Mount Hood

Inspiring Musings through Movement

By: Joleen Braasch 
Staff Writer

As part of the Smith Fine Arts Series, BodyVox, the dance company known for its creativity, physicality, beauty, and wit, will be performing “Reverie” in Rice Auditorium on Jan. 8, 2015.

Founded in 1997 and currently in its 17th season, BodyVox is a Portland-based dance company led by Emmy Award-winning choreographers Jamey Hampton and Ashley Roland.

“Reverie,” a show that premiered in 2001 and was developed surrounding and influenced by the events of Sept. 11, 2001, has been performed throughout the U.S. and internationally in Germany, Mexico, and Japan.

The name of the show connotes being swept up and carried away, allowing viewers to become lost in the show and in the thoughts that the show inspires.

Hampton states that beauty is the central theme in the show, “art must prevail, humanity must prevail, culture, knowledge, and freedom of expression, indeed beauty must prevail.”

The complex tone of the show is aided by the use of colorful and creative costumes set against a darkly-lit stage. This creates a mood that is both serious and somber, while still being lively and eye-catching.

Dancers in this show utilize both quick and slow movements, and work together in many upside-down twirling positions and occasional wire-flying. These difficult moves and acrobatics reveal the troupe’s well-developed skills involving cooperation, strength, and technique.

The movements not only evoke laughter from the audience, shown in exaggerated gestures implying sexual innuendos and crazed minds, but also play on serious tones using ghostly movements and heavy, somber music.

Franziska Grevesmühl-v. Marcard, a managing director of the Norddeutsche Konzertdirektion dance company in Germany, says that “Reverie” “makes the audience feel they are part of another world: Full of dreams, colors and music. This is not only a performance— it is an instruction to be happier.”

Featuring more than 200 original dances, the company has also developed nine award-winning films, 30 original shows, and three operas.

The Oregonian called BodyVox Portland’s “most popular and internationally renowned dance troupe.”

BodyVox’s mesmerizing and inspiring performance will be held at Rice Auditorium on Jan. 8, at 7:30pm.

‘Story Time’ Shares Beauty with Students

By: Megan Clark
Campus Life Editor

Need something colorful to lighten up these gray, Oregon days?

“Story Time: Contemporary Urban Narratives” is a stunning new art exhibit that opened in Campbell Hall on Jan. 6. It features work done by Len Davis and Roll Hardy, artists from Los Angeles and Portland, respectively.

While the two artists have somewhat dissimilar styles and techniques, the art they produce is eye-catching and plays with contrasts and emotion.

This juxtaposition of disparate emotions and color is prevalent in these two artists’ work and lends an air of complexity and increases interest. Alicia Neal, a fifth year senior and art major, said, “If you keep looking, you keep finding stuff.”

One of the most intriguing pieces was a large oil painting titled “Mirage” by Roll Hardy. While it was set next to two of his other, equally large, pieces, it stood out due its beautifully serene scene.

“Mirage” pictures young people in an indoor swimming pool, the oil paint adding to the effect of water glistening on their skin. “It looks really liquid and its very lively without being overworked,” observed Elaina Glassock, a junior art major.

While the painting utilizes neutral colors for the scene, brighter colors seem to spill out of the painting, with water breaking the banks of the pool and explosions of green foliage burgeoning forth from the cement.

Another piece by Len Davis titled “The Biggest Surprise of a Man’s Life” juxtaposes the rigid figure of a man who appears to be falling head first through the frame, with the somber face of an older man.

There is a terrific outpour of emotion through Davis’ depiction of his subject’s facial expressions, which range from sheer joy to utter sadness.

Ashley Davis, a visitor to campus, said that Davis “captures individual’s moments, struggles, and experiences.”

This art exhibit will be open from Jan. 6 to Feb. 5. If you’re already looking for a respite from schoolwork, check out Davis’ and Hardy’s art as it will simultaneously soothe and excite your mind and eye.

Light it up

1967_SequoiaTree1-TBT

By: Joleen Braasch 
Freelancer

On Friday Dec. 4, 2015, the giant Sequoia located on the lawn in front of Campbell hall will be strung with shining lights for the 48th time. It will once again be the center of WOU’s holiday spirit.

