Mount Hood

Artist Spotlight on Abi Lowther, aspiring tattoo artist

Never Retallack  | Entertainment Editor

Abi Lowther’s love for art was ignited as a first-year in high school when she took an introduction to drawing class and realized that she had a natural talent. From there, she started to pursue art more seriously; as a sophomore at Western, she is currently majoring in Art and Design.

The main mediums she uses are drawing and painting, and recently she has started practicing stick and poke tattoos. Her art style is not too focused on one aspect; Lowther says that she gets a lot of her inspiration from the music that she listens to, elaborating that, “In my head when I’m listening I can imagine something more organic, a lot of my bigger paintings will have trees and mushrooms and have a lot of color and be kind of funky.”

Lowther is mainly self-taught; she describes the art degree as, “…mainly a way for me to find my style and shape it while learning things.” But she says she hasn’t gotten there yet, so most of the time she spends working on art is in her free time.

Depending on what piece she is working on, a small drawing might take around a day, while a painting on a larger canvas usually takes up to a month. Lowther is also an avid doodler, and even uses it to aid her learning; in Art History she will sketch out whatever painting they’re looking at in the margins.

While painting and drawing are forms that Lowther loves to practice, her dream for a future career is actually in tattooing. She purchased a stick and poke kit and practiced on herself; her first piece she initially thought was a mess, but now when she looks at it she loves it. Lowther, currently more confident in her stick and poking skills, often gives her friends free tattoos, grateful for a willing canvas.

Her future plans entail moving to Portland — because of the large tattooing scene — hopefully obtaining an apprenticeship under a wise tattoo artist and also entering tattooing school. 

For Lowther, there is no other field she could be in; being creative through art is what makes her thrive and she can’t imagine doing anything else.

Lowther said that art is a process, and for those who are interested they must, “learn to like (their) mistakes … and practice, practice helps a lot.”

For those who want to check out Lowther’s art, she has an instagram page called, @killbillvoltree, where she posts some of her pieces. Lowther also does commission work. People can directly message her via Instagram if interested in learning more.

 

Contact the author at howlentertainment@wou.edu

Photo by Ashlynn Norton

King Princess performs in Portland and summons the rock gods.

Sage Kiernan-Sherrow  | News Editor

Already on the radar in the LGBTQ+ community, King Princess is an up-and-comer in pop music — and she summons the rock gods. At her Portland show, located in the Roseland theater, King Princess proved two things: one, that she eats CDs for breakfast, as her live vocals were indistinguishable from her recordings and, two, that she’s a rockstar. A versatile (cheap) queen known for her sultry vocals, King Princess pranced around the stage like she owned it — which, she did — all while playing guitar and piano intermittently and breaking the venue’s no-smoking policy. 

During her two-hour performance, she played the majority of her album, “Cheap Queen,” pausing in between to provide witty, playfully teasing commentary about her music and her fanbase. At one point, she discussed her attempts to remain authentic to her craft and resisting control from others, while before playing her hit song “1950,” she half-jokingly begged the audience to help get her another hit because she was “tired” of the former. 

Her genuineness of character combined with her roguish, bordering on sexual-deviant, attitude captivated her audience during the entire show, even after they had already been dancing to both her opener’s performances — an exciting drag showcase from Bujee Cherry and what can only be called an EDM experience from spunky Kilo Kish (due to the unfortunate case that the audio cancelled out her voice). And, although there were a few mishaps (with one fan claiming to need medical attention just to get King Princess to notice her), King Princess delivered a flawless show. 

True to her brand until the very end, King Princess wouldn’t come on stage until she had the audience screaming and only came back on stage for her final act when she had the audience begging for more. Sporting a jockstrap with the word “KING” embellished on it, she literally stood before her subjects and performed until people’s throats were hoarse and their ears were numb.

 

Contact the author at howlnews@wou.edu

Photos by Sortia Sherrow

See the new content arriving to Disney + February 2020

Sean Martinez  | Copy Editor

There is a wide selection of shows to watch on Disney+ for February. From Oscar-nominated films to original series, here’s everything coming to Disney+. 

 

Available Feb. 1: “Big Business,” “The Sandlot,” “Around the World in 80 Days,” Wicked Tuna: Season 1-2” 

Available Feb. 2: “Descendants 3” 

Available Feb. 5: “Toy Story 4” 

Available Feb. 7: “Pixar In Real Life: Toy Story: Traffic Cone Rescue,” “Timmy Failure: Mistakes Were Made”

Available Feb. 9: “Old Dogs” 

Available Feb. 14: “My Dog, The Thief,” “Splash,” “Cheaper by the Dozen,” “Because of Winn-Dixie,” “Percy Jackson & The Olympians: The Lightning Thief” 

Available Feb. 16: “Marvel’s Iron Man and Hulk: Heroes United” 

Available Feb. 21: “Unlikely Animal Friends: Season 1-2,” “Marvel Rising: Operation Shuri,” “Marvel Rising: Playing with Fire”

Available Feb. 25: “Star Wars: Resistance: Season 2” 

Available Feb. 28: “I Captured The King Of The Leprechauns,” “Phineas and Ferb: Star Wars,” “Marvel’s Future Avengers: Season 1” 

 

Original Series (available weekly):

 

Starting Feb. 7: “Diary of a Future President,” Disney Family Sundays,” “Marvel’s Hero Project,” “One Day At Disney”

Starting Feb. 14: “Disney’s Fairy Tale Weddings: Season 2”

Starting Feb. 21: “Star Wars: The Clone Wars: Season 7”

Starting Feb. 28: “Shop Class”

 

Contact the author howlcopyeditor@wou.edu

Photo courtesy of movies.disney.com

Get to know local college band Laundry in this Q&A

Never Retallack  | Entertainment Editor

Read on to learn more about the local college band, Laundry, in this Q&A style interview.

