Mount Hood

Live theatre available on Youtube

Never Retallack |  Entertainment Editor

Theater has been a creative way to tell stories for centuries, and with the closure of theaters across the globe, many are missing the drama on stage. Luckily, there is a way to watch one of the most famous shows from the National Theatre in London, “Frankenstein.”

The show was originally performed and filmed in 2011; it was such an instantaneous hit that 800,000 people across the world experienced it. It was directed by Danny Boyle, and stars Benedict Cumberbatch and Jonny Lee Miller as they take turns alternating in the roles between Victor Frankenstein and the creature.

The viewing for “Frankenstein” with Cumberbatch as the creature will air from April 30 at 7 p.m. to May 7 at 7 p.m. The alternate play with Miller as the creature will air May 1 at 7 p.m. to May 8 at 7 p.m.

These performances can be found on YouTube under the channel titled “National Theatre. Not only will they have “Frankenstein,” but they also have several live performances on their channels for viewing pleasure.

While watching a live play at home is not the same as sitting in an auditorium, it still offers the same entertainment value. Check out National Theatre’s Youtube channel for the other available plays.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Claire Nicholson

Western Howl’s songs to stay sane during quarantine

Compiled by The Western Howl staff

For those interested in checking out these songs, Western has a Spotify account with any playlists we have compiled. This playlist can be found under the account name TheWesternHowl and the playlist title “Finding Sanity.”

 

“Talia” — King Princess

“Fly Away” — Lenny Kravitz

“Boss Bitch” — Doja Cat

“Death Bed” — Powfu 

“I’m Ready” — Sam Smith, Demi Lovato

“Ordinary People” — John Legend

“I Want It That Way” — Backstreet Boys

“STFU!” — Rina Sawayama 

“Million Pieces” — Bastille

“Bohemian Rhapsody” — Queen

“Don’t Stop me Now” — Queen

“Let’s Go Crazy” — Prince

“I’m Not Okay” — Weathers

 

Photo by Rachel Hetzel

Need a distraction? Here are a list of the best comedies sure to help

Never Retallack |  Entertainment Editor

  1. “I Love You, Man” (2009)

Directed by John Hamburg, “I Love You, Man” is a knee-slapping funny comedy, starring Paul Rudd, Jason Siegel, Rashida Jones, Andy Samberg and other big name actors. The film centers around Rudd’s character, Peter, who gets engaged to his girlfriend and it isn’t until the wedding planning begins when he realizes he doesn’t have many male friends. His journey to find his best man for the wedding includes a couple awkward ooooo man-dates, mistaken sexuality and the meeting of Siegel’s character, Sydney. This movie is full of awkwardness, strangeness and lots of Rush. Available on Amazon Prime.

 

  1. “Spy” (2015)

Paul Feig directed this masterpiece starring Melissa McCarthy, Jude Law, Jason Statham and other notable actors. The story revolves around McCarthy’s character, Susan, who works as a CIA analyst until her big moment comes where she must go undercover. The somewhat outlandish tale showcases German dancing, poison, ridiculous fake identities and most of all, empowerment. The movie is fun to watch as Susan becomes more confident and delivers intense battle scenes. Plot twists and intense action sequences padded by dry and witty humor is a crowd pleaser for all. Available on Youtube and Amazon Prime.

 

  1. “What We Do In The Shadows” (2014)

This masterpiece was created by two directors, Taika Waititi and Jemaine Clement, who also happen to play two of the vampires in this mockumentary. The concept of the film is that a group of vampires — mostly notorious ones at that — have permitted a film crew to come and observe their lives. Viago, an awkward, quirky and love-sick vampire, acts as a peacemaker in his flat. Vladislav, or better known as, “Vlad the Impaler” is sexual, old-fashioned and hurt by an ex. Petyr, or better known as Nosfaratu, resides in the house as well, he also made Deacon and Nick, the two youngest, into vampires. This mockumentary is clever, weird and timeless in cinema, capturing the bizarre in the most hilarious fashion. Available on Kanopy, a site free for students.

 

  1. “Between Two Ferns: The Movie” (2019)

Scott Aukerman, director of the show “Between Two Ferns with Zach Galifianakis” is also responsible for the movie adaptation. This mockumentary is painfully awkward with equal part hilarity. What could go wrong with having Galifianakis play himself while roasting different celebrities to please Will Ferrell? Prepare to be shocked, amused and horrified all at the same time; it is the perfect reward after a day’s worth of Zoom meetings and online readings. Word of advice, watch until the very end for hilarious bloopers. Available on Netflix.

 

  1. “Little Evil” (2017)

Eki Craig directed and wrote this modern tale of Antichrist hilarity, casting Adam Scott as Gary, a step dad struggling to connect with his twisted stepson, Lucas. This movie perfectly demonstrates common tropes around the Antichrist and uses references to horror films such as “Poltergeist” (1982) and “The Omen” (1976) to really draw in the audience. The obvious evilness of Lucas, the naiveness of his mother and a group of struggling stepdads who all see their children as the Antichrist make for one brilliant movie. Available on Netflix.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of imdb.com

Art rethought and reproduced by the quarantined across the globe

Never Retallack |  Entertainment Editor

During this strange time, people are having withdrawals from all sorts of things in their lives, including going to art museums. Maybe painting or drawing isn’t a skill that everybody practices, but going to art museums is a great way to appreciate those who have honed such skills. 

