Mount Hood

Why linguistics should be taught in public education

By: Kristin Eck
Copy Editor

It’s time that people in the linguistics world stop differentiating themselves from people in the “real world.” I’m excited for the opportunity to live in a future that will incorporate linguistics into the public education system.

When I tell people I’m a linguistics major most of them assume I either know or am studying multiple languages. I tell them that linguistics is more about understanding how language operates as a system, rather than the physical expression of language as seen through various world languages. In other words, I study linguistics and I’m shockingly fluent in only one language.

Many of my discussions end in confusion about why someone would ever study such a non-applicable subject. To many people, linguistics is considered a fairly new field of research that didn’t really gain traction until the ‘70s with Noam Chomsky’s work on cognitive linguistics.

I’m no expert in linguistics. In fact, I’ve barely dipped my toes into its imperceptible depths. But as an undergraduate student with a passion for what I’m studying, I can attempt to answer the questions that seem to have so many puzzled: what will I do with linguistics and what is it even good for?

I’ll start off by saying that I believe linguistics should be widely taught in public education. I’ll even be so bold as to say that linguistics could easily replace traditional grammar lessons and greatly improve the rate at which people of all ages acquire second languages.

Have you ever had a teacher tell you not to start a sentence with but? Or not to use “that” after a semicolon? Or not to switch tenses in a sentence? We’re told not to do very specific things in public education but are never told why. Linguistics has the answers.

Linguistics has the potential to improve reading and writing skills while bettering language acquisition and cross-cultural understanding.

I recently read an article about two educators in New York, Mary Moran and Patricia Paugh, who successfully incorporated linguistics into their third-grade urban classroom in an effort to achieve academic literacy. Their daring venture paid off and their students improved not only their writing and speaking skills, but also their critical thinking ability.

Moran and Paugh had to accommodate common challenges found in urban classrooms and they were discouraged that some of their students struggled more than others. Many of their students came from different backgrounds, some with English as their second language, and struggled to assimilate to their learning environment. The biggest challenge for the educators was trying to get their students to understand how to use appropriate language in specific genres, primarily academic writing.

Their project was aimed at bringing context into the classroom so students could relate to what they were being taught and understand how language was used differently in various fields. They started by accumulating thematic collections of texts, such as, gardening books, books about animals and cookbooks. From their collections, Moran and Paugh decided that a gardening unit would suit their classroom curriculum for fall semester without encroaching on their state’s mandated core curriculum.

The garden unit gave students the opportunity to work in their school and community gardens, as well as go out to local farmer’s markets and interact with the community. The students were given journals and were told to write down common words they observed and anything they found interesting. The farmers and volunteers at these sites also helped educate the students and taught them about planting, weeding and the importance of good soil.

When the students returned to the classroom, they would free-write in their journals about what they had experienced, using the terminology that they learned that day. These experiences and lessons helped students understand how to write academically by connecting real-life experiences to their writing and making them relatable and memorable to the students.

As I mentioned before, their efforts paid off and the students literacy increased year after year. By cultivating the students’ language awareness, their students were able to identify certain language features present in different genres and use them appropriately. The focus on student-generated knowledge, rather than curriculum-based knowledge, gave the students confidence to utilize the knowledge they had acquired. They eventually went on to share their knowledge with other students in the school.

In linguistic terms, Moran and Paugh were incorporating two linguistic theories of learning. The first is called Critical Pedagogy of Place, which involves the physical spaces of communities that we often take for granted and is aimed at making education personally relevant to students. Additionally, CPP is designed to mold students into active, helpful members of their communities by giving them contextual relevance in relation to what they’re learning.

The second is similar to CPP but focuses more on language; Systemic Functional Linguistics aims to connect language to social contexts. SFL is important in this story because the educators observed how common core language arts lessons are designed to be as a received set of skills. SFL is different in that is focuses on the function of language, and it’s the function of language that drives its purpose in society.

