movies – Page 2 – The Western Howl

Written by: Sierra Porter | Staff Writer

“The Western Howl” staff is filled with crazy cool personalities, a variety of talents and a plethora of different hobbies and passions. One thing is for sure: we are all movie fanatics and live vicariously through the characters we love. Here are the staff’s favorite movies and why we continue to enjoy them.

Editor in Chief, Gretchen Sims, expresses her love for the movie “Braveheart.” Sims says, “I actually learned how to play the main theme ‘For the Love of a Princess’ from Braveheart early on in high school. I fell in love with the score and convinced my parents to let me watch it. My mom isn’t one for gore, but I loved the film and it is now one of my all-time favorites!”

Linden Loren, coordinator, advising & virtual engagement, dubbed the “dad” of the Howl, recommends “LinkedIn: The Movie.” All one needs is a LinkedIn account and some salt to snack on — truly inspiring.

The Howl’s Digital Media Manager, Ruth Simonsen’s, favorite movie is “Predestination,” a sci-fi thriller released in 2014. Simonsen says, “This movie made me rethink my life and everything I believed in. It brought to light how frail yet beautiful humanity is, and how one truly needs to make the most of it while one has it. Trust oneself and always grow, but give oneself the grace to recognize that one is a completely different person in every phase of your life, never to be the same person twice.”

Cami Ansley, Copy Editor, deems “Crazy Rich Asians” as her favorite movie. Ansley says, “This movie was really relatable to me as an Asian American and the ending was so perfect and satisfying to watch. It was also nice to see an all Asian cast with actors and actresses that I’d never seen before.”

Head Designer Addie Floyd’s favorite movie is “Tangled,” based on the timeless story of Rapunzel and her long hair. Floyd expressed, “This movie is my comfort movie. It just brings me so much joy. No matter the mood I’m in, Tangled can always cheer me up.”

Our other amazing Designer, Sophie Taylor, says her movie favorite is “Coraline,” released in 2009. Taylor says, “Coraline” is one of the earliest movies I ever remember watching. Ever since I was little, the claymation animation style has always captured my attention. There are so many subtle hints and clues that foreshadow the movie that every time I watch it, I find something new. There have been so many conspiracy theories and rabbit holes to go down. Keep Portland weird.”

Photo Editor Quinlan Elise has a short and sweet response on why she loves “Napoleon Dynamite:” “there is no other choice.”

Hannah Field, the Howl’s News Editor’s favorite movie is “Fox and The Hound.” Field recalls some of her favorite memories with the film, “I can remember watching this movie on VHS tape in the garage while my dad worked on his cars. I would sit on a stool or a tiny chair with my neck craned upward at a 120 degree angle looking at that tiny box TV playing my favorite movie. I think it’s an underrated but beautiful piece of work and hope everyone has the pleasure of watching it one day.”

Claire Phillips, our Entertainment Editor’s movie of choice is “Fried Green Tomatoes,” released in 1991. Phillips says, “This historical classic takes on many heavy topics that are still relevant today. It will make one cry, it will make one laugh and above all, it will make one crave some good Southern food.”

Sports Editor, Jaylin Hardin, says her favorite movie is “The Lord of the Rings: The Two Towers.” Hardin expressed, “I’ve loved the trilogy since I was a kid, but ‘The Two Towers’ was always my favorite because I love the plot. Extended edition just makes it so much better because it adds so many more details from the books.”

Creative Lifestyle Editor, Liberty Miller expresses her love for “The Sorcerers Apprentice,” released in 2010. Miller says, “This movie was one of the more psychologically formative movies of my younger years. Nicholas Cage and Jay Baruchel create a seamless duo performance and take on their roles to the point where they become their character. The storyline was intriguing and the pace of the movie created the perfect elements of suspense — the soundtrack was also incredible, with ‘Secrets’ by OneRepublic still being one of my all-time favorite songs. My favorite scene from the movie included that song being played while the Tesla Coils are run by David Stutler.” Miller also gives a special shout-out to “Crazy Rich Asians” as a close second.

Taylor Duff, one of our great Staff Writers, chose the movie “SuperBad,” released in 2007, as her movie favorite. Duff said, “I love this comedy that explores growing up and learning to just be oneself. Plus I still crack up every time I watch. Viewer discretion is advised.”

Talented Freelancer Lili Minato expresses her love for “Twin Peaks: Fire Walk with Me.” Minato says, “At its release, ‘Twin Peaks: Fire Walk with Me’ was considered a bad prequel to its beloved predecessor, ‘Twin Peaks.’ Now, it has a cult following of many who enjoy the story of Laura Palmer. It’s a film full of bizarre scenes and a devastating plotline. In true David Lynch fashion, it is weird and wonderful.”

