Mount Hood

Valentine’s with a sprinkle of angst

Written by Liberty Miller | Lifestyle Editor

Tired of the lovesick wailing on every radio in the first two weeks of February? Try this playlist for a refreshing taste of upbeat and rocky Valentine’s Day angst. 

“We Are Young (feat. Janelle Monáe)” — fun.,  Janelle Monáe

“Thnks fr th Mmrs” — Fall Out Boy

“Applause” — Lady Gaga

“New Romantics (Taylor’s Version)” — Taylor Swift

“Blow Me (One Last Kiss) – Radio Edit” — P!nk

“Mr. Brightside” — The Killers

“Friends” — Band Of Skulls

“Hello – Acoustic” — GROUPLOVE

“So What” — P!nk

“Under You” — Foo Fighters

“Let’s Dance to Joy Division” — The Wombats

“Shake Me Down” — Cage The Elephant

“Crazy Youngsters” — Ester Dean 

“Kiwi” — Quarters of Change 

“The Middle” — Jimmy Eat World

“Governess Shadow” — July Talk

“Mistakes” — Sharon Van Etten 

“Cough Syrup” — Young the Giant

“Seventeen” — Jimmy Eat World 

Contact the author at howllifestyle@wou.edu

Soft rock for the soul

Written by: Liberty Miller | Lifestyle Editor

“Everlong” — Foo Fighters

“Photograph” — Nickelback 

“100 Year” — Five For Fighting

“Where The Streets Have No Name” — U2

“Lovers in Japan – Osaka Sun Remix” — Coldplay

“My Hero” — Foo Fighters 

“Stop and Stare” — OneRepublic

“Drops of Jupiter (Tell Me)” — Train 

“Use Somebody” — Kings of Leon

“Viva La Vida” — Coldplay 

“Bitter Sweet Symphony – Remastered” — The Verve 

“Sweet Disposition” — The Temper Trap 

“Wonderwall” — Oasis 

“Yellow” — Coldplay 

“For the First Time” — The Script 

“She Will Be Loved” — Maroon 5 

“With Or Without You” — U2

“Iris” — The Goo Goo Dolls 

“Clocks” — Coldplay 

“Wherever You Will Go” — The Calling 

“You And Me” — Lifehouse

Contact the author at howllifestyle@wou.edu.

Where nature and human nature intertwine

Written by: Liberty Miller | Lifestyle Editor

I grew up country. I’m not talking suburban outskirts country, but rather an unincorporated town, population four hundred and twelve, hay bales on the side of the road kind of country. The kind that someone would have to go out of their way to get to. 

Yet, it was within that capsule of limited population and small-town idealism that I got to see the wonder of simplistic living in my backyard. I didn’t grow up with technology, so my days were spent flipping through paperback books, playing outside with my sister and dad and finding any part of the earth to mess with outside. 

We foraged for mushrooms and wild blackberries, or put on big rubber boots and stomped in the mud. We stared up at the sky, rode four-wheelers out in the large, unoccupied field in our backyard and climbed a huge tree with my dad, who built platforms for us to sit down and take in the expansive view of the meadow. 

When I got into middle school, all of a sudden, phones and tablets were introduced to my world. I met people who spent their childhood behind a computer monitor, or playing on concrete sidewalks or “fake playgrounds,” as I like to call them. Who on earth would need to build all that when you could have trees and dirt piles and slug kickin’ in your backyard? 

My classmates in middle and high school told me that it was shameful to have a country home, embarrassing to have grown up without using Snapchat or playing video games, and I was young, so I believed them. 

When COVID-19 forced everyone back into their homes, I suddenly had the opportunity to travel back in time and revisit my childhood. I stayed at home, and I spent time outside where my old friends, the flowers, the grass and the sunlight were. I could forage for berries, lay in the dirt and spend time in the home that I was once ashamed of. It was then that I realized — there is no life more fulfilling than this. 

I felt horribly, deeply saddened by those who didn’t grow up the way I did — the people who spent their time trapped in concrete jungles, surrounded by asphalt and car engines and Xbox systems — and, frankly, it just didn’t seem like the right way to live. I was mad that at some point in my life, I was envious of the people who lived the way they did. 

As I grew up, I saw more of the world. Perhaps the most eye-opening experience for me was traveling to Hartford/New Haven, Connecticut. When I arrived there, the sky was the wrong shade of blue. It was pale, tinted with a sickly yellow, and I felt unsettled. I figured out a short while later that it was air pollution. I looked around and all I saw was concrete and pollution — a dulled out life. I knew that I wouldn’t be happy living there. It felt suffocating. 

