Mount Hood

Harold Mason: A retrospective

Written by: Hannah Field | Editor-in-Chief

“Harold Mason: A Retrospective,” available for viewing at the Hamersly Library, opened June 8, 2024, to honor artist Harold Mason after his passing in August of 2022.

The exhibition showcases some of Harold Mason’s paintings and artworks, but is not able to encapsulate all of Mason’s lifetime spent creating masterpieces. Throughout his life, he mainly pursued watercolor painting, etching, lithographs, collages and pencil drawings. “Harold Mason: A Retrospective” includes a variety of his different mediums, including pencil sketches of instruments, watercolor seascapes and painted traditional Native vases. Both Harold Mason and his wife, Sue Mason, a fellow artist and potter, drew a lot of inspiration from historic pottery and sought them out in their life together.

Sue described her husband as having a “cute sense of humor” and being a lovely man. “Like so many artists, he was very sure of himself and yet completely unsure all at the same time — but he had a good career.”

“One interesting thing is the seascapes,” said Sue Mason. “He never did seascapes because he had a good friend who went out on his own at about the same time Harold did, and he did nothing but seascapes. He lived in Mendocino, California, right on the coast, and we were friends with him and his wife, our kids and their kids grew up together. Well, (one day), Harold decided he wanted to get a hold of John, and he found out that he had passed away, so out of consideration for their friendship, he did a seascape… and he enjoyed it so much that he did a number of them.”

For a decent amount of time, Harold and Sue lived in Carmel, California, which sits right on the coast. Sue described the ocean as very dear to their hearts.

Having married in Switzerland in 1961 due to Harold being drafted into the army and consequently moved to Germany, the two of them spent 61 years living as artists and moving from place to place. They previously lived in California, Maine and New Mexico before settling in Monmouth, Oregon, in a quaint mid-century modern house with a spiral staircase and personal artwork on every wall, almost all handmade by either Harold or Sue.

“And then when we came home (from Germany and Switzerland), we started a family, and when our children, our son was about four and our daughter was about two, we decided it was time for (Harold) to go out on his own and he never looked back,” said Sue regarding his career. “He made his living from his art. We’re not wealthy, but we had a wealthy life. The arts have been our life.”

Harold Mason started exhibiting his art in 1968 and stopped around 2008 from galleries, but did not quit painting or art. “He painted up almost until he died,” said Sue. “That August, the gallery in Independence had asked us to do a show together — I’m a potter — and he was too ill to even hang the show, but they hung it for him. So, really, he exhibited forever.”

In four decades of exhibiting, Harold became a nationally recognized watercolor artist with a talent for landscape and wildlife, and had his art featured in various shows and museums. He held fourteen one-man shows in Phoenix and Scottsdale, AZ; San Francisco, Oakland and Carmel, CA; and Seattle, WA. The Carnegie Museum of Art in Chicago continues to keep one of Mason’s watercolors in their permanent collection, with the Albuquerque Museum of Art and the DeYoung Museum in San Francisco having featured his work previously.

This exhibition is expected to be the last of Harold Mason’s work — with half of all sales from the artwork on display going to produce art scholarships for Western students looking to further their craft by entering higher education, which Sue Mason highly encourages.

“I loved my husband’s art just about as much as I loved him,” said Sue Mason, always advertising not only Harold Mason’s work but fellow local artists and their galleries. Sue, still in the art scene and involved with Western, stays on top of who will be exhibiting with the college at Cannon Gallery and with the city of Monmouth.

Western has printed multiple copies of an illustrated poetry book, art done by Harold Mason and poems by a family friend, Grant Hoyt, for Sue Mason, with the goal being to eventually publish “Circus Circus.” The book, in loving memory of Harold Mason, showcases various colored and black and white illustrations of hopping dinosaurs — the final passage being Sue Mason’s favorite and the last lines stating, “Celebrate our circus, share your memories with a friend / May the fantasy and wonder live on and never end.”

It remains to be seen when “Circus Circus” will be available for purchase. Until then, Harold’s artwork may be viewed on the second floor of the Hamersly Library until the end of October.

“Harold — he never had to do anything other than his drawings and paintings, and I think that’s worth celebrating. So I wanted to show students that if their art is their thing, to believe in themselves,” said Sue Mason.