 

Can you tell me a bit about how this band got started?

We met in the UO dorms as freshman and all started going to house shows together. We started playing in the basement of our building near the laundry rooms — hence the name. 

 

Who is all in the band? What role does each musician play?

Cal plays bass and sings. Riley plays guitar and sings. Kiki plays guitar and sings. Nik plays drums. 

 

How would you describe your style of music?

We usually say we play dream rock, but we have a hard time answering that question — we have a lot of different influences. Please let us know if you have any idea what genre we are. 

 

What would be the perfect album for your band and what does that mean?

A perfect album has to be creative and consistent, while still being accessible enough to connect with listeners. There can’t be any filler tracks!

 

What is the process for producing music?

All four of us are songwriters, so Laundry songs wind up reflecting a ton of different influences. We take our songs to the band and all try to capture the original intent of the piece the best we can. Most of our songs wind up being played live for months before they make it into an album — we’re always trying out new material so we never get bored. 

 

What is the best part about playing your music live?

We’re just extremely grateful to have an audience who is familiar with our music and is willing to trek out to shows every weekend. The Eugene arts scene is crazy active and we probably wouldn’t be a band if it weren’t for all the local support. 

 

What is your goal when it comes to producing music?

We really love playing shows and making albums that people listen to. Our goal is to sustain that cycle as long as we can! 

 

Who are your role models or inspirations for creating music?

We have extremely diverse music preferences among our members — our songwriting heroes include Big Thief, Billy Joel, King Giz and everything in between. 

 

If your music was a color, what color would it be?

The Color Blue (Affirmation, 2019). 

 

Where can your music be found?

You can find our music on Spotify, Apple Music and all the major streaming services. We also have CDs and tapes available at our shows or via Instagram direct message @laundrytheband.   

   

Are you working on any projects currently?

We are in the late production stages of a new album that we all are crazy excited about. It’ll be out on Apr. 25!

 

Where will you be performing next?

We’re playing at Interzone in Corvallis on Feb. 8, WOW Hall in Eugene on Feb. 27, Cruz Room in Portland on March 31, and house parties in Eugene almost every weekend. 

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Jonathan Roensch

Not quite an album, but enough to excite fans: Kaleo releases new songs

Emily Hedges  | Freelancer

Kaleo, an Icelandic band, released two new songs on Jan. 15, which shocked many fans considering the last album they released was in 2016. While fans may not have had new music for four years, Kaleo has still been performing around the world. The two songs “Break My Baby” and “I Want More” fit perfectly with their 2016 album “A/B.” A blues-rock feel with hints of folk/singer-songwriter, fans have been more than pleased with the new songs and hope for more soon.

The first song “I Want More” is filled with acoustic guitar and a soft melody of poetic lines. This song has a light-hearted feeling of wanting more in a relationship. Lead singer and guitarist JJ Julius Son, leads us through a relationship when the past was better and how he wants that back again; how he is willing to follow her wherever she goes. I would compare this song to “Automobile” which is on “A/B”; “Automobile” is a song about someone wanting to get away and go wherever the car takes them. Both of these songs bring a light-hearted and optimistic feel of wanting to get away or be with someone you love deeply.  

“Break My Baby” has a contrasting sound to “I Want More” with heavy drums and an electric guitar. JJ Julius Son’s voice, now deeper and soulful, sings about distrust and lies. This brings similarities to their song “Broken Bones” which talks about selling your soul to the devil to live a better life. 

Overall review: While after four years of no new music fans were a little disappointed that it wasn’t a new album, these songs still bring the same feel of the beloved “A/B,” leaving fans and new listeners two very different songs to listen to and enjoy. I would highly recommend these songs along with their 2016 album. 

 

Contact the author at ehedges15@mail.wou.edu

Album review of Halsey’s self-exploration album “Manic”

Never Retallack  | Entertainment Editor

Halsey released her third studio album on Jan. 17 by the name, “Manic” which featured her 2018 Billboard Hot 100 number one hit “Without Me.”

This album was a heavy-hitter; it covered mental health, emotionally abusive relationships and struggles with self-love; she didn’t hold anything back.

The first track titled “Ashley” is a real start to a new Halsey era, exposing her true identity “Ashley Nicolette Frangipane” and what she has gone through in her career. In the Spotify storyline feature, Halsey said, “This is an introduction but it’s also a cautious goodbye,” reflecting on how her audience would be affected should she ever “disappear.” This was a pretty dark song, but an essential way to start her album.

