Mount Hood

“Love is blind” is problematic

Written by: Gretchen Sims

Content warning: contains spoilers about “Love is Blind”

 

The Netflix reality TV show “Love is Blind” has become increasingly popular over the past few years. Now amassing four seasons with no end in sight, “Love is Blind” is undisputedly a riveting concept and has captivated fans around the globe. 

The social experiment this show revolves around poses the question of whether or not people can put aside their physical preferences and fall in love without being able to see the other person. In order to accomplish this, the participants are put into “pods” where they can hear the person on the other side but can not see them. People are shuffled around between different dates in these pods until the man proposes. After this, the couples are tested in the real world to determine whether or not love is blind. 

This show fulfills all the drama cravings one could ever have, and yet it begs the question… is this just an innocent escape from reality, or does it have deeper and more concerning implications? 

One of the most obvious concerns about “Love is Blind” is the demographic of the participants. Participants are straight, heterosexual couples that pursue traditional gender roles in their relationships. The show does not shy away from this and, in fact, often leans into harmful stereotypes. 

In season three, Nancy Rodriguez says, “I would be a great mom to like, 10 kids. My ovaries are dancing,” after meeting a potential fiance in the pods. All of the women on the show want large families and often express how they cannot wait to start popping babies out. 

Men in the third installment of the show exuded toxicity. From saying no at the altar due to his fiance’s professional opinion on abortion, to threatening a breakup because his fiance stayed out too late, all the way to telling his fiance that eating two tangerines all day would spoil her appetite for dinner, men in the third season of the “Love is Blind” franchise were always coming up with new ways to subject the women to emotional trauma.

After the third season, the “preditors,” producers slash editors, decided to even things out by making the women the drama in season four. This switch was very obvious and left viewers wondering if this act was an intentional way to even the playing field in response to backlash caused by the unhealthy relationship dynamics presented in season three. 

Adding to the absurd drama, the cups that the contestants of “Love is Blind” drink from are metal — preventing the audience from seeing how much, or what, is inside them. In many instances, contestants talk about the type of alcohol that they are drinking, and, it can be deduced from many of the contestants’ actions, that they are drinking heavily. While heightened emotions can make very good reality TV, it probably isn’t the best idea to decide to marry someone in a month while under the influence. 

Oh yes, and then there’s that. Choosing to spend the rest of your life with someone is a huge deal and, arguably, one month isn’t enough time to make that decision. 

Many members of the “Love is Blind” cast do fall in love, but they are unable to follow through with it when it comes to the wedding day due to indecision. A good example is SK and Raven in season three and Micah and Paul in season four. Perhaps, given more time, these relationships could have worked out. 

Many people can agree that drama-filled shows are their guilty pleasure, so before sitting down for a fifth season, be sure to think about the emotional toll these participants are experiencing as well as the relationship precedent it is setting for its viewers. 

 

Contact the author at howlentertainment@wou.edu 

Mario movie madness

Written by: Mikayla Coleman

Content warning: this article contains spoilers for “The Super Mario Bros. Movie” 

Despite having a rating of only 57% on Rotten Tomatoes, “The Super Mario Bros. Movie” has taken audiences by storm. 

The movie debuted in theaters on Apr. 5, starring many notable actors such as Anya Taylor-Joy as Princess Peach, Seth Rogan as Donkey Kong, Chris Pratt as Mario — and the true star of the show — Jack Black as Bowser. 

One of the most admirable things about “The Super Mario Bros. Movie” is that it transcends generations. No matter how one has been exposed to the world of Super Mario Bros., via old-school arcade games, Nintendo Gamecube or a console as new as the Nintendo Switch, there are many references scattered throughout the film to keep one entertained. 

The movie begins in the tangible world of Brooklyn, New York as brothers Mario and Luigi attempt to make a living by working as a plumbing duo. After having a less-than-stellar first customer experience, the brothers set out to prove themselves by saving Brooklyn from a city-wide plumbing disaster. In the process, Mario and Luigi are transported into different worlds through a big green pipe where they are separated from one another. Luigi ends up in the Dark Lands which are under the control of Bowser. Mario ends up in Mushroom Kingdom where he joins forces with Toad and Princess Peach to find his lost brother. Many critics feel that the plot was thin or lack-luster, but with its target audience being young children and those who were fans of the games as kids, I feel that a simplistic and easy-to-follow story line was warranted. 

If one is attending the movie to experience the nostalgia of the early 2000’s Super Mario franchise in all of its glory, and is also of the legal drinking age, it is my opinion that this movie is best experienced slightly inebriated. 

The film is filled with intricate imagery inspired by the games, paired with an amazingly immersive soundtrack. Overall, I think the movie was far better than expected and I had a blast seeing it in theaters, even as a 21-year-old. 

9/10.

