Mount Hood

Analysis of “It” 1990 vs. 2019

Never Retallack | Entertainment Editor

Remakes — they have been all the rage within the past few years. Consider all of these: Disney reanimations, “Ghostbusters,” “Men in Black,” “Oceans 8” and more. With the recent release of Stephen King’s “It: Chapter 2,” I decided to rewatch the 1990 version to see how the original and newer version contrast.

The original “It” adapted from Stephen King’s novel of the same name was a horror miniseries directed by Tommy Lee Wallace and written by Lawrence D. Cohen. 

According to IMDB, Wallace and Cohen originally planned for it to be a four-part, eight-hour series, but with ABC’s time limitations Cohen condensed the 1,138 page novel into a mini-series of about three hours in length. That is one large difference between the original and the new version — the amount of time dedicated to the story. The newer version of “It,” released in 2017, and “It: Chapter 2,” released in 2019, directed by Andy Muschietti and written by Gary Dauberman, are both nearly three hours in length. I believe having the extra screen time allowed Dauberman to fit more content into the film than Cohen was able to.

For those that have not seen the film or read Stephen King’s novel, “It” tells the tale of an interdimensional monster disguised as a clown named Pennywise. He terrorizes seven children in the town of Derry, Maine. This flesh-eating clown uses his powers to manipulate the children, using their fears against them while they try to stop him from killing other children in their town or themselves.

In the 1990 version, the audience first meets the main characters as adults; throughout the first half of the movie, flashbacks show the children fighting Pennywise. 

In Dauberman’s 2017 “It” film, he focuses on the seven main characters as children. In the 2019 version they are reunited as adults, with occasional scenes showing them as children. 

The different timelines in the original and new version create different paces for the films; the original feels fast paced, almost rushing to give the audience the necessary details to understand the story. 

I think having two three-hour films allowed the audience to get to know the characters better and fully grasp the complexity of King’s story. 

Western senior, majoring in Interdisciplinary Studies, Emily Hedges said, “The newer film’s plot was much easier to follow than the old one.”

One key difference to note between the original and newer versions is the filming styles and technology available. In Cohen’s 1990 version, Tim Curry as Pennywise was terrifying, but like many classic horror films it felt campy and cheesy. No gore or guts were ever shown; any pivotable scary moments with Pennywise were paired with loud music, slow motion and abrupt fade ins and outs. This style is like that of “Psycho,” “The Omen” and other classic horror films. In Dauberman’s newer versions, intense CGI — even altering Bill Skarsgård’s face as Pennywise — creates a modern and horrific image. 

Overall I find both the original and new versions to be entertaining. Depending on the style of horror one prefers; classic versus special effects. While I am still not sure if remaking films is benefiting the film industry at all, I highly recommend both versions of the classic tale of a terrifying clown.

 

Contact the author at howlentertainment@wou.edu

 

A list of events to attend this fall

Never Retallack | Entertainment Editor

This fall, Western Oregon University and different organizations in Monmouth and Independence are orchestrating many events to look forward to in the upcoming weeks.

 

The following is a list of upcoming events within the next few weeks on or near Western’s campus free for students with their student ID.

Friday, Oct. 4: History and Mystery: Held in Main Street Park at 7 p.m., participants are encouraged to bring their own chair and flashlight for an evening unveiling Monmouth’s mysteries.

Saturday, Oct. 5: Independence Downtown Association’s Ghost Walk: Located in downtown Independence at 7 p.m., guided through different shops and historic buildings. 

Sunday, Oct. 6: Cascadia Concert Opera: Playing in Smith Music Hall starting at 3 p.m., featuring a set of guest artists performing selections by Gilbert & Sullivan.

Tuesday, Oct. 8: WOU Faculty Jazz Concert: Performing in Smith Music Hall starting at 7:30 p.m.

Friday, Oct. 11: Human Hands: They will be playing bluegrass and hot jazz mashup in Rice Auditorium, with doors opening at 6 p.m.

Friday, Oct. 11: “Toy Story 4” Movie Night: A free movie showing at the Monmouth Public Library at 2 p.m.

Sunday, Oct. 27: Trunk or Treat: The First Baptist Church is hosting an event with games, candy and snacks from 5:30-7 p.m. at the First Baptist Church in Independence.

 

Contact the author at howlentertainment@wou.edu

Beat the heat with these local concerts

Chrys Weedon | Entertainment Editor

Summer in a small town can often get lonely and boring — especially in a college town, when everyone has gone back to their hometowns for the season.

But the good news is, you can break the summer monotony with the public summer events the cities of Monmouth and Independence provide for their citizens, detailed below.

 

Monmouth:

Every summer, Monmouth has a summer “music in the park” series. Each Wednesday, starting July 10 and ending Aug. 28, a different band will be playing in the Main Street Park Amphitheater. All concerts begin at 6:30 p.m., and the bands cover a wide variety of genres. Attendance is free, and wine, beer and food will be available. Pets are discouraged.

 

July 10: Ted Vaughn Blues Band

Genre: Blues

July 17: Brass Roots Movement

Genre: New Orleans jazz

July 24: Garcia Birthday Band

Genre: Grateful Dead tribute

July 31: Midnight Serenaders

Genre: Swing

Aug. 7: Coming Up Threes

Genre: Celtic

Aug. 14: Cascade Crescendo

Genre: Jamgrass

Aug. 21: Tezeta Band

Genre: Ethiopian Funk

Aug. 28: The Resolectrics

Genre: Rock

 

More information can be found at www.ci.monmouth.or.us under the “things to see and do” tab.