Being quarantined limits that option, and in response, museums nationally are asking people to recreate famous paintings with anything they have at home and post it online. In the states, the museum that really kicked off this challenge is the J. Paul Getty Museum (The Getty). 

They challenged the public on March 25, and since then the number of people showing off their imagination and creativity has skyrocketed.

A couple other museums or art accounts doing the same challenge are Pinchuk Art Centre in Kyiv, Ukraine, and an Instagram account from Amsterdam called Tussen Kunst en Quarantaine (Between Art and Quarantine). This account is what inspired The Getty to start the challenge.

Complicated pieces with a lot of elements are intimidating to those up for the challenge. They use whatever is in their house — anything of similar color or shape to recreate the painting. People are also incorporating their animals or children to recreate classic pieces. 

Each interpretation of the paintings is hilarious and brings a smile to the face, a perfect remedy for times like these.

Going to an art gallery isn’t on the table, but there are still plenty of ways to interact with art in everyday life; if one is bored, trying to recreate a favorite painting may be a great solution.

Feel free to submit any of your own interpretations and send it to @thewesternhowl on Instagram to show us your creativity and imagination

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Guinevere PH Dethlefson

Cannon Gallery provides “An Artful Life…” exhibit to celebrate the life of Alfred Maurice

Never Retallack  | Entertainment Editor

The Cannon Gallery opened a new art exhibit on Feb. 28, “An Artful Life: Celebrating the Life of Creator, Teacher, and Collector Alfred Maurice.” It is one of the seven exhibits open to commemorate Maurice’s life and the work that he did. 

The gallery contains pieces from his time in Chicago; most of them are abstract architectural paintings that are bright and eye-catching — all of which are from the years 1979 to 1989, and any proceedings benefit the Maurice Prize.

Maurice was a passionate artist and has been known to say, “To me, art isn’t anything precious or special. It’s a way of expressing oneself, on par with writing or talking.”

The gallery at Campbell Hall is bold, and the layout of the stark white walls with vibrant and unique buildings are enticing.

The majority of the artwork is made with acrylic on canvas, with only three other pieces created with graphite on paper. One of which called, “Self Portrait with Painting,” features Maurice smiling proudly, representing the pure joy he had when it came to making art.

The artwork is simple yet unique; I highly recommend anyone interested in art — whether or not they have much background knowledge — to go and take a look.

The gallery will be open until March 20 in Campbell Hall from 8 a.m. to 5 p.m.

 

Contact the author at howlentertainment@wou.edu

Photos by Never Retallack

Western Howl’s favorite breakup songs

Western Collective

“My Dick” — Mickey Avalon

“Take a Bow” — Rihanna

“Missing You” — John Waite

“Bleeding Love” — Leona Lewis

“You should be sad” — Halsey

“The Good Side” — Troye Sivan 

“Die for Me” — Post Malone 

“Bad at Love” — Halsey 

“Cry Me a River” — Justin Timberlake

“He Wasn’t” — Avril Lavigne

“All I Ask” — Adele 

“Dancing on My Own” — Calum Scott 

“So Sick” — Neyo

“i miss the old u” — blackbear

“Figures – A Reprise” — Jessie Reyez ft. Daniel Caesar 

“Irreplaceable” — Beyoncé

“Gives You Hell” — The All-American Rejects

“Not Over You” — Gavin DeGraw

 

Magical review of “Onward”

Sean Martinez  | Copy Editor

Amidst all the classic sequels and live-action adaptations, Pixar once again delivers original content with its newest film, “Onward.” 

The story tells the tale of two brothers, Ian and Barley Lightfoot, as they attempt to bring their father back to life for just one day. They try to use a wizard staff, along with a gem, to resurrect him, but something goes wrong, resulting in their father having just a pair of legs. The rest of the film is a fun, adventurous and emotional quest to see their father one more time. 

Ian, played by Tom Holland, has just turned 16 years old and has no memory of his father, who died before he was born, and wishes he had the chance to meet him. His older brother, Barley, played by Chris Pratt, is obsessed with the fascinating history of magic that was once prevalent in their world. Both of their strengths and weaknesses became factors that pushed the story onward at a well-balanced pace.

To director Dan Scanlon, “Onward” was more than just a movie — it also reflected his personal story. His father died when he was young, and the ultimate question that spurred this fantastical film was, “What would it be like to spend one more day with him?” 

Scanlon did a great job of blending the magical world with the modern world. Everything in this film was creative, not just the characters and storyline, but the animations as well. There was not one wasted scene — all the little things mattered and tied into the bigger picture. There was also a good balance with fun, brother-bonding scenes and impactful tear-jerking moments. And as always, Pixar provided the audience with an abundance of easter eggs to crack. 

Overall Review: It may be too soon to dub “Onward” as one of Pixar’s top 10 movies, but I thoroughly enjoyed it. I didn’t find myself resisting at any point in the film, the story was easy to follow. Needless to say, “Onward” is the perfect family film to watch this spring. It’s very moving and inspirational. 

