls’ Generation

“Fatal Trouble” — ENHYPEN

“Dimple” — BTS

“Crazy Form” — ATEEZ

“MAESTRO” — SEVENTEEN

“Rainism” — Rain

“Falling Up” — Stray Kids

“My Heaven” — BIGBANG

Contact the author at howldigitalmediamanager@wou.edu

Book buying alternatives

Written by: Jaylin Emond-Hardin | Entertainment Editor

We can all admit it — Barnes and Noble is a pretty great store, and buying books from Amazon is more than convenient. While there is nothing wrong with buying from these sources, more and more people have begun to search for much more ethical ways to purchase books. Often, major booksellers promote overconsumption or support authors, viewpoints and movements that do not align with the book buyer’s ideology. That being said, here are three of the best alternatives.

Libraries/Libby — This is perhaps the best alternative, as it doesn’t require any money to sign up for and use, instead just a valid form of identification and proof of address. By signing up for a library card, one immediately receives access to all titles within the library system. For example, the Chemeketa Cooperative Regional Library Service serves Polk, Yamhill and Marion Counties. Library cardholders receive access to 18 libraries across each county, which include Monmouth, Independence and Dallas libraries. Western students aren’t even required to show proof of address, they just need to indicate that they are college students by showing their Western ID or proof of enrollment. With the library card comes access to Libby, an online library with audio and e-books. The only drawback to these services is the often long waitlist for books, though the zero cost might make the wait worth it. 

Secondhand and indie bookstores — Secondhand and indie bookstores are another great alternative, especially if one prefers to own whichever book one is reading. Secondhand bookstores typically use a buy, sell, trade method to get the books they sell, where they buy books from people looking to sell or they trade books of the same value — most stores have a staff member dedicated to this method. When these places do sell new books, they are often purchased from the publisher, so it is a much more ethical approach to buying new books. Indie bookstores operate similarly and run independently. Both kinds of stores often feature independent authors as well, often spotlighting local authors. 

Other online bookstores — If online bookstores are what one is looking for, then there are plenty of alternatives to shopping on Amazon. Websites like thriftbooks.com, bookshop.org and libro.fm are some of the most popular and do not just sell thrifted and independent books, but also support local bookstores and literacy programs across the country. On these sites, customers can purchase books and audiobooks, while also selecting which partnered bookstore they wish to support. The books will come through the mail and the bookstores will still be supported.

Contact the author at howlentertainment@wou.edu

“War of the Rohirrim” review

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers

When “The Lord of the Rings: The War of the Rohirrim” debuted, it had been a decade since Middle Earth had been seen on silver screens — “The Hobbit: The Battle of the Five Armies” was still running in theaters.

“The War of the Rohirrim” is set 183 years before the events of “The Lord of the Rings.” It follows Héra, voiced by Gaia Wise, as she and her father, the legendary Helm Hammerhand, defend their people from Wulf, a ruthless Dunlending lord, voiced by Luke Pasqualino. The film is narrated by Miranda Otto, who played Éowyn in the original trilogy.

When Helm kills Wulf’s father in a brawl and exiles Wulf, the man swears revenge against the people of Rohan, especially those who live in the village of Edoras. He kidnaps Héra, and she learns of his plan to lay siege to Edoras, eventually escaping to tell her father and brothers. The Rohirrim prepare for all-out war but must flee to the Hornburg when they are betrayed by one of their own. 

There, the Dunlendlings continue to lay siege upon the Hornburg, with Helm Hammerhand dying in defense of the keep. Now the last of her house, it is up to Héra to lead her people to victory against Wulf and the Dunlendings. 

The film is a vibrant return to Middle Earth, as well as a return to animated films in the Middle Earth cinematic universe — “The Hobbit” and “The Lord of the Rings” movies of the late seventies were both animated.

Directed by Kenji Kamiyama, the film blends detailed scenery with characters animated in a way reminiscent of Studio Ghibli films. However, not all fans are happy with this choice of animation. The film has received poor reviews, mostly in relation to the art style rather than the plot. At my showtime, one man walked out when he realized it was animated — when there were only seven in the theater to begin with. 

Despite poor reviews, the film has grossed $15 million at the global box office so far, earning $4.5 million in just its opening weekend. 

