Mount Hood

Entertainment Editor wanted

Written by: Gretchen Sims

Ever wanted to express one’s passions for the arts? The Western Howl is hiring for the 2023-24 school year. Nine positions are currently open on Handshake and will close for consideration on May 22 at 5 p.m. Working for the Howl is a wonderful opportunity where one will learn how to work in a professional environment, write in newsroom standard Associated Press style and have their work published. 

This position looks amazing on a resume and helps expand one’s portfolio in writing and photography. Working for the Howl will be an opportunity to form friendships and connections across campus that will be beneficial, not only for the rest of one’s time on campus, but also for the jobs or internships that may come next.

Being the Entertainment Editor, in particular, is a rewarding job. Instead of the mundane writing one would often write in  class, writing for the Entertainment section allows one to compose pieces about subjects that they are passionate about. 

Some topics that are often included in the section are music, art, movies, TV shows, popular streaming services, video games and celebrity hot topics. There is such a large range of writing prompts that fall under the Entertainment section that whatever one is interested in, one can implement it into this section. 

So, be sure to check out Handshake if becoming the next Entertainment Editor is something that peaks one’s interests.  

Contact the author at howlentertainment@wou.edu

Beau is afraid, and so am I

Written by: Mikayla Coleman

“Beau Is Afraid” — Ari Aster’s third full length feature film running just under three hours — has a beast of a storyline. Attempting to explain anything about this film can be an enormous challenge and those who have seen it will understand. 

The film follows the tumultuous relationship between Beau, played by Joaquin Phoenix, and his mother, Mona Wassermann, played by Patti LuPone. 

After a visit with his therapist, Beau is set to leave for a trip to see his mother. However, a set of unfortunate circumstances prevents Beau from leaving on time. As his home and neighborhood evolve into a terrifying hellscape filled with odd characters with a tendency toward stabbing strangers on the street, Beau learns of the death of his beloved mother he was just meant to visit. In a hurried struggle to go lay her to rest immediately, Beau is struck by a car. 

This movie does a wonderful job at simulating what it can be like to have anxiety. The soundscape, visuals and symbolism are absolutely saturated with paranoia. Through exploring Beau’s warped world, one is able to understand and empathize with his fear that everyone in his life is playing a fixed part in the journey to unveiling his guiltiness and his ultimate demise. 

The film has a unique way of pulling the rug from underneath its viewers — every time that one thinks to themselves that they could possibly have a grip on what is actually going on or what may be coming next, it takes a massive turn into the unexpected.

Along with the film’s long run time comes multiple different acts, differing from one another greatly in all aspects. It takes a multimedia approach, with animated portions, flashback scenes, another entirely constructed timeline in which Beau has a family and is separated from them and many, many more twists and turns. 

This movie was beautiful, heartbreaking, cathartic and terrifying. It may have been how long the movie was, or simply the subject matter, but I felt disoriented for days after watching “Beau is Afraid” — trying to piece together what it was supposed to mean and debating what parts could have been tangible or dramatized by the unreliable narration of Beau. 

The only way to know how one will feel about this film is for them to experience it themselves. It is something no one can prepare one for. 

7/10.

Contact the author at howleditor@wou.edu

All for one, one for all

Written by: Dakota Gange

Finding what is conducive to one’s success as a student can be challenging. Western has a plethora of resources available for students, many of which are located in the Werner University Center — a central campus location that is full of student aid. 

From Abby’s House assisting students with basic needs, to the Center for Professional Pathways helping students to navigate possible careers and internships, to the Non-Traditional Student Lounge, there’s help where Wolves need it. 

Next to Caffé Allegro lies the Freedom Center — a room that is nearly impossible to miss upon entering the WUC. Their atmosphere is bright and welcoming, offering a casual lounge and living room setting with T.V., music, snacks and drinks; a study table, test-taking resources and most imperative, immediate drop-in student-led advisory that can be an aid for everyone in answering questions one may have. This includes basic questions about how to navigate DegreeTracks, all the way up to helping students with their DACA — Deferred Action for Childhood Arrivals — paperwork. 

The Freedom Center was founded by minorities and established as a safe place for BIPOC students to gather; all ethnicities are welcome. 

If one were to walk into the Freedom Center today, they’d find a recently rearranged, calming and welcoming atmosphere — while visiting I felt comfortable, welcomed and confident. 

However, recently circulating among various campus departments, including ASWOU, is a letter suggesting the closure of the Freedom Center. 

In a Western Howl “Letter to the Editor,” a person the Howl will not be naming, wrote: 

The majority of faculty and students at WOU are white females. This is not surprising as it is a teachers’ college in Oregon and females are historically the majority in education and Oregon is overwhelmingly white.