 

Contact the author at howlcopyeditor@wou.edu

Photo courtesy of pixar.com

Theater department welcomes Western to “Urinetown” with winter production

Never Retallack  | Entertainment Editor

“Urinetown,” — a satirical musical, opened at Western on Feb. 28 with Michael Phillips as the director. The play was entertaining and interactive, and the opening act had about two minutes of uninterrupted silence while the actors laid on the ground, “asleep.” This made many audience members giggle nervously as the silence drew out. Laughter was a key element of the show. 

The story covers a drab town in the mid 1900s where a water shortage has led an evil man, Cladwell, to start Urine Good Company which now charges the poor pay-per-use public bathrooms. If anyone disobeys these rules, they face the threat of being sent to the mysterious and dreaded Urinetown.

This outlandish tale is packed with humor, love, violence and catchy songs. It was also full of jokes that tease elements of theater; Little Sally— a poor young girl— has conversations with Officer Lockstock where he explains how they’re covering basic elements in the first act so as not to overwhelm the audience. It mocks the “rules” that are typically followed in plays in a way that had the audience bursting into laughter.

The Western students who acted in the play did a phenomenal job, from the larger roles such as Hope Cladwell and Bobby Strong, all the way to the peppy assistant of Cladwell. The dedication and effort to the roles was apparent, and with the thorough costumes as well — everyone was able to shine in their own ways.

The live band was a great addition to the play, adding “necessary” drama to each scene, when someone made a surprise entrance, the other actors would gasp dramatically or exclaim “What?!” and the music would peak. At certain sad moments, the music would remain happy and upbeat, which Little Sally would comment on, earning more chuckles.

All the actors sang wonderfully, or sang as their characters were supposed to, which ended up being hilarious, and the dances were also well done. Overall, Western’s theater department delivered a hilarious and clever rendition of “Urinetown.”

Those who are interested in seeing the show themselves, can watch more performances Mar. 4-8 with the box office opening at 6 p.m. and the show starting at 7:30 p.m. Tickets are free for students with ID.

 

Contact the author at howlentertainment@wou.edu

Photos by Never Retallack

The West Of Us show camaraderie in Smith Hall

Sean Martinez  | Copy Editor

On Feb. 26, The West Of Us held their Winter Term Acapella Concert in Smith Hall, proving once again that instruments are not needed to make music. When the lights dimmed and the pitch pipe sounded off, The West Of Us kept the audience engaged as everyone listened to some well-known songs with unique twists. 

One of the performances that really resonated with the audience was the duet with “Build Me Up Buttercup.” My personal favorite was their unique take on Charlie Puth’s “Attention.” It was really cool to hear how each performer complemented each others’ voices. This was the first acapella concert I attended, and they did not disappoint. 

Acapella at Western has undergone numerous changes; it wasn’t until 2018 when the acapella group became gender inclusive and took on a new name, The West Of Us. 

The West Of Us strives to give audiences a great performance, but on top of that, co-presidents Olivia Martin and Austin Stewart are looking to recruit more students into the fold, students who will stick around long enough to bring the acapella group to new heights. 

“This year, we’re just trying to leave a good impression on everyone so that they want to stay, they want to learn music and they still want to sing acapella,” Stewart said. 

Olivia Martin added, “It’s kind of like leaving a legacy behind and ensuring that acapella is still going to be here for the years after we’re gone.” 

For Martin and Stewart, acapella is more than just making music with their mouths and entertaining crowds: the camaraderie is what keeps them coming back each year. Stewart talked about his experience coming to Western from Hawaii. Miles away from home, he decided to open up to new opportunities, which is when he was introduced to acapella. Ever since he joined, he’s considered The West Of Us a second family. 

Martin also went on to add, “It’s like a magnet that brings really compatible people together, and you just have the best time with them.”

Similar to team sports, Martin explained that acapella relies heavily on teamwork. “Everyone seems to be working on the same wavelength in order to collectively get better as a group,” Martin said. “It doesn’t ever feel like somebody’s trying to raise themselves up by lowering others. We either all go up or we don’t move at all.”

The West Of Us also aim to build a sense of community at Western. In recent years, they have performed for Western events such as the Cesar Chavez Conference, the Late-Night Breakfast, the Out of the Darkness Walk and their biggest performance, Acaparka — held at the Main Street Park at the amphitheater in spring. 

“We bundle all of our songs together … and then we perform a really large setlist for everybody,” Stewart said.

Be on the lookout for updates regarding the date and time for Acaparka.

 

Contact the author at howlcopyeditor@wou.edu

Photo courtesy of Lisa Martin

Hear about WOU Jazz Combo’s performance with John Raymond

Never Retallack  | Entertainment Editor

On Wednesday, Feb.19, John Raymond took to the Smith Hall stage alongside WOU Jazz Combo, for a night of jazz with a spin.

John Raymond is described by the WOU Jazz Combo pamphlet as, “One of the most promising, genre-bending musicians in jazz today. With a singular voice as a trumpeter, flugelhornist and composer…”

The interesting concept about Raymond’s idea of jazz is that he mixes genres such as, indie-rock, folk and electronic rhythms into his music, creating his own style.

Raymond studied in Wisconsin with Western professor and Director of Jazz Studies, Keith Karns. Since then, Raymond released six albums and is a professor of jazz as well as a sought after soloist at schools around the world.