“War of the Rohirrim” is certainly not for everyone. As an avid fan of the franchise myself, I enjoyed it thoroughly. The characters were well-fleshed out and fit into the world of Middle Earth beautifully, especially considering the chronicles of the war are only in J.R.R. Tolkien’s appendices at the end of “The Return of the King.” However, if one is not as well-versed in the world of “The Lord of the Rings” or does not enjoy anime, then this film could be skipped or will be best viewed at home when released to streaming services. 

9.5/10.

Contact the author at howlentertainment@wou.edu

Fighting raccoons in the woods

Written by: Jaylin Emond-Hardin | Entertainment Editor

“Break Stuff” — Limp Bizkit

“King for a Day” — Pierce the Veil

“Devil” — Shinedown

“Inside Out” — Five Finger Death Punch

“Are You Scared of Me Yet?” — Daisy Grenade

“More Human Than Human” — White Zombie

“Custer” — Slipknot

“Down with the Sickness” — Disturbed

“The Kids Aren’t Alright” — The Offspring

“Dance With The Devil” — Breaking Benjamin

“Last Resort” — Papa Roach

“The Vengeful One” — The Disturbed

“Headstrong” — Trapt

“You’re Gonna Go Far, Kid” — The Offspring

“Riot” — Three Days Grace

“Deadwood” — Really Slow Motion

“All American Nightmare” — Hinder

“So Far” — Buckcherry

“Kryptonite” — 3 Doors Down

“I Miss the Misery” — Halestorm

Contact the author at howlentertainment@wou.edu

Holding space for “Wicked”

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: This article contains spoilers

“Wicked” has officially hit theaters. Fan excitement for the movie skyrocketed in the spring of 2023 when first-look pictures were released. Filming had started the year prior, but was halted from July to November due to the Screen Actors Guild strike. 

Being split into two movies, “Wicked” is a screen adaptation of the Broadway musical that originally premiered in 2003. The musical is based on the 1995 novel, “Wicked: The Life and Times of the Wicked Witch of the West,” by Gregory Maguire, which is, of course, based on the 1900 L. Frank Baum novel, “The Wonderful Wizard of Oz,” and its 1939 film adaptation, “The Wizard of Oz.”

Told from the perspective of witches Galinda and Elphaba, the musical follows events from before and after the arrival of Dorothy. As it progresses, the audience learns about how Elphaba and Galinda become the Wicked Witch of the West and Glinda the Good. Titled “Wicked: Part One,” the movie follows Act One of the musical, with “Wicked: Part Two” set to release sometime in 2025.

With the musical talents of Cynthia Erivo and Ariana Grande as the leading ladies, the film excels in its production design and emotional storytelling. Bathed in shades of pink and green, “Wicked” shows the importance of challenging what might be a societal norm and understanding the nuances of good and evil. Elphaba’s journey, for example, from outcast to Wicked Witch shows how society’s perceptions and labels of someone can change their identity. 

“Wicked” has also smashed box office records. With a United States opening of $114 million and a worldwide opening of $50.2 million, it is currently the biggest opening ever for a film based on a Broadway show, as well as the third-highest earning premier weekend of 2024. The original cast recording has broken records, as well, with “Defying Gravity” and “Popular” racking up a combined 7.8 million streams within the first three days of its release. 

Rounding out the cast is Michelle Yeoh as Madame Morrible, Jeff Goldblum as the Wizard of Oz, Johnathan Bailey as Fiyero and Ethan Slater as Boq. All actors will reprise their roles when “Wicked: Part Two” is released, though some will be in different forms. Bailey and Slater’s characters Fiyero and Boq are set to become the Scarecrow and the Tinman, two of Dorothy’s companions in the iconic “The Wizard of Oz.”

In my opinion, “Wicked” is an adaptation worthy of being seen. Between its well-rounded cast, a live soundtrack and allegorical messages, it is a film that can be enjoyed by all, whether one is typically a fan of musicals or not.

10/10.

Contact the author at howlentertainment@wou.edu

Max’s new series “The Penguin”

Written by: Taylor Duff | Lifestyle Editor

Content Warning: This article contains spoilers about the show and characters.  