The Sequoiadendron giganteum, planted back when the college was still known as the Oregon State Normal School, was a given as a gift to Western by the senior class of 1887.

Nicole Larsen, a senior anthropology major, views the winter holidays as a special time for the WOU community.

“The holidays are a time where I realize how intertwined Western is with the city of Monmouth, and it’s another thing that makes attending college here so special,” said Larsen.

Marta Herring, a senior interdisciplinary studies major, loves that the giant sequoia plays such a central role in the holiday festivities at WOU.

“The tree itself is a historic part of the WOU and Monmouth story and it’s nice to acknowledge that it still plays a role on campus to this day,” Herring said.

The tradition of lighting the famous Western Sequoia began in 1967.

Dormitory students and a few other individuals raised the money needed to buy lights that would cover the giant tree, and the Monmouth Fire Department was responsible for putting up the first strands of lights that would become a tradition.

Currently, the campus Physical Plant has the honor of decorating the tree, and an essay winner from local elementary schools gets to flip the switch and light up the campus.

This is Herring’s favorite part of the festivities, and she believes that “it’s important to emphasize that writing and education is important, and to give the kid a chance to participate in their community in an exciting way.”

Savannah Hively, a sophomore majoring in exercise science, comes for the emotion. “[I love] the holiday magic that occurs when all the children’s faces light up as they light the tree,” said Hively.

Larsen said “[I] love the festivities and food! It’s a chance to connect with people from all over campus and also alumni and members of the community.”

The holiday parade begins at 6 p.m., and indoor activities will follow in the Werner University Center, beginning at 7 p.m.

The indoor activities include a tree decorating contest, cookie bake-off, arts and crafts, pictures with Santa, school choral performances, and a “Toys for Tots” donation site.

Looking for even more fun? Stop by Gentle House between 7 p.m. and 8:30 p.m. for the Holiday Open House.

Singers and choir sing way into hearts

By: Rachael Jackson 
Staff Writer

Gospel and choral music were taken to new heights on Monday Nov. 30, 2015, with rousing renditions of choral classics sung by the Western Oregon chamber singers and concert choir.

The chamber singers took the stage first. They performed three modern compositions of familiar ecclesiastical pieces. While songs remained in their original Latin, their arrangement breathed fresh life into the classic tradition of chamber music.

The chamber’s first piece, “Ave Maria,” which features text that has been used in choral music for over a thousand years, was revamped in 2015 by composer Daniel Elder.

Another piece written in 2015, “Salzburg Missa Brevis,” was directed by Choral and Instrumental Conducting graduate student Miriam Means.

To finish out the set, the chamber choir sang arguably the most modern of their pieces.

It was a fun incarnation of the “Benedictio” prayer. Faster than the other songs, it also displayed a series of terse and jaunty notes.

After a short intermission, the concert choir took the stage with their conductor, professor Zsofia Csikos-Tardy. They performed four songs that followed the tradition of gospel music, full of enthusiasm and praise.

Csikos-Tardy explained that this choir formed at the beginning of the term on rocky footing; since it is a non-audition choir, all members were accepted, meaning they had varied degrees of musical knowledge.

Half the members did not know how to read music, and the lack of deep bass voices made it difficult to find music to perform that would fit the choir’s makeup.

“At the beginning it was a fear in me that we would not be ready,” Csikos-Tardy said. Finally a couple men joined with the bass voices they needed, and they all learned the music faster than she anticipated.

“But,” Csikos-Tardy said, “They were ready in the last three weeks so I just had to take care of the band.”

However, Csikos-Tardy’s fears were put to bed when the group received applause and appreciation from the gathered students, who had the opportunity to be exposed to possibly new and beautiful forms of choral and gospel music.

Electro swingin’

By: Joleen S Braasch 
Freelancer

Ever heard of electro swing? If you haven’t, then look no further than Western’s own campus to explore this exciting, multi-era musical genre.