The performance started with small solos from each member of the WOU Jazz combo, allowing the ivories, strings and drums to sing. Raymond took center stage while belting out the brass notes between two trumpets — a lively way to start, demonstrating just what the audience is in for.

They played a song from Raymond’s first album called “Onward,” which he composed himself. It began with soft piano, then the bass and drums joined, lastly a sorrowful trumpet, bringing a somber feel to the piece.

“The best part about performing music, especially in a jazz combo scenario is there is a lot of communication between the players…It’s just a big conversation,” said Kincaid Parsons, an Education Major, who plays the upright bass for WOU Jazz Combo.

Another song performed came from Raymond’s second album, recorded in New York with legendary drummer Billie Harp. Raymond explained with fondness that, “I was playing with someone who made the history of jazz.”

Similar to Raymond, Parsons also felt awestruck, “Getting to play with someone of that caliber was a very cool experience.”

The show was quite lively; Raymond even beckoned the pianist Clay Johnson for an improvised duet on stage.

Lastly, Raymond invited Karns onto the stage where they battled it out, trumpets singing back and forth powerfully, before ending the concert with a hug.

 

Contact the author at howlentertainment@wou.edu

Photo by Cora McClain

Learn more about gender and sexual identity in Alan Hunter’s “GenderQueer: A Sotry from a Different Closet”

Never Retallack  | Entertainment Editor

Gender and sexuality have been an ongoing and complex topic in societies all over the world. Those who are percieved as gay in any way face judgment and penalty like those who are.

In Allan Hunter’s book, “GenderQueer: A Story from a Different Closet,” they covers all these issues in a memoir style that takes readers on their journey, starting with their experience in middle school. Hunter describes how their story functions to highlight, “the realness of an identity that is not gay, bisexual, lesbian, or transgender, but it isn’t cisgender or heterosexual either.”

Hunter describes themself as a studious kid who followed the rules and listened to teachers. They were also someone who preferred to be around women and play with “girl toys” — which led to some ridicule. It wasn’t until their family moved to Los Alamos, New Mexico that they struggled with bullying immensely. 

Hunter’s style of writing, while not masterfully crafted, is deeply intimate and walks the readers through their thoughts and feelings from moment to moment. They name each bully that they faced in middle school, those who called them slurs because of how they dressed and styled themself. Hunter tried to seek help from their superiors, but nothing came of it, so much of Hunter’s story is how they work hard to control their anger so that they don’t antagonize the bullies more.

Along with the violence and emotional turmoil, they also detail how they feel about different girls that he meets, unafraid to share their intimate thoughts and desires. They mention each girl they fantasized about, whether or not they really interacted. They  spend most of their adolescent life wanting to have sex with a girl, but the only person who really touches them back was their male friend in high school.

Their younger sister, Kendra, was far more popular than them, and they often tagged along with her friends while in middle school. It wasn’t until high school when they joined the band and started to let loose a little that they started making connections; they made male friends and got girlfriends, but they were always wanting more.

There’s a certain point after college where a man goes pretty far with them, and they felt very uncomfortable and shaky afterwards. To their shock they realize they really are just heterosexual, all the people who called them gay had been wrong.

Sadly for Hunter, they faced a lot of harassment for how they were perceived — they even tried to take their own life. Later they realized a large part of how people developed their ideas about them was their wardrobe, wearing bright shirts with bold patterns.

Hunter’s journey of self-acceptance doesn’t start until college when they come out as someone who is genderqueer. Their gender is female, their sex is male and their orientation is attraction towards women. This understanding finally allowed them some peace and quiet.

Overall Review: This memoir is a personal journey about a person who has lived a life struggling to accept who they are based on the reactions of those around them. A lot of the book is hard to read, hearing how cruel people can be. But I recommend this book to anyone who wants to understand gender and sexuality on a deeper and more intimate level.

 

Contact the author at howlentertainment@wou.edu

Get ready to be scared, impressed and unable to stop dancing with Hayley Williams’ “Petals for Armor”

Never Retallack  | Entertainment Editor

Released on Feb. 6 was lead singer of Paramore, Hayley Williams’, solo song for her new album “Petals for Armor.” The six-song album is quite small, but large in impact, especially when tying in the movie-like music videos she produced. Williams has essentially created a story of darkness, rebirth and self-acceptance, all while producing music that is unique and oddly scary.

“Simmer” is Williams first song on the album. The video features her running through the woods, being chased by something that is not quite visible. She has a light in her chest that is glowing and she seems to be protecting it, naked and vulnerable, she hides behind trees and sings about the dark rage that is “simmering” inside of her. 

The song is quite different from that of Paramore, and feels very dark and raw. She croons in a low tone about a man who deserves to be gutted, and it seems as if her rage is creeping in. At one point, she makes it into a house where she covers herself in a thick red-brown clay and the audience sees a cloaked and masked figure come after her. Naked and covered in clay, Williams smashes a bowl over the figure and the audience discovers it is herself beneath the mask. 

While not included in the Spotify album, on YouTube, “Simmer Interlude” provides the aftermath of the attack. The now violent Williams drags her other body and huddles over her until a cocoon forms with little music in it, just an eerie “Simmer simmer simmer” being whispered over and over. The video ends with Williams in the cocoon opening an eye with beautiful color adorning her eyelashes.

