Mount Hood

Entertainment Editor wanted

Written by: Gretchen Sims

Ever wanted to express one’s passions for the arts? The Western Howl is hiring for the 2023-24 school year. Nine positions are currently open on Handshake and will close for consideration on May 22 at 5 p.m. Working for the Howl is a wonderful opportunity where one will learn how to work in a professional environment, write in newsroom standard Associated Press style and have their work published. 

This position looks amazing on a resume and helps expand one’s portfolio in writing and photography. Working for the Howl will be an opportunity to form friendships and connections across campus that will be beneficial, not only for the rest of one’s time on campus, but also for the jobs or internships that may come next.

Being the Entertainment Editor, in particular, is a rewarding job. Instead of the mundane writing one would often write in  class, writing for the Entertainment section allows one to compose pieces about subjects that they are passionate about. 

Some topics that are often included in the section are music, art, movies, TV shows, popular streaming services, video games and celebrity hot topics. There is such a large range of writing prompts that fall under the Entertainment section that whatever one is interested in, one can implement it into this section. 

So, be sure to check out Handshake if becoming the next Entertainment Editor is something that peaks one’s interests.  

Contact the author at howlentertainment@wou.edu

Guardians of Marvel’s Reputation

Written by:  Gretchen Sims

The most recent installment of the Guardians of the Galaxy franchise was released in theaters on May 5, as part of Marvel’s Phase Five project. The film, which was written and directed by James Gunn, starred many fan favorites including Chris Pratt as Peter Quill AKA Star-lord, Zoe Saldana as Gamora, Dave Bautista as Drax, Vin Diesel as Groot, Pom Klementieff as Mantis, Karen Gillan as Nebula and Bradley Cooper as Rocket. 

Besides the classic crew, “Guardians of the Galaxy Vol. 3” also cast some new faces. Will Poulter, best known for his roles as Eustace Scrubb in “The Chronicles of Narnia: The Voyage of the Dawn Treader” and as Gally from “The Maze Runner,” made a spectacular appearance as Adam Warlock — an all-powerful being with a little bit lacking upstairs. Sean Gunn, best known as Kirk from “Gilmore Girls,” played Kraglin — Yondu Udonta’s incompetent replacement. Possibly most surprisingly, Sylvester Stallone made a brief cameo as a Ravager. 

The story follows Rocket’s origin story as he fights for his life after being attacked by Adam Warlock. The Guardians soon notice that Rocket has a killswitch inside him that prevents them from reviving him. The remaining Guardians must locate Rocket’s inventor and steal a code that can deactivate the killswitch that will certainly spell his doom. 

This movie encompasses all the stuff Marvel used to be made of. The cinematography and CGI are certainly some of the best out of the recent Marvel Phases. But despite beautiful displays, this movie is able to take Marvel fans back to their roots — the good times when Marvel movies were more than just an obvious cash grab. 

From the constant heartbreaks to the beautiful, heartwarming resolution, this film is a rollercoaster of emotions that is sure to delight fans everywhere. Every time the audience was served with a flashback from Rocket’s childhood, I was nearly on the verge of crying — and I don’t cry while watching movies. It was a real tearjerker, so be sure to grab a box of tissues before going to give this movie a watch.

9/10.

Contact the author at howlentertainment@wou.edu

Beau is afraid, and so am I

Written by: Mikayla Coleman

“Beau Is Afraid” — Ari Aster’s third full length feature film running just under three hours — has a beast of a storyline. Attempting to explain anything about this film can be an enormous challenge and those who have seen it will understand. 

The film follows the tumultuous relationship between Beau, played by Joaquin Phoenix, and his mother, Mona Wassermann, played by Patti LuPone. 

After a visit with his therapist, Beau is set to leave for a trip to see his mother. However, a set of unfortunate circumstances prevents Beau from leaving on time. As his home and neighborhood evolve into a terrifying hellscape filled with odd characters with a tendency toward stabbing strangers on the street, Beau learns of the death of his beloved mother he was just meant to visit. In a hurried struggle to go lay her to rest immediately, Beau is struck by a car. 

This movie does a wonderful job at simulating what it can be like to have anxiety. The soundscape, visuals and symbolism are absolutely saturated with paranoia. Through exploring Beau’s warped world, one is able to understand and empathize with his fear that everyone in his life is playing a fixed part in the journey to unveiling his guiltiness and his ultimate demise. 

