Mount Hood

A mildly erotic collection of poetry and short prose

Screen Shot 2016-01-08 at 4.07.43 PM

By: Katrina Penaflor 
Managing Editor

Where to begin? Well, to be honest, I’m not entirely sure, as I’ve never reviewed anentire book of poetry before. But I guess I’ll start with “Dirty Pretty Things” was very good. Fair start?

Now on to actual details, to let people know what in the world I read and why anyone else should care to read it.

The author of the collection is Michael Faudet. I first discovered Faudet’s writing on Tumblr while scrolling through my feed.

I had never read anything of his before and his poem “A Question for Anna” caught my attention. It was only one line long, so perhaps it still falls under the category of prose.

It read, “Do you know what a palindrome is Madam?”

I couldn’t decipher what it was about this line that caught my attention, but I think it had to do with how clever it was. Madam, obviously falling under an example of a palindrome, completing the cheeky joke.

From there I kept reading Faudet’s work on his blog and eventually received “Dirty Pretty Things” for Christmas.

Let’s start with the introduction, which was interesting and odd in all the best ways. Instead of a regular run of the mill insight on the work of the author, the intro talked about the book “The Little Prince” by Antoine de Saint-Exupéry.

The importance of this was to describe the significance of the story to Faudet and his girlfriend and poet Lang Leav, who wrote the introduction. I enjoyed this candid insight to the relationship of the two writers because it laid the groundwork for possible inspirations behind the fantastical and dream-like voice the author has.

A majority of the poetry and writing is quite short, sometimes two or three lines long and nothing over four pages.

The reoccurring theme of Faudet’s writing is the overwhelming array of emotions that occur when one falls in love.

From the initial sexual interest, to the heartbreaking realizations of loving someone who doesn’t love you back, “Dirty Pretty Things” gives an honest look into the mind of a male speaker who is completely enthralled by his female muse.

A strong point for me was Faudet’s daring attempt at expressing characters’ sexual encounters with one another. He wrote with such whimsy, that the eroticism of it all nearly came across as some kind of dream. With characters dancing from bed to bed with nothing to worry about but his or her pleasure.
The only downside to this was at times the overuse of the words “fu*king” and “panties,” and “sex” tended to drag the writing down, and left a tackiness to some of the later poems.

I wouldn’t say this book is for everyone, as it often teeters back and forth from erotic to tooth-achingly sweet. I also could have done without the clichéd rhyming that occasionally popped up, and a few of the poems were just too short for me to pull meaning from.

But if looking at the work as a whole, I think Faudet created a clever and unique look at modern love. I appreciated his portrayal of characters who didn’t shy away from their sexual desires, and weren’t afraid to openly cry tears of joy and pain.

In addition, the way the words on the page were displayed visually were quite beautiful. I would absolutely read Faudet’s writing in the future, and would be interested in reading Lang Leav’s as she has spoken of her writing being inspired by Faudet.

A Tale of Two Taco Tuesdays

By: Rachael Jackson
Staff Writer

On Jan. 5, three friends and I set out to review the choices of the local Taco Tuesday specials offered in town. Starting at 5 p.m. every week, both the Main Street Pub & Eatery and Rookies Sports Tap offer Tuesday specials.

Rookies sits on the east side of Pacific Highway. This location makes it just ever so slightly inconvenient, as it’s a bit too far to walk on a cold winter night from campus. The Pub’s location on Main St. is closer to many of the apartments around the university, mine included, which may explain why it usually gets more student customers than Rookies.

Rookies offers a bright atmosphere, a nice selection of beers on tap, and a foosball table. Despite this, everyone in my group agreed we didn’t like the environment, but we also admitted that it was the bar’s theme and décor that left us unenthused.

For $0.50 you can get a hard shell taco with generous portions of meat, cheese, lettuce. For $0.50 more, you can get a soft tortilla in place of the shell. The only meat available was beef, though the waitress informed us that next week there will be chicken.

Feeling adventurous? Order the $1.50 double decker for a soft shell taco glued to a hard shell by means of liquid nacho cheese. The taco sauce is spicy and flavorful, unlike the Pub’s ‘hot’ sauce.

The drink specials include $3.00 regular and strawberry margaritas and $2.00 domestic pints. Two friends ordered tasty, sweet strawberry margaritas, while myself and another friend got pints. Corona and other Mexican beers were not available, something that left my cheap beer-loving friend and I in a funk.

Having been to Taco Tuesday many times at the Pub, we could all say that the tacos at Rookies were tastier and more generously filled with delicious taco ingredients.

The Pub, like on most nights, was buzzing with conversation from fellow students. The dim lights create a kind of sanctuary for intimate discussion, something Rookies doesn’t necessarily provide.

The Pub offers $0.50 tacos with soft shells only, but their meat selection is much more varied. They offer shredded pork and chicken, and ground beef.

All the tacos come with sour cream, beans, lettuce and cheese. For the vegetarians out there, be aware: the Pub offers vegetarian beans, something Rookies does not.