 

Independence:

The Independence Amphitheater in Riverview Park will be the location of the Independence “River’s Edge Summer Series,” a lineup of concerts and movie showings free to the public. Opening bands will begin at 6:30 p.m. and headliners at 8:30 p.m. starting on July 12 and occuring every Friday until Aug. 16. Movie showings will occur every Thursday starting on July 11 and lasting until Aug. 15. Movies in July will begin at 9:45 p.m. and movies in August will begin at 8:30 p.m.

 

Concerts (headliners):

July 12: Erotic City

Genre: Prince tribute band

July 19: Shoot to Thrill

Genre: AC/DC tribute band

July 26: Appetite for Deception

Genre: Guns & Roses tribute band

Aug. 2: Who’s Bad

Genre: Michael Jackson tribute band

Aug. 9: Ty Curtis

Genre: Blues-rock band

Aug. 16: Triple Shot

Genre: Heart, Pat Benatar, and Bad Company tribute band

 

Movies:

July 11: “Bumblebee”

July 18: “Wreck It Ralph 2”

July 25: “Aquaman”

Aug. 1: “Signs”

Aug. 8: “Back to the Future”

Aug. 15: “Captain Marvel”

 

More information can be found at www.independenceamphitheater.com.

 

Contact the author at howlentertainment@wou.edu

“Godzilla: King of the Monsters” review

Chrys Weedon | Entertainment Editor

On May 31, 2019, everyone’s favorite titan made a return in “Godzilla: King of the Monsters,” a sequel to the 2014 movie “Godzilla.” The 34th installment in the “Godzilla” franchise, although not the best in its history, satisfies all of this reviewer’s cravings for more Godzilla screen time and big monsters fighting each other.

The newest “Godzilla” film follows the cryptozoologist organization “Monarch,” and their fight against a group of eco-terrorists planning to awaken all of the titans to bring a natural balance back to the world. 2019 really does love villains who want to restore “natural balance” to the universe, doesn’t it?

While “Godzilla: King of Monsters” introduces a menagerie of new characters, it does bring back one of the most iconic faces from the last movie: Dr. Ishiro Serizawa. Director Michael Dougherty and writers Zach Shields and Max Borenstein included magnificent references to Dr. Serizawa’s backstory, and they didn’t deny audiences any of his critical attitudes toward humanity. Not only that, but they give Serizawa one of the most touching scenes in the movie, where he finally comes face-to-face with the beast of his affection, Godzilla themself. He literally touches the face of God(zilla).

Some movie critics think they’re too good for “Godzilla.” “The plot line is full of holes,” they say, “focus more on the human characters, there’s too much fighting,” they complain. They’re snobs, the lot of them. I would argue that the focus on Godzilla’s fight against Ghidorah and the other titans is a marked improvement from the movie’s prequel. The 2014 movie focused far too much on a romance story, of all things. I’m pretty sure no one is watching “Godzilla” for a love story, unless it’s the romance between Godzilla and Mothra, thank you very much.

All in all, “Godzilla: King of the Monsters” satisfies. There’s lots of fighting and wonderful connections to Godzilla lore. I will admit, the characters did tend to fall flat and the plot lines were convenient, but that’s keeping with the style of the “Godzilla” franchise. This audience member isn’t complaining.

 

Overall rating: I would strongly recommend this film.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of warnerbros.com

BFA graduates put their hard work on display

Chrys Weedon | Entertainment Editor

As the school year winds to a close, end of the year events are keeping graduating seniors busy. The next event of the year is a new exhibit in the Cannon Gallery of Art featuring the artwork of three Bachelor of Fine Arts students who will be graduating on June 15, 2019.

The end of Spring Term not only marks the graduation of the three featured students, but also marks the first full year of the redesigned Bachelor of Fine Arts in Art and Design program. For the past three terms, Paul Fults, Sabrina Riff and Eric Frey have been developing and honing their artistic skills. The upcoming exhibit puts these artist’s diverse theses on display.

Fults is a sculptor who has focused his thesis on geopolitics and environmentalism. According to a press release about the exhibit, Dr. Kathleen Cassidy, the Dean of Liberal Arts and Sciences, commented on Fults piece “Feeding Time,”saying, “At first I thought it was beautiful, then I saw it wasn’t.” Fults plans on building upon his experiences as a veteran and machinist after graduation while working in the project management field.

Riff is an artist focused on ceramics. For her thesis, Riff has been focusing on character design — specifically, she has created life-size busts of distinctive characters from “Dungeons & Dragons.” Riff desires to continue in the field of character development post graduation, specifically in the movie or gaming industry. “I think the most important thing I’ve learned while in the BFA program is who I am as an artist. Don’t get me wrong, I learned how to better my technical skills and make my visions become reality,” said Riff, “but discovering what I wanted out of this — out of school — that was the most valuable for me … These last three terms have helped me realize my dreams, my ambitions, and how I can make those come true.”

Frey, like Fults, is a sculptor. Frey’s thesis focuses on art in social practice, specifically related to discrimination and bias. One of his projects, the “#WOUborderwall,” has been highly visible throughout the year; it was installed in November of 2018 and has recently been reinstalled in the field next to the Richard Woodcock Education Center. After graduation, Frey will travel to Florence, Italy to pursue a master’s degree in sculpture at the Studio Arts College International. Frey’s goal is to teach and to establish a studio for military veterans to experience art.