Halsey described her second song “clementine” via Spotify storyline feature as, “… a pinnacle moment for ‘Manic.’ It’s when I really saw my inner self and inner child come through in sound as well as the lyrics. You can hear two voices.” She refers to the calm and collected Halsey singing while Ashley yells impulsively in the background — a culmination of who she is and how she longs to be in the world.

The third song, “Graveyard” is one of my favorites. The catchy beat is inviting, and the meaning is deep. Halsey croons about loving someone who is in a bad place and without realizing, following them too far — far enough that it is detrimental to one’s own health.

“You should be sad” has an almost country twang to the guitar and vocals as Halsey sings about how happy she is to not have gone further in a relationship with someone who she describes as a terrible person. This is believed to be about her ex G-Eazy who was addicted to drugs and cheated on Halsey several times throughout their relationship.

While a lot of Halsey’s album focuses on the faults of her exes  that did more harm than good, she also acknowledges her own faults and battles, such as in her song “Forever… (is a long time)” which discusses how her paranoia and anxiety that can harm a relationship.

The three interludes in “Manic” cover three types of love, featuring three different artists. The first one, “Dominic’s Interlude” features Dominic Fike and is about brotherly love. The second “Alanis’ Interlude” with Alanis Morissette is about loving women and sexual and professional empowerment. And the third “SUGA’s Interlude” is where SUGA of BTS touches on self-love.

“I HATE EVERYBODY” is an important song for Halsey regarding her self-image. Her self-worth can often be equated by what other celebrities think is valuable, so she gets with them to earn that same respect that people have for such a star, and she is sick of it.

Halsey’s song “3am” is reminiscent to the style of the early 2000s with the heavy guitar and belting vocals, and touches further on her need for acceptance and love, and the fear of being alone and undervalued. 

One of Halsey’s most intimate and vulnerable songs on the album has to be “More” which ties in her longing for love — while not necessarily romantic — and to someone who does not exist. Halsey has opened up about having endometriosis and having several miscarriages, and has recently discovered she can have children; at the end of “More,” a sonogram can be heard beeping as the song fades out.

Overall Review: Halsey’s album “Manic” is a manifesto pushing past the heartache and pain she experienced in relationships to who she is as a person and how she has developed throughout the years. I resonated with what Western Howl staff member Ashlynn Norton said when she expressed that, “Halsey’s new album is the poetic self-help book for turning away love and people.” Every song on the album hits heavy while still being something to dance to or cry to; an all around great exploration of Ashley.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of http://www.manicthealbum.com/

Podcasts, convenient and endlessly entertaining:

Never Retallack  | Entertainment Editor

Podcasts are a form of fictional or nonfictional storytelling online, which have been around since at least 2004, but it wasn’t until 2017 that they started rising in popularity. The sheer amount of podcasts available can be daunting when approaching. So, I have compiled a list of what I believe are some of the best podcasts in 2020.

  1. “And That’s Why We Drink”: This, in my opinion, has the perfect blend of genres to listen to. This podcast features two friends, Christine and Emily, who drink wine and milkshakes while discussing true crime stories and ghost stories, all while having playful banter and providing lots of comedic relief. A good laugh, while intertwined with dark and interesting history.
  2. “Spooked”: Hosted by Glynn Washington, this podcast immerses the listener with tales of the supernatural, while incorporating scary sound effects to create an absolutely chilling tale of horror. These are also based on nonfictional experiences, and the reactions of those dealing with ghosts is interesting to hear.
  3. “Sooo Many White Guys”: Contrary to the title of this podcast, it features those who are not white guys, allowing artists who are women and people of color on the show to discuss difficult subject matter, like obstacles which heterosexual white men can avoid. The host, comedian Phoebe Robinson, jokes casually with her guests, and makes listeners feel like they are sitting right there.
  4. “Gay Future”: This fictional podcast covers a hilarious dystopian society in 2062 where everyone is gay, except for Mikey Pence who must save the world from the authoritarian gay agenda. It flips homophobia upside down but isn’t hurtful or snarky. It is an interesting listen and incredibly fast-paced.
  5. “Blackout”: This is a post-apocalyptic thriller with Rami Malek as the host, intertwining authentic audio that instills fear into the listeners. This fictional tale set in New Hampshire after a nationwide power outage; is a truly unsettling podcast that is interesting every step of the way.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of https://www.andthatswhywedrink.com/

How to get involved in dance within Monmouth

Never Retallack  | Entertainment Editor

Western has a great number of dance classes available, but for those who have never taken the plunge and are still interested in dancing, there are opportunities in Monmouth.

The “Swing Dance Club” is a free opportunity on Mondays and Wednesdays from 6-8 p.m. in room 212 in the Old P.E. Building. On wou.campuslabs.com it says, “The purpose of this organization is to encourage students to participate in swing dancing, an easy-to-learn high energy social dance.” 

Beginner lessons start at 6 p.m. and the regular dancing starts at 7 p.m. This is a great way to get involved with the Western community and have some fun.