The drink specials are a deal with $3.00 margaritas (fruit juice is an extra $0.50), $1.95 Corona Extras, and $4.00 long islands. We all agreed the drinks at the Pub were far stronger, so perhaps a better deal if you’re in need of a stiff drink.

In the end, our experience seemed unanimous: go to Rookies for tastier food, then head to the Pub for drinks and conversation.

Humans of Western

By: Megan Clark
Campus Life Editor

Curtis Yehnert, Professor of English Literature

“When I was getting my doctorate at Ohio State […] I heard this laugh downstairs, a woman’s laugh and…It really did something to me, and it was so strange. It turned out to be my roommate’s new girlfriend, and her name was Heather. I had not been dating for a while, so he, out of pity, started inviting me to go out with them.”

“I became increasingly attracted to Heather and so finally, since I liked him a lot, I said, ‘Mike, you got to stop inviting me out with you and Heather when you go out.’ And he said, ‘Why?’ And I said, ‘Well don’t tell Heather, but I feel really attracted to her.’”

“The next day I was in my office, and there she was. She came up and she had on a strappy little thing and held her shoes in her hand, I remember that. She said, ‘Mike told me what you said.’ She said, ‘I don’t want to go out with him anymore, I want to go out with you.’”

“And that was twenty four years ago, and we’re still together, we’re still very much in love.”

Inspiring Musings through Movement

By: Joleen Braasch 
Staff Writer

As part of the Smith Fine Arts Series, BodyVox, the dance company known for its creativity, physicality, beauty, and wit, will be performing “Reverie” in Rice Auditorium on Jan. 8, 2015.

Founded in 1997 and currently in its 17th season, BodyVox is a Portland-based dance company led by Emmy Award-winning choreographers Jamey Hampton and Ashley Roland.

“Reverie,” a show that premiered in 2001 and was developed surrounding and influenced by the events of Sept. 11, 2001, has been performed throughout the U.S. and internationally in Germany, Mexico, and Japan.

The name of the show connotes being swept up and carried away, allowing viewers to become lost in the show and in the thoughts that the show inspires.

Hampton states that beauty is the central theme in the show, “art must prevail, humanity must prevail, culture, knowledge, and freedom of expression, indeed beauty must prevail.”

The complex tone of the show is aided by the use of colorful and creative costumes set against a darkly-lit stage. This creates a mood that is both serious and somber, while still being lively and eye-catching.

Dancers in this show utilize both quick and slow movements, and work together in many upside-down twirling positions and occasional wire-flying. These difficult moves and acrobatics reveal the troupe’s well-developed skills involving cooperation, strength, and technique.

The movements not only evoke laughter from the audience, shown in exaggerated gestures implying sexual innuendos and crazed minds, but also play on serious tones using ghostly movements and heavy, somber music.

Franziska Grevesmühl-v. Marcard, a managing director of the Norddeutsche Konzertdirektion dance company in Germany, says that “Reverie” “makes the audience feel they are part of another world: Full of dreams, colors and music. This is not only a performance— it is an instruction to be happier.”

Featuring more than 200 original dances, the company has also developed nine award-winning films, 30 original shows, and three operas.

The Oregonian called BodyVox Portland’s “most popular and internationally renowned dance troupe.”

BodyVox’s mesmerizing and inspiring performance will be held at Rice Auditorium on Jan. 8, at 7:30pm.

‘Story Time’ Shares Beauty with Students

By: Megan Clark
Campus Life Editor

Need something colorful to lighten up these gray, Oregon days?

“Story Time: Contemporary Urban Narratives” is a stunning new art exhibit that opened in Campbell Hall on Jan. 6. It features work done by Len Davis and Roll Hardy, artists from Los Angeles and Portland, respectively.

While the two artists have somewhat dissimilar styles and techniques, the art they produce is eye-catching and plays with contrasts and emotion.

This juxtaposition of disparate emotions and color is prevalent in these two artists’ work and lends an air of complexity and increases interest. Alicia Neal, a fifth year senior and art major, said, “If you keep looking, you keep finding stuff.”

One of the most intriguing pieces was a large oil painting titled “Mirage” by Roll Hardy. While it was set next to two of his other, equally large, pieces, it stood out due its beautifully serene scene.

“Mirage” pictures young people in an indoor swimming pool, the oil paint adding to the effect of water glistening on their skin. “It looks really liquid and its very lively without being overworked,” observed Elaina Glassock, a junior art major.

While the painting utilizes neutral colors for the scene, brighter colors seem to spill out of the painting, with water breaking the banks of the pool and explosions of green foliage burgeoning forth from the cement.

Another piece by Len Davis titled “The Biggest Surprise of a Man’s Life” juxtaposes the rigid figure of a man who appears to be falling head first through the frame, with the somber face of an older man.

There is a terrific outpour of emotion through Davis’ depiction of his subject’s facial expressions, which range from sheer joy to utter sadness.

Ashley Davis, a visitor to campus, said that Davis “captures individual’s moments, struggles, and experiences.”

