Mount Hood

AI may not be as scary as it seems

Written by: Nicholas Sarysz

Most people will never be able to fully understand the scope of what artificial intelligence does because we don’t have attention spans that last any longer than a low-effort TikTok. 

Years ago, the idea of robots doing work for humans felt like a far-out euphoric concept. Today, most of us are scared of it. The concept of Artificial Intelligence, commonly referred to as AI, and how far it has come within the past couple of years has been discussed endlessly, but that is because it is still in its beginning stages.

The diminishment of jobs, uncertainty and the often overplayed “robot takeover” are all reasons for concern, but the fact of the matter is, we aren’t doing anything of great value anyway. 

Just look at this country, we fight over “job” creation that has people pumping gas or working in coal mines, pick our leaders from two separate sides of the same rotten tree that we call politics and point fingers at each other while the economy continues to plummet. These are just a few issues within our own borders because issues outside of that aren’t even civil enough to poke fun at.

Put simply, Artificial Intelligence is scary to us because other humans have access to it. So much of the public finds themselves worked up about how we can stop AI from helping students plagiarize homework, how to watermark AI deep fakes or art pieces or how we can limit access to AI overall. Public conversations surrounding the topic have begun to focus on how we can dumb down the software to limit our own shortcomings, rather than improve it to make headway on serious issues that AI assistance can be beneficial to. 

Almost every single one of these issues is not truly a matter of Artificial Intelligence, they are people issues. Artificial Intelligence is a tool, and just like every tool, it has multiple uses, many of which can be negative. Take motorized saws for example, we would not be as far along as a civilization if it was not for them and their evolution from simple blades to rotary tools. If we tried to keep saws as simple as we could for human safety, present-day commercial construction would be merely impossible.

For now, there is little reason to do anything more than be cautious and enjoy the funny videos of politicians playing Minecraft. As we navigate the future of Artificial Intelligence, let’s not forget that we hold the power to shape its impact on society.

Contact the author at howlstaffwriter@wou.edu

Instrumental beats

Written by: Gretchen Sims

“Satellites” — Cavement

“Out For a Walk” — Same as Different

“Sidewalking” — Jazzdroid

“humify” — hope mona

“When You’re Gone” — Piano Guys

“Purple love” — Discant Of Venus

“Titanium – David Guetta” — Eklipse

“Happy Ending” — rjoseph

“A Thousand Miles” — Josh Vietti

“Travel by Night” — Itsuju

“Time After Time” — Celestial Aeon Project

“All of Me” — The Piano Guys

“For the Love of a Princess” — 2CELLOS

“Soul Dreaming” — Zmeyev, flowless

“Afterglow” — AWL

“Close To You” — Tang Jia

“Curious” — Lushi

“The Martian Nextdoor” — Keyser

“10,000 Hours (Instrumental Version)” — Laura Sullivan 

“Pirates of the Caribbean” — 2CELLOS

“Angel of Music” — Laclede Quartet

“All I Ask of You” — Laclede Quartet 

Contact the author at howlentertainment@wou.edu

Ghibli in theater

Written by: Gretchen Sims

Anime fans across campus listen up. It is everyone’s dream to go back in time and be able to watch their favorite anime for the first time all over again. What if one is now able to achieve the next best thing?

Studio Ghibli movies are often a staple, almost a gateway drug, for most anime fans — usually the first film an experienced viewer will recommend to an anime viewer. These heartwarming films may even be a core memory in many childhoods. What if the fantasy of traveling back in time to watch one’s favorite Studio Ghibli film for the first time is practically achievable?

Fathom Events, a leader in the entertainment industry and a top distributor of content to movie theaters, hosts an annual Studio Ghibli Fest to showcase all the groundbreaking films by Hayao Miyazaki. This Fest is meant to celebrate the ongoing impact that Studio Ghibli continues to have on the animation industry. These unique and beautiful animes are beloved by fans across the world.

This year, Studio Ghibli Fest 2023 is showing at local cinemas. Here is a list of one’s favorite Studio Ghibli films that one can attend as well as their showing times.