Contact the author at howleditor@wou.edu

Senior sessions

Written by:  Jude Bokovoy

For the graduating senior class, the time has come where many get professional pictures taken to commemorate the milestone and to share with friends and family. There is more time and effort put into the act than one may think. Although it is mid April, many graduates have been overwhelmed with the feeling that it might be too late to schedule with a local photographer. Whether or not this is true or one already has a grasp on the process, here are some things to keep in mind.

The photographer — Look into one’s options, friends, family or a professional photographer. No matter who it is, think about the pictures that one truly wants. Think about the style of photography. Does one want them to be highly edited, bright and crisp? These are some of the many aspects to think about when selecting a photographer.

Time frame — Now that caps and gowns are in one’s hands, so is the timing of the photoshoot. Weather, flowers and atmosphere vary within the months leading up to graduation. Make sure to look into the best time to take photos to determine what lighting will be best. 

Tester photoshoot — Instead of relying on one person on one day to grant one all of their graduation photo desires, take matters into one’s own hands. Doing a tester photoshoot beforehand can ensure what poses and outfits are best before the big day. 

People one is taking pictures with — Does one want to have photos with a few of their closest friends or take it on solo? Either way, make sure it is what one wants to do. It’s not anyone else’s decision to make. As long as one is happy with the photos that could be on one’s professional desk for decades, that is all that matters.

Locations — What campus locations are meaningful? Is it where one took their favorite classes? Or where one spent time with friends? Wherever it may be, make sure to include them in one’s photoshoot. 

Graduation day — There are plenty of opportunities to take photos at graduation. This is the perfect time to take photos with friends if they did a solo photoshoot. 

Contact the author at howllifestyle@mail.wou.edu

Abby’s House takes part in #30daysfoSAAM

Written by: Mirella Barrera-Betancourt

Content warning: includes mentions of assault and violence

This year, in recognition of Sexual Assault Awareness Month, Abby’s House is demonstrating support for survivors of interpersonal violence and sexual assault through a month-long series of events. In previous years, these events stretched out across a span of months. However, Abby’s House is integrating the events alongside a month of observance. 

“The Clothesline Project” was the first event to arrive at Western for Sexual Assault Awareness Month. The project consisted of an interactive information table in the Werner University Center, as well as a display of an array of t-shirts across the ceiling. 

The display spotlighted a few very raw and honest confessions of assault, while many other expressions remarked about key elements of consent and self-love, such as: “Nobody is an object” and “You are whole, beautiful, and deserving of love.” The shirts are designed by survivors, allies and their loved ones.

There is a purpose and rationale behind the color and number of the t-shirts, as each color represents a different type of violence and assault. 

In the grand display at Utah Valley University, the following are represented: white for the people who have died due to violence and assault; yellow for survivors of physical assault and domestic abuse; purple for the people attacked because of sexual orientation; red, pink and orange for survivors of rape or childhood sexual abuse; brown and gray for survivors of emotional, spiritual or verbal abuse; and blue and green for survivors of incest or childhood sexual abuse.

“The Clothesline Project” was not the sole new event to arrive at Western for Sexual Assault Awareness Month. On the evening of Apr. 16, Abby’s House hosted an independent event for students identifying as survivors of violence or assault, advocating for self-care and self-love in a time of healing. The event featured guest speaker, Laura Hasbun of Maracuya Botanicals. 

Additionally, “The Bandana Project” — an awareness campaign aimed to address the issue of sexual assault among farmworker women — was one of the projects to be featured for the month. 

On Apr. 18, Abby’s House set up an information table about “The Bandana Project,” including a display of bandanas decorated by students. The display can be found near the North entrance of the Werner University Center.

“Denim Day” — which is occurring on Apr. 26 — was established in Los Angeles in 1990 by Patricia Giggins to observe Sexual Assault Awareness Month. This day encourages supporters and survivors alike to demonstrate their solidarity by wearing denim with a purpose. 

On Apr. 27, Abby’s House is to host one of the more widely observed events at Western: “Take Back The Night.” This event is an annual rally and speak-out against sexual and domestic violence stretching out in movements across colleges and universities in the country. 

This year, the rally is featuring a speaker and candlelight march, as well as student testimonials. Participants are encouraged to share their voices through readings of poems and healing stories.

For more information on the remaining events for the month, as well as their scheduled times, check out the Abby’s House Instagram at @abbyshouse_wou. 

The observance month may be finite, but Abby’s House always encourages everyone and anyone to advocate for victims of sexual and physical violence and assault. 

Contact the author at howlnews@wou.edu

AI may not be as scary as it seems

Written by: Nicholas Sarysz

Most people will never be able to fully understand the scope of what artificial intelligence does because we don’t have attention spans that last any longer than a low-effort TikTok. 