The film has a unique way of pulling the rug from underneath its viewers — every time that one thinks to themselves that they could possibly have a grip on what is actually going on or what may be coming next, it takes a massive turn into the unexpected.

Along with the film’s long run time comes multiple different acts, differing from one another greatly in all aspects. It takes a multimedia approach, with animated portions, flashback scenes, another entirely constructed timeline in which Beau has a family and is separated from them and many, many more twists and turns. 

This movie was beautiful, heartbreaking, cathartic and terrifying. It may have been how long the movie was, or simply the subject matter, but I felt disoriented for days after watching “Beau is Afraid” — trying to piece together what it was supposed to mean and debating what parts could have been tangible or dramatized by the unreliable narration of Beau. 

The only way to know how one will feel about this film is for them to experience it themselves. It is something no one can prepare one for. 

7/10.

Contact the author at howleditor@wou.edu

The Main Character’s Playlist

Written by: Mirella Barrera-Betancourt

Having a bad day? Need a confidence boost? The following songs can help reframe any day into a scene from a movie, whether one is walking home or cruising down a backroad with the windows down. This playlist is for the people who want to feel on top of the world. 

“Animals” — Neon Tree

“Cigarette Daydream” — Cage The Elephant

“Escapism” — RAYE ft. 070 Shake

“Electric Love” — BORNS

“Daisy” — Ahnikko

“Collide” — Justine Skye ft. Tyga

“Midnight City” — M83

“Prom Queen” — Beach Bunny

“Sweater Weather” — The Neighborhood

“Hayloft” — Mother Mother

“Sweet Dreams” — Eurythmics

“Girls Just Want To Have Fun” — Cyndi Lauper

“Riptide” — Vance Joy

“Heroes” — ZAYDE Wolf

“Call Out My Name” — The Weeknd

“Judas” — Lady Gaga

“People I Don’t Like” — UPSAHL

“Ribs” — Lorde

“Big Boy” — SZA

“Perfect Day” — Hoku

“Tongue Tied” — Grouplove

“Gimme Love” — Joji

“Out Of My League” — Fitz And The Tantrums

“Tia Tamera” — Doja Cat ft. Rico Nasty

“Wicked Ones” — Dorothy

“Swim” — Chase Atlantic

“YOUTH” — Troye Sivan

“Someone To You” — BANNERS

“Feel It Still” — Portugal. The Man

“Stay” — The Kid LAROI, Justin Bieber

“Teeth” — 5 Seconds Of Summer

“Hurricane” (Artsy Remix) — Halsey

Contact the author at howlnews@wou.edu

Best Netflix Documentaries

Written by: Gretchen Sims

Sometimes, particularly during the fickle spring weather, all homework should be cast aside in favor of a good documentary. After all, what could possibly be better than snuggling up with a blanket — perhaps a cat or two — and a warm beverage of choice to watch the evermore fascinating life of someone else? 

Thankfully, many fantastic options are readily available on popular streaming services. Often, the most significant hurdle between one and their perfect afternoon is all the options to choose from.  

To alleviate a stressful afternoon spent scrolling Netflix for the perfect documentary, here are some of the best, most interesting documentaries to choose from. These will not disappoint. 

TRUE CRIME:

“The Keepers” — This seven-episode series follows the mysterious death of Sister Catherine Cesnik, a teacher at Baltimore’s all-girls Archbishop Keough High School. Former students suspect foul play after a priest is accused of abuse. 

Content Warning: contains mentions of sexual abuse and violence

TV-MA

“Murder Among the Mormons” — This three-episode mini-series details the life of one of the most notorious forgers in history who created fakes that duped The Church of Latter-day Saints. As he begins to feel the law closing in on him, the forger resorts to the unimaginable. 

Content Warning: violence

TV-14

“Murdaugh Murders: A Southern Scandal” — This three-episode mini-series covers the highly mediatized Murdaugh case. After a major blow is made to the Murdaugh family name, an offending family member and his mother are mysteriously found deceased. 

Content Warning: suicide and violence

TV-MA

“Worst Roommate Ever” — Dorothea Puente is an outstanding member of the community. She donates to politicians, rescues kittens and even opens up her home to the less fortunate. Is it possible that something more sinister lurks beneath this grandmotherly facade? Each of the episodes details a different roommate horror story.