Contact the author at howleditorinchief@mail.wou.edu.

Hurricane season

Written by: Sadie Latimer | News Editor

The National Ocean Service says that a hurricane is a “rotating, organized system of clouds and thunderstorms.” They form over the tropical warm waters of an ocean. “(Hurricanes) often (begin) as a tropical wave — a low-pressure area that moves through the moisture-rich tropics, possibly enhancing shower and thunderstorm activity.” When hurricanes move inland, they typically lose power due to the lack of warm water that acts as fuel for the storm. 

Hurricanes are split into five categories, with Category 1 being the least powerful and Category 5 being the most. “The Saffir-Simpson Hurricane Wind Scale is a 1 to 5 rating based only on a hurricane’s maximum sustained wind speed. This scale does not take into account other potentially deadly hazards such as storm surge, rainfall flooding, and tornadoes,” said the National Ocean Service.

Hurricane Helene hit Florida as a Category 4 hurricane Sept. 26. It diminished to a tropical storm as it traveled inland through Georgia, South and North Carolina, Virginia and then Tennessee. Most of those states saw severe flooding, with Florida receiving storm surges of up to 15 feet. 

Hurricane Milton made landfall in Florida Oct. 9. Although it decreased from a Category 5 to a Category 3 as it hit land, it was still vastly destructive. It moved from Florida’s west coast across the state and into the Atlantic Ocean. The hurricanes were disastrous by themselves, but they also spawned multiple tornadoes. As of Oct. 16, there were at least 268 casualties from both hurricanes combined, with Helene being much more deadly.

During Hurricane Helene, the city of Asheville, North Carolina — known for its beautiful art and architecture — was decimated. The city is home to two intersecting rivers, which makes it susceptible to major flooding. Roads were buried by mudslides or washed away by the floods, and residents were isolated without power or cell service for at least two weeks.

For both hurricanes, many counties had mandatory evacuation orders. Some people, however, decided to stay and brave the storms. Jane Castor, the mayor of Tampa, Florida, issued a warning to people in mandatory evacuation zones. “I can say this without any dramatization whatsoever: If you choose to stay in one of those evacuation areas, you are going to die,” said Castor. Before Hurricane Helene, Taylor County, Florida, notified residents that if they chose not to evacuate, they needed to write their personal and important information on themselves with a permanent marker so they could be easily identified.

Joseph Malinowski, who is also known as “Lieutenant Dan” on TikTok, hunkered down in Tampa Bay on his boat during Hurricane Milton. “The safest place to be is on a boat in a flood,” Malinowski said in a video posted by the TikTok account “Daily Mail.” Miraculously, he was found alive in his boat after the storm had passed.

One person known on TikTok as Ashly Cox posted a video that quickly became controversial. “When you live in a mandatory evacuation zone but your boyfriend says ‘we’re staying,’” the video said. Many people online warned her about the dangers of Helene, with some people even telling her to not only leave her home in Tampa, but leave her partner as well. Cox then posted a follow-up video clarifying that she is the decision-maker, and if she had wanted to leave they would have left. She gained even more criticism because of that video from viewers who turned their hate away from her boyfriend and onto her. One day after the hurricane hit, she posted another video to let people know that she was safe.

Another TikTok user, “Kricketfelt,” first posted about staying on the Gulf of Mexico in a mandatory evacuation zone during Hurricane Helene. “Because my house is three floors and solid concrete, we are not evacuating,” she said. “Kricketfelt” posted videos during and after Helene, documenting the aftermath of the strong winds and flooding. When Hurricane Milton hit, she and her family decided to ride out the storm once again, despite being given evacuation orders by the police. She posted continuous videos showcasing Milton before it made landfall. Her posting ceased when it made landfall Oct. 9, causing concern amongst her viewers, however reports were made from individuals who drove by her house and found it still standing with the power on.

The American Red Cross has been a significant contributor to the hurricane relief being provided in the areas affected by Helene and Milton. They have sent volunteers to ensure that people are being given food, shelter and medical attention. To donate to The American Red Cross’ hurricane relief fund, go to https://www.redcross.org/donate/donation.html/.