Society would benefit in many ways if more males from ethnic minorities became teachers (Black males are particularly underrepresented in the teaching profession) and WOU should lead in recruitment.

Unfortunately WOU’s creation of a ‘Freedom Center’ as ‘a safe space for BIPOC students’ and ‘to provide a refuge for People of Color’ is counterproductive. It is based on patronizing assumptions by white women and was not requested by any minority student.

BIPOC is a term created by white academics who mistakenly think their concern for ending oppression of Blacks automatically gives them enough of an understanding of Black experience as to qualify them to speak for Blacks.

This is pretentious and patronizing and in some cases (such as Rachel Dolezal, Jessica A. Krug, CV Vitolo-Haddad et al) leads to a fraudulent claim that an affinity for Blacks qualifies as identification as Black.

WOU needs to shut down the Freedom Center because it sends the wrong messages. It implies that minority students are not safe on campus and need a refuge. It officially divides the student body into two distinct groups: white and People-of-Color (which is plain racism).

WOU must hire minorities to represent and speak for minority interests and end this damaging patronization by unqualified white women,this individual wrote.  

Reitorized, the Freedom Center was founded by minority students. According to Western’s Institutional Research, as of fall 2022, 57.6% of students are White, with the next leading percentage of 23.8% for Hispanic/Latino students. 

After receiving the letter, I spoke to Western student and Co-Director of the Freedom Center Aneli Godinez-Martinez. 

“I know that the person that sent (the letter), after talking with our supervisors, is probably someone that hasn’t come to the center, and/or doesn’t know how it was brought up. I think the letter was pulled out of context a little bit right off the bat, as it pulls pieces of our mission statement into the letter,” said Martinez. 

The Freedom Center’s mission statement, which can be found on Western’s website, states, “The Freedom Center strives to serve as a safe space for all students, especially those who are BIPOC and their intersectional identities. We welcome every unique individual here at Western Oregon University as we provide resources, connections, and education for our campus.” 

This is where Martinez wants to clarify that though the mission statement says that it’s a “safe space,” it’s not to be taken out of context — the statement is not implying that any part of campus is unsafe, but rather that the Freedom Center is a place that welcomes tough questions for students who have additional hurdles, like how to renew one’s DACA paperwork, as well as a place for immediate advising help, even for what may seem like a simple question, such as how to register for classes.  

While there are non-student staff members, it’s important that the Freedom Center is primarily run by students. 

“We do mention that we are a space for BIPOC students and intersectional identities, but any student that comes in here — we love that we have students in here and that they like to hang out. Our resources are provided for everybody. But you know, minority students sometimes need a little extra help because maybe they’re first-generation students, and so they might not know how to go about college.” 

While the center is actively expanding its ability to provide various resources to students, it can still aid in finding out any information a student may need. 

“It’s (the Freedom Center) definitely to bring the school together, definitely not to separate us even more. I love that all races, sexual identities and orientations are welcome here. Everyone’s welcome here,” said Martinez.  

“It’s always been a center that was worked on by minority students, and we wanted to create a space for students to feel welcome — but it’s not that we want to create a space that only minority students can go to, or the only place they feel safe, it’s more so just to be a space where students can get a peer to peer perspective — everyone that works here are students, so it’s student-led for a reason.” 

Martinez expresses that if there’s any misunderstanding or curiosity about what the center is, the best way to get an understanding of it is to come in and meet with the students that work at the center. Anyone and everyone is welcome to come “see what they’re about.”

Contact the author at howlmanagingeditor@wou.edu

Gov. Tina Kotek signs ban on Styrofoam food containers into law

Written by: Mirella Barrera-Betancourt

Beginning in 2025, restaurants and food vendors in Oregon will be required to ditch the use of styrofoam takeout containers under a new law passed by the Oregon Legislature. 

On Monday, May 8, Gov. Tina Kotek signed a ban on plastic polystyrene foam containers into law — making Oregon the ninth state in the United States to ban the usage, sale and distribution of the plastic foam containers.

The fight towards the ban on polystyrene foam containers was a long time coming, according to  lawmakers. On Wednesday, Apr. 26, Senate Bill 543 cleared the House with a 40-18 vote. On Monday, Apr. 3, the bill was passed by the Oregon Senate with a 20-9 vote. 

The recently signed Senate Bill 543 would phase out the common polystyrene foam used for takeout containers, which advocates claim is quick to break down into small particles and pollute the ecosystem. The new law would equally prohibit businesses from using and selling foam packing peanuts, as well as single-use foam coolers. 