These are just two linguistic theories that I believe could vastly improve our education system. It’s difficult to remember what it was like learning to write because English-speakers who grew up in the public education system learned that skill at such an early age. However, many students don’t have the privilege of growing up in an English-speaking household where things at home have the same name as they do in the outside world.

But besides helping people with language acquisition, theories like SFL simply make more sense from an educational standpoint. Currently, language arts, writing and grammar are taught as a specific set of skills that students must master. Students are given no explanation as to why they’re learning this stuff, and if an inquisitive student dares to ask for an explanation, most of the time they won’t get a satisfying answer.

I am excited to be a part of a future where SFL and CPP could be universally incorporated into the education system. I’m also proud to say that Western is one of the few schools in Oregon that actually require teachers to study linguistics. While I don’t plan on making a career out of teaching others, I do hope to further research in this field, research that advocates for linguistics making its debut into the “real world.”

Contact the author at keck14@wou.edu

Review: “Alien: Covenant”

By: Ashton Newton
Entertainment Editor

“Alien: Covenant” is a horror movie. That’s completely clear from every promotion and based on the movies that came before it, but “Alien: Covenant” doesn’t wear the mask of a horror movie. The film appears to be an epic adventure film with an ensemble cast and a rich backstory, but there’s a lot more going on.

The diversity of settings helps to give “Alien: Covenant” an adventure-movie feeling. Jumping from location to location, the film explores some intriguing locations and forces viewers to be on their feet, nowhere is ever safe.

It takes a long time for any horror movie tropes to pop up in the film. Setting the stage as an action and adventure movie, the main focus is put on the characters and the experiences and trials that they’re going through.

The events of 2012’s “Prometheus” played directly into the movie. Michael Fassbender reprised his role as the antagonist. “Alien: Covenant” helped to make some of the confusing parts of “Prometheus” more clear, without serving as a direct sequel.

Where “Alien: Covenant” shines the most is in its characters. The crew of The Covenant are an entertaining group of people who are easy to get attached to right away. On their way to a planet for a colonization mission, the crew is composed of couples, which makes the characters more emotion-driven. Even the smallest side character has something dear to them, which makes all the tragedy and triumph in the film much more personal.

Having 15 crew members highlighted in the film, not everyone gets a lot of screen time. When a very small character with hardly any lines makes an extremely dumb choice or an avoidable error, it really stands out and is distracting. This happens multiple times in the film, characters who don’t really add to the plot will make an unrealistic choice that jeopardizes things for everyone. It’s noticeably lazy writing, and “Alien: Covenant” relies on it at times.

These characters are brought to life by stunning performances all around. Michael Fassbender plays two, very different androids and is able to set their character traits apart very well. Katherine Waterston gave an incredible performance as the film’s protagonist, Daniels, as she struggled through loss, survival and lots of aliens.

The aliens were the most disappointing part of the film. Not only were the special effects low quality, but the aliens weren’t even the central threat in the film. “Alien: Covenant” felt more like a movie talking about the dangers of artificial intelligence than a horror movie about aliens. Michael Fassbender gave a fantastic performance as the film’s antagonist, but so much so that the actual aliens feel like less of a threat.

Rather than relying on jump-scares, “Alien: Covenant” follows the footsteps of its predecessors with intense, horrifying scenes of violence and gore. These scenes are necessary for the plot and for the “Alien” franchise, but they’re definitely not for weak stomachs.

“Alien: Covenant” is an intense film with great performances, but the focus on Michael Fassbender’s antagonist takes away from the horror aspect of the film and that lowers the quality considerably.

Contact the author at journalentertainment@wou.edu

2/4
+ Interesting characters
– Disappointing aliens

Review: “Goths”

By: Ashton Newton
Entertainment Editor

The Mountain Goats’ 16th album, “Goths” opens with the pre-released song “Rain in Soho,” a serious, dark tune that sets the album up with engaging lyrics and a catchy melody.

