Mount Hood

Season two of “Our flag means death” dives deeper into the difficult topic of address emotions

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

The Max original, “Our Flag Means Death,” has won hearts and captured the attention of many. The relatable characters, charming relationships and lots of piracy, offer something for everyone. Though many scenes deal with the typical pirate activities, such as stealing and murdering, the newest season of the show dives into the murky depths of the characters’ emotions.

The first season of the show ended with a heartbreaking split of the main characters, Ed, also known as Blackbeard, and Stede, played by Taika Waititi and Rhys Darby. What some fans may not know is that these two characters are real-life historical figures, and while they may not have had a romance as the show depicts, they definitely met. A new historical character introduced in season two is Zheng Yi Sao, a pirate queen. 

Zheng, played by Ruibo Qian, brings a whole new level of comedy to the show, such as the iconic line: “Girl, how are you?” This question forces Stede to reflect on his past mistakes, and he even offers relationship advice to another character. 

On the other hand, Ed is struggling with negative feelings of self-worth and learning to accept the fact that he is lovable. Who would have thought that Blackbeard, the world’s most infamous and feared pirate, secretly had these emotions deep down?

Lili Minato, a Western sophomore and an avid watcher of “Our Flag Means Death,” shared what she liked about the show in comparison to others that try to tackle the topic of mental health. “This show is showing you pirates in the 18th century and allowing hard subjects to be shared without bumming you out too much because it’s a comedy,” Minato said. “There’s a level of fun to it that allows these harsher, more draining subjects, to be shared to a wider audience without it being too depressing.”

Both the cast and crew work hard behind the scenes to ensure everything is smooth sailing. Taika Waititi, the New Zealand director and star of “Our Flag Means Death,” has taken similar approaches in his past work. His shows, such as “What We Do in the Shadows,” tend to be representative of many communities, so it’s no wonder they have reached a broad audience.

“Our Flag Means Death” offers a new perspective to historical, comedy and drama television fans. It will make viewers laugh, cry and gasp. The show will inspire its audience to create their own “safe space,” as the pirates aim to do on their ship and with each other. It’s a heartfelt comedy that reinvents the stereotypical perception of pirates and will make its audience reflect on the way they love themselves and others.

Contact the author at howlentertainment@wou.edu

Lessons from the school of SAW

Written by: Aubrey Laine Baker | Freelancer

The late September release of “Saw X” met box office success and critical acclaim as the film grossed $29.3 million worldwide on its opening weekend. Long-time fans of the “Saw” franchise have rejoiced at its return to the limelight, inciting countless sentimental reflections on its colorful history and cultural relevance. For almost 20 years, the continuing saga has dispensed dopamine fixes and unified audiences across the globe through their insatiable desire for psychologically unsettling storytelling, complex moral quandaries and labyrinthine narrative twists. Or, maybe they’re simply brought together by their hardwired, human hunger for ultraviolence.

While some critics dismiss the films with labels such as “torture porn,” others praise them for their deeper philosophical outlooks and metaphorical explorations of redemption — needle pits, anyone? But whether one is binging on gore or strung out on the subtleties of cinema, “Saw” leaves viewers of any disposition with a timeless takeaway: life is to be cherished.

I want to play a game. The game I want to play is not unlike the game of life. There’s a slow-acting poison coursing through the world that each and every person has the antidote for.

Are they going to watch themselves die, or are they going to do something about it?

Thankfully they’re not typically strapped by their teeth to a home-brew head shredder on a timer, and they don’t need to face their most personal flaws in a grimly ironic, gruesome death room. They don’t need to push the limits of self-mutilation or sacrifice the well-being of others for their survival.

But they will have to do some surgery. Somewhere inside of them is the glow of their passions. Can they find it?

Will they tend to it and radiate with its warmth? Or let it dwindle and die, and rob the world of their brilliance.

Life is a gift and it’s not to be squandered. In our contemporary world of nihilistic persuasion and ever-rising suicidal tendencies, it can be easy to forget that. 

In the words of John Kramer, “Congratulations, you are alive. So many people are ungrateful to be alive, but not you. Not anymore.”