The new law joins Oregon with the likes of Colorado, Maine, Maryland, New Jersey, New York, Vermont, Virginia and Washington in outlawing the use of polystyrene. Meanwhile, the cities of Ashland, Eugene, Florence, Lincoln City, Medford, Milwaukie, Newport, Portland and Silverton have already passed ordinances prohibiting the sale of polystyrene foam for prepared meals.

The history of bans outlining environmental concerns have been abundant throughout the state. 

A similar bill suggesting a ban on styrofoam takeout containers was rejected by the Oregon Senate in 2019, with a 15-14 vote out of the 16 votes required. In 2020, stores and restaurants became strictly barred from providing single-use plastic bags, replacing them with paper bags and the option for a more ecological form of a plastic bag for a small charge. In 2019, an additional law was imposed that forbade restaurants from providing single-use plastic straws unless requested by the customer. 

Over the years, both environmental activists and advocates of the ban have brought up a multitude of issues surrounding the use of single-use styrofoam takeout containers. For one, styrofoam containers are not accepted in curbside recycling. 

Furthermore, styrofoam containers contain poly-fluorinated substances — known as “forever chemicals” — which are used by restaurants and food vendors for grease and waterproofing. These chemicals accumulate in abundance in the environment and have been linked to reproductive issues, cancer, high cholesterol and immune system suppression

“Polystyrene is a threat to the health of our communities and our land,” said Senator Janeen Sollman, a chief sponsor of Senate Bill 543. “This is a step towards a more sustainable and mindful approach to consumption and a commitment to preserving the health, beauty, and diversity of Oregon for generations to come.” 

Senate Bill 545 was signed by Gov. Tina Kotek alongside Senate Bill 543, which directs the Oregon Health Authority to create rules and regulations for vendors regarding personal reusable food containers for takeout and leftover meals. This second law makes it legal for the public to utilize their own reusable takeout containers.

Contact the author at howlnews@wou.edu

Peacock Festivities

Written by:  Mikayla Coleman

The first annual Monmouth Peacock Festival will be held May 20, at Monmouth Main Street Park from 9:00 a.m. to 4:00 p.m. The city will be coming together to celebrate the wild peacocks present in Monmouth’s residential neighborhoods. Admission to the festival is free. 

The purpose of the festival is stated on their website, “The Peacock festival is an opportunity to celebrate Monmouth Oregon’s uniqueness and to bring enjoyment to the attendees through art, craft, entertainment and education.” 

The festival will have live entertainment and demonstrations, arts & crafts vendors, community groups and children’s activities — as well as a Finders Keepers art rock hunt.

The festival will also include The Running of the Peacocks — a 5k and 1k fun run for all ages and abilities. The run will begin and end at the Main Street Park Amphitheater, circling through Western’s campus. Registration is required and costs $10 per person, children under 12 are free of charge as long as they are accompanied by a paying parent or guardian. Each participant will be given a commemorative pair of peacock-themed socks, while supplies last. 

There will also be a Peacock Calling Contest at 2:00 p.m. on the amphitheater stage. Peacock calls will be judged on tone, cadence, pitch, volume and overall accuracy. Participants are encouraged to pre-register online and there is no cost to enter. The winner will be awarded a prize. 

The Peacock Festival seeks to appreciate the area’s natural resources and celebrate community engagement. 

Contact the author at howleditor@wou.edu

Be Our Guest

Written by: Jude Bokovoy

The Etiquette Dinner is back, reigning annual tradition at Western, now returning after its brief hiatus in 2020-2021. The Center for Professional Pathways has brought it back with a new fashion twist. This event is provided for all Western students and sponsored professionals. Bring enrolled friends, family and even a date to this wonderful night. 

On May 22, attendees will enter the Werner University Centers’ Pacific Room to be greeted with a mocktail and the opportunity to find a seat at an elaborately decorated table. Attendees will then watch a fashion show hosted by Stitch Closet, to give ideas and inspiration for professional attire. On each place setting there will be a card to provide an opportunity to win a gift by matching each model to the provided professional settings before the etiquette dinner begins. 

Once the show concludes, Sabra Jewell, the Communications Coordinator for the City of Monmouth, will lead the audience through a three-course dinner. The french inspired meal will include a salad, an entree and dessert all with vegan and gluten-free options. Each member will learn proper dining etiquette for each course, conversation cues and anything else that would come up during a work dinner. 

This event is for those who want to learn more about how to conduct themselves at a formal dinner with their future boss and colleagues. Everyone will be dressed in formal attire, ready to learn and have a great evening with the Western community. There will be professionals to sit with as well as ones friends, fellow classmates and enrolled guests. Every student is welcome to attend free of charge. 