The BFA gallery opens on June 5 and will close on June 15, the day of commencement. An opening reception with the artists will be held Thursday, June 6 from 3:30 to 5:30 p.m. A closing reception will also be held after the commencement ceremony.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Eric Frey

Music department students shine in recital

Chrys Weedon | Entertainment Editor

In the most recent performance in the music department’s busy spring schedule, the brass and guitar ensembles showed off their skills developed during the past school year. In a hybrid performance on May 28, the two groups played three songs each.

The brass quintet consists of students Ruben Monroy and Kyle Perdue on trumpet, Lisa Munk on trombone, Gabriela Monroy on french horn and Josh Mendoza on tuba. The group is directed by Dr. Keith Karns.

“Brass quintet really isn’t like bigger ensembles — we are very independent while playing, almost like you have five different soloists playing, which makes it really important to know your parts,” Mendoza explained.

Two of the three pieces played by the quintet were works done in some capacity by student musicians. The first song, “Earth Song” by Frank Ticheli, was arranged Josh Mendoza. The second piece, “Hungarian Dance No. 5” by Johannes Brahms, was transcribed by Kyle Perdue. The third song performed by the group was “Brass Quintet No. 1 in B-Flat Minor,” written by Victor Ewald.

Mendoza commented on his experience, playing a song he arranged: “It’s always fun hearing your arrangement being played, especially if you put a lot of time and effort into your arrangement — it makes it all worthwhile.”

In a break between groups, Dr. Karns and Professor Christopher Woitach took the stage to perform a duet written by Frank Foster. Dr. Karns played trumpet and Woitach accompanied on guitar.

Afterwards, the guitar ensemble geared up for their 54th group performance. The group was made up of Michael Cortez, Stacy Henle, Brandon Stewart and Wally Plada. The ensemble was directed by Woitach, who also played guitar in the performance.

The ensemble played three songs: “Cueca” written by Agustin Barrios, “Iko Iko” a traditional song arranged for the group by Woitach and “Ken’s Blues,” which was written by Woitach’s friend Ken Carrier and also arranged by Woitach.

 

Contact the author at howlentertainment@wou.edu

Photo by Paul F. Davis

Stuck in “Middletown” with you

Chrys Weedon | Entertainment Editor

Small towns in America are often romanticized for their character, their whimsy or their nostalgia. But, often behind this rose-tinted picture is the harsh reality that Small Town, USA is often not as idyllic as it may seem.

This is the basis of “Middletown,” the headlining theater production for Spring Term. This play takes all the small-town character and expresses it by focusing on a cast of small-town characters. The plot follows Mrs. Swanson, a lonely housewife with an absent husband, as she moves to Middletown and meets John Dodge, a zany local man with a penchant for suicidal ideation.

“Middletown is about a community of people who live in the same small town. It zooms in on certain stories and relationships in this community through revealing interactions in the town square, the library, at the hospital and in people’s homes,” commented Guest Director Zeina Salame. “It reveals how we learn and grow from our own life intersecting with someone else’s, asking questions about kindred spirits, loneliness, life, history, nostalgia, hope and this world.”

Salame has been a guest artist and instructor at Western for the last two terms. 

“I have loved collaborating with folks who, from day one, were willing to explore ‘what might happen if…’ and give things a try even if those creative choices led us into an unknown,” said Salame.

“Middletown” in its original form, by Will Eno, sought to address a multitude of issues, from suicide to the colonization of America and the eradication of its Native populations. However, as pointed out by Salame and her two student assistant directors, Meghan Doerfler and Rory Krehbiel, Eno was sometimes problematic in his portrayal of some ideas.

To combat this, Salame, Krehbiel and Doerfler made artistic choices in their direction of the play. For example, gender is presented very fluidly, with names and pronouns unaltered no matter the gender of the actors. Also, Sweetheart, a character originally written by Eno that fit many problematic stereotypes about individuals with mental disabilities, was directed in a much different way in order to challenge this negative vignette of a differently-abled person. Instead of being a character pushed to the background, Sweetheart is a connection between the audience and the more dialogue-heavy characters in the production.

In an arena-type layout, every section of the audience experienced a different perspective of the play, accentuating the different perspectives of Eno’s characters and the complexity of the town. A rotating set allowed for the seamless transition between different scenes and took the audience on a tour of Middletown.

Reflecting on her time at Western, Salame explained: “Working with students is my favorite part of everything I get to do. I believe there to be great artfulness in being a teacher. I love helping to shape our field by offering tools to the next generation, as well as genuinely leaning on them to find innovative approaches and solutions to each piece of the puzzle.”

 

Contact the author at howlentertainment@wou.edu

Photos by Paul F. Davis

“What Were You Wearing?” exhibit redone

Chrys Weedon | Entertainment Editor

Communications 436, a class titled Gender Power and Cultural Production, is described in the course catalog as a class to “examine the interplay between feminisms, queer theory and cultural production, focusing on how power manifests in ways that contribute to and constrain communication around gender and sexuality.”

As a final project, the class is recreating an exhibit titled “What Were You Wearing?” Originally created in 2013, the goal of the exhibit is to raise awareness about sexual assault and victim-blaming.

The event involves a room full of displayed outfits that show what sexual assault survivors were wearing at the time they were assaulted. A press release written by the class explained that the project’s goal is “to remind viewers that it doesn’t matter what you wear, sexual violence can happen. It also aims to call attention to the fact that no matter what you were wearing, you did not ask for it or deserve it.”