Contact the author at howlnews@mail.wou.edu

This week in entirely made-up horoscopes…

The Signs responding to a 2 A.M. “you up?” text

Aries: Notification wakes them up, leaves it on read

Taurus: Is up watching TikTok but doesn’t answer

Gemini: too busy stealing stop signs to respond

Cancer: “I’m already here… check the closet ;)” 

Leo: No.

Virgo: definitely awake doing their seasonal midnight deep-clean

Libra: Yep playing minecraft  

Scorpio: “only if you agree to be my sacrifice”

Sagittarius: can’t answer because they lost their phone somewhere

Capricorn: phone is on DND

Aquarius: The one who sends the “you up” text

Pisces: Nope avoids that completely

“The Simpsons” place in pop culture

Written by: Jaylin Emond-Hardin | Entertainment Editor

When the Simpson family first appeared as an animated short in 1987, nobody could have predicted the series’s influence on pop culture.

Created by cartoonist Matt Groening, “The Simpsons” originally started as a 30-second short on “The Tracey Ullman Show” — a variety program akin to “Robot Chicken” — airing on the Fox Broadcasting Company. Eventually, it expanded to half an hour and aired Dec. 17, 1989, as a Christmas special titled “Simpsons Roasting on an Open Fire.” The rest of season one began airing regularly in January 1990.

Oregon-born Groening partnered with seasoned producer-director James L. Brooks as the show’s executive producer with Sam Simon attached as a writer. Brooks is best known for “Mary Tyler Moore” and “As Good As It Gets,” while Simon is known for “Friends” and “Cheers.”

The show centers on a family with all the dysfunctions of the modern world but with the demographics of the 1950s: two married parents, two preteen children, an infant and plenty of living extended family. Springfield — named after Springfield, Oregon — is filled with all kinds of strange residents, ones that often fulfill stereotypical roles seen on television. An endless rollout of walk-on guest stars eventually joined the show and were voiced by their real-life counterparts — former President George Bush and astrophysicist Stephen Hawking were among these guest stars. 

In the ’90s, the show’s popularity skyrocketed and was so successful in its first two years that the term “Simpsonmania” was coined and used to describe the show’s rise to fame. In 1990, as many as one million Bart Simpson shirts were sold in a day, and Simpson merchandise generated $2 billion in revenue for the series. “The Simpsons” was Fox Network’s first television series to rank among the top 30 highest-rated shows in 1990.

As time went on, “The Simpsons” began to pass other shows in terms of series longevity. “The Simpsons” surpassed “The Flintstones” as the longest-running prime-time animated series in the United States Feb. 9, 1997. In 2004, the series surpassed “The Adventures of Ozzie and Harriet,” which ran from 1952 to 1966, as the longest-running sitcom — animated or live-action — in the United States. “The Adventures of Ozzie and Harriet” was also originally the leader in number of episodes — a whopping 453 — but in the spring of 2009, “The Simpsons” surpassed it. 

“The Simpsons” and “Scooby-Doo” battled it out in October of 2004 for American animated show with the highest number of episodes, but when network executives canceled “Scooby-Doo” again the following year, “The Simpsons” reclaimed it with 378 episodes at the end of season 17. By season 18, the series had 400 episodes. It is now recognized by Guinness World Records as the world’s longest-running sitcom.

“The Simpsons Movie” was released July 27, 2007, and grossed $536.4 million worldwide,  becoming the eighth-highest-grossing film of 2007, the second-highest-grossing traditionally animated film —  second only to Disney’s “The Lion King” —  as well as the highest-grossing film based on an animated television series and the highest grossing adult animated movie of all time. The film was nominated for numerous awards, including a Golden Globe Award for Best Animated Feature Film.

The movie, much like the series, includes celebrity cameos, with Tom Hanks and the members of Green Day playing themselves. 

However, by the time “The Simpsons Movie” was released to theaters, critics began calling the show “tired” and fans were becoming disillusioned with the series. Jim Schembri of The Morning Herald believed the show’s decline was due to an abandonment of character-driven storylines and overused celebrity cameos and references to popular culture. 

“The central tragedy of ‘The Simpsons’ is that it has gone from commanding attention to merely being attention-seeking. It began by proving that cartoon characters don’t have to be caricatures; they can be invested with real emotions. Now the show has in essence fermented into a limp parody of itself. Memorable story arcs have been sacrificed for the sake of celebrity walk-ons and punchline-hungry dialogue,” Schembri said. 