Contact the author at

albaker23@mail.wou.edu

Basic needs and fun games — what more could you need?

Written by: Claire Phillips | Entertainment Editor

Abby’s House, the gender equity center located in the Werner University Center, provides students with resources for basic needs and other sorts of support — such as food and transportation. At Western’s Pack Welcome Week Game Night on Sept. 25 Abby’s House introduced students to a quirky card game called “Radical Queer Witches.”

The game is played almost exactly like “Cards Against Humanity,” but appeals to a more female, BIPOC and LGBTQ+ audience. The goal of the game’s creator was to address issues of oppression in a humorous fashion and avoid the offensive aspects of Cards Against Humanity. Examples of response cards include “gaslighting, gatekeeping, and girlbossing” and “dissociating in the grocery store.” 

Hailee Carmody, the Basic Needs Peer Educator of Abby’s House, commented on the importance of the game: “It takes out a lot of insensitive answers and puts in some modern and way more fun ones,” Carmody said. 

Carmody and other Abby’s House employees are fervently trying to increase student involvement. “If you like Taylor Swift and games, please come to Abby’s House.”

Contact the author at howlentertainment@wou.edu

Back to school tunes

Written by: Claire Phillips | Entertainment Editor

“There She Goes” — The La’s

“Bus Stop” — The Hollies

“You’re On Your Own, Kid” — Taylor Swift

“we fell in love in october” — girl in red

“mona lisa” — mxmtoon

“Call Your Mom” — Noah Kahan, Lizzy McAlpine

“Campus” — Vampire Weekend

“ballad of a homeschooled girl” — Olivia Rodrigo 

“4runner” — Brenn!

“Anything But” — Hozier

“Everyday” — Buddy Holly

“Acai Bowl” — Dominic Fike

“Come On Eileen” — Dexys Midnight Runners

“Long Way From Home” — The Lumineers

“Ghost in the Machine” — SZA, Phoebe Bridgers

“Not Strong Enough” — boygenius

“Textbook Love” — Fleet Foxes

“Sugar” — Remi Wolf

“Zombie” — The Cranberries

“Life in a Northern Town” — The Dream Academy

“Send Me on My Way” — Rusted Root

Contact the author at howlentertainment@wou.edu

Netflix’s interactive rom-com changes the rom-com game

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Three handsome, single men are fighting for a young woman’s affection… Now, the woman’s dilemma has become choosing just one — the current lawyer boyfriend who just proposed, the famous rockstar or the schoolteacher with a history? Such is the predicament of Cami Conway, the protagonist of the Netflix hit, “Choose Love.”

What separates “Choose Love” from other modern romantic comedies is that the viewers have a say in choosing the perfect man for Cami. Watch with friends and they will be fighting over the remote to pick either Paul, Rex or Jack. 

Karis D’Orazio, a sophomore at Western and a rom-com fan, said she appreciated this aspect. “You got to pick the guy you liked, instead of watching the whole movie with a guy you didn’t like,” D’Orazio said.

A fun aspect of the movie is that the viewers may go back and undo their choices to receive different endings. The movie has six different endings depending on the decisions the viewer makes on behalf of Cami, however, the many options “took away from the story a little,” said D’Orazio. “You didn’t feel that fulfillment that you feel when you usually watch a rom-com.”

Fans of “Choose Love” have utilized popular social media apps, such as TikTok, to recommend it to others. “It popped up on my For You Page enough for me to be like, okay, I’m going to go look at this movie,” D’Orazio said. Watchers have shared what they would have changed about the movie to make it more enjoyable: “I feel like it could have been a series instead of a movie. You didn’t get to know the characters very well,” said D’Orazio.

This movie is just a gateway for the other interactive content Netflix has to offer. If a rom-com doesn’t resonate, there are interactive adventure, horror and animated shows. These shows and movies can generate feelings of authority in times when everything seems out of control. 


