Mount Hood

Losing music subculture

Escrito por: Lili Minato | Autónomo

Throughout the late 20th and the early 21st century, subcultures that existed around music genres were very prevalent and impactful to many, especially young adults. Those who were considered different or outcasted could easily find a community of like-minded individuals. These groups all involved fan culture and listening to a particular genre of music.

Punk subculture, which originated from punk rock, is the first and one of the most notable of its kind. Punks share common political views — such as anti-government and anti-corporation ideologies, as well as a similar fashion sense and music taste. 

Akin to all music-related cultures, punk has hundreds of branches of subcultures for a multitude of people to identify with. They may have different styles or worldviews, but they all share the same history and origin. 

Other music subcultures include, but are not limited to the following: goth, hip hop, punk, emo or heavy metal. 

While many people still participate and exist in these subcultures, there is a huge decline in engagement compared to the late 20th century. The culprit of the loss is none other than music streaming services such as Spotify. 

Thousands of new songs are uploaded to Spotify every day, with many of these falling under niche subgenres and categories that Spotify creates to keep said music organized. Spotify then pushes these subgenres onto users to make an individualized listening experience. 

Alex Michaels, a senior at Western and habitual Spotify user, expressed his distaste for Spotify subgenres and their classification system.“(Spotify’s classification system) is a mess,” Michaels stated. 

“A major difference between the Spotify subgenres and just the idea of subgenres in general is often subgenres are created by people in that community, who listen to that type of music or create that type of music and the subgenre is a reflection of that,” Michaels said.

Corporate-created subgenres lack the authenticity, community and history that real musical movements had. Spotify subgenres don’t have any real-life impact. 

“Genre is functional, it tells you what to expect from this type of music. Sometimes it can tell you how it was created or specific trademarks of that genre of music. There are characteristics of that genre and then that allows artists to play with those trademarks and characteristics and create something genre-defining or genre-defying,” said Michaels. 

In a final comparison between the new genres and the old, Michaels shared, “Spotify genres don’t have any functionality, their definitions are mostly vibe associations or specific artist examples, and there is no hard criteria.”

As Spotify and other streaming platforms continue to grow in popularity and users, as well as the daily increase of new genres, the survival rate of classic music subcultures comes into question. 

Will genre subcultures continue to survive or will they become lost to time? 

Contact the author at lminato22@mail.wou.edu  

Bats and blood

Escrito por: Lili Minato | Autónomo

“Cold” — The Cure

“A Forest” — The Cure

“Marian” — Sisters of Mercy

“Bela Lugosi’s Dead” — Bauhaus

“In the Night” — Bauhaus

“Spider and The Fly” — London After Midnight

“I Don’t Want To Fall In Love” — She Wants Revenge

“The Suffering of Spiders” — Traitrs

“Nine While Nine” — Sisters of Mercy

“Walking on Both Sides” — Pink Turns Blue

“Bloodsucker” — Paralysed Age

“Human Fly” — The Cramps

“Each Other” — This Cold Night

“There’s a Girl in the Corner” — Robert Smith

“Fantasmas” — Twin Tribes

“Slowdive” — Siouxsie and the Banshees

“Lust” — Boy Harsher

“Appealing Skies” — Corpus Delicti

“True Romantics” — Lebanon Hanover

“My Favorite Black Cat” — Lebanon Hanover

“Jasmine And Rose” — Clan of Xymox

Contact the author at lminato22@mail.wou.edu  

Valentine’s with a sprinkle of angst

Written by Liberty Miller | Editor de estilo de vida

Tired of the lovesick wailing on every radio in the first two weeks of February? Try this playlist for a refreshing taste of upbeat and rocky Valentine’s Day angst. 

“We Are Young (feat. Janelle Monáe)” — fun.,  Janelle Monáe

“Thnks fr th Mmrs” — Fall Out Boy

“Applause” — Lady Gaga

“New Romantics (Taylor’s Version)” — Taylor Swift

“Blow Me (One Last Kiss) – Radio Edit” — P!nk

“Mr. Brightside” — The Killers

“Friends” — Band Of Skulls

“Hello – Acoustic” — GROUPLOVE

“So What” — P!nk

“Under You” — Foo Fighters

“Let’s Dance to Joy Division” — The Wombats

“Shake Me Down” — Cage The Elephant

“Crazy Youngsters” — Ester Dean 

“Kiwi” — Quarters of Change 

“The Middle” — Jimmy Eat World

“Governess Shadow” — July Talk

“Mistakes” — Sharon Van Etten 

“Cough Syrup” — Young the Giant

“Seventeen” — Jimmy Eat World 

Póngase en contacto con el autor en howllifestyle@wou.edu

Rock suave para el alma

Escrito por: Liberty Miller | Redactora de estilo de vida

“Everlong” — Foo Fighters

“Photograph” — Nickelback 

“100 Year” — Five For Fighting

“Where The Streets Have No Name” — U2

“Lovers in Japan – Osaka Sun Remix” — Coldplay

“My Hero” — Foo Fighters 

“Stop and Stare” — OneRepublic

“Drops of Jupiter (Tell Me)” — Train 

“Use Somebody” — Kings of Leon

“Viva La Vida” — Coldplay 

“Bitter Sweet Symphony – Remastered” — The Verve 

“Sweet Disposition” — The Temper Trap 

"Wonderwall" - Oasis 

“Yellow” — Coldplay 

“For the First Time” — The Script 

“She Will Be Loved” — Maroon 5 

“With Or Without You” — U2

“Iris” — The Goo Goo Dolls 

“Clocks” — Coldplay 

“Wherever You Will Go” — The Calling 

“You And Me” — Lifehouse

Contact the author at howllifestyle@wou.edu.