The Health and Wellness Center provides many free exercise classes throughout the week, one of which is Zumba. The Zumba class is available in room 253 from 12:05-12:50 p.m. on Fridays. On wou.edu, the activity mentions that “Zumba classes feature exotic rhythms set to high-energy Latin and international beats … It’s easy to do, effective and totally exhilarating, often building a deep-rooted community among returning participants.” 

As for experiences outside of Western’s campus, Monmouth Dance Studio offers a wide variety of dance classes every week, and has a monthly charge depending on the length of the class. The cheapest option is $45 per month for a 30-minute class once a week, in addition to the nonrefundable $30 deposit. For many college students, this is a steep price, but this may be a good option for those who are interested in cultivating their dance skills outside of Western.

While getting involved in dance can be intimidating for those who have never danced before, the dance community is not only inviting, but an amazing opportunity to combine exercise and friendship.

 

Contact the author at howlentertainment@wou.edu

Art that tells a story: On Western Campus

Never Retallack  | Entertainment Editor

Campbell Hall currently has an exhibit up, called, “Crow’s Shadow Institute of the Arts: Selections from the Permanent Collection” featuring 26 artists. 

The artists shown are Rick Bartow, Marwin Begaye, Pat Boas, Joe Cantrell, Corwin Clairmont, Jim Denomie, Demian DineYahi’, Vanessa Enos, Joe Feodorov, George Flett, Ric Gendron, Jeffrey Gibson, Don Gray, James Lavadour, James Luna, Brenda Mallory, Larry McNeil, Whitney Monthorn, Lillian Pitt, Wendy Red Star, Sara Siestreem, Kay Walking Stick, Marie Watt and Shirod Younker.

According to the “Crow’s Shadow Institute of the Arts at 25” by heather ahtone, Rebecca J. Dobkins and Prudence F. Roberts, the art institute in Pendleton, Oregon was founded by the Oregon painter and printmaker, James Lavadour (Walla Walla), who “envisioned a Native printmaking atelier on the Umatilla Reservation … that would provide a creative conduit for educational, social, and economic opportunities for Native Americans through artistic development.”

The company started out small in 1992 and has now grown into one of the most important printmaking locations in the country that brings together Native and non-Native artists to create with the guidance of master printer Frank Janzen.

Entering the Campbell Hall gallery, the first piece is colorful and bold, featuring two young girls dressed in Native American dresses.

All of the art pieces are either lithograpic or monotype — both are forms of printmaking. The interesting factor of having a collection of different artists all doing the same form of art is the diversity in style and color. Some pieces are neutral colors while others are more bright; all of the pieces are bold in their imagery and meaning.

It is apparent that the connection to Native American roots plays a large role for the artists, showing landscapes, traditional dress and more.

The flow of the gallery is easy to follow and provides a nice contrast between each piece as a viewer walks through.

This gallery is an opportunity for people to learn about Native American culture. The art is expressive and a book is provided that gives background information about the Crow’s Shadow Institute of the Arts, which can be found on the windowsill in the gallery.

 

Contact the author at howlentertainment@wou.edu

Photos by Never Retallack

Become captivated within the stunning views the Portland Japanese Garden has to offer

Never Retallack  | Entertainment Editor

Galleries are a staple within the realm of art, but for those interested in seeing art and nature combined, the Portland Japanese Garden is the perfect solution.

The idea for the garden was conceived in the 1950s by Mayor Terry Schrunk and members of the Portland community, in an attempt to soothe the tension between the United States and Japan after WWII and provide citizens with a garden of serenity and beauty.

On portlandjapanesegarden.org, it says, “Our mission is to bring the ideals of Portland Japanese Garden to the world: art of craft, connection to nature, experience of peace.”

Professor Takuma Tono of Tokyo Agricultural University designed the Garden, and his plan included five different garden styles laid out on 5.5 acres.

It officially opened in 1967, and the next year they started construction for the Japanese Tea House — where they host events for people to visit throughout the summer. 

It wasn’t until 1981 that they kept the gardens open all year round, and in 2015 the famous architect Kengo Kuma was enlisted to create a new visitors center, for the increasing amount of people coming each year.

I had the pleasure of visiting the Japanese Garden this month and the chilly weather did not hinder the experience at all. The intricate weaving pathways are interwoven with art features and an array of plants. There is a pond near a waterfall with large koi fish meandering within the depths. 

The routes that are available allow visitors to choose how they want to approach the gardens; this was helpful when it came to avoiding larger groups of people, keeping the experience serene and personal.

Located within Pavilion Gallery and Tanabe Gallery an art exhibit, “Spirits Rising: ひろしま / hiroshima” by Ishiuchi Miyako, opening Jan. 18 until March 15. This is the 75 year celebration commemorating the end of WWII. The exhibit will showcase the tattered clothes and belongings of those who experienced the atomic bombing in Hiroshima; it’s meant to remember what was lost and spark conversation as well.

They are open Monday 12-4 p.m. and Tues.-Sun. from 10 a.m.-4 p.m.; for students with ID, a ticket costs $13.50. 