Sexual assault is a big problem in the United States. According to the press release, one in three women and one in five men have experienced sexual assault at some point in their lives. As reported by the National Sexual Assault Resource Center, eight out of 10 assaults are committed by someone the survivor knows.

Dr. Dana Schowalter teaches this Gender Power and Cultural Production class.

“We’ve done this event in the past here at Western Oregon University, and it has traditionally made a huge impact on everyone that has witnessed the displays. My students putting this project together have agreed that sexual assault and victim blaming needs to be directly addressed,” commented Dr. Schowalter in the press release, “and they are looking forward to getting a chance to bring awareness to the public. It is not easy talking about this subject matter, but we feel it is very necessary.”

The “What Were You Wearing” exhibit will take place on June 5, 2019 from 9 a.m. to 3 p.m. in the Willamette room in the Werner University Center. For more information about this event, contact Jess Elder at 502-801-2900 or Never Retallack at 971-712-9712.

 

Contact the author at howlentertainment@wou.edu

Extraterrestrial excitement in Oregon with UFOfest

Chrys Weedon | Entertainment Editor

Thursday, May 16 ushered in the 20th Annual UFOfest in McMinnville, Oregon. According to ufofest.com, a UFO fever set into the small town of McMinnville in 1950 when a family spotted a flying saucer over their farm. This sighting made national news. 50 years later in 1999, the very first UFO festival reignited the fever of 70 years ago. The festival is the second most popular UFO event, aside from the UFO festival that takes place in Roswell, New Mexico, according to the UFOfest website.

Hosted by the company McMenamins, who owns various hotels, pubs and breweries, the festival took place May 16 through 18. This year’s UFOfest featured free-to-all activities such as vendors, live music, a 5k Alien Abduction Dash fun run and a pet costume ball. The festival also featured a lineup of experts and speakers in the McMenamins hotel that required the purchase of a day or weekend pass to attend.

Guest experts included Bob Lazar, a former physicist employed at Area 51; Joanne Clarkson, a hypnotherapist and tarot reader; George Knapp, a journalist and author; Commander David Fravor, who was a witness to a 2004 UFO sighting titled the “Tic Tac incident” and many other speakers.

Bands played at various locations around the festival, including the band Kirby Swatosh & The Moon Rock Patrol. The pet costume contest drew a large crowd who cheered on a goldfish decorated as a UFO — they won first place. Volunteers from Zero Waste McMinnville were posted at stations around the event, helping attendees sort their waste into different bins for compost, recyclables and garbage.

The main event occured Saturday afternoon at 3:30 p.m. Floats and marching bands paraded through downtown McMinnville, drawing audiences that lined the sidewalks four to five people deep. Lively music and intricately decorated floats representing local groups and businesses entertained bystanders for nearly two hours, and even sporadic rain showers didn’t damper their spirits.

The McMinnville UFOfest once again proved to be a lively event that brought together many different people to celebrate counterculture, conspiracy and a unique tradition that is classic to the Pacific Northwest.

 

Contact the author at howlentertainment@wou.edu

Photos by Chrys Weedon

Students show their hard work through song

Chrys Weedon | Entertainment Editor

Every term, students from the music department have the opportunity to perform pieces they have been working on. On Thursday, May 23 at 11 a.m., the last student recital of the year took place in Smith Music Hall.

In a relatively short program, 10 students put their hard work on display to an audience of their peers, teachers and families. This recital provided one last chance this school year to perform in this setting. The performances were a mixture of piano, voice, guitar and one cello.

Julia Fruit performed “Prelude XII: Minstrels” by Claude Debussy on piano; Tristin Thomas played “Ben’s Song” by Richert on cello while accompanied by Jackie Morelly on piano; Songzi Li sang “Through the Night” by Korean musician IU while Kenneth Soh played the piano; and Virtue Velour and Nikita Williams gave a rendition of “Broken” by Seether joined by Trevor Fischer on guitar.

Velour explained why he chose to perform this song.

“As a classical musician who’s also a big fan of rock and metal, the song is really accessible for a concert format … I just knew that I wanted to do a duet with (Williams), because she has a great voice and I trust her musical instincts,” Velour said.

There were also two performers who played pieces of their own creation. Alex Lancaster played his song “The Night Forest” on piano, a complex piece rich with storytelling. Stacy Henle played guitar and sang “Neskowin Parade,” a song about a small town celebrating the Fourth of July, which she co-wrote with A. Lancaster.

Clocking in at less than an hour, this recital was one of the shortest this year, but contained just as much talent as any other student showcase. Velour explained what he learned from the experience: “Doing a duet is a really good opportunity to learn how to work with your peers. Trevor’s also a great guitarist … so he was fun to work with as well.”

 

Contact the author at howlentertainment@wou.edu

Photo by Ashlynn Norton

BonnaWOU takes the Grove

Caity Healy | Editor-in-Chief

On May 23, the clouds parted as three bands took the stage in the first-ever BonnaWOU festival hosted by SAB. Each band that was involved was local: Jimmy Wolfson, The Ferenjis and Chromatic Colors. Taking place in the Grove from 5 p.m. until about 8 p.m., students and members of the community brought their blankets and made themselves at home on the grass.

Each band performed their set as the sun was shining brightly above the stage that was set up outside. Every band came with their own style, which made it accessible to everyone — there was music that just about everyone could enjoy. All were welcome; some took it as an opportunity to do homework with a show, some just sat and watched and others got up and danced. People came and went all evening as it was a free event, until the music faded that evening with the sunset as a backdrop to a picture-perfect night.