For more information, follow @woucpp or @stitchcloset.wou on Instagram for the menu, updates and polls. The event is filling up fast, make sure to register. Use the QR code provided in the newspaper, the student email or on a poster around campus. 

Contact the author at howllifestyle@mail.wou.edu

Liv’n it up in Lifestyle

Written by:  Jude Bokovoy

Searching for a job for next school year that looks great on a resume, teaches tangible skills and will prepare one for professional writing in the workplace? Here’s why being the Western Howl’s Lifestyle Editor should be on your application list. 

Encourages activity — One of the most common topics associated with the current lifestyle section is things to do and places to go. This role will get one out of their comfort zone and out of town to encourage students to do so as well. There is no limit on topics or area code to stay within; the Howl is one’s oyster. 

Passions — Spread the word about all of the hobbies and little joys one partakes in. Interested in cooking? Write a recipe. Enjoy making jewelry? Show off creations and give a tutorial on how others can do just the same. Even if it’s a random or niche activity, if one is passionate about it, one can put it in the newspaper. 

Capture time — Writing about trends, apps, popular activities and places creates a snapshot in time for all students to look back on. It also encourages one to participate to get a full understanding before reporting about it. 

The people — Not only will one have a support system at the Howl, but also the opportunity to give interviews to people one finds interesting. Whether it’s a business owner, artist or whoever, there’s a good chance an interview can be made possible. 

Have ideas come to life — For any article one writes, there is always a photo or a graphic to describe it. When it comes to graphics, one can think of anything that makes them happy and curious, tell a designer and see it on production night. It’s so fun to see what the designers do with the idea to make it their own as well. With photos one will be able to work on their photography skills and will have their photo on the cover from time to time. 

Inspires one to be a better person — Writing for the lifestyle section gives the unique opportunity to give advice to fellow students. This could be anything from living with roommates to being true to oneself. It gives one time and reason to think about how they can improve themselves and how far they have come to give advice directly from one’s life. 

Grow as a writer — Being an editor is like jumping into an upper-division writing course with three professors and one as the only student. There will be so much to learn about writing, with one’s own style and Associated Press style at the forefront. It will take some getting used to at first, but with time having a team of people editing one’s work will become normal. The healthy and encouraging environment is made for people to grow and someone will be there to answer any question no matter how silly it may sound. 

Contact the author at howllifestyle@mail.wou.edu

What the lifestyle editor writes about:

  • Activities
  • Restaurants 
  • Hobbies
  • Places
  • Advice
  • Recommendations

The Main Character’s Playlist

Written by: Mirella Barrera-Betancourt

Having a bad day? Need a confidence boost? The following songs can help reframe any day into a scene from a movie, whether one is walking home or cruising down a backroad with the windows down. This playlist is for the people who want to feel on top of the world. 

“Animals” — Neon Tree

“Cigarette Daydream” — Cage The Elephant

“Escapism” — RAYE ft. 070 Shake

“Electric Love” — BORNS

“Daisy” — Ahnikko

“Collide” — Justine Skye ft. Tyga

“Midnight City” — M83

“Prom Queen” — Beach Bunny

“Sweater Weather” — The Neighborhood

“Hayloft” — Mother Mother

“Sweet Dreams” — Eurythmics

“Girls Just Want To Have Fun” — Cyndi Lauper

“Riptide” — Vance Joy

“Heroes” — ZAYDE Wolf

“Call Out My Name” — The Weeknd

“Judas” — Lady Gaga

“People I Don’t Like” — UPSAHL

“Ribs” — Lorde

“Big Boy” — SZA

“Perfect Day” — Hoku

“Tongue Tied” — Grouplove

“Gimme Love” — Joji

“Out Of My League” — Fitz And The Tantrums

“Tia Tamera” — Doja Cat ft. Rico Nasty

“Wicked Ones” — Dorothy

“Swim” — Chase Atlantic

“YOUTH” — Troye Sivan

“Someone To You” — BANNERS

“Feel It Still” — Portugal. The Man

“Stay” — The Kid LAROI, Justin Bieber

“Teeth” — 5 Seconds Of Summer

“Hurricane” (Artsy Remix) — Halsey

Contact the author at howlnews@wou.edu

Best Netflix Documentaries

Written by: Gretchen Sims

Sometimes, particularly during the fickle spring weather, all homework should be cast aside in favor of a good documentary. After all, what could possibly be better than snuggling up with a blanket — perhaps a cat or two — and a warm beverage of choice to watch the evermore fascinating life of someone else? 