Content Warning: violence

TV-MA

CULTS:

“Keep Sweet: Pray and Obey” — This four-episode series focuses on the happenings within the Fundamentalist Church of Jesus Christ of Latter-Day church. The documentary gives the unique perspectives of family members and ex-wives of Rulan Jeffs on the Mormon sect under the leadership of Warren Jeffs.  

Content Warning: religious trauma and sexual abuse

TV-MA

“Waco: American Apocalypse” — One of Netflix’s newer documentaries, this three-episode limited series contains real-life footage and interviews with survivors that detail the horrific situation in Waco Texas. FBI hostage negotiation teams clashed with on-ground forces in a way that escalated into the death of hundreds. 

Content Warning: religious trauma, sexual abuse and violence

TV-MA

“Sins of Our Mother” — A loving mother, quickly turned doomsday believer, is willing to follow her new religion to unbelievable ends. This three-episode series takes a deep dive into a popular case.

Content Warning: religious trauma, violence

TV-14

“One of Us” — This documentary follows three Hasidic Jews and their journey to leave a very restrictive Jewish sect. With little to no education, these people must fight for their place in the outside world.

Content Warning: religious trauma

TV-14

THOUGHT-PROVOKING:

“13th” — This thought-provoking documentary forces its audience to take another look at the American prison system. 

Content Warning: discusses racism and difficult topics

TV-MA

Contact the author at howlentertainment@wou.edu

Revenge is Best Served Raw

Written by:  Mikayla Coleman

Released on Netflix Apr. 6, the 10-episode drama mini-series “Beef” has been taking the world by storm. The series, created by Lee Sung Jin, stars Steven Yeun as Danny Cho, Ali Wong as Amy Lau and David Choe as Isaac Cho. 

The series follows Danny Cho, a struggling contractor, and Amy Lau, a prestigious business owner, as their worlds collide and implode after a particularly spicy road rage incident between the two. Instead of setting things aside and moving on as most typically would, both characters allow the incident to fester into a bitter feud that completely takes over their professional and personal lives — putting everything and everyone in jeopardy. 

The two main characters’ lives could not be more different. The show begins by depicting Danny struggling to maintain his contracting business and cohabitating with his younger brother in a small apartment. 

Amy Lau is on the cusp of a major business deal that will allow her to sell her small business and finally be able to enjoy the luxury that she has worked hard for. Amy has a young daughter and a mildly famous husband, known for being the son of a famous Japanese artist. While Amy seems to have the “better” life, it becomes clear throughout the series that money truly cannot buy happiness. Amy is painstakingly choosing to be surrounded by many tone-deaf members of the one percent — earnestly trying to ignore the blatant philosophical and ethical differences between herself and those close to her. 

And despite the money that Lau has access to, there is a major parallel between both Danny and Amy — their utter, bitter unhappiness. This common thread of struggle weaves the two together in a beautiful melancholy throughout the entire series and ultimately brings them together when they are both at their lowest. 

Most episodes begin by displaying paintings by David Choe, carrying heavy visual metaphors and symbolism for what is to come. The seething energy that is present between these two characters, along with several deviations and side plots, makes every minute captivating. 

9.5/10.

Contact the author at howleditor@wou.edu

Songs for Fan Girls

Written by Juliana Tinker, Addie Floyd and Caitlin Quirk.

“Burning Love” — Elvis Presley

“Satellite” — Harry Styles

“right where you left me” — Taylor Swift

“The River” — Daisy Jones & The Six

“Moves” — Suki Waterhouse

“Tutti Frutti” — Little Richard

“Thunder Road” — Bruce Springsteen

“Dive” — Olivia Dean

“Silver Springs (Live)” — Fleetwood Mac

“Ceiling” — Lizzy McAlpine

“I know it won’t work” — Gracie Abrams

“What A Time” — Julie Michaels, Niall Horan

“Jailhouse Rock” — Elvis Presley

“Ever Since New York” — Harry Styles

“Would’ve, Could’ve, Should’ve” — Taylor Swift

“Dancing with Myself” — Billy Idol

“American Girl” — Tom Petty and the Heartbreakers

“The Oogum Boogum Song” — Brenton Wood



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