Donde la naturaleza y la naturaleza humana se entrelazan

Escrito por: Liberty Miller | Redactora de estilo de vida

Crecí en el campo. No me refiero a las afueras de los suburbios, sino a un pueblo no incorporado, de cuatrocientos doce habitantes, con pacas de heno a un lado de la carretera. Del tipo al que alguien tendría que desviarse de su camino para llegar. 

Sin embargo, fue dentro de esa cápsula de población limitada e idealismo de pueblo pequeño donde pude ver la maravilla de la vida simplista en mi patio trasero. No crecí con la tecnología, así que me pasaba los días hojeando libros de bolsillo, jugando al aire libre con mi hermana y mi padre y buscando cualquier parte de la tierra con la que jugar fuera. 

Buscábamos setas y moras silvestres, o nos poníamos grandes botas de goma y pisábamos el barro. Mirábamos al cielo, montábamos en cuatriciclos en el gran campo desocupado de nuestro patio trasero y trepábamos a un enorme árbol con mi padre, que construía plataformas para sentarnos y contemplar la amplia vista de la pradera. 

Cuando entré en secundaria, de repente, los teléfonos y las tabletas se introdujeron en mi mundo. Conocí a gente que pasó su infancia detrás de un monitor de ordenador, o jugando en aceras de hormigón o "falsos patios de recreo", como a mí me gusta llamarlos. ¿Quién diablos necesitaría construir todo eso cuando puedes tener árboles y montones de tierra y patear babosas en tu patio trasero? 

Mis compañeros de secundaria y bachillerato me decían que era vergonzoso tener una casa de campo, vergonzoso haber crecido sin usar Snapchat ni jugar a videojuegos, y yo era joven, así que les creí. 

Cuando COVID-19 obligó a todo el mundo a volver a sus casas, de repente tuve la oportunidad de viajar en el tiempo y volver a visitar mi infancia. Me quedé en casa y pasé tiempo fuera, donde estaban mis viejos amigos, las flores, la hierba y la luz del sol. Podía buscar bayas, tumbarme en la tierra y pasar tiempo en la casa de la que antes me avergonzaba. Fue entonces cuando me di cuenta de que no hay vida más satisfactoria que esta. 

Me sentía horrible y profundamente triste por aquellos que no crecieron como yo -la gente que pasaba el tiempo atrapada en junglas de hormigón, rodeada de asfalto y motores de coche y sistemas Xbox- y, francamente, no me parecía la forma correcta de vivir. Me daba rabia que, en algún momento de mi vida, sintiera envidia de la gente que vivía como ellos. 

A medida que crecía, veía más mundo. Quizá la experiencia que más me abrió los ojos fue viajar a Hartford/New Haven, Connecticut. Cuando llegué allí, el cielo tenía un tono de azul equivocado. Era pálido, teñido de un amarillo enfermizo, y me sentí intranquilo. Poco después me di cuenta de que era la contaminación atmosférica. Miré a mi alrededor y todo lo que vi fue hormigón y contaminación: una vida apagada. Sabía que no sería feliz viviendo allí. Era asfixiante. 

Mi sistema de creencias después de COVID se había visto reforzado tras ver la vida urbana en distintas zonas de Estados Unidos, y había llegado a la importante conclusión de que el mundo se siente mejor allí donde está intacto. Nosotros, como seres humanos, hemos destruido, saqueado y quemado la tierra. La hemos enterrado en cemento, envenenado con gases de escape, ensuciado con plásticos y aceites y arruinado una gran parte de lo que solía ser, en mi opinión, algo precioso. 

Pero no podemos ignorar la necesidad inherente que tenemos los seres humanos de conectar con la Tierra. Somos uno con el mundo y no podemos existir en una sociedad en la que la Madre Naturaleza es saqueada con fines lucrativos y remodelada a costa de nuestros ríos, montañas, árboles y campos. 

Lo que yo animaría a todo el mundo a hacer, al menos, de la forma más seria posible: tocar la hierba. Ir a la costa y contemplar el océano, o tumbarse en la tierra, coger verduras de un cultivo cercano y salir corriendo como un Hobbit. Cualquier cosa que nos inspire a salir de casa, de la ciudad y adentrarnos en el mundo natural, que existe tal y como fue diseñado. 