“The Penguin,” directed by Matt Reeves, is a spin-off series to the 2022 film “The Batman.” The show is set to premiere on Max, formerly HBO Max, and is based on the character Oswald Cobblepot, in the show referred to as Oz, popularly known as The Penguin, played by Colin Farrell in the 2022 film. “The Penguin” centers on Gotham’s criminal underworld, taking a more gritty, mobster-like approach to the Batman universe. Internal power battles and conflict in the underworld are the focus, rather than large superhero encounters. Like other gangster dramas, it is an examination of identity and self-perception. Oz’s physical flaws — his bulbous nose and stocky build — make him an outcast in a society where image and looks are everything. He is always concerned with how people view him, which motivates his desire for vengeance and ambition. Oz is still reeling from the horrific repercussions of his confrontation with Batman and the mayhem caused by the Riddler. But, as Gotham’s power players compete for domination, Oz sees an opportunity. Oz is determined to reach the top, no matter the cost. The show is a ruthless examination of his schemes, friendships and betrayals as he navigates groups of competing gangs, crooked politicians and undercover cops. 

“The Penguin” also focuses on Sofia Falcone, played by Cristin Milioti. Falcone’s role is essential to the show’s intricate web of intrigue, ambition and power. She returns to Gotham after her father, Carmine Falcone, is murdered in “The Batman.” Then, her brother Alberto Falcone is killed by Oz, creating the central storyline as Sofia plans to regain her family’s legacy and establish herself as a boss. Sofia and Oz’s relationship is important to the plot. Initially, they developed a strained alliance. Both have similar goals: they desire power and influence over the city’s criminal enterprise. Plus, they have a history, as Oz used to be Sofia’s driver before she went to Arkham Asylum, which is another story entirely. However, both of their tactics and temperaments are completely different. Despite his brutality, Oz is typically motivated by his insecurities and a desire for respect. Sofia, on the other hand, displays confidence and bears the weight of her family’s past with authority. 

“The Penguin” takes viewers on an exciting journey through Gotham’s dark underbelly, following Oz’s ascent to power. The legendary villain gives a deep and engaging portrayal as a vicious crook rising through the ranks of Gotham’s crime scene. The show is notable for its emphasis on character-driven narrative, which explores themes of ambition, deception and survival. It delves deeply into the complicated motivations of its characters, from Oz’s vulnerabilities to Sofia’s strategic mindset, with outstanding performances, dramatic drama, and a dark, immersive atmosphere all in a mobster style. “The Penguin” is a must-watch for fans of Batman and anyone who appreciates crime dramas with deep, layered characters.

10/10.

Contact the author at howllifestyle@mail.wou.edu

Maui Melts student mural

Written by: Jaylin Emond-Hardin | Entertainment Editor

When the Alley Activation Project for the alleyway between the updated City Hall and the new Maui Melts location wrapped up, Western student McKenna Brinkman was tasked with painting a mural on the bare wall that hadn’t been touched by the project.

The project, funded by a grant from the AARP, aims to understand how the pedestrian alleyway can best serve the community. In two phases, the project seeks to incorporate peaceful, calming elements, while also providing an inclusive space and is part of the larger 2042 Downtown Improvement Plan. The 2042 Downtown Improvement Plan is what will guide city policy and planning over the next 20 years. 

Brinkman, who goes by “Mick,” started the mural in October, after Maui Melts owners Graham and Ruthie had seen her chalk art in The Sippery, where she has worked since the spring of this year. 

“One thing I’ve enjoyed about the job is getting to do all the art for the chalkboards,” Brinkman said. “A couple of my regulars (have) been coming in every day since they own and have been working on the new Maui Melts next door. We’ve gotten to know each other through conversations while I make their soy lattes.”

The mural — a painting of an enlarged longhorn beetle, which is native to Oregon — sits on a grey background on the east exterior wall of Maui Melts, facing Monmouth City Hall. 

“Graham and Ruthie were extremely encouraging the whole way through the month-long process,” she said. “I think (a) cool experience I had while doing this mural was talking (with) locals who would ask about it.”

Brinkman has always enjoyed art, something she says was natural to her as a child. When she came to Western as a first-year, she started as a biology major, but after taking a drawing class, she switched her major to art and never looked back. “I’ve enjoyed every single art class I have taken in my time here,” she said. “There has yet to be a moment where I have felt burnt out with art.

“I love how this has further bonded me with the Monmouth community. I am happy to leave my mark, literally, on Motown.”

Contact the author at howlentertainment@wou.edu