 

Contact the author at howlentertainment@wou.edu

Photos courtesy of japanesegarden.org

Wizard World Portland brings together pop-culture lovers at the Oregon Convention Center

Chrys Weedon | Entertainment Editor

Wizard World Comic Con’s 2019 celebrity guest list included the likes of Jason Momoa, known for “Game of Thrones” and “Aquaman”, Melissa Benoist, star of “Supergirl”, and many others. The Comic Con was held on the weekend of Feb. 22-24 in the Oregon Convention Center.

Wizard World is a comic convention that provides fans and cosplayers an opportunity to socialize and meet their favorite superhero and sci-fi celebrities. The convention also allows artists and other vendors a chance to increase their visibility within the community.

The Convention Center was teeming with cosplayers and vendors on Feb. 22, the first night of the convention. Many characters made appearances in many different iterations thanks to dedicated fans that took the time to create their own costumes. Among the characters present were Jack Sparrow, Professor Snape and Mad-Eye Moody, Mermaid Man and Barnacle Boy and many others. Even Darth Vader was there — wearing a kilt, riding a unicycle, and playing the bagpipes.

While attendees milled about the ballroom waiting to meet and greet with different celebrities, there were many vendors to keep them company. Typical t-shirt and collectible booths that attend every street fair and convention were there, but there was also a plethora of artist booths present. Most any movie or show imaginable was represented: there was fan art, comic books (both originals and collectibles) and most everything else.

“I actually do comic conventions and fandom conventions once every two or three weeks, like, all year round,” commented Misty Figs, an artist at the convention. Figs makes stickers, pins and online art through mistyfigsgiftshop.com.

“I get to meet a lot of the people that I interact with online, that buy my art or give me ideas for art. So getting to put a face to a twitter or instagram username is really cool, and I’ve met a lot of artists that way as well,” said Figs.

Aside from art vendors, there were also sections with computers for gaming and a virtual reality booth in which volunteers could try a VR game. Several tattoo booths were in attendance, one of which was called “Ink Bus”: that was a old bus turned studio. Another booth was born out of a partnership between Wizard World and Transition Project, a Portland-based company, to put comic books and other reading materials into the hands of people transitioning out of homelessness.

The Wizard World convention brought together many people from different walks of life that were able to bond over a similar love of movies and art. It has not yet been revealed if the convention will return in 2020.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Chrys Weedon

“The Grudge” of 2020 fails to find new angle for the franchise

Never Retallack  | Entertainment Editor 

“The Grudge,” released on Jan. 3, written and directed by Nicolas Pesce is definitely an unnecessary evil for the new year. A spin-off from the original movie “Ju-On: The Grudge,” this continuation was disappointing as a viewer.

This version focuses on a mom, Officer Muldoon, who moves to a small town with her son after her husband passes away. It’s meant to be a fresh start, but several bodies are found all connected to one house: the house that the audience knows has the grudge.

For those who are unfamiliar with “The Grudge” franchise, a grudge is defined in the 2004 remake as, “when someone dies in the grip of a powerful rage… a curse is born. The curse gathers in that place of death. Those who encounter it will be consumed by its fury.”

It’s the same idea in this spin-off; the grudge has traveled to the states, moving away from its origins in Japan.

Pesce’s take on this film is nonstop violence and jumpscares. There is never a point where the viewer sits in suspense and wonders “What’s going to happen?” It forces the audience along for a predictable and bloody ride that lacks any development for the franchise.

While “Ju-On: The Grudge” was slow and, admittedly, the visuals are less scary, the storyline and tension is preferable over the 2020 film. 

Despite my issues with the methods for scaring the audience, I also am not a fan of the dialogue or the plot in general. A lot of the dialogue in the movie feels awkward or forced and quite frankly, out of place. A couple of characters, such as Detective Goodman, were given interesting arcs, but those ideas were never developed and it left the audience with bits of useless pieces.

Overall Review: I am not impressed by the newest rendition of “The Grudge.” It was unnecessarily violent, and every jumpscare was predictable. The visuals were creepy enough to keep me entertained, and there were scenes that sent shivers down my spine, but for the most part it was another disappointment in the horror scene. 

 

Contact the author at howlentertainment@wou.edu

Photos courtesy of Sony Pictures

Get comfortable and grab a glass of cocoa and settle into these three short stories full of tension

Never Retallack  | Entertainment Editor

With the start of the new term, many students may already be overwhelmed with new schedules and workloads. Reading in college often becomes tarnished as a pastime because of the amount of homework and class readings that students are required to do; a solution for that is short stories. There are countless tales that leave one breathless, contemplative or unnerved, all accomplished within 15-20 pages. 