 

Contact the author at howleditor@wou.edu

Photos by Caity Healy

Picnics and prizes: The 51st annual Juried Student Art Exhibition

Chrys Weedon | Entertainment Editor

To celebrate the opening of an exhibition featuring student art, a picnic and award ceremony was held on the lawn of Campbell Hall on Monday, May 13. This gallery has occurred every year for 51 years, and is a juried exhibition, meaning that a juror was hired by the Cannon Gallery to review Western student’s submitted artwork and get the final say in what pieces made it in. Every year, a different juror is hired.

The juror this year was Patricia Vazquez, who holds a BA in Graphic Design and Education and a MFA in Social Practices. Vazquez splits her time between Portland, Oregon and Mexico City, Mexico. Due to a prior teaching engagement, Vazquez was unable to attend the event, but she selected two pieces to receive a juror’s choice award, which includes a $100 prize awarded to each artist. Cory Timmins received one of those awards, along with several others, for a video piece titled “House Hunters Multinational.” Timmins is senior pursuing a degree in Art and Design.

“It was validating to just be selected for the show,” Timmins said. “To win awards on top of that felt incredible. It feels like my art career is off to a great start.”

Many other awards were given out, including awards for best digital piece and best non-digital piece, art faculty recognition awards and outstanding art students in upper level division courses awards.

This year’s student exhibition included art pieces from many different mediums, including mixed media, sculpture, graphite sketches, digital art and oil painting, and covered a broad range of themes such as social justice, consumerism and body image.

“Students from the gallery internship class did a ton of work accepting the pieces, in addition to Paula Booth, who runs the gallery,” commented Timmins.

Every year, the gallery sends out an open call for any Western student, no matter their major, to submit their work for critique.

“We could submit up to six pieces and pay a small fee to have our work critiqued,” explained Timmins.

When asked her opinion about the best part of being involved in the exhibition, Timmins responded: “Being surrounded by other amazing work is the best part of being featured in the show. We have so much talent at Western. I’m inspired in my classes by my peers and even more in awe when I’m in the gallery. There’s so much artwork to love.”

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Rita Frey

Salem String Quartet visits Smith Hall

Chrys Weedon | Entertainment Editor

According to their website, the Salem String Quartet was named the Quartet in Residence with the Camerata Music Society, the music society of the Mid-Willamette Valley that provides free chamber music events to the public. On May 16, the Salem String Quartet visited the stage of Smith Music Hall.

The quartet’s website reports that the four string players met while performing in Salem in 2008 and naturally came together to form the group. They have been performing in the valley since June 2017.

The Salem String Quartet is made up of violist Brandon Correa, cellist Katherine Perks and violinists Caius and Sigrun Oprea, who are married. The quartet members are from all over the world — Caius Oprea was born in Romania, Sigrun Oprea is native to South Africa, Correa was raised in Honolulu and Katherine Perks grew up in Idaho.

On the night of May 16, the quartet performed three movements of Op. 11 written by American composer Samuel Barber, and No. 2 in G Major, Opus 111 by German composer Johannes Brahms. For the latter song, the group performed as a string quintet, as they were joined by violist George Thomson, the current Director of Orchestras at West Salem High School and Conductor of the Corvallis Youth Symphony.

Salemstringquartet.com describes the group’s performances as “a uniquely satisfying blend of versatility, inspiration, energy, quality and experience.” This explanation also applied to the group’s Smith Hall performance. The show was passionate and lively, as well as one of the most highly attended Smith Hall events this school year.

Similar to most 2018-2019 art performances, the Salem String Quartet’s performance was free for Western students. The quartet will perform one free event every year until 2021 as part of the Camerata Music Society’s concert series, and will participate in other events with the organization.

 

Contact the author at howlentertainment@wou.edu

Photo by Paul F. Davis

BonnaWOU brings the beat back to Western

Caity Healy | Editor-in-Chief

The year was 1969. While everyone else was cooling off from the summer that would act as a pivotal moment for music and the core of the counterculture generation, Western, which was then known as the Oregon College of Education, was still heating up. Likely inspired by Woodstock’s three days of peace and music that took place just a month before, from the start of Fall Term, the Wolves were ready to keep the beat going.

A number of concerts took place within that academic year. Headlining at Homecoming was the Grass Roots. Between the years 1967 to 1972, the Grass Roots set a record by being on the Billboard charts for 307 straight weeks, according to their website, the-grassroots.com. At the time, the band was comprised of Creed Bratton — who is now known for his work as a character by the same name on “The Office,” Rick Coonce, Warren Entner and Rob Grill. In the late ‘60s and into the ‘70s, they released many hit singles, including “Midnight Confessions” and “Wait a Million Years.” This was the band that would kick off a series of concerts that would only be remembered by the yearbooks.

Also appearing in 1969 and the year following were bands such as “The Happenings,” which is known for their hit “See You in September,” and is also known for their member David Libert, who went on to manage artists such as The Runaways and Alice Cooper; Gary Lewis & the Playboys, which is known for their hit “The Diamond Ring,” and is also known due to their frontman, Gary Lewis, being the son of comedian Jerry Lewis; and, to top it off, was the Cowsills — a band comprised of all family members, who, according to their website, cowsill.com, were the inspiration behind “The Partridge Family.”