Years ago, the idea of robots doing work for humans felt like a far-out euphoric concept. Today, most of us are scared of it. The concept of Artificial Intelligence, commonly referred to as AI, and how far it has come within the past couple of years has been discussed endlessly, but that is because it is still in its beginning stages.

The diminishment of jobs, uncertainty and the often overplayed “robot takeover” are all reasons for concern, but the fact of the matter is, we aren’t doing anything of great value anyway. 

Just look at this country, we fight over “job” creation that has people pumping gas or working in coal mines, pick our leaders from two separate sides of the same rotten tree that we call politics and point fingers at each other while the economy continues to plummet. These are just a few issues within our own borders because issues outside of that aren’t even civil enough to poke fun at.

Put simply, Artificial Intelligence is scary to us because other humans have access to it. So much of the public finds themselves worked up about how we can stop AI from helping students plagiarize homework, how to watermark AI deep fakes or art pieces or how we can limit access to AI overall. Public conversations surrounding the topic have begun to focus on how we can dumb down the software to limit our own shortcomings, rather than improve it to make headway on serious issues that AI assistance can be beneficial to. 

Almost every single one of these issues is not truly a matter of Artificial Intelligence, they are people issues. Artificial Intelligence is a tool, and just like every tool, it has multiple uses, many of which can be negative. Take motorized saws for example, we would not be as far along as a civilization if it was not for them and their evolution from simple blades to rotary tools. If we tried to keep saws as simple as we could for human safety, present-day commercial construction would be merely impossible.

For now, there is little reason to do anything more than be cautious and enjoy the funny videos of politicians playing Minecraft. As we navigate the future of Artificial Intelligence, let’s not forget that we hold the power to shape its impact on society.

Contact the author at howlstaffwriter@wou.edu

Instrumental beats

Written by: Gretchen Sims

“Satellites” — Cavement

“Out For a Walk” — Same as Different

“Sidewalking” — Jazzdroid

“humify” — hope mona

“When You’re Gone” — Piano Guys

“Purple love” — Discant Of Venus

“Titanium – David Guetta” — Eklipse

“Happy Ending” — rjoseph

“A Thousand Miles” — Josh Vietti

“Travel by Night” — Itsuju

“Time After Time” — Celestial Aeon Project

“All of Me” — The Piano Guys

“For the Love of a Princess” — 2CELLOS

“Soul Dreaming” — Zmeyev, flowless

“Afterglow” — AWL

“Close To You” — Tang Jia

“Curious” — Lushi

“The Martian Nextdoor” — Keyser

“10,000 Hours (Instrumental Version)” — Laura Sullivan 

“Pirates of the Caribbean” — 2CELLOS

“Angel of Music” — Laclede Quartet

“All I Ask of You” — Laclede Quartet 

Contact the author at howlentertainment@wou.edu

Ghibli in theater

Written by: Gretchen Sims

Anime fans across campus listen up. It is everyone’s dream to go back in time and be able to watch their favorite anime for the first time all over again. What if one is now able to achieve the next best thing?

Studio Ghibli movies are often a staple, almost a gateway drug, for most anime fans — usually the first film an experienced viewer will recommend to an anime viewer. These heartwarming films may even be a core memory in many childhoods. What if the fantasy of traveling back in time to watch one’s favorite Studio Ghibli film for the first time is practically achievable?

Fathom Events, a leader in the entertainment industry and a top distributor of content to movie theaters, hosts an annual Studio Ghibli Fest to showcase all the groundbreaking films by Hayao Miyazaki. This Fest is meant to celebrate the ongoing impact that Studio Ghibli continues to have on the animation industry. These unique and beautiful animes are beloved by fans across the world.

This year, Studio Ghibli Fest 2023 is showing at local cinemas. Here is a list of one’s favorite Studio Ghibli films that one can attend as well as their showing times.

“SPIRITED AWAY: Live on Stage” — April 23 and 27

“Ponyo 15th Anniversary” — May 7, 8 and 10

“Kiki’s Delivery Service” — June 11, 12 and 14 

“Nausicaä of the Valley of the Wind” — July 9 and 11

“Castle in the Sky” — July 10 and 12

“Princess Mononoke” — Aug. 5, 7, 8 and 9

“Porco Rosso” — Aug. 20 and 22

“The Wind Rises 10th Anniversary” — Aug. 21 and 23

“Howl’s Moving Castle” — Sept. 23, 24, 25 and 27

“Spirited Away” — Oct. 28, 29, 30, 31 and Nov. 1

Showings may either be in Japanese with English subtitles or dubbed. Depending on one’s preference, be sure to check out these showings in a theater near you or visit Fathom Event’s Studio Ghibli Fest homepage at fathomevents.com/series/studio-ghibli-fest.

Contact the author at howlentertainment@wou.edu