“Leave it Alone” offers a story of doing okay when everyone else around you is not, and that it is impossible to ignore. Williams sings bitterly of God’s sense of humor and that those around her are dying, all while laying in her cocoon, as a morbidly realistic butterfly-humanoid. The ethereal singing and soft melodies are unique, and the only artist I can tie it to is one like Missy Higgins or Imogen Heap, hauntingly beautiful. Dark string instrumentals create a heavy feeling of foreboding in the stomach. Yet Williams is clawing her way out of her cocoon, reemerging as one entity rather than the two she started with, covered in slime and naked. This is a twisted song of self-acceptance and the understanding that no matter how hard someone tries they can’t change another’s fate.

Just like “Simmer Interlude,” “Leave it Alone Interlude” is not on Spotify, but the video features a newborn Williams — shaky and covered in slime— as she attempts to cover her naked body with the tattered remains of her cocoon. She seems different from how she was in both “Simmer” and “Leave it Alone” — she appears vulnerable and frightened as she approaches the door of the room she is in as the final shot.

The end of Williams’ video series for her album is arguably the most scary, “Cinnamon.” Williams explores her house, and is stalked by human-shaped creatures that are the patterns of her wallpaper or piano, while singing how she feels alone in her home. Once discovering the creatures that follow her she is naturally frightened, until alone with one that slithered out of the bathtub. She begins to move in sync with it, and that is when the shift happens.

Instead of singing of loneliness, she opens her eyes, dressed in colorful garb — gone are the remnants of her cocoon — and she dances with the creatures of her house belting out that she is not lonely, but rather she is free.

What is so brilliant about this series, despite only covering the first three songs of “Petals for Armor,” is that it is a complete story with a beginning, middle and end.

This horror-esque music series provided a story of accepting that there is a dark side to everyone and that you have to let it in to fully accept yourself. Williams danced and sang her way to provide a piece of art.

 

Contact the author at howlentertainment@wou.edu

Photos courtesy of petalsforamor.com

Learn more about the up-and-coming space-themed drag show

Never Retallack  | Entertainment Editor

This year, get excited for the 24th Annual Drag Show at Western. An interview with Skyler Scott, the Choreographer Liaison, provided some exciting information regarding the upcoming performances.

Currently, those in the drag show are rehearsing as often as they can. Those organizing the event have provided daily rehearsals so students can come whenever they are available. They have learned over half the dances in the show, which they do on weekends, so that during the week the cast and crew can practice.

There are around 60 dancers in the production with six choreographers: Hannah Hazelwood, Grace Salud, Mandy Storm, Marika Hatos, Emma Rae and Rory Krehbiel — all of whom are Western alumni. The dances are very exciting and fun; Scott mentioned how several of the dancers watching may ask to join in a dance because they are so into it.

Nicole Gebbie is the script writer as well as the director, but Scott describes the process as more of an integrated team focus. There are six members of their leadership that are working together to create this production. Scott called it a “group effort.” Sam Shoemaker is the TA Liaison, Gwendolyn Baker is the Dancer Liaison, Jeannie Edney is in charge of costumes and makeup and Carina Ramirez is the Props Designer.

The theme of this year’s show is — wait for it — space. 

“We really like to keep the creative side as a surprise for when people come to see the show,” Scott said. So for those who are curious about what the space theme really entails, they will just have to attend the show.

Show times are Tuesday to Thursday, Apr. 7 to 9, during the evening — the official times have not been released yet. This is the first Drag Show at Western that will be running for  three days rather than two, as it is growing in size and has a higher demand within the community. Tickets are $5 and will be on sale soon.

While Scott couldn’t tell me too much about what to expect with the show, they did say, “it’s going to be a tour of the LGBT community.” 

“One of the things we’re trying to do with the show is show a bunch of different parts of the LGBT community, and not just different LGBT identities, but other identities within the LGBT community … representation of a bunch of different body types and identities, that intersectionality is really important, and I love that we get to showcase that in the Drag Show,” Scott said in regard to the importance of representation.

Those interested should keep a look out for posters around campus, as well as check https://calendar.wou.edu/ for any updates on the specifics for the 24th Annual Western Drag Show.

 

Contact the author at howlentertainment@wou.edu

IFC suggests cuts that would reduce Smith Fine Arts performances by half

Never Retallack  | Entertainment Editor

The Incidental Fee Committee (IFC) has recently made some big preliminary decisions regarding the Creative Arts cuts, and in response there has been confusion and anger about what it means for Western’s campus. I set out to get more information from those on IFC and figure out how this process works and what to expect next.

On the Incidental Fee-Preliminary decision document (which can be viewed online at wou.edu/ifc/current-fee/) that lists all the suggested cuts, the Creative Arts has 8.5% with an asterisk next to it that connects to the sentence:, “With recommendation to eliminate Smith Fine Arts Acts.” This led to several points of confusion; for starters — those in the Arts department feared more of their fees would be cut, and it sounded as if Smith Fine Arts would be completely abolished.

There are several things to point out; firstly, IFC is not technically allowed to decide how things are cut, but these are students on the committee who are using knowledge to make the most sensible decision for how student funds are used. 

“The IFC made the 5% cut with the recommendation to cut half of the programs that Smith Fine Arts puts on. According to my understanding, this would decrease their performances from six to three a year,” said Logan Barker, the Chair of the IFC. 