This art exhibit will be open from Jan. 6 to Feb. 5. If you’re already looking for a respite from schoolwork, check out Davis’ and Hardy’s art as it will simultaneously soothe and excite your mind and eye.

Baker Street boys return

By: Conner Williams 
Editor in Chief

I’ve said it once and I’ll say it again: BBC’s “Sherlock” is one of the greatest television shows in history.

Each episode seems to be more cleverly written than the last, and this one takes the cake by a waterfall.

The long-anticipated special episode entitled “The Abominable Bride,” which fans were told is a standalone and is separate from the series, took us back to the origin of the adventures of Sherlock Holmes (Benedict Cumberbatch, “Star Trek: Into Darkness”) and John Watson (Martin Freeman, “The Hobbit”): Victorian-era London.

Complete with wonderful costumes and time-period props, the episode takes us back to the time when it all began, when Sir Arthur Conan Doyle conceived the brilliant crime-solving duo that has inspired countless detective narratives for more than 100 years.

The game is afoot as Holmes and Watson take on yet another seemingly incomprehensible case of murder and mystery. A woman dressed in a bride’s gown is spotted on a balcony shooting at multiple people before she turns the gun on herself. Then, hours later, she is reported by a police inspector to have murdered her husband in cold blood. How could she, whom had just committed suicide hours before, have killed this man?

Reluctantly sporting his trademark cap at the insistence of Watson’s words, “You’re Sherlock Holmes, wear the damn hat!” Holmes unravels the mystery thread by thread only to reveal that it isn’t what he thought it was; it’s something much greater, a resemblance to a case that has haunted him for years. No, Holmes must solve this case in order to solve another, a case that has baffled him and left his mind twisted from the day it happened.

I absolutely love the way that “Sherlock” episodes twist and turn all over the place, keeping me guessing as to where they are going next. This particular episode took me down a winding path that kept showing me what appeared to be the end of the road, but was actually yet another twist.

“Elementary, my dear Watson,” as Sherlock would so often tell his faithful companion as he tried to keep his bearings during the case. I felt similarly to Watson as I tried to keep up with the constant barrage of unexpected surprises this episode had in store.

The fourth season of “Sherlock” is, regrettably, tentatively scheduled to premiere sometime in the beginning of 2017.

If you missed “The Abominable Bride,” you can catch it again on Sunday, Jan. 10 at 7 p.m. on PBS, or you can stream it online at pbs.org/masterpiece beginning Jan. 11.
Did you miss me?

Space fights never felt so good

By: Declan Hertel
Entertainment Editor

This movie kind of transcends the need for a review. I guess the only reason you might want to read criticism is if you wanted to know if it goes the way of the much-maligned prequels.

Ladies and gentlemen, it does not.

“The Force Awakens” is really great.

The thing about the prequels is that George Lucas wanted to make “Star Wars” different. He wanted to move it beyond the lighthearted, action-packed, Saturday morning serial-inspired films that they were by introducing diplomacy and trade negotiations. While those things can be engaging and exciting (see: the “Star Trek” TV shows), they’re not Star Wars.

This is what is great about “The Force Awakens:” it is made by people who grew up with the original Star Wars, and they know what made it so near and dear to their hearts. The fact is, it doesn’t take itself or its world terribly seriously, and doesn’t try to be hard sci-fi or an adult political drama. It’s a story of ACTION and ADVENTURE in SPACE! It’s got massive spaceship dogfights! It’s got adorable robots! It’s got battles with SWORDS MADE OF LIGHT! It’s full of wisecracking, swashbuckling heroes! It’s fun! It’s space fantasy of the highest degree! The original trilogy was awesome then, and it is awesome now. THIS is why. THIS is what “The Force Awakens” remembers about Star Wars, and what it executes with perfection.

All the series newcomers turn in excellent performances. Daisy Ridley and John Boyega’s Rey and Finn are characters that I will follow anywhere through the galaxy. Adam Driver’s Kylo Ren is an intriguing new masked villain. Seeing the familiar faces of the original trilogy was a delight. I loved everything about this movie.

I would have said that this is a movie near exclusively for fans of the series, based on a great deal of humor coming from references to the previous films, but then a friend of mine who had never seen any Star Wars loved it. This is the sign of a good reboot. Totally enjoyable and accessible by newcomers to the franchise, but dripping with fanservice for those who have stuck with it all this time. I applaud all those involved with “The Force Awakens;” I think you did us longtime Star Wars fans proud, and created many, many new ones in the process.

Now, a franchise as big as Star Wars is going to have people going to the theatre, many of whom are longtime fans, who hate the movie before they walk in. At this point in its release, you, dear reader, have probably heard them espousing their bitter opinions. I would like to recommend that you don’t listen to those people and go see the movie for yourself. Maybe you’ll like it, maybe you won’t, but don’t let someone who hates movies tell you to hate this one.

But as for my verdict, “Star Wars Episode VII: The Force Awakens” is really, really great. If you haven’t seen it already, ohmygod do it now.