Exactly 50 years later, the year is 2019 — and Western is ready to bring the music back to campus. On May 23, Student Activities Board will be hosting “BonnaWOU,” a play on the annual Bonnaroo festival. Spearheaded by SAB member Helen Goodyear, the event was brought about for a specific reason.

“As far as anybody that I have talked to can remember, they don’t remember seeing a concert on campus. And I would love to bring that back,” Goodyear said. “I want to hit it with a bang … I want people to remember that this is a Western thing.”

To do this, Goodyear decided to look locally for some bands who might be interested. And in asking, what she found was that not only were these bands interested, they’ve been waiting.

“Every single one of them was like, ‘this is something that should’ve happened a long time ago,’” Goodyear added.

Although she had several options, Goodyear rounded her choices down to just three bands that she felt would best relate with the styles Western would enjoy: Jimmy Wolfson, The Ferenjis and Chromatic Colors. All of these are local bands, all have ties to Western and all were more than willing to help out. But aside from the fact that Goodyear knew students would enjoy these bands, she chose them for a few other reasons.

“I want to show (Western) that this is part of our identity as students. This is part of our identity as Oregonians. This is a part of us, and it’s a community that doesn’t get showcased that often. And I want to expose people to that and I want people to try something a little bit new,” Goodyear explained.

To make an event like this happen, there are a number of obstacles that Goodyear has had to cross — the largest being budget.

“When the budget was allocated at the beginning of the year, nobody was thinking that this was going to happen. And then I came in half way through year, and I was like, ‘Okay. We’re doing this,’” said Goodyear. Using only the small amount she was given, she was able to find “the cheapest options and the best quality options,” they could possibly get, as she explained. But due to her connections with the music department and those she knows, as well as her support from the rest of SAB, she was able to pull it off.

As for what students can expect, Goodyear was very transparent on her goals.

“I want people to be able to lay out on the grass, and bring hammocks,” Goodyear said, “If they feel they want to, I want them to be able to get up and dance. I want them to be able to enjoy the music however they want.”

The event is free to anyone interested in a night of music and relaxation. Running from 5-9 p.m., it will be located in the Grove. For any questions, contact Helen Goodyear at hgoodyear16@wou.edu.

 

Contact the author at howleditor@wou.edu

Photos courtesy of  WOU Archives

Daniel Sampson’s capstone presentation on “Kaleidoscope ‘85”

Cora McClain | Copy Editor

May 10, in Smith Music Hall, senior music major Daniel Sampson gave a presentation on the journey of his album “Kaleidoscope ‘85.” He began work on the album in the summer of  2018, after being thoroughly inspired by the music of the 1980s, specifically that of George Benson’s “20/20” album that he heard growing up. After explaining why he decided on an ‘80s inspired album with a focus on his major instrument, the clarinet, Sampson dove into how he created it.

Taking the audience right into his production software, FL Studio, Sampson played a track that did not end up on his album. “Timeless Lover” played out over the theater, but had a few crackling issues. Sampson kept in good spirits despite these hiccups and broke down the track by each of the samples he took.

Sampson even explained how he chose specific samples to use.

“When I heard the track, I was like, ‘I’ve got to use that,’” he said in reference to the sample DX7 Electric piano. He concluded stating that it can be found somewhere in every track on the album. He also highlighted using electric guitar samples, stating “it is the poor man’s way of not hiring a guitarist.” He highlighted another two tracks, “Warrior” and “Remember When,” to illustrate how he stacked these sounds.

Explaining the recording of his clarinet tracks, Sampson said that he did so in “WOU’s very own recording studio.” Sampson continued by stating the gear that he used to do such recording. Later he explained how he used different preamps to change the sound of the clarinet, often using vocal synth to add depth and sparkle to the sounds. He even explains using a guitar preamp to create the sound of an electric guitar.

Then Sampson transitioned into the production side of the album, covering copyright and his difficulties with that, as well as having to change his mastering engineer, who finishes out the sound of the album. “It didn’t sound like an album” he said. But he soon found another mastering engineer who fulfilled on his vision.

He finished off the presentation with a little Q&A, answering more technical questions such as one on where he wants to see his music go.

“Out into the world? … Move down to LA?” he joked.

When asked about what advice he would give to others putting together a capstone presentation, Sampson answered, “You should get started on it as early as possible. Also, make use of your strengths when preparing the presentation.”

“Kaleidoscope ‘85” will be released on iTunes, Apple Music, Spotify, and Amazon on July 2, which is Sampson’s birthday. He will also be releasing physical copies, but still has to work out the kinks with things such as shipping.

 

Contact the author at howlcopyeditor@wou.edu

Photo by Cora McClain

Review: “Extremely Wicked, Shockingly Evil, and Vile”

Chrys Weedon | Entertainment Editor

Ted Bundy is one of the most notorious serial killers in the United States according to history.com. Aside from his trial being the first televised in history, Bundy’s trial was unique in many ways. Bundy acted as one of his own defense attorneys, escaped twice and even gained an immense fan-base.

Released on Netflix on May 3, “Extremely Wicked, Shockingly Evil, and Vile” was released not long after the docu-series “Conversations with a Killer: The Ted Bundy Tapes” was strategically made public by the same streaming site on January 24.

While “Extremely Wicked,” whose title is too long to say naturally in conversation and is therefore always referred to as “that new Zac Efron movie,” could be seen as a complementary fictionalization of “The Ted Bundy Tapes,” it watches as a slightly fuzzier iteration of the same show. It seems as though nothing much happens that watchers familiar with the case wouldn’t have already known about the Bundy case.