“SPIRITED AWAY: Live on Stage” — April 23 and 27

“Ponyo 15th Anniversary” — May 7, 8 and 10

“Kiki’s Delivery Service” — June 11, 12 and 14 

“Nausicaä of the Valley of the Wind” — July 9 and 11

“Castle in the Sky” — July 10 and 12

“Princess Mononoke” — Aug. 5, 7, 8 and 9

“Porco Rosso” — Aug. 20 and 22

“The Wind Rises 10th Anniversary” — Aug. 21 and 23

“Howl’s Moving Castle” — Sept. 23, 24, 25 and 27

“Spirited Away” — Oct. 28, 29, 30, 31 and Nov. 1

Showings may either be in Japanese with English subtitles or dubbed. Depending on one’s preference, be sure to check out these showings in a theater near you or visit Fathom Event’s Studio Ghibli Fest homepage at fathomevents.com/series/studio-ghibli-fest.

Contact the author at howlentertainment@wou.edu

Spring reads

Written by: Jude Bokovoy

Reading gives one the ability to relax, calm the mind, enhance their vocabulary and learn depending on the book. Start this spring off fresh with a new book and reading spot. Fellow students gave suggestions on what to read and ideal reading locations now that the sunshine is out. 

Books

“The Pilot’s Wife” by Anita Shreve — A widow searches for an answer to why her late husband’s plane crashed. Was it an accident, intentional, or even worse?

“Verity” by Colleen Hover — A struggling writer accepts an exciting yet unusual job offer to get her out of her financial burden. 

“How Will You Measure Your Life” by Clayton Christensen — This book will show one how to maintain motivation at work, find happiness in the world and shift one’s focus to what is truly important.

“So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love” by Cal Newport — Western Oregon University Center for Professional Pathways book of the month is about finding appreciation within your work, instead of searching for work that fits your current passions. It often begs the question: is one’s mindset “what can this job offer me” or “what can I offer the world?”

Places to read in Monmouth, Corvallis or Salem. 

Parks — Take a moment to breathe in the fresh air, soak in some sunshine and read a good book. This could be on a park bench, in front of a view or on a blanket alongside a picnic. Parks not too far from campus include Riverview Park, Madrona Park, Bush’s Pasture Park, Riverfront City Park, Avery Park & Natural Area and the Riverfront Commemorative Park. 

Cafes and bakeries — What’s better than reading in a relaxing space while drinking or eating a handmade good? Sip and skim at these nearby cafes and bakeries: The Sippery, Starbucks, Rick’s Place, Brew Coffee & Taphouse, Panera Bread, Ovenbird Bakery, Karma Coffee Bar & Bakery and New Morning Bakery.

Libraries — Why not go to the home of books? Libraries on and off the Western campus include the Hamersly Library, Salem Public Library and the Corvallis-Benton County Public Library. 

Contact the author at howllifestyle@mail.wou.edu

Video essay recommendations

Written by: Mikayla Coleman

In an ever changing and expanding digital space of content creation, the video essay has become a staple genre on video-sharing websites such as Youtube. 

A video essay is an essay in video form that aims to persuade, educate or critique and analyze a specific topic, theme, person or thesis. This open-ended definition leaves a lot of freedom for creators to artistically express themselves and their opinions in a unique way that can be as academic or as casual as one desires. 

Use this list as a jumping off point for getting into the diverse, fascinating and passionate world of video essays on Youtube.

Ro Rambdin — Ro Rambdin is a 20 year old Tiktok and Youtube influencer from Seattle, Washington who creates incisive commentary videos on a wide variety of subjects pertaining to present and past youth-cultural events. 

  • “Do We Need S*x Scenes? – Penn Badgley and Intimacy in Media” 
  • “Elon Musk and Grimes: A Retrospective” 
  • “Chick Tracts: An American Tragedy” 

Philosophy Tube — Created in 2013 by Abigail Thorn, a British content creator and playwright. , Philosophy Tube seeks to provide free lessons in philosophy after the 2012 increase of tuition in the United Kingdom. Thorn’s videos are inquisitive, hilariously scripted and visually interesting with different elaborate costumes and sets to match each video’s contents. Thorn has also documented their story of coming out as transgender and uses their platform to advocate for better health care and treatment of transgender people around the globe. 