Mientras estoy aquí sentado escribiendo este artículo, sé que una gran parte de los lectores no son los mayores fans de la música country. Pero Keith Urban cantaba algo que recuerdo de vez en cuando porque solía sonar en la radio mientras pasaba mi infancia corriendo al aire libre: 

"Me quitaré los zapatos y correré descalzo. Donde se juntan la hierba, la tierra y la grava. Volveré al pozo, visitaré a viejos amigos. Y alimentar mi alma donde termina el asfalto".

Póngase en contacto con el autor en howllifestyle@wou.edu

Cringe is dead, enjoy what you want

Escrito por: Claire Phillips | Redactora de Entretenimiento

For the past few years, young people have been straying away from trends and exploring their personal style. There is now a place for anyone and everyone to express their identity and interests — the internet. Whether it comes down to curating a unique wardrobe or enjoying a show that dubs you a “geek” or even “Gleek”, it is essential to constantly spark your inner joy and ignore the haters. 

Fandom culture has existed for centuries. Fans of the Shakespeare play “King Lear” rewrote the ending simply because they enjoy the tragic conclusion. Similarly, fans of “Sherlock Holmes” are credited for some of the first ever fanfictions and publicly mourning the death of Holmes. These fans have never been spared from criticism, however, today, Beatles fans will ask teenage girls to “name three songs,” when the original Beatles fan base was mainly composed of teenage girls.

Fans have found ways to connect both online and offline. Conventions have served as a meeting place for people with similar interests. The greatest fans will even “cosplay” as their favorite characters with intricate outfits and props. Cosplay became popular on social media apps, but unfortunately, not every cosplayer was well-received. They’re creatively doing something they enjoy, so what’s the harm?

Actually, there can be harm in being a superfan. Fans of the hit TV show “Glee” popularized the show and started calling themselves “Gleeks.” It was all good and fine until the Gleeks began harassing the actors. The leads of the show already had stressful lives: long days of learning songs and choreography led to exhaustion for both the cast and crew. 

The same goes for other popular television series, such as “Stranger Things” and “Heartstopper.” Otherwise, cringe is dead — feel free to be a Gleek, as long as respect is at the forefront of your intentions.

The difference between the Shakespearean era and today is the glorious invention of social media. If conventions aren’t accessible, there is another option: talking to people online. The days of posting flyers on theater doors are over, now just a five to ten second video can reach thousands. However, if you’re one of the brave few who share their true self online, the result could be subjection to the hateful words of close-minded people.

The truth is, those people are never going to go away. Whether they appear at school, work or online, the haters are everywhere. If their words are taken to heart and people change because of it, then they’re just being proven right, and the negativity will continue to spread. The most effective course of action is to ignore the hate, respect differences and support each other.

The point I’m trying to make is that it’s draining to constantly be a hater. Reach out to the people around you, and you might find something in common. The universe will align to bring people close to you who will love you for all of your quirks. If you like to make weird noises, seek someone who will do the same. 

Whether you’re a theater kid, a cosplayer or a bookworm — there is a place for you. People like you have existed for centuries. Wear unique clothes, find time for niche passions and seek out those who are similar. In ten years, the haters won’t matter, unless you let them crawl into your head and build a home there. What’s important is the people who will let you shine.

 

Contact the author at howlententertainment@wou.edu

Mordisco del 89

Escrito por: Claire Phillips | Redactora de Entretenimiento

Two well-loved fan bases are celebrating simultaneous, monumental releases on Oct. 27. Both horror video game and pop music fans are being brought together by this fateful fall Friday. The ultimate question is which one will one be indulging in: the release of the live-action “Five Nights at Freddy’s” movie, “1989 (Taylor’s Version)” or both?

Taylor Swift, currently one of the most well-known artists in pop music, announced she was going to re-record her first six albums in November of 2020. Swift’s old label sold her music to her manager, Scooter Braun, meaning she no longer owns the rights to any of her music. It’s no wonder that fans of the singer/songwriter are excited about the re-recording of the albums.

Fans of Swift — Swifties — everywhere are proud of this empowering transformation of their favorite artist.

“It’s one of her most iconic albums. This is the year she really embraced pop… I’m just really excited to be back in that era again,” said Kayla Smith, a sophomore at Western.

Though Swifties are ecstatic, some still look down on Taylor Swift and her music. “Even if you’re not a Swiftie… be supportive. You don’t have to listen to it if you don’t want to, but try not to be mean to Swifties out there who are really excited,” said Smith.

On the same day, fans of “Five Nights at Freddy’s” will be in theaters for the release of the movie adaptation of the horror game. The video game was first popularized in 2014 by gaming Youtubers who streamed videos of themselves playing “Five Nights at Freddy’s.” Was that the bite of ’87? Players have to survive five nights alone as a security guard at a pizzeria — avoiding animatronics in the dark and learning the many years of intricate game lore.

The ultimate lesson to take away from this encroaching date is to be supportive of each other. Whether it’s pop star Taylor Swift, or horror game turned movie “Five Nights at Freddy’s,” both have made large advances in the last few years. Though both are very different, there is much to celebrate this fateful October weekend.

Contact the author at howlenterrtainment@wou.edu