Kevin Reed | Staff Writer
“Art is really for oneself and fine art doesn’t really have one finite message that one’s trying to get across,” said Jennifer Bracy, a professor of visual communications design at Western. “It’s often much more about questions and maybe there’s some kind of an answer or a message within, but it’s less important.” Bracy has been teaching at Western for eight years and recently released a new fine art exhibit called “Forces of Nature,” on display in Hamersly Library on the second floor.
In the past Bracy has mainly worked as a freelance graphic designer.
“I work often with small startups or non-profit organizations that need help with a campaign … or something of that nature,” said Bracy. However, she explained that this display is a new exploration for her: “There’s a specific message and specific audience that has to be communicated in graphic design … It’s much more open to interpretation.”
Though she has done art displays and shows before, this “Forces of Nature” explores new mediums and techniques — utilizing ink and printmaking to create contrasting colors, shapes and forms to make each piece beautiful and have its own personality.
“I named it ‘Forces of Nature’ because a lot of the themes that I have explored in my art, and some of my personal design projects, really came out in this body of work … the infinite wisdom of nature. What we can learn from it as humans, how we have to respect it … the tensions between the us and the environment and the things we do to it.”
Her main focus of many of the pieces in the display was the beauty that is in nature. Bracy drew inspiration from natural phenomena like the honeycomb and the geodesic dome to showcase the random perfection nature can achieve at times.
“The bee hive is so efficient and it represents this strong, stable and efficient community of bees and humans can really borrow from that,” she noted.
In “Number Series,” a specific grouping of pieces, Bracy breaks down the nature of numbers one through ten and what meaning and significance each number has around the world.
“What I love finding out is that in a lot of these human constructs with language that, inherent in them, there’s a lot of nature with a lot of those origins of numbers,” said Bracy.
Each and every day people see numbers or use numbers but nobody ever thinks about the technical side of it all or asks questions about where they come from or what they mean to other people all the way across the globe.
“I had to do a lot of research,” said Bracy. What she found was a whole new meaning for the symbols we use across the world.
Another series Bracy released in the gallery, “Color Moods” is purely experimentation art: “It’s a series of purely abstract, meaning they were really just experimental. I was just getting a handle on this new medium. It represents the first experiments I did with monotype printing … It’s called monotype because you can only do it once,” explained Bracy. “You can never recreate it … I think it kinda has a vitality that no matter how hard I try I cannot get back too. Because it was just experimenting and now anything I try is trying to hard.”
It’s a fantastic moment for any artist when an experiment comes out perfect. No matter how much effort you put in you can never recreate that first success. However, the short-lived origins of the art is what make it so spectacular and unique. Bracy found the perfect way to display the importance of experimentation in art and how sometimes it’s important to try something on a whim.
“The Forces of Nature” is, as the name implies, centered on the features of nature that we as humans could respect and learn from. There are so many little phenomena brought to light within the art and, like Bracy says, “It’s often much more about questions” and nobody really will interpret the art in the same way.
Contact the author at kreed17@wou.edu
Photo by: Paul F. Davis