As for myself, my favorite movie is “The Karate Kid,” released in 1984. There are so many reasons why this is my favorite movie but long story short, I love an underdog story. Not to mention the amazing soundtrack.

Contact the author at howlstaffwriter@wou.edu

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Nunsploitation horrors: An immaculate review

Written by: Lili Minato | Freelancer

Content warning: this article contains spoilers and discusses dark themes involving pregnancy and religion.

The infamous nunsploitation genre is back with two new blockbuster films that have left audiences rattled and disturbed.

Nunsploitation is a film subgenre that involves the exploitation of nuns in a horror or thriller setting. Some of the most popular films of this genre come from “The Conjuring” universe, specifically the movies “The Nun” and “The Nun II.”

“Immaculate,” which hit theaters on March 22, gave audiences a more artistic approach to the often repetitive and predictable horror subgenre. “Immaculate” follows an American nun, played by Sydney Sweeney, who joins a hospice convent in Italy. Besides the slightly off-putting comments and actions by the elderly nuns who are cared for in the convent, Sweeney’s character, Sister Cecilia, considers the Italian countryside her new home.

As the days and weeks pass, Sister Cecilia notices more odd and unusual occurrences around the convent, corresponding with her worsening health. Cecilia becomes increasingly more ill and requests to see a doctor. In return, she gets a checkup by the convent’s appointed physician,

where the devout nun finds out about her pregnancy. There is nothing that has caused the said pregnancy so it is ruled to be an immaculate conception. Sister Cecilia was going to give birth to the next baby Jesus.

The first half of “Immaculate” is predictable and filled with plot holes; there is nothing too unique about it. As the film progresses, though, the artistic values start to show.

The final scene provides a beautiful “Rosemary’s Baby” finale for the film.

Sister Cecilia has just escaped her captors and is free from the convent. She stands outside, surrounded by the beautiful countryside, but the beauty starts to deteriorate as she goes and squats by a tree. The camera moves up close to Cecilia’s bloody face as she begins to scream.

The screaming lasts for multiple minutes without any camera cuts. After a while, a crying baby can be heard. The camera then pans out and follows Sister Cecilia as she goes and grabs a heavy rock, she brings it toward the crying infant who is out of the frame. She holds a rock above the baby and drops it. With that, the film ends.

Sweeney gives an excellent performance that proves she has the pipes to be the next big scream queen.

Along with “Immaculate,” another blockbuster nunsploitation film was released two weeks after the former. “The First Omen” is the sixth installment in the “Omen” franchise and shares a very similar synopsis with “Immaculate.”

“The First Omen” also revolves around an American woman sent to Italy who becomes suspiciously pregnant on arrival. The only difference is that the main character faces an arguably more sinister birth than Sister Cecilia did.

Both films are currently in theaters with “The First Omen” getting slightly better ratings than “Immaculate.” For nunsploitation fans, both seem to be worth the watch.

7/10.

Contact the author at lminato22@mail.wou.edu

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Cult classic baby returns

Written by: Lili Minato | Freelancer

Black and white scenes, an atmospheric droning soundtrack and beautifully intriguing cinematic designs make the 1977 David Lynch film, “Eraserhead,” an instant classic for those interested in arthouse films, and, throughout the years, the movie has gained a cult following of Lynchian fans.

Recently, the fan focus has shifted towards the unusual premature baby that plays a main role in the film. The infant, who is usually referred to as “Eraserhead Baby,” but was also lovingly nicknamed “Spike” by the cast and crew of the film, has begun to capture the attention of many younger film buffs.

The baby’s abnormal appearance — which was inspired by a calf fetus — and his distressing storyline have restructured the hearts of many. These young adults have taken to social media to share their appreciation and maternal instincts for the newly born baby boy.

A multitude of videos, posts and art — all in honor of the Eraserhead baby — have been shared across platforms such as TikTok and Tumblr. Some of the content includes users yearning to be the baby’s mother, while others question the love that people have for such a monstrous infant.

In some drawings and photo edits that were posted, the baby can be seen interacting with famous characters from other fictional shows and movies — such as Fox Mulder from “The X-Files,” or Finn the Human from “Adventure Time.”

The unconditional love and admiration for the Eraserhead baby represents a wonderful example of the infatuation with the strange and unusual, as well as the fondness and empathy for the underdog character.

While watching “Eraserhead,” one may feel disgusted and repulsed by the subject matter, but to others, the film — and the baby — may have a larger impact.