“Cathedral” by Raymond Carver (1981): This suspenseful tale is from the perspective of a jealous husband when his wife’s blind friend visits them in their home, and unsettles readers. The discomfort that the husband feels by the intimacy of his wife and friend makes one wonder how the story will build, leaving the reader quietly anticipating each move. It can be found online here: http://www.giuliotortello.it/ebook/cathedral.pdf

“The Yellow Wallpaper” by Charlotte Perkins Stetson (1892): This is by far one of my favorite short stories out there. Each time I read it, I discover something new, and the unease that I feel doesn’t ever end. It is a complex tale that shows the distress of a woman in her new house where she seems to unravel as she becomes obsessed with the yellow wallpaper in a room. Reality becomes distorted and it’s impossible to sort if what she is seeing is actually happening or not. It can be found online here: https://www.nlm.nih.gov/exhibition/theliteratureofprescription/exhibitionAssets/digitalDocs/The-Yellow-Wall-Paper.pdf

“The Lottery” by Shirely Jackson (1948): Another one of my favorite short stories is based in a small village that must partake in “The Lottery,” and there is a general discomfort or fear with the characters. Each page makes the reader more and more anxious, waiting in anticipation for what could possibly happen. It can be found online here: https://www.newyorker.com/magazine/1948/06/26/the-lottery

 

Contact the author at howlentertainment@wou.edu

Start the year with an album that encourages to put yourself first

Never Retallack  | Entertainment Editor

Selena Gomez released her new album “Rare” on Jan 10 of 2020, the first album she has released since 2015. The former Disney star goes deeper with this album, singing about the heartache she went through with Justin Bieber and the depression and anxiety she has struggled with, as well as touching on the stress of being famous.

The album starts with the title track “Rare,” a catchy pop tune that breaks down a relationship where the person she is with doesn’t appreciate her. The main point is that he doesn’t understand that she is “rare.” This is a powerful song to encourage women to never settle for someone who doesn’t see how special they are.

The next song on her album, “Dance Again,” is about her moving on from her trauma and opening herself up to having fun again and trying to find happiness. She sings about how she feels high without emotional baggage weighing her down.

Gomez’s song “Look at Her Now” refers to herself in the third person and once again touches on a toxic relationship. She discusses how she was hurt and how she bounced back and grew from her troubles.

One of my favorites on her album is “Lose You To Love Me.” With slow vocals and a gentle instrumental, she croons about only loving herself after her breakup.

So much of her album covers her heartache — which shows that she is struggling to process everything — but I think that her self-love focus will be very helpful for countless listeners who are dealing with toxic relationships. Similarly, it could help those who are dealing with depression and anxiety which she touches on in several songs.

Overall Review: This album, while not totally soulful, I think has some really important songs that can help those who listen. I recommend this album to those who want a bop that has some more meaning behind the lyrics.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of selenagomez.com

Album Review of the eclectic album “Fine Line” by Harry Styles

Never Retallack  | Entertainment Editor

Harry Styles is no longer just an old member of the boy band One Direction, but rather a talented and diverse artist. “Fine Line” is Styles’ second album, released in December of 2019. It received much acclaim and was number three on the UK Album Charts and number one on the Billboards 200.

The album had a different sound than his first album, “Sign of the Times” which was more peaceful and almost folk, while “Fine Line” dabbles in rock, pop and some psychedelic soul, while also touching back on the more peaceful folk with a couple songs.

Most of the songs on the album have the core elements of love, sorrow and exploration. In an interview with Rolling Stone he said that the album was “all about having sex and being sad.” Styles also mentioned being more adventurous in the album which is evident with his hit song, “Watermelon Sugar” a summer bop that sounds far different from anything else he has produced. Then his song “Lights Up” touches on self-acceptance and rejection, and seems like a cry of freedom. This transitions right into “Cherry” a peaceful melody with calming guitar, going back to the warm folk he has done before.

One song that really stood out to me in its uniqueness is “To Be So Lonely” it has a different sound than the rest of his songs, and sounds quite uplifting but the meaning touches on some negative qualities of himself and going through heartbreak.

His final song on the 12-track album, “Fine Line” is one of his deepest songs about a relationship that causes more harm than good. It starts quite melancholic, just Styles gently crooning about someone whose love can be bought. The song then builds with more instruments and reaches a fever pitch before coming back down, quite possibly representing the ups and downs that he went through in his relationship or in life. 

An interesting thing that I noted was the difference in the album cover of “Fine Line” and “Sign of the Times.” The stark contrasts between the covers properly showcase how different the two albums are; his first album is dark and moody, while “Fine Line” showcases Styles in white pants and a pink shirt in a psychedelic bubble. It seems to be a visual of how he is pushing himself as an artist with his latest album.

Overall Review: “Fine Line” is an album that I cannot get enough of, it has a little bit of everything, if someone needs a sad song to cry to, there are several, if someone needs to be pumped up, that’s also an option. Styles created an eclectic masterpiece that dives into some of his vulnerabilities, and pushed his normal boundaries when creating music. I highly recommend this album to anyone really, it has enough elements to connect to most people.

 

Contact the author at howlentertainment@wou.edu

Decompress with all the Netflix originals coming out January 2020

Never Retallack  | Entertainment Editor

Most people may think that January 2020 is the time to try and follow their New Year resolutions; let’s be honest, it’s the start of a new term and the perfect time to decompress with everything new coming to Netflix this month.

This year Netflix is unleashing a tidal wave of original shows and movies, here is a list of what to expect:

Available Jan. 1: “Ghost Stories,” “Messiah,” “Nisman: Death of a Prosecutor,” “Spinning Out,” “The Circle.”

Available Jan. 2: “Sex, Explained: Limited Series,” “Thieves of the Wood.”

Available Jan. 3: “Anne with an E: The Final Season,” “All the Freckles in the World.”