My belief system after COVID had only been reinforced after seeing city life in different areas of the US, and I had come to the very important conclusion that the world feels best where it is untouched. We, as human beings, have destroyed, pillaged and burned the earth. We have buried it in cement, poisoned it with exhaust, littered it with plastics and oils and ruined a very large portion of what used to be, in my opinion, something precious. 

But the inherent need for us as human beings to connect with the earth cannot be ignored. We are one with the world and we cannot exist in a society where Mother Nature is being plundered for profit and reshaped at the cost of our rivers, mountains, trees and fields. 

What I would encourage everyone to do, at least, in the most serious way possible — touch grass. Go drive to the coast and stare at the ocean, or lay down in the dirt, take vegetables from a nearby crop and run away like a Hobbit. Whatever inspires us to traverse outside of the house, outside of the city and into the natural world, existing as designed. 

As I sit here writing this article, I know a large portion of readers are not the biggest fans of country music. But Keith Urban sang something that I remember every so often because it used to play on the radio as I spent my childhood running around in the great outdoors: 

“I’m gonna kick off my shoes and run in bare feet. Where the grass and the dirt and the gravel all meet. Goin’ back to the well, gonna visit old friends. And feed my soul where the blacktop ends.”

Contact the author at howllifestyle@wou.edu

Cringe is dead, enjoy what you want

Written by: Claire Phillips | Entertainment Editor

For the past few years, young people have been straying away from trends and exploring their personal style. There is now a place for anyone and everyone to express their identity and interests — the internet. Whether it comes down to curating a unique wardrobe or enjoying a show that dubs you a “geek” or even “Gleek”, it is essential to constantly spark your inner joy and ignore the haters. 

Fandom culture has existed for centuries. Fans of the Shakespeare play “King Lear” rewrote the ending simply because they enjoy the tragic conclusion. Similarly, fans of “Sherlock Holmes” are credited for some of the first ever fanfictions and publicly mourning the death of Holmes. These fans have never been spared from criticism, however, today, Beatles fans will ask teenage girls to “name three songs,” when the original Beatles fan base was mainly composed of teenage girls.

Fans have found ways to connect both online and offline. Conventions have served as a meeting place for people with similar interests. The greatest fans will even “cosplay” as their favorite characters with intricate outfits and props. Cosplay became popular on social media apps, but unfortunately, not every cosplayer was well-received. They’re creatively doing something they enjoy, so what’s the harm?

Actually, there can be harm in being a superfan. Fans of the hit TV show “Glee” popularized the show and started calling themselves “Gleeks.” It was all good and fine until the Gleeks began harassing the actors. The leads of the show already had stressful lives: long days of learning songs and choreography led to exhaustion for both the cast and crew. 

The same goes for other popular television series, such as “Stranger Things” and “Heartstopper.” Otherwise, cringe is dead — feel free to be a Gleek, as long as respect is at the forefront of your intentions.

The difference between the Shakespearean era and today is the glorious invention of social media. If conventions aren’t accessible, there is another option: talking to people online. The days of posting flyers on theater doors are over, now just a five to ten second video can reach thousands. However, if you’re one of the brave few who share their true self online, the result could be subjection to the hateful words of close-minded people.

The truth is, those people are never going to go away. Whether they appear at school, work or online, the haters are everywhere. If their words are taken to heart and people change because of it, then they’re just being proven right, and the negativity will continue to spread. The most effective course of action is to ignore the hate, respect differences and support each other.

The point I’m trying to make is that it’s draining to constantly be a hater. Reach out to the people around you, and you might find something in common. The universe will align to bring people close to you who will love you for all of your quirks. If you like to make weird noises, seek someone who will do the same. 

Whether you’re a theater kid, a cosplayer or a bookworm — there is a place for you. People like you have existed for centuries. Wear unique clothes, find time for niche passions and seek out those who are similar. In ten years, the haters won’t matter, unless you let them crawl into your head and build a home there. What’s important is the people who will let you shine.

 

Contact the author at howlententertainment@wou.edu

Bite of ’89

Written by: Claire Phillips | Entertainment Editor

Two well-loved fan bases are celebrating simultaneous, monumental releases on Oct. 27. Both horror video game and pop music fans are being brought together by this fateful fall Friday. The ultimate question is which one will one be indulging in: the release of the live-action “Five Nights at Freddy’s” movie, “1989 (Taylor’s Version)” or both?