  • “The Rich Have Their Own Ethics: Effective Altruism & the Crypto Crash (ft. F1nn5ter)”
  • “I Emailed My Doctor 133 Times: The Crisis In the British Healthcare System”

  • “Capital Punishment (& Prison Abolition) | Philosophy Tube”

Mina Le — Mina Le is a Vietnamese-American content creator whose work focuses on modern and historical culture of fashion and film. Le’s unique style dominates her videos, making the viewing experience not only intellectually stimulating, but incredibly visually appealing.  

  • “THE CULT OF CLEANLINESS” 
  • “‘toxic’ femininity: what’s up with girlbloggers, female manipulators, and femcels?”

  • “WHY EVERYTHING IS SO UGLY: The Curse of Modernism” 

Izzzyzzz — Internet personality Izzzyzzz, or simply Izzy, is a New Zealand-based video essayist who creates videos on modern and historical internet culture, pertaining mostly to childhood nostalgia. Izzy lightheartedly uses a combination of both subjects to deep dive into niche experiences of growing up while internet usage became more accessible, allowing viewers to be once again immersed in the fun and often-times clunky experiences of early 2000’s computer games and internet culture. 

  • “Exploring the Lore of Purble Place” 
  • “The Horror of Anti-Piracy Screens” 
  • “A Deep Dive into Animal Crossing” 

The Leftist Cooks — Formerly named “The Leftist Cook,” The Leftist Cooks is a collaborative Youtube channel between Irish creators Neil Farrell and Sarah Oeffler focusing primarily on leftist topics, including but not limited to LGBT+ and gender issues, workplace conditions and personal near-death experiences. 

  • “This is Not a Video Essay” 
  • “Polyamory and the Family” 
  • “Capitalism and the Body” 

Contact the author at howleditor@wou.edu







Spring bops

Written by: Mikayla Coleman

“Spring Has Sprung” — Skegss

“Back Pocket” — Vulfpeck, Vulf

“Hutch” — Barrie

“Don’t Trust Me” — the booyah! Kids

“Where’d All the Time Go?” — Dr. Dog

“Golden” — Hippo Campus

“A Bird’s Last Look” — Macabre Plaza

“Cinnamon” — Palehound

“Back in Your Own Back Yard” — Sun Ra

“Vacation” — Honeywhip

“Running Wide Open” — Coma Cinema 

“Afternoon Of A Swan” — Speedy West

“Over the Hill” — Ginger Root

“Ladyfingers” — Herb Alpert & The Tijuana Brass

“Oh, Pretty Woman” — Pomplamoose 

“Morning” — Azymuth 

“Prism” — Say She She 

“The Flower Called Nowhere” — Stereolab 

“Masterpiece” — Big Thief

“Linger” — The Cranberries 

Contact the author at howleditor@wou.edu

 

Sequel equals

Wrtten by: Gretchen Sims

A tale as old as time, a classic — but what happened before, or after, one’s favorite films? This is where sequels and prequels come in. Normally occurring in groups of three, movie franchises are becoming increasingly popular among filmmakers. 

Nearly every movie that does well at the box office is followed up with one or two movies that extend the storyline. However, it is well known that these sequels and prequels rarely live up to the original fan favorite. So are these additional movies just a cash grab for producers? Or are they genuinely produced with the writers and directors passion and with the fans in mind? 

Many larger movie-producing corporations have been repeatedly slammed for this. Producers can easily profit off of nostalgia and love that fans have for their favorite movies, though without living up to fans expectations. From a producing perspective, this can be seen as a win-win. Making a sequel to a popular movie is a fantastic way to make money and make sure fans are eating out of their hands. 

So why has there been so much backlash about these franchises? 

Mainly because the sequels and prequels are usually terrible. Not only are producers making these movies to turn an easy profit, but they also don’t seem to care about the quality of the film. No matter how terrible the movie is, fans will go see it.

However, audiences might be in for a significant change. Due to new streaming sites, it is becoming increasingly more difficult for companies to release low quality sequels and get away with it. Now that physical movie theaters are becoming less popular and many movies are released directly to Netflix, HBO Max and Disney+, producers can not rely on box office sales for their cash grab. If audiences hear a sequel is bad, they simply won’t watch it. 

While sequels in the past have been disappointing fans for decades, this trend may be coming to an end. As long as sequels lose their profitability, franchises will be prolonged in a way that excites fans and keeps them wanting more. Hopefully, the cash cow that fuels sequels will benefit both filmmakers and fans in the near future. 

Contact the author at howlentertainment@wou.edu