Every event was predictable, and the liberties that were included weren’t shocking — to me, this film really didn’t shine a new light on the case or the characters involved. The film often flip-flops between painting Bundy in a sympathetic light and trying to make him out to be the manic killer that he was. In my opinion, we really didn’t need another “slightly-sympathetic serial killer” story in the world.

I did appreciate a look at the ways in which Liz Kendall, played by Lily Collins, was affected by her long-term relationship with Bundy, but it all felt like a glorification of Bundy thinly veiled through a “different” perspective. I would’ve been more intrigued with a story from the point of view of Carol Daronch, the woman who successfully escaped Bundy’s attempted kidnapping.

Arguably the most disappointing aspect of the movie was Zac Efron’s performance. Efron, I believe, embodied Bundy in an extremely believable way, but “Extremely Wicked” overall was an underwhelming film and I feel like Efron’s performance was wasted. I was honestly surprised at how effectively creeped out I was at the actor whose breakout role was Troy from the “High School Musical” franchise. I believe this could’ve been a breakout role for Efron, if only it wasn’t an overrated, over-told story.

 

Overall Rating: I would not recommend this film.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of voltagepictures.com

Western’s Dance Department hosts 2019 Spring Dance Concert

Mikaela Wong | Staff Writer

Western Oregon University’s annual Spring Dance Concert commenced over the weekend, May 9-11, and with it, brought intricate dance routines incorporating styles such as ballet, neo-classical, and contemporary. The various dance styles were accented by bold costumes and makeup which further emphasized the themes of each piece.

One piece called “To Become Without Fear” consisted of black clothing, dark makeup and jerky movements which highlighted the theme of conquering one’s fears and hardships in hope for a better life. Ali McCarthy, a senior English major, expressed the difficulties she faced portraying a much more intimidating style of dance.

“I’m so used to doing ‘pretty’ kind of dancing which is more flowy, has proper movements and is a lot of fluid (movements),” said McCarthy. “This is more scary, edgy and like possessed kind of dancing so it got me out of my comfort zone.”

Sharon Oberst, one of the main choreographers, announced her retirement after 32 loyal years in the school’s dance department. Her piece, “End Pointe”, captured both the beauty of the pointe dance technique and the sentiment of the end of her legacy at Western. Pointe is a form of classical ballet and is a technique that requires the dancer to support all their body weight on the tips of their fully extended feet whilst wearing specific pointe shoes which have special material in the front to support them.

Eva Batenhorst, a junior pursuing a double major in dance and biology, was the soloist in Oberst’s piece and expressed her gratitude to the soon-to-be-retired choreographer.

“This the final dance that she choreographed for it and she blessed me with a solo in it, so that’s awesome,” said Batenhorst. “I haven’t done a pointe (piece) since senior year in high school and this will also be my last time doing a pointe piece.”

The final piece of the show was called “Into the Mystic” and seized the attention of the audience through mesmerizing light-up props and baton spinning while telling an enticing love story. The intricacy of the movements along with the long duration of the piece itself made the skills of the dancers even more palpable.

Throughout the show, various dancers in different costumes performed expressive pieces that showcased not only their physical capabilities, but also their ability to portray emotion through facial expressions, interactions between dancers and purposeful body movements. The variety of dances included dancers from all kinds of different backgrounds and experiences, while the clean-cut dance routines and articulate costumes reflected the hard work and practice that the dance department had invested in the last six months.

“We try to take it as professionally as we can and not a lot of people realize how much we really put in,” said McCarthy. “Everybody has a place here which is nice because you can have any level and someone is going to find a place for you.”

 

Contact the author at mwong16@wou.edu

Photos by Paul F. Davis

The Coming Out Monologues return to Western

Chrys Weedon | Entertainment Editor

On April 30, 1997, Ellen DeGeneres came out on her sitcom, “Ellen.” In an episode titled “The Puppy Episode” when she tells her therapist, played by Oprah Winfrey, that she is attracted to women, making “Ellen” the first sitcom to feature a gay main character.

In honor of this landmark, Western’s SafeZone program puts on a biannual performance titled “The Coming Out Monologues.” The Monologues are performed on or around SafeZone’s birthday, April 30.

On April 30, 2000 was the Millennium March on Washington for LGBTQ Equality. That’s why we picked that date for the SafeZone birthday,” said coordinator CM Hall. Hall, with the help of Ted deChatelet, manages the show every two years.

The SafeZone program started at Western in 2006, and according to their website, “seeks to form an allying network of students, faculty and staff committed and trained to provide safe, non-judgmental and supportive contacts for all WOU community members regarding LGBTQ+ issues.” This program provides the campus with community events and Ally trainings. SafeZone partners with Abby’s House, Stonewall Center and Triangle Alliance to produce the Monologues.

“I was a queer student during a very different time at Western. The early/mid-90’s — when the faculty, admin, staff, and students were silent or hostile and there just weren’t many of us, or any out faculty or staff to gain support from,” commented Hall. Since Hall returned to Western as a staff member in 2006, she has been working to change Western’s community for the better.

“Western feels entirely different. It’s become such an affirming and supportive place for folks who have different sexual and gender identities … It further validates and normalizes our lived experiences,” Hall said.

The Coming Out Monologues are stories authored and performed by Western students, staff and faculty. The stories are funny, serious and often heartbreaking.

“They are a representation of the diverse and unique experiences of people who identify within the LGBTQ+ community and/or as straight allies,” described Hall.