Taylor Swift, currently one of the most well-known artists in pop music, announced she was going to re-record her first six albums in November of 2020. Swift’s old label sold her music to her manager, Scooter Braun, meaning she no longer owns the rights to any of her music. It’s no wonder that fans of the singer/songwriter are excited about the re-recording of the albums.

Fans of Swift — Swifties — everywhere are proud of this empowering transformation of their favorite artist.

“It’s one of her most iconic albums. This is the year she really embraced pop… I’m just really excited to be back in that era again,” said Kayla Smith, a sophomore at Western.

Though Swifties are ecstatic, some still look down on Taylor Swift and her music. “Even if you’re not a Swiftie… be supportive. You don’t have to listen to it if you don’t want to, but try not to be mean to Swifties out there who are really excited,” said Smith.

On the same day, fans of “Five Nights at Freddy’s” will be in theaters for the release of the movie adaptation of the horror game. The video game was first popularized in 2014 by gaming Youtubers who streamed videos of themselves playing “Five Nights at Freddy’s.” Was that the bite of ’87? Players have to survive five nights alone as a security guard at a pizzeria — avoiding animatronics in the dark and learning the many years of intricate game lore.

The ultimate lesson to take away from this encroaching date is to be supportive of each other. Whether it’s pop star Taylor Swift, or horror game turned movie “Five Nights at Freddy’s,” both have made large advances in the last few years. Though both are very different, there is much to celebrate this fateful October weekend.

Contact the author at howlenterrtainment@wou.edu

Best in the pacific northwest

Written by: Liberty Miller | Lifestyle Editor

Here’s what all three of our Twilight enthusiast readers have been waiting for — a playlist catered to the rainy weather of the pacific northwest. Picture walking to class on a cloudy day, just for a sliver of sun to hit the vitamin-D deficient skin of a student by Todd Hall. They light up like a disco ball and run away at the speed of light. Tune in to this spotify playlist and that just might happen. Key word: might – but it’s still worth a shot. 

“Full Moon” — The Black Ghosts 

“From Now On” — The Features

“Neighbors (Soundtrack Version)” — Theophilus London 

“Friends” — Band of Skulls 

“Cover Your Tracks” — A Boy and His Kite

“Monsters” — Hurricane Bells 

“Slow Life” — Grizzly Bear, Victoria Legrand 

“What Part of Forever” — Ceelo Green 

“Hearing Damage” — Thom Yorke 

“Atlas (Soundtrack Version)” — Fanfarlo 

“How Can You Swallow So Much Sleep” — Bombay Bicycle Club

“Jonathan Low” — Vampire Weekend 

“Roslyn” — Bon Iver, St. Vincent 

“Requiem On Water” — Imperial Mammoth 

“Turning Page” — Sleeping At Last 

“The Violet Hour” — Sea Wolf 

“Speak Up” — POP ETC 

“The Antidote” — St. Vincent 

“Endtapes (Soundtrack Version)” — The Joy Formidable

Plus a few extras that fit the same vibe!

“Open Season” — High Highs 

“Kenny” — Still Woozy

“Dawn Chorus” — Thom Yorke 

“Daylight” — David Kushner

“Evergreen” — Richy Mitch & The Coal Miners 

“Fade Into You” — Mazzy Star 

“Two Weeks” — Grizzly Bear

Contact the author at howllifestyle@wou.edu

Back to school tunes

Written by: Claire Phillips | Entertainment Editor

“There She Goes” — The La’s

“Bus Stop” — The Hollies

“You’re On Your Own, Kid” — Taylor Swift

“we fell in love in october” — girl in red

“mona lisa” — mxmtoon

“Call Your Mom” — Noah Kahan, Lizzy McAlpine

“Campus” — Vampire Weekend

“ballad of a homeschooled girl” — Olivia Rodrigo 

“4runner” — Brenn!

“Anything But” — Hozier

“Everyday” — Buddy Holly

“Acai Bowl” — Dominic Fike

“Come On Eileen” — Dexys Midnight Runners

“Long Way From Home” — The Lumineers

“Ghost in the Machine” — SZA, Phoebe Bridgers

“Not Strong Enough” — boygenius

“Textbook Love” — Fleet Foxes

“Sugar” — Remi Wolf

“Zombie” — The Cranberries

“Life in a Northern Town” — The Dream Academy

“Send Me on My Way” — Rusted Root

Contact the author at howlentertainment@wou.edu