Available Jan. 4: “Go! Go! Cory Carson.”

Available Jan. 8: “Cheer.”

Available Jan. 10: “AJ and the Queen,” “Giri / Haji,” “Harvey Girls Forever!: Season 4,” “The Investigators: Season 2,” “Medical Police,” “Scissor Seven,” “Until Dawn,” “Zumbo’s Just,” “Desserts: Season 2.”

Available Jan. 13: “The Healing Powers of Dude.”

Available Jan. 14: “Kipo and the Age of Wonderbeasts.”

Available Jan. 15: “Quien a hierro mata,” “Grace and Frankie: Season 6.”

Available Jan. 16: “NiNoKuni.”

Available Jan. 17: “Ares,” “Hip-Hop Evolution: Season 4,” “Sex Education: Season 2,” “Tyler Perry’s A Fall From Grace,” “Vivir dos veces,” “Wer kann, der kann!.”

Available Jan. 20: “Family Reunion: Part 2.”

Available Jan. 21: “Fortune Feimster: Sweet and Salty,” “Word Party: Season 4.”

Available Jan. 22: “Pandemic: How to Prevent an Outbreak.”

Available Jan. 23: “The Ghost Bride,” “October Faction,” “SAINT SEIYA: Knights of the Zodiac: Season 1 / Part 2.”

Available Jan. 24: “The Sun,” “Chilling Adventures of Sabrina: Part 3,” “The Ranch: Final Season.”

 

Contact the author at howlentertainment@wou.edu

Movie Review: Bong Joon Ho’s masterpiece “Parasite”

Never Retallack  | Entertainment Editor

It’s hard to really capture the brilliance of the 2019 South Korean film, “Parasite” within one article, with the cleverly constructed dialogue written and directed by Bong Joon Ho, as well as the striking filmography and acting.

The plot follows the impoverished family of dad Kim Ki-taek, his wife Chung-sook, son Ki-woo, and daughter Ki-jeong living in a small semi-basement apartment where they struggle to make ends meet.

Ki-woo has a friend Min-hyuk who is leaving his tutoring job with a wealthy family to study abroad, and asks Ki-woo to take over for him. While he is not in a university and has no classical training, he gets the job by lying.

This is the start of the journey as the Kim clan infiltrates the influential Park family slowly, with an almost eerie precision. The stark contrast between how the Kim family lives versus the Park family calls into question issues of class in a satirical way. 

While the film feels generally unnerving, it takes a complete 180 to shock audience members and become completely unsettling and disturbing. The harmless and functioning relationship between the Park and Kim family becomes strained as judgment and ignorance pierces through.

The film does an exceptional job in showing the ways that those who are impoverished are treated poorly in subtle ways, and the effect that it has on them is greater than many would assume. The film also calls to question how money influences the way people behave and addressing the advantages it gives the wealthy.

After the film ended, I sat there wondering how realistic a plot like this would be in real life, the dramatic and violent turn it took was so shocking, but with the strain of poverty, wealth and social interactions it is a haunting tale of what people can be pushed to do.

Overall Rating: “Parasite” is now one of my favorite films I have ever seen, it was well-crafted, intelligent and kept me on the edge of my seat. Joon Ho takes current issues of socioeconomic class and put together an entertaining and shocking masterpiece. I highly recommend this film to anyone in need of watching something new with an exciting twist.

 

Contact the author at howlentertainment@wou.edu

Heartworm, a dream pop group ready to release music

Never Retallack  | Entertainment Editor

There are many interesting bands in the making, included is New Orleans based, Heartworm. I was able to grab an interview with musician Dani Kardon, who is originally from Portland, OR. 

 

Q: How long have you been practicing music? 

A: I’ve been playing music for about 12 years now, I’ve jumped around from guitar to vocals to piano a fair amount! 

Q: What got you interested in music? 

A: I think just being a kid and loving the act of being loud and making noise probably, I get more and more into it the more I play, I think the interest just feeds itself!

Q: How would you say your music has changed over the years? 

A: My music changes a lot with what I’m listening to definitely. I grew up on old soul, the motown collection, all that. But I cycle through musical phases and I think I just pick up little bits of everything that I like and shove ‘em into my songs.

Q: How did you and your band get together? 

A: Me, Eryn (Bass) and Sabrina (Guitar) work/worked at the school of rock Metairie together, and Hannah (Drums) was in a band with Sab before. We just kind of were like, “okay let’s jam on some songs” and then it turned into hanging out and playing music, and then it turned into “okay we definitely need to be a band.” I would just like to put on record that I f**king love them.

Q: What is your position in the band?

A: I’m just like the singer — whatever else needs to be done person. I play keys a lot for the band. I’m also one of the songwriters in the band! I’m also the baby, that is another role I play. But like, boss baby.

Q: What are the future goals for your band? 

A: I think just ride the wave as long as possible. If it works it’ll be amazing and if it doesn’t it will still be amazing while it lasts. All of us take it seriously but at the same time very much don’t take it seriously, does that make sense? I’d love to tour and release albums obviously, that feels like it’s way in the future, but we’ve already recorded enough for a small EP so I guess it’s not so mystical and far away.