Thankfully, many fantastic options are readily available on popular streaming services. Often, the most significant hurdle between one and their perfect afternoon is all the options to choose from.  

To alleviate a stressful afternoon spent scrolling Netflix for the perfect documentary, here are some of the best, most interesting documentaries to choose from. These will not disappoint. 

TRUE CRIME:

“The Keepers” — This seven-episode series follows the mysterious death of Sister Catherine Cesnik, a teacher at Baltimore’s all-girls Archbishop Keough High School. Former students suspect foul play after a priest is accused of abuse. 

Content Warning: contains mentions of sexual abuse and violence

TV-MA

“Murder Among the Mormons” — This three-episode mini-series details the life of one of the most notorious forgers in history who created fakes that duped The Church of Latter-day Saints. As he begins to feel the law closing in on him, the forger resorts to the unimaginable. 

Content Warning: violence

TV-14

“Murdaugh Murders: A Southern Scandal” — This three-episode mini-series covers the highly mediatized Murdaugh case. After a major blow is made to the Murdaugh family name, an offending family member and his mother are mysteriously found deceased. 

Content Warning: suicide and violence

TV-MA

“Worst Roommate Ever” — Dorothea Puente is an outstanding member of the community. She donates to politicians, rescues kittens and even opens up her home to the less fortunate. Is it possible that something more sinister lurks beneath this grandmotherly facade? Each of the episodes details a different roommate horror story.

Content Warning: violence

TV-MA

CULTS:

“Keep Sweet: Pray and Obey” — This four-episode series focuses on the happenings within the Fundamentalist Church of Jesus Christ of Latter-Day church. The documentary gives the unique perspectives of family members and ex-wives of Rulan Jeffs on the Mormon sect under the leadership of Warren Jeffs.  

Content Warning: religious trauma and sexual abuse

TV-MA

“Waco: American Apocalypse” — One of Netflix’s newer documentaries, this three-episode limited series contains real-life footage and interviews with survivors that detail the horrific situation in Waco Texas. FBI hostage negotiation teams clashed with on-ground forces in a way that escalated into the death of hundreds. 

Content Warning: religious trauma, sexual abuse and violence

TV-MA

“Sins of Our Mother” — A loving mother, quickly turned doomsday believer, is willing to follow her new religion to unbelievable ends. This three-episode series takes a deep dive into a popular case.

Content Warning: religious trauma, violence

TV-14

“One of Us” — This documentary follows three Hasidic Jews and their journey to leave a very restrictive Jewish sect. With little to no education, these people must fight for their place in the outside world.

Content Warning: religious trauma

TV-14

THOUGHT-PROVOKING:

“13th” — This thought-provoking documentary forces its audience to take another look at the American prison system. 

Content Warning: discusses racism and difficult topics

TV-MA

Contact the author at howlentertainment@wou.edu

Revenge is Best Served Raw

Written by:  Mikayla Coleman

Released on Netflix Apr. 6, the 10-episode drama mini-series “Beef” has been taking the world by storm. The series, created by Lee Sung Jin, stars Steven Yeun as Danny Cho, Ali Wong as Amy Lau and David Choe as Isaac Cho. 

The series follows Danny Cho, a struggling contractor, and Amy Lau, a prestigious business owner, as their worlds collide and implode after a particularly spicy road rage incident between the two. Instead of setting things aside and moving on as most typically would, both characters allow the incident to fester into a bitter feud that completely takes over their professional and personal lives — putting everything and everyone in jeopardy. 

The two main characters’ lives could not be more different. The show begins by depicting Danny struggling to maintain his contracting business and cohabitating with his younger brother in a small apartment. 

Amy Lau is on the cusp of a major business deal that will allow her to sell her small business and finally be able to enjoy the luxury that she has worked hard for. Amy has a young daughter and a mildly famous husband, known for being the son of a famous Japanese artist. While Amy seems to have the “better” life, it becomes clear throughout the series that money truly cannot buy happiness. Amy is painstakingly choosing to be surrounded by many tone-deaf members of the one percent — earnestly trying to ignore the blatant philosophical and ethical differences between herself and those close to her. 

And despite the money that Lau has access to, there is a major parallel between both Danny and Amy — their utter, bitter unhappiness. This common thread of struggle weaves the two together in a beautiful melancholy throughout the entire series and ultimately brings them together when they are both at their lowest. 

Most episodes begin by displaying paintings by David Choe, carrying heavy visual metaphors and symbolism for what is to come. The seething energy that is present between these two characters, along with several deviations and side plots, makes every minute captivating. 

9.5/10.

Contact the author at howleditor@wou.edu