This year’s performance included six student performers: Aeron Esch, Hannah Bachelor, Hannah Hardcastle, Maria Bercerra, Max Groshong and Tyler Martin. Staff members performed as well: Annika Joy Barnett, Chrys Burcham, Rebecca Chiles and Chad A. Ludwig.

The first show took place in 2015, then was performed again in 2017. The turnout is always substantial, and it’s commonplace to need extra chairs on standby.

“The most fulfilling part for me is audience response and reaction. How folks really connect and resonate with someone’s story — even if that audience member isn’t LGBTQ,” said Hall, “there’s an electricity and bond in the room as we watch folks share their stories. Their truths. We all feel let in on someone’s journey and it’s a really special and sacred experience.”

 

Contact the author at howlentertainment@wou.edu

Photo by Ashlynn Norton

Musical guest, Deac Guidi, and staff serenade Smith Hall

Chrys Weedon | Entertainment Editor

On April 30, 1997, Ellen DeGeneres came out on her sitcom, “Ellen.” In an episode titled “The Puppy Episode” when she tells her therapist, played by Oprah Winfrey, that she is attracted to women, making “Ellen” the first sitcom to feature a gay main character.

In honor of this landmark, Western’s SafeZone program puts on a biannual performance titled “The Coming Out Monologues.” The Monologues are performed on or around SafeZone’s birthday, April 30.

On April 30, 2000 was the Millennium March on Washington for LGBTQ Equality. That’s why we picked that date for the SafeZone birthday,” said coordinator CM Hall. Hall, with the help of Ted deChatelet, manages the show every two years.

The SafeZone program started at Western in 2006, and according to their website, “seeks to form an allying network of students, faculty and staff committed and trained to provide safe, non-judgmental and supportive contacts for all WOU community members regarding LGBTQ+ issues.” This program provides the campus with community events and Ally trainings. SafeZone partners with Abby’s House, Stonewall Center and Triangle Alliance to produce the Monologues.

“I was a queer student during a very different time at Western. The early/mid-90’s — when the faculty, admin, staff, and students were silent or hostile and there just weren’t many of us, or any out faculty or staff to gain support from,” commented Hall. Since Hall returned to Western as a staff member in 2006, she has been working to change Western’s community for the better.

“Western feels entirely different. It’s become such an affirming and supportive place for folks who have different sexual and gender identities … It further validates and normalizes our lived experiences,” Hall said.

The Coming Out Monologues are stories authored and performed by Western students, staff and faculty. The stories are funny, serious and often heartbreaking.

“They are a representation of the diverse and unique experiences of people who identify within the LGBTQ+ community and/or as straight allies,” described Hall.

This year’s performance included six student performers: Aeron Esch, Hannah Bachelor, Hannah Hardcastle, Maria Bercerra, Max Groshong and Tyler Martin. Staff members performed as well: Annika Joy Barnett, Chrys Burcham, Rebecca Chiles and Chad A. Ludwig.

The first show took place in 2015, then was performed again in 2017. The turnout is always substantial, and it’s commonplace to need extra chairs on standby.

“The most fulfilling part for me is audience response and reaction. How folks really connect and resonate with someone’s story — even if that audience member isn’t LGBTQ,” said Hall, “there’s an electricity and bond in the room as we watch folks share their stories. Their truths. We all feel let in on someone’s journey and it’s a really special and sacred experience.”

 

Contact the author at howlentertainment@wou.edu

Photo by Ashlynn Norton

Review: “Endgame” is a fan service film

Chrys Weedon | Entertainment Editor

Even as someone who got into “The Avengers” franchise relatively late and has yet to watch all of the movies, I was super impressed by “Infinity War.” Naturally, then, I was very excited as the “Endgame” release date got closer and closer. I researched theories online, and even created a few of my own in anticipation of the film. By the end of premier night, though, I found that I had lost all my previous enthusiasm. In fact, I was fairly disappointed.

It seemed as though all the wonderful suspense built up in “Infinity War” crashed and burned within the first half-hour of the newest film. From the beginning, every “plot twist” seemed like the most convenient one to explain why the story progressed the way it did. All of a sudden, Thanos had morals. Scott Lang shoots out of a van and has the answer to the biggest plotline Marvel has been building up to in the past 10-or-so years. And Thor is fat now.

It’s not that the movie itself lacks intricacies, it doesn’t. The intricacies are just predictable. Time travel has been a theme repeated in multiple movies less successful than the Marvel cinematic universe. Although “Endgame” tackled time travel in a comprehensive way, and it was something that a fair amount of people anticipated, the way this movie arrived as time travel as a solution seemed a little rushed and I was left wondering why no one had thought of it earlier. This feeling intensified after Tony found the “secret” of time travel within 20 seconds of trying even though it was mentioned earlier in the film to be nearly impossible.

Another disappointment was how the most powerful avenger factored into the storyline. The “Captain Marvel” movie was released so soon before “Endgame” that I was sure that she would have a prominent role in this film as well. Captain Marvel got very little screen-time, and was only used as a last-ditch, “oh yeah, there she is” plot device.

Overall, “Endgame” wasn’t a completely terrible movie. The fight scenes were done well and creative, per usual. Also, I love the Hulk so I wasn’t too sad about the amount of screentime he received. But for a three hour movie, it felt fairly empty plot-wise and most of the big events were predictable, especially in the last big fight scene.

 

Overall Rating: “Endgame” is an enjoyable movie, but I found it was more enjoyable if you don’t go in with any kind of expectations.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of marvel.com