One may see themselves in the baby: just a small, weak entity that rarely receives love and compassion. Others may find themselves wanting to take care of the infant, to give it life and meaning.

The beauty of “Eraserhead,” is that it has an unknown message. The film is up for the viewer’s interpretation. An audience member may see themselves in the movie, while another may not. The film camouflages into different meanings depending on who’s watching it — this phenomenon also occurs with the Eraserhead baby himself. The baby is up for interpretation just as the movie is, which makes him so accessible to fans. He is a mysterious and intriguing character, which allows for “Eraserhead” fans to latch on and become easily attached to him. He could be a malevolent figure or a sweet and innocent one.

Either way, the Eraserhead baby has infatuated viewers. Whether it be from the introspective interpretations of the infant or if it’s just his silly look and demeanor, the film — and the baby — will continue to have a cult following for years to come.

Contact the author at lminato22@mail.wou.edu.

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Excessive amounts of biopics

Written by: Lili Minato | Freelancer

In the past year alone, 17 biopics were released in movie theaters and on major streaming services. The most notable of them is, “Oppenheimer,” which is currently nominated for 13 Oscars. Now, in 2024, new biopics are playing in theaters, including: “Bob Marley: One Love,” as well as the trailer for, “Back to Black,” a film about the life of Amy Winehouse.

Many of the upcoming blockbuster films fall under the category of biographical movies, including a recently announced four-film series about The Beatles. Theaters everywhere are currently being overrun with these biographical retellings.

Biopics are a genre that attracts a very specific audience. Most films during this day and age attempt to appeal to all viewers, which can cause the movie to fall flat. Biographical films attract an audience that is interested in the people, or person, that the film is about; rather than having to worry about reaching a large audience, the directors only need to worry about making a mediocre film and disappointing the fans.

By making a film about a subject with adoring and intrigued fans, directors are almost guaranteed a box office hit. They simply have to hire the right actors and writers to depict an accurate story. There is little creativity needed to share the life of another person.

Biopics are easier to make compared to an original story with an original script and there is less risk. Even if the film doesn’t end up being well-loved, most people will still go to theaters to see their favorite historical figure on the big screen.

This is the reason for the constant output of biopics. There will always be famous and notable people to make movies about, and there will always be an audience for them. Original scripts and stories don’t have the safety net of a premade story featuring a well-known figure.

These biographical films will never stop being produced; people will continue to die and movies will continue to be made. While these films hold some substance for sharing the lives of misunderstood individuals who didn’t have a voice like Priscilla Presley in, “Priscilla,” most biopics continue to reshare over-told stories of famous personalities.

Biopics have their purpose in our society, but after a while, they will soon become old and overused.

Contact the author at lminato22@mail.wou.edu.

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Upcoming Frankenstein films

Written by: Lili Minato | Freelancer

Content warning: this article contains mentions of suicide

The iconic story of “Frankenstein” has been retold upwards of 114 times through the artistic media of film, the first recorded example being a movie by the same name made in 1910. Now, there are two new “Frankenstein” adaptations coming to the big screen in the upcoming year and a “Frankenstein”-inspired film that is up for an Academy Award.

These three movies all follow the general themes and plot of “Frankenstein,” while also bringing their own original ideas to the table. From original stories to stylistic elements and cinematography, the classic story continues to spark new life in these adaptations.

“Poor Things” is an artistic blockbuster that premiered in December of 2023. The story, directed by Yorgos Lanthimos, follows a suicidal pregnant woman — played by Emma Stone — who is resurrected with her brain switched with the underdeveloped brain of her unborn child. She then goes on to explore the world through those new set of eyes.

While not technically a publicized reproduction of the original story, it takes many elements from the stereotypical depictions of “Frankenstein” — a mad scientist and the resurrection of a new organic creature as well as the exploration and the understanding of society by said creature. The connections to the original Mary Shelley novel are abundant.

The upcoming film, “Lisa Frankenstein,” takes a different approach to the generic recurring plot points of past “Frankenstein” adaptations. Described as a “coming of rage love story” by IMDb, the plot consists of a teenager in the 80s bringing a corpse — who happens to be her crush — back from the dead. They go on a joint mission to find missing body parts which results in murder, love and possibly happiness.

Even though this isn’t a completely original retelling of the novel, the film seems to be taking on something new with a campy and gothic style that will be loved by younger and older audiences alike.

Guillermo del Toro’s “Frankenstein,” is a remake of the 1931 classic by the same name. From what the public knows, this film doesn’t seem to stray as far from the original story compared to the other two films mentioned.