Contact the author at howlentertainment@wou.edu

Under the Sea

Written by: Gretchen Sims

Disney has been making live-action remakes of all their classics for years, but they have been very hit or miss with audiences. While movies like “Cinderella,” “Cruella” and “Maleficent” have been quite popular with fans, others, like “The Lion King,” “Dumbo” and “Pinocchio” have been ridiculed for their atrocious attempts at matching their classic counterparts. So, when “The Little Mermaid” was released last month, it is safe to say that fans were skeptical. 

As soon as the teaser dropped in Sept. 2022, there was already controversy surrounding this remake. Overtly racist or not, fans criticized the casting choice of Halle Bailey as the Little Mermaid. Once the official trailer came out this March, people were quick to tear apart other aspects of the film as well — particularly in regards to Sebastion being portrayed as a crab instead of a lobster. 

However, I still had high hopes that the film would far surpass everyone’s negative expectations. Unfortunately, Disney did not rise to the occasion. 

One of the most continuous shortcomings that Disney has when it comes to their live-action remakes is their changes to the original films’ soundtracks — “The Little Mermaid” was no different. However, in comparison to the classics such as “Under the Sea,” “Part of Your World” and “Poor Unfortunate Souls,” the new songs added to the film were absolute garbage. One moment I was watching “The Little Mermaid,” and the next I was transported to a Harry Styles music video. To be clear, I’m not saying there is anything wrong with Harry Styles, it just stuck out like a sore thumb.

Besides this, the CGI was horrible. For the enormous budget that Disney had to make this film, they could have at least put some of it into making it look good. The green screens used in the film were obvious — come on Disney, you’re one of the biggest names in the film industry and it’s 2023. At least add shadows.
On top of this, the movie should have come with a sensory warning. I am particularly sensitive to sounds and the sloshing of the water every time one of the characters moved was too much for me — it sounded like an infant playing in yogurt. 

However, one of the film’s saving graces was its acting crew. Bailey put on a wonderful performance — beautifully pulling off facial expressions even after Ariel lost her voice — and overall, the acting was phenomenal.

Unfortunately, this film had the opportunity to put haters in their place — or at the bare minimum not give them any ammo — but, with no fault to the cast, Disney failed miserably. What could have been a stellar, empowering remake of a classic was turned into a meh-movie with little to no heart behind it at all.

6.5/10.

Contact the author at howlentertainment@wou.edu

Western’s Theatre Department Presents “The Wolves”

Written by: Gretchen Sims

Western’s Theatre Department debuted “The Wolves” on May 31 which was performed consecutively for the following three days. Written by Sarah DeLappe and directed by Raissa Fleming, the opening night performance was a smashing success that captivated audiences with the drama and theatrics of a high school soccer team. 

The cast of Western students included Mere Butler as Soccer Mom, Katie Newbury as No. 25, Lexy Bolsinger as No. 11, Lucy Garcia as No. 8, Cody Reece as No. 7, Maddie Blanchard as No. 14, Savannah King as No. 13, Mariam Anderson-Taha as No. 2, Loki Cockrill as No. 00 and Jeneba Diane King as No. 46. 

This production was phenomenal. 

I grew up playing soccer and have a lot of experience playing on teams. Not only have I been in the position of the new girl — No. 46 — but I have also been on a team that was together since kindergarten. The accuracy of the team and their interactions was on point. 

Fleming noted that one of the most impressive things about Delappe’s play was its ability to “capture the nuances of teenage girls’ dialog. The sometimes-lyrical lifts and falls in dialog.”

Each of the characters not only portrays — with seamless accuracy — the perils of being a teenager, but they each do it in their own unique way. Additionally, each one of these individuals perfectly fits into the team as a whole. 

The audience was completely hooked and enthralled with all of the typical teenage drama presented by the team, which made it all that more devastating when one of them was tragically taken before her time. 

The process of dealing with grief is a difficult one and one that all of us will experience in our lifetimes. No matter how young or old, any member of the audience could sympathize with the grief-stricken team as they struggled to pick themselves up after the loss of their teammate. 

Congratulations to the cast of “The Wolves.” Be sure to check out the Theatre Department’s upcoming performances in Fall 2023.

Contact the author at howlentertainment@wou.edu