While cutting the performances in half may seem harsh, an interview with Rachel Bayly, the current Vice Chair for the committee and previous Chair last year, proved that there is more at work behind this decision.

The IFC does not want to cut areas of the Creative Arts like Theatre, Dance and many vocal and instrumental performance groups that are “student-centered and already operating with minimal budgets.”

From there they decided to recommend cuts to Smith Fine Arts, which brings musicians to campus.

“We feel that students are not benefitting as much from Smith Fine Arts as they are from other Creative Arts activities,” Bayly said, explaining why they decided to choose this program.

Another huge part that affected this decision is the fact that the Smith Fine Arts receives a large portion of their budget outside of the IFC, so the 50% cut they are recommending is far less than 50% of the total allotted money for the concerts.

“Our specific recommendation is that the 8.5% cut to the Creative Arts Department be taken directly from the number of concerts put on for next year’s Smith Fine Arts Series,” Bayly said.

They are focusing on keeping programs that are important to student life and success.

“If the Creative Arts Department decided to ignore the will of students in how student fees are spent, that would be a misuse of funds that they are privileged to have. IFC is a place where student voice should have the final say, and area heads understand that as well as the committee does,” Bayly said in conclusion about what to expect as the decision is finalized.

 

Contact the author at nretallack15@mail.wou.edu

Student Voices: Campus Voices: Get pumped up with students’ go-to jams

Never Retallack  | Entertainment Editor

Week eight: so close, yet so far to Spring Break. Students may be in need of a pick-me-up; read to find out what fellow Western students consider a good pump-up song.0

 

Julia Webster, Senior Early Childhood Education major: “Home” by Excision (Spag Heddy Remix)           

“It’s a really sad song— but a really lovey sad song, and the music in the background (has) a lot of bass and feel-good music in the background with the love song and I just really like that.”

 

Drew Finley, First-year Theater Arts major: “Everybody Talks” by Neon Trees

“Always gets me going and I sing at the top of my lungs in the car whenever I listen to it.”

 

Gisell Alfaro-Ortiz, Senior Psychology major: “Cómo se Siente” by Jhay Cortez

“I listen to that one when I’m ready to do homework and groove around, so when I play it I just kind of move around, pump, it motivates me to do homework. It’s also a good song to sing in the car.”

 

Brian Navarro, Sophomore English Writing and Composition major: “Stronger” by Kanye West

“It gets me pumped you know, just like for a good workout it’s the best.”

 

Keelie Carlson, Senior ASL/English Interpreting major: “1, 2, Step” by Ciara ft. Missy Elliot

“I have a lot of memories associated with (this song) and also, Missy Elliot is fire.”

 

Monica Cerda Ortiz, Senior Spanish major: “Mi Gente” by J Balvin 

“I enjoy this song because it has a great beat and a great message too, it immerses you in the Latinx community and they’re great artists.” 

 

Carlos Martinez, Sophomore of Education: “Sodio” by Danna Paola

“I always listen to it on my way to school and it gives me energy and puts me in a positive mindset.” 

 

Contact the author at nretallack15@mail.wou.edu

Photos by Never Retallack

PUBLIC, a talented band from Ohio, made impression on Portland audience

Never Retallack  | Entertainment Editor

On Feb. 7, the band PUBLIC played the intimate venue of the Wonder Ballroom in Portland, opening for American Authors and Magic Giant.

The three-man band is from Cincinnati, Ohio and with their upbeat pop music and impressive energy during live performances, they have certainly made an impact on the Portland audience.

John Vaughn, the lead singer and guitarist, engaged with the audience in a personable and humble way, shocked and motivated by the loud cheers and clapping from the crowd. His vocals sounded just as good — if not better — as the studio versions of their songs. 

Matthew Alvarado as the bassist and backup singer showed a lot of skill and passion, as well as doing little stunts on stage with Vaughn.

Ben Lapps played the drums with ease and finesse, captivating the audience by tossing his drumsticks in the air and doing other tricks.

Playing four or five of their original songs, there was never a still moment among the band. Vaughn and Alvarado jumped on different stools and wooden blocks, leaning in and high-fiving eager hands. Vaughn even joined the crowd, creating a small moshpit in the center, right by the stage.

While the crowd was entertained and enjoying themselves, Vaughn pushed the fact that they were just the opener and that they had to earn our respect, so they decided to sing a song that almost anyone in the crowd could sing along to. Their pop-punk version of “Toxic” by Britney Spears spiked the energy even more, and people were jumping and screaming along.

After the American Authors and Magic Giant played, the members of PUBLIC stuck around to meet audience members waiting to buy their affordable merch; the line was vast, but according to Emily Hedges, a senior of Interdisciplinary Studies, she said, “They spent as much time as they could with each person, and they were really genuine and kind.”

While many of the audience members might not have known who the PUBLIC were before the show, they will surely not forget the impressively talented and charming musicians. 

 

Contact the author at howlentertainment@wou.edu

Photo by Emily Hedges

Margot Robbie shines as Harley Quinn in action-packed “Birds of Prey”

Never Retallack  | Entertainment Editor

The action-packed film “Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn” directed by Cathy Yan, was released on Feb. 7. This film is essentially a sequel to “Suicide Squad” (2016) and follows Harley Quinn’s journey to antiheroism after her breakup with the Joker.