Many fans and critics say the show’s golden era was in its first ten seasons and claim that when showrunners Mike Scully and Al Jean were added to the roster, then began the show’s true decline. 

Groening was quick to defend the show, as well as his showrunners, saying: “I honestly don’t see any end in sight. I think it’s possible that the show will become too financially cumbersome but right now, the show is creatively, I think, as good or better than it’s ever been. The animation is incredibly detailed and imaginative, and the stories do things that we haven’t done before. So creatively there’s no reason to quit.”

Currently, viewership of “The Simpsons” has been on the decline since season 21, which first aired in September 2009. While season one had an average viewership of 13.4 million viewers, season 21 had a dismal average of 7.2 million viewers. The first two episodes of season 36 have even worse numbers — episode two did not even break a million viewers, currently stagnant at 886,000.

Although, even as the show’s viewership declines, fans still come together to share their love of “The Simpsons,” especially the first ten seasons. Instagram accounts such as @bortposting, @the_simpsons_man and @bortofdarkness regularly post memes about the show’s golden era and all three accounts have a combined following of 281,200. r/Simpsons on Reddit has 43,000 members and is among the top three percent of Reddit pages.

Critics and fans alike do have hope for season 36. The season’s premiere began with a fake series finale and featured altered clips from classic episodes that were given tragic outcomes. On X (formerly Twitter), user @tonygoldmark shared their theory that the show’s recent quality could be because “the show is now being run by people who grew up watching it, and precisely understand the memetic impact it’s had.” Many fans also attributed this increase in episode quality to Matt Selman taking over as the primary showrunner starting in season 33. And although the season premiere was very standalone, its references reminded viewers that it is still the same show they loved watching years ago. 

Episode three of season 36 aired on Fox  Oct. 20 and is now streaming on Disney+ and Hulu. 

Contact the author at howlentertainment@wou.edu

Witches through the years

Written by: Taylor Duff | Lifestyle Editor

The spooky season brings many frights, imagination and of course, costumes. Girls around the world might be dressing as witches this Halloween season, or they have done so in the past, or they just know that witches are generally associated with Halloween. When people think of a witch, they most likely appoint an old decrepit woman who rides a magic broom, casts spells and has a diet that consists of children. This depiction is far from what witches are, so where did the term “witch” come from? Where did they come from? 

It is believed that the term “witch” was a moniker given to women who practiced witchcraft and satanic rituals and ate children — but that is just what the fairy tales say. One early concept of what a witch is says that in mythology, witches were healers, shamans and spiritual workers who could affect the physical and the spiritual world. They used what is called “herbal medicine,” which is healing people with hand-crafted herbs. Not so different from what everyone in ancient times would do, however, witches were believed to have a special talent for healing. Some of the negative connotations come from Greek and Roman mythology: Deities like Hecate and Circe were goddesses that possessed magic and posed potential threats because of their power. 

Whether or not mythology is accurate, the witch hunts during the 15th-18th centuries caused significant harm. These included the Salem Witch Trials of 1692, precipitated by a real-life hysteria that affected many women during the time. A group of teenage girls from Salem, Massachusetts, claimed to be possessed by the devil and accused multiple local women of witchcraft. The trials resulted in the deaths of 25 innocent women, men and children. The purported witches were hung or crushed, not burned, which is a common misconception, as that was done in Europe during the Middle Ages. There is a museum in Salem, Massachusetts, where visitors can see just how the trials began and ended. 

Folklore and stories like “The Crucible,” a play by Arthur Miller, started to paint women as villains and self-absorbed, claiming they were witches. Fairy tales did the same, such as “Hansel and Gretel,” where two siblings travel in the woods and stumble across a witch’s house; she ends up eating them. Witches during this time were generally portrayed as old, bumpy and green; they were meant to look like they arrived out of the devil’s chambers and needed to take sources of life. Green witches appear often in fiction, most famously in “The Wizard of Oz” and its prequel “Wicked,” where the Wicked Witch of the West became the bad guy, and everyone was petrified because she was robbed. In Gothic literature, things looked a little different —  witches were usually painted as seductive and beautiful. But even then, they would use their beauty and seductive nature to lure men and hurt them. 