However, audiences shouldn’t expect another repetitive “Frankenstein” movie — del Toro’s past films should inspire viewers to still expect an elevated level of beautiful, stylistic work. Combined with the acting skills of Oscar Issac, Mia Goth and Jacob Elordi, fans of del Toro and “Frankenstein” should anticipate creativity and beauty from this upcoming film.

Contact the author at lminato22@mail.wou.edu

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Netflix policy change causes chaos

Written by: Sierra Porter | Staff Writer

Netflix is an American subscription streaming service that was created in 1997 by founders Reed Hastings and Marc Randolph. By 2007, they launched their streaming service to compete with Blockbuster which implemented several different family plans. Recently, Netflix has been cracking down on their single household and password sharing policies — making it an absolute nightmare for travelers, large families and especially college students.

The cheapest plan is the standard plan with ads which allows for two devices to watch TV shows and movies for $6.99.

The standard plan is ad-free, full HD, allows for access among three devices and has the option to add an extra member– for an additional cost of 7.99 a month. The premium plan is also ad-free but offers ultra HD, is accessible on four devices and has the option to add two extra members for $7.99 each.

The new ability to add members at an extra cost has encouraged Netflix to crack down on password sharing outside of a single household. This means that if one attempts to log in to their Netflix account outside of the designated household, it will log out all other members; regardless of if it is still within the device limit. This policy seems to be a desperate money grab, as it forces members to either buy more expensive plans or pay additional costs.

Why is this a game-changer for so many? For many students, the full college experience includes living in the dorms, but that also means all funds usually go towards those expenses. Tremendous amounts of students report being forced off their family plans during the months they are on campus — either forced to live without the streaming services or ponying up the extra cost to be an additional member.

Avid travelers also face this issue from time to time as they lose the ability to log into Netflix in the many places they stay while traveling. Again, one will have to log out the rest of the family in the household and deal with the wrath of streaming rights rage, ball up the extra fees or drop Netflix overall.

This policy change has been a pain for many and up to 62% of password borrowers said they would rather stop using the streaming service in total than purchase their own account. Netflix’s attempt to force watchers to buy their services, especially the more expensive services, has thus far not been as successful as they hoped. Immediately after these changes, Netflix lost almost 1.2 million subscribers — their biggest loss in over a decade.

Many are canceling their subscriptions and switching to other streaming services, and we can’t blame them.

Contact the author at howlstaffwriter@wou.edu

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Mixed feelings on Timothee Chalamet’s new movie

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Just in time for the holiday season, a sweet prequel, based on a beloved children’s novel by Roald Dahl, arrived in theaters in the United Kingdom Dec. 8 and the United States Dec. 15. French-American actor Timothée Chalamet stars as a younger version of “Charlie and the Chocolate Factory’s” chocolatier, Willy Wonka. “So quiet up, and listen down. Nope, scratch that, reverse it,” as Wonka says.

The movie features talented actors, such as Hugh Grant, Olivia Colman and Keegan-Michael Key. Timothée Chalamet has acquired a fan base of young women from his roles in movies such as “Call Me By Your Name,” “Lady Bird” and “Little Women.” Word of Chalamet playing a familiar favorite spread quickly. However, some movie-goers had mixed feelings about the new take on the classic.

“Charlie and the Chocolate Factory ” has already seen two adaptations, starring Gene Wilder and Johnny Depp as Wonka. Additionally, the original book has a sequel, and some fans were wondering why a prequel made it to the screen before an adaptation of the sequel did.

Lili Minato, a sophomore at Western, is a film fanatic and meticulously selects her movies. She proposed a thoughtful question in regards to the new addition to the “Charlie and the Chocolate Factory” universe — “I think (prequels) can be done well… but if you want to make a prequel, is it needed?”

Perhaps the initial audience reaction to “Wonka” was due to its misleading advertising. “I thought it was weird that they didn’t (advertise) Wonka as a musical. People went and saw it, and were like, wait, why are they singing?” Minato said.

Minato also commented that marketing the movie as a musical would have brought in more theater fans. “For some people, that sounds like the total package.”

The movie has an 82% on Rotten Tomatoes and it has many qualities that make for a great movie. With its vibrant costumes, catchy music and elaborate sets, it’s hard to look away. Elements incorporated from older movies such as “Annie” and “Mary Poppins” make “Wonka” all the more charming. For many musical fans, a new timeless classic has just been born.

8/10.

Contact the author at howlentertainment@wou.edu

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Staffs favorite movies

Nunsploitation horrors: An immaculate review

Cult classic baby returns

Excessive amounts of biopics

Upcoming Frankenstein films

Mixed feelings on Timothee Chalamet’s new movie

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