The film is based on the DC Comics team “Birds of Prey” which follows an all-female team of vigilantes around the world.

Margot Robbie nailed her performance as the quirky, tough and lovable Harley Quinn. The movie was styled in a Deadpool-esque manner. With Quinn narrating, she guides the audience through the story, having boldly colored names burst onto the screen as characters are introduced. 

The film was hilarious with a deeper meaning, working as a way to prove that women are bada– and don’t need men telling them what to do.

Quinn starts off by giving a thorough background on who she is, giving her character more depth than was provided in “Suicide Squad.” After her breakup with the Joker she is, of course, distraught, but then realizes that a lot of people in Gotham are after her now that she doesn’t have his protection.

This leads her on an epic journey where she joins forces with Huntress, Black Canary and a cop as they fight to keep a troubled child protected from the villain, Roman.

Ewan McGregor’s performance as the childish and psychotic Roman was terrifying and comedic at the same time.

Watching Quinn and the other women discover how they are independent, capable people who don’t need men taking credit or using them was inspirational.

Overall Review: With a fun soundtrack and exciting action, the film was entertaining to say the least. While the violence was intense, the message of women empowerment showed through and gave the film a strong backbone. I highly recommend this movie to anyone needing a good laugh and who likes action, independence and unstoppable women.

 

Contact the author at howlentertainment@wou.edu

This Valentine treat your ears and listen to these suggested love songs

For this Valentine’s day, whether single, dating, complicated or somewhere in between, listening to love songs is a must. The Western Howl Staff have compiled a list of their favorite love songs, ranging from hilarious to tragic — feel free to listen.

 

Caity Healy | Managing Editor

“Say Yes” by Elliot Smith — The first line of this song eloquently sums up the feeling of being in love with a single sentence; “I’m in love with the world through the eyes of a girl.” It’s a hauntingly beautiful song about passion, about heartbreak and about the reality of love and all of the turmoil and joy it puts one through. 

 

Rylie Horrall | Lifestyle Editor

“Truly Madly Deeply” by Savage Garden — It’s a very mellow and relaxing song, and the lyrics are filled with devotion and love to whoever they’re singing about. Everytime I listen to it, I just get into a better mood because I’m caught up with picturing the love story that’s playing out.

 

Sean Martinez | Copy Editor

“There’s Nothing Holdin’ Me Back” by Shawn Mendes — There’s nothing more exciting and mysterious than the feeling of love. The song is about two people who aren’t sure how the other feels, but they can’t help but buckle in for the crazy ride. Energetic and uplifting, you can’t help but jump and dance to this song. 

 

Kyle Morden | Designer

“Don’t Hurt Yourself” by Beyoncé (feat. Jack White) — My ex was unfaithful. If you relate, this is the song for you.

 

Rachel Hetzel | Designer

“Social Climb” by I Don’t Know How But They Found Me — I don’t know how, but I found this band, and now I’m in love with all of their songs. A lot of them are more of a cynical take on love, and life in general, but this one specifically gives me deception and heartbreak vibes.

 

Cora McClain | Editor-in-Chief

“Saw You In A Dream” by The Japanese House — Whimsical and dreamy, this song describes how time with a lover can be as fleeting as a dream. It transports you to that hazy state in-between sleep and reality, where all you want is to fall right back asleep and into that sweet dream again.

 

Never Retallack | Entertainment Editor

“By Your Side” by Sade — This song with crooning vocals about being loyal and supporting a romantic partner instantly melts the listener’s heart. A perfect song to play for that special someone to show them how much love there is for them.

 

Sage Kiernan-Sherrow | News Editor

“Time in a Bottle” by Jim Croce — This is the sweetest song in existence and if you think I’m wrong you can fight me on that. It’s simple, reminiscent of songs like “You are my Sunshine,” but it’s lightness is masked by a sorrow and longing that implies the person they’re singing about is no longer there or that time is running out. Plus, they featured it as part of a skit on the original Muppet Show, so you know it’s good. 

 

Hannah Greene | Sports Editor

“Honeysuckle Rose” by Louis Armstrong and His All Stars — The tone and melody of this song is love. It’s short and oh so sweet, a song I could dance to with you (yes, you Max) forever. An excellent song to pair with any day to celebrate love — the love you have for someone or yourself.

 

Kay Bruley | Photo Editor

“Never Been in Love” by Will Jay — Great for those who have yet to find love/aren’t interested. This song celebrates being single and “alone with no loneliness.” Lines throughout remind you that love is not a race: “I’m not missing someone that I’ve never met.” You live your single life, and ENJOY it. 

 

Ashlynn Norton | Digital Media Manager 

“Bad Romance” by Lady Gaga — This song needs no explanation. It. Slaps.

 

Contact the author at howlentertainment@wou.edu

Photo by Kay Bruley

Get comfy this Valentine’s and watch these romantic movies

Never Retallack  | Entertainment Editor

While some like to spend Valentine’s with their partner on a romantic date, a challenging hike or a mini vacation, one thing that’s a crowd pleaser — whether single or taken — is a movie night. Romantic comedies are easy to follow and have a typical plot; tragic love movies also follow the same concept. Get comfy and watch a film from the lists below.