Women’s International Terrorist Conspiracy from Hell — WITCH — was a 1960s feminist group that used guerrilla theater and public rallies to criticize patriarchy and capitalism. Feminist witchcraft movements in the 1970s reclaimed the image that represents the witch as a powerful monarch. Wicca is the largest modern Pagan or Neo-Pagan religion. Its adherents, known as Wiccans, commonly identify as witches and derive inspiration mostly from pre-Christian customs in Europe. Dianic Wicca, which concentrates upon the worship of a goddess figure, or female deity, and publicly supported feminist values, frequently gained influence from the emerging women’s rights movement of the time. Because of this movement, witches are now more popular in pop culture. Movies such as “The Craft” and “The Love Witch” show women usually painted as outcasts or weird embrace their individuality and sex appeal to contradict the patriarchy. Shows like “Buffy the Vampire Slayer” and “American Horror Story, Coven” showed witches as everyday people who were just trying to navigate the world, and because pop culture sparks, the public made witches more approachable. This also opened up self-expression for LGBTQ+ characters, such as Willow Rosenberg from “Buffy,” emphasizing the connection between magic and gay identity. As environmental problems, feminism and LGBTQ+ rights continue to dominate public discourse, the witch remains a symbol of resistance and self-empowerment. 

TikTok, which has #WitchTok; Pinterest; Instagram and more platforms show modern-day people participating in witchcraft. Many creators provide spells, rituals, tarot readings and astrological insights. They show their lifestyles with aspects such as decor, clothing — witch-inspired Gothic apparel with Bohemian and crystal-laden looks, — black hats, pentagrams, jewelry, tattoos, books and much more. Halloween, in particular, has converted the witch into a fun, approachable figure for people of all ages. The internet enables individuals to combine cultural traditions, such as Wicca, Hoodoo and New Age practices, and participate in virtual covens or communal rituals. 

Overall, the witch isn’t one type of person. A witch can be multiple types of people, they can be friends, family, teachers, parents and your next-door neighbor. They are someone who embraces their faith and individuality and wears it proudly. Witches just want to be accepted and painted in a light that isn’t demeaning or harmful. The witch is a symbol of feminism and strength and has spent too many years not being understood. 

Contact the author at howllifestyle@mail.wou.edu

Deadpool takes on the Multiverse

Written by: Jaylin Emond-Hardin | Entertainment Editor

Content warning: this article contains spoilers

Even Deadpool himself couldn’t have been prepared for the chaos he met in “Deadpool and Wolverine.” Between Charles Xaviers’ psychotic sister, his universe on the chopping block and one reluctant Wolverine, the titular anti-hero certainly has a lot on his plate. 

In this third installment in the “Deadpool” universe, movie watchers will see a continuation of Marvel’s “Multiverse Saga,” which began with the series “WandaVision” and will be completed in 2027 when “Avengers: Secret Wars” hits theaters. 

When the Time Variance Authority — TVA — knocks on Deadpool’s door, he learns that his universe’s anchor being is dead and his timeline has been fading ever since. The TVA offers to put him in the “Sacred Timeline,” or the timeline most people think of when they think of Marvel, but Deadpool refuses. Instead, he goes searching across the multiverse for a replacement anchor being, which is revealed to be Wolverine.

When Deadpool finally finds a suitable replacement for his anchor being, the unlikely duo is sent to the Void — where variants are sent for misbehaving in the multiverse or when their universe is destroyed. There they meet variants of superheroes who have already graced the screen or whose movies did not come to fruition, and of course, the fourth-wall-breaking Deadpool knows all about them.

Many of these variants are already well-known. Jennifer Garner returns as Elektra, Wesley Snipes as Blade and Dafne Keen as X-23, a Wolverine variant. Even the canceled 2014 “Gambit” movie was referenced, with Channing Tatum filling the role he was originally intended to play. 

A plethora of memes have arisen from the movie, as well as collaborations with the popular video game Fortnite, fast food company Jack in the Box and motorsport company Alpine Racing. Ryan Reynolds has a stake in Alpine Racing, explaining the connection.

“Bye Bye Bye” by NSYNC and “Like a Prayer” by Madonna were both played in the movie, and both have once again found themselves on Billboard’s Top 30 chart, with “Bye Bye Bye” sitting at number eight and “Like a Prayer” resting at number 16. Their streams have increased globally by a total of 50% and 62% respectively, thanks to social media platforms such as TikTok and Instagram, as well as the use of “Bye Bye Bye” as an emote and jam track in Fortnite. 