Western Hemisphere Voices, a campus-based student vocal group featuring 11 vocalists, a rhythm section, and horns, put on a show in the electro swing style, Tuesday, Nov. 1, 2015.

Terra Schwartzwalt, a conductor at WOU for fall term, describes electro swing as a new age genre, “capturing the traditions of jazz from the past and fusing it with pop and electronic music in the modern day.”

The concert arrangements were inspired by the band Caravan Palace, a Paris-based group influenced by Herbie Hancock and Daft Punk.

“Basically their music is sort of a collision of Gyspy Jazz and electronic dance music,” said Schwartzwalt, who arranged most of the music for the show.

The group performed three of Caravan Palace’s songs: “Je’Mamuse,” “Pirates,” and “Dramaphone.”

Some of the other selections included selections from other electro swing groups and renditions of well-known pops songs, such as “Burn” by Ellie Goulding and “Give Me Love” by Ed Sheeran.

As a showcase for these student musicians, almost every member of the group performed a solo during the night, and students Brandon Franko and Kathryn Powers even arranged the Ed Sheeran piece.

The band was also made up of students, and some of the members even switched from playing various instruments to singing.

Haley Lancourt, a junior exercise science major, thought the concert was a “phenomenal idea.”

She had heard a couple of electro swing styles songs, but she had never thought to make a concert out of it.

Eli Schenk, a senior music major and member of Western Hemisphere Orchestra, 15 Miles West, and the Western Hemisphere Big Band, enjoys the musical diversity that the music program has to offer.

Shenk said, “Last year, I did everything from New Orleans Jazz, to Radiohead, to like everything […] It’s wonderful how diverse the contemporary programs are.” Now he can add electro swing to that list.

Humans of Western

By: Megan Clark
Campus Life Editor

Corinne Garrett, Sophomore, Undecided

“I went on this ten week bike trip across the United State this summer. It started in Pacific City, Oregon […] and we biked to Yorktown, Virginia […] It was awesome, we met so many great people, and I actually fell in love with my boyfriend on that trip.”

“We met so many great people, they welcomed us into their homes, let us stay with them if they saw us. We never knew where we were going to stay, or what we were going to do when we got into a town […] I just felt so, like, loved and taken care of. We never had to worry about anything.”

Pacific Northwest poet visits campus

PoetColor

By: Rachael Jackson 
Staff Writer

Christopher DeWeese, Assistant Professor of Poetry at Wright State University in Dayton, Ohio, visited campus Thursday, Nov. 19 at 4:30 p.m. in Hamersly Library 107.

He read genre-bending poetry sure to evoke curiosity from those that attended.

DeWeese originally hails from Port Townsend, Washington, but he has spent the better part of this last decade teaching and working on his poetry all over the country.

Professor of Literature and Writing Dr. Henry Hughes said in an email to students that DeWeese is, “Influenced by Russian literature and space travel, and he reads like a meteor shower.”

His poetry is reminiscent of Transcendentalism, a mid-19th century American movement which focused on the interconnectivity of nature and man, with a modern twist that delves into the realm of science fiction.

DeWeese’s poem “The Happy Cloud” with accompanying author’s reading can be found on publisher Jubliat’s website.

Reading DeWeese’s poetry and hearing it are two wholly different experiences, through which different meanings can be gathered.

At first, “The Happy Cloud” may seem like a poem about the separate state of humans and nature, portraying humankind as being in constant battle against Mother Nature.

Hearing him read it also evokes dark worries of humanity’s place in the world, and, on a smaller scale, the individual’s personal struggles and worldview.

DeWeese’s writing shows the ability of poetry to cross genres just as prose often does. Even for seasoned poetry lovers, this poetry promises something unexpected and modern.

His poetry fulfills a niche that many may be interested in exploring.

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Western Oregon University in Monmouth, OR is located within the traditional homelands of the Luckiamute Band of Kalapuya. Following the Willamette Valley Treaty of 1855 (Kalapuya etc. Treaty), Kalapuya people were forcibly removed to reservations in Western Oregon. Today, living descendants of these people are a part of the Confederated Tribes of Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians.

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