Q: How would you describe the style of music your band does? 

A: Lazy Punk and Dream Pop, what does that mean? Wouldn’t you like to know. We would also like to know. I dunno, just listen to us! People will figure it out.

Q: When can listeners expect music to be released? 

A: The middle of January! Like soon soon.  

Q: What is your favorite part about creating music? 

A: I love the song writing process, and what’s so amazing is taking a song to a band and watching it turn into the thing that you had in your head, or even better than what was in your head.

Q: Anything else you would like to add? 

A: Our merch is stupid cool, it was specially designed by a girl at Loyola named Maggie Chreene who is like a Goddess amongst women, and we’re working on an online store to buy it. Not to brag but a tik tok of her making the merch got like 10K likes. So yeah that’ll be something to watch for, because they really are gorgeous, we love Maggie. I’ll put the link in here. Also just thank you so much for interviewing me about my band, we love the interest people have been having in us and we’re so eager to share our music and lil band with everyone!

 

Contact the author at howlentertainment@wou.edu

Square Inch Arts: A small gallery with a substantial amount of talent

Never Retallack  | Entertainment Editor

Nestled neatly in the neighborhood of Sellwood in Portland, Oregon is the Square Inch Gallery owned and ran by artist Gia Whitlock. The gallery showcases the art of five other artists that Whitlock knows including Gigi Reavis, David Frediman, Sharon Greenwood, Jill Mayberh and Kat Perkins.

The gallery had a grand opening in the summer of 2019, but didn’t have regular business hours until October of this year. Whitlock opens the gallery from 10 a.m. to 5p.m. on Saturdays.

To enter the gallery, you walk alongside a house, like one might go to enter the backyard, and when you walk through the door, the name Square Inch Arts couldn’t be more fitting. The cozy gallery is small in size, but doesn’t leave viewers feeling claustrophobic. The space originally was a waiting room for a chiropractor, but the brightly colored walls and eye catching art opens up the space, leaving a more intimate feeling. 

Most of the artist’s work is in a specific spot, except for Whitlock’s paintings which are sprinkled throughout the gallery, this pattern creates a flow for viewers to follow easily. The art is for sale and quite reasonably priced, and for those who cannot afford a painting, there are smaller knick knacks such as postcards, puzzles, journals and small prints available by a couple artists.

The variety of art available is appealing such as mugs, paper cut outs, large oil canvases, realistic drawings, mixed media, embroidered hoops and several other pieces which leave viewers with plenty to look at in the quaint space.

Whitlock, who began painting in 2007, stated that, “I used to do intuitive paintings and try to have all these ideas, and they all just ended up like birds. I need to look at something.” I predominantly all her paintings are based off of flowers that she looks at, intermingling collage bits and other mediums to make it more than just a still life painting. Whitlock offers Paint Days at her gallery. Her studio is within the building of the exhibit, where those who are interested can pay to paint their own floral still life with Whitlock guiding and helping them throughout the process.

Whitlock says that, “The idea is to eventually have group shows, Sellwood has lots of shows throughout the year … I think it would be fun to bring some art in to those.”

Those who are interested in viewing art for free should swing by the cozy gallery at 1330 SE Malden St. in Portland, where sweet treats and tea are available while taking a look at the diverse art exhibited.

 

Contact the author at howlentertainment@wou.edu

Review of the 2019 remake, “Black Christmas”

Never Retallack  | Entertainment Editor

“Black Christmas,” a mystery slasher film centered on the murder of a sorority sister, was originally created and directed by Bob Clark in 1974. Clark later directed “Christmas Story,” a great balance of genres. In the original he relied heavily on the shrouded identity of the killer, and in the end, never revealed the villain.

The 2006 remake, directed by Glen Morgan,  went the opposite route and made it pretty obvious who the masked killer was, leaving little for the audience to think about.

Sadly, the 2019 remake directed by Sophia Takal followed suit and all the twists and turns that happened were obvious from a mile away, leaving no mystery for the audience and ending up quite a basic horror film.

A key difference in the plot, however, with the 2019 remake is the feminism aspect and spotlight on sexual assault issues on college campuses. 

Mysterious hooded figures with weird black goo on their faces are murdering members of a sorority, and the main protagonist Riley, played by Imogen Poots, is left to try and discover who is after her friends. Riley does not trust the authorities to help her after she was raped on campus and her rapist went unpunished. 

While there was some bad acting in the film, and a general predictability, I think that including a character who has gone through a trauma with no justice reflects current day issues with sexual assaults, especially on college campuses. The villains in the film want to put women back in their place, and reclaim male dominance in society, which reflects the toxic masculinity and sexism that is also prevalent today. 

Overall Rating: While I wouldn’t necessarily say that a second remake was needed of the Canadian horror film, and the acting wasn’t quite believable, the underlying feminism and attention to #MeToo was an interesting twist and brought something unique to the film. The “who done it” aspect was not available, because the killers were quite obvious in the film, but the motives for their rampage was different than I expected. All around, not a bad horror film; for those that prefer something a little more sinister on the holidays, “Black Christmas” is entertaining enough and touches on more serious issues.

 

Contact the author at howlentertainment@wou.edu