“Deadpool and Wolverine” grossed $211 million on its opening weekend at the box office and has earned $1.305 billion globally. It is currently the seventh highest-grossing Marvel movie in both domestic and global earnings. 

It has not yet been announced when “Deadpool and Wolverine” will hit streaming services, but fans anticipate a late October or early November date.

Contact the author at howlentertainment@wou.edu

San Jose State’s volleyball program facing controversy

Written by: Quincy Bentley | Sports Editor

The San Jose State University volleyball program has recently gained significant media attention due to the potential inclusion of a transgender player on their roster, and in just three weeks, four universities have forfeited their match against San Jose State. These schools include the University of Wyoming, Boise State University, Southern Utah University and Utah State University, which recently canceled their Oct. 23 match against San Jose State University — SJSU. Surprisingly, none of the schools came out with any statements explaining their reasoning behind the decision to forfeit.

The rumors about the SJSU player’s gender identity started in April 2024, when a website by the name of Reduxx published an article titled “Biological Male Quietly Joined Women’s NCAA Division I Volleyball At San Jose State University.” The player mentioned in the article is Blaire Fleming, a redshirt senior who transferred from Coastal Carolina University to SJSU in 2022. As of the 2024 season, Fleming has put up impressive numbers, ranking fourth in kills and fifth in service aces in the Mountain West Conference. 

One of Fleming’s teammates, Brooke Slusser, a senior setter who transferred to SJSU from Alabama in 2023, has also been having a standout season. She is ranked third in assists, and tied for tenth in digs in the Mountain West Conference, but Slusser’s impressive stats aren’t the only reason she’s making headlines.

On September 23, Brooke Slusser filed a lawsuit against SJSU and the NCAA —  “Slusser v. NCAA and San Jose State University.” The lawsuit, centered around Slusser’s teammate, Blaire Fleming, claimed that the university failed to inform her and her teammates that Fleming was transgender. Slusser also claimed that she roomed with Fleming on road trips without knowing about her gender identity, and in April 2024, Fleming allegedly disclosed to Slusser that she identifies as transgender. In a nutshell, Slusser argues that Fleming’s participation raises concerns about fairness and safety for female athletes, and she isn’t alone in this viewpoint. After all of this information surfaced, more than a dozen female college athletes accused the NCAA of violating sex based discrimination laws. 

In regards to Fleming’s performance on the court, Slusser claimed that Fleming’s spikes were recorded at over 80 mph, which, according to her, is way faster than any female player she has ever seen. The lawsuit also shows that some players on the team were even concerned about getting concussions due to Fleming’s hard hitting spikes.

After noticing the attention the university was receiving, the Senior Director of Media Relations for SJSU, Michelle Smith McDonald, stated that the university will not publicly address the gender identity of any student due to the Family Educational Rights and Privacy Act. In a statement by the university, McDonald stated, “It is disappointing that our SJSU student-athletes, who are in full compliance with NCAA and Mountain West rules and regulations, are being denied opportunities to compete. We are committed to supporting our student-athletes through these challenges and in their ability to compete in an inclusive, fair, safe and respectful environment.”

Under current National Collegiate Athletics Association — NCAA — rules, transgender women are allowed to compete on women’s teams if they have undergone at least one year of hormone therapy to suppress testosterone levels, which is believed to reduce any potential competitive advantage. The NCAA’s guidelines are based on the belief that hormone therapy levels the playing field between transgender women and cisgender women. However, despite these regulations, the debate centers on whether the physical differences, even after hormone therapy, provide an unfair, competitive advantage. 

Slusser and her legal team argue that the “Slusser v. NCAA and San Jose State University” lawsuit is about fairness and safety. It raises the question of whether previous policies properly protect female athletes from what they believe is an uneven playing field. This case doesn’t just highlight the debate within SJSU’s volleyball program, it highlights a debate that is playing out across all levels of competition around the globe. Depending on how this lawsuit goes, it could potentially lead to a new legal precedent or even a new set of rules within the NCAA, but as of right now, the debate over whether transgender women should be allowed to compete in women’s sports continues to stir controversy.

Contact the author at howlsports@wou.edu