 

Classics

“Pretty Woman” (1990) (Amazon)

“Sleepless in Seattle” (1993) (Amazon)

“Ghost” (1990) (Hulu & Amazon)

“Titanic” (1997) (Amazon)

“Casablanca”(1942) (Amazon)

“While You Were Sleeping” (1995) (Disney + & Amazon)

“When Harry Met Sally” (1989) (Amazon & Hulu)

“Breakfast at Tiffany’s” (1961) (Amazon & Hulu)

“Never Been Kissed” (1999) (Disney + & Amazon)

“The Princess Bride” (1987) (Amazon)

“10 Things I Hate About You” (1999) (Disney + & Amazon)

“My Best Friend’s Wedding” (1997) (Amazon & Hulu)

 

Modern

“About Time” (2013) (Netflix & Amazon)

“To All the Boys I’ve Loved Before” (2018) (Netflix)

“Call Me By Your Name” (2017) (Amazon)

“Crazy Rich Asians” (2018) (Hulu & Amazon)

“Love, Simon” (2018) (Amazon)

“Twilight” (2008) (Hulu & Amazon)

“50 First Dates” (2004) (Amazon)

“Amelie” (2001) (Hulu)

“P.S. I Love You” (2007) (Netflix & Amazon)

“Hitch” (2005) (Netflix & Amazon)

“Brokeback Mountain” (2005) (Hulu & Prime)

“A Walk to Remember” (2002) (Amazon)

“Sweet Home Alabama” (2002) (Amazon)

“Alex Strangelove” (2018) (Netflix)

“Monster-In-Law” (2005) (Netflix & Amazon)

“The Fault in Our Stars” (2014) (Amazon)

“Love Rosie” (2014) (Netflix & Amazon)

“Burlesque” (2010) (Netflix & Amazon)

“Blue is the Warmest Color” (2013) (Netflix & Amazon)

 

Horror

“My Bloody Valentine” (1981) (Amazon)

“Valentine” (2001) (Amazon)

“The Strangers” (2008) (Amazon & Hulu)

“The Love Witch” (2016) (Amazon)

“Bride of Chucky” (1998) (Amazon & Hulu)

“Bride of Frankenstein” (1935) (Amazon)

“Warm Bodies” (2013) (Amazon)

“Crimson Peak” (2015) (Amazon)

“Pride and Prejudice and Zombies” (2016) (Hulu & Amazon)

“Let the Right One In” (2008) (Amazon)

“Sweeney Todd the Demon Barber of Fleet Street” (2007) (Netflix)

“A Girl Walks Home Alone at Night” (2014) (Amazon)

“Sleepy Hollow” (1999) (Amazon)

“Corpse Bride” (2005) (Amazon)

“Nightmare Before Christmas” (1993) (Amazon & Disney +)

“Edward Scissorhands” (1990) (Amazon)

“Queen of the Damned” (2002) (Amazon)

“Bram Stoker’s Dracula” (1992) (Amazon)

 

Contact the author at howlentertainment@wou.edu

From classics to now, fall in love with these poems

Never Retallack  | Entertainment Editor

Love — there are many mediums to describe it, and one of the most classic forms is poetry. Poetry may have been created as early as 20 B.C., but throughout centuries, it has allowed countless artists to manifest love. February is the perfect time to dip one’s toe into the realm of love poetry. Here’s a list of the classics and modern can cater to anyone.

 

Classic Poetry

“The More Loving One” by W. H. Auden

This short and simple poem was published in 1957 and depicts the tale of someone dealing with unrequited love. It is full of longing and quiet anguish, a relatable one for anyone struggling with one-sided feelings. (https://poets.org/poem/more-loving-one)

“How do I Love Thee?” by Elizabeth Barrett Browning

This heart wrenching poem published in 1850 shows that the author’s love is so deep and strong that it will continue even after death. This is a romantic poem to portray impenetrable dedication and love towards someone. (https://poets.org/poem/how-do-i-love-thee-sonnet-43)

“What lips my lips have kissed, and where, and why?” by Edna St. Vincent Millay

Once again not quite the happiest story, but Millay expresses not remembering lovers of her past, but just reminiscing about how happy she must have been. (https://poets.org/poem/what-lips-my-lips-have-kissed-and-where-and-why-sonnet-xliii)

 

Modern Poetry

“Heart to Heart” by Rita Dove

Published in 2017, this unique poem squelches any perceived ideas about what a heart is and how it is tied to emotion, and exposes her vulnerability when it comes to loving someone — a short and powerful must-read. (https://poets.org/poem/heart-heart)

“Resignation” by Nikki Giovanni

One of my favorite poems, published in 2003, illustrates what love is like when it feels like it is the only natural thing for someone to do with their soulmate. It is extremely romantic and a great way to warm the heart of one’s partner, showing just how much love there is in the relationship. (https://poets.org/poem/resignation)

“Teodoro Luna’s Two Kisses” by Alberto Ríos 

This short and sweet story published in 1990 describes how an older man kisses his wife by raising his brow, it is cute and simple, and warms the heart of readers. (https://poets.org/poem/teodoro-lunas-two-kisses)

 

Contact the author at howlentertainment@wou.edu

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