Lyrical storytelling is the highlight of “Goths,” almost every song is very lyric-heavy and strays away from the normal conventions of songs, through means such as blurring the lines between verses and choruses. “The Grey King and the Silver Flame Attunement” stood out in this respect. The story-heavy verses are matched by the simple chorus that says “I’m hardcore, but I’m not that hardcore.”

“Goths” also uses lots of experimental instruments that aren’t typically heard in the indie folk genre. The album doesn’t use guitar like The Mountain Goats have in the past, instead, the album is mainly held up by drums, piano and bass. This choice sets “Goths” apart from previous albums and makes for a fresh sound. Horn instruments are also present in songs like “Paid in Cocaine” and “For the Portuguese Goth Metal Bands.” This gives these songs a classical feel and works well.

“For the Portuguese Goth Metal Bands” is one of the best tracks on the album. Not only does it have a unique sound with horn instruments and a mellow tone, it puts most of its focus on the verses. The song has a two-line hook in between the longer verses, rather than a chorus. This puts a lot of emphasis on the storytelling aspect of the song and makes for one of the most memorable songs on the album.

“Goths” is a unique and well done album, but there are a few songs that fail to be memorable. “Unicorn Tolerance” caught my eye because of the title, but the song, itself, fell flat. The song sounds like a generic attempt at an indie tune and zooms by without anything specific really standing out.

The album begins and ends strongly, but the middle holds some of the weaker songs. “Stench of the Unburied” also doesn’t match up well to the quality of the album.

“Goths” isn’t the best Mountain Goats album, but after 16 albums, that’s a lot to ask for. “Goths” gets a lot right in it’s lyrical storytelling and use of experimental instruments, but a few weaker, generic sounding songs keep it from being truly amazing.

Contact the author at journalentertainment@wou.edu

A night of laughs

By: Nick Ketcham
Freelancer

Although there were more flags than people in the Werner University Center Pacific Room on the evening of May 15, the air was casually laced with anticipation as Pete Lee, nationally acclaimed comedian, approached the stage.

Pete stood before the students of Western Oregon University as part of a coordinated effort between the Western Student Activity Board and his nationwide college tour, during which he has visited over 500 colleges.

Just a little over a week prior, Pete Lee was standing before the nation in his first appearance on “The Tonight Show” with Jimmy Fallon, one of his many appearances on national television. Pete has performed on Comedy Central, NBC and CBS, and has been a cast member and writer for major programs such as Fuse T.V.’s “Video on Trial,” VH1’s “Best Week Ever” and the NFL “Top 10’s.”

Pete Lee described himself as a soft, pleasant midwesterner from small town Wisconsin. Throughout the entire performance, Lee showcased his sensitive side with various jokes about love, life and crying so hard in public that actual babies stop crying just to wonder “how much poop does that guy have in his diaper.”

In addition to having funny, unique jokes, Pete interacted with the audience and was able to quickly react to joke opportunities. For example, the squeak of a chair resulted in an accusation that “somebody in the back had stepped on Mariah Carey.”

Despite his busy schedule, Lee took time at the end of the show to interact and take pictures with fans. He also took a brief moment to plug social media accounts as well as a recent segment he did on “The Tonight Show,” which you can watch on his YouTube channel.

Contact the author at nketcham16@wou.edu

Western student recitals

By: Ashton Newton
Entertainment Editor

Hannah Hazlewood’s senior recital on May 16 put an emphasis on vocal performance. Performing a musical, “Once Upon A Dream,” that incorporated music from other musicals, Hazlewood’s senior recital included other actors and singers as well to put on an entertaining show about love and dreams. The recital included music from musicals such as “Into the Woods,” “Enchanted,” “Cinderella” and more through six scenes that told the story of a young woman finding love. The musical was narrated by Eli Schenk and included vocal performances from Laura Killip, Cole Aldred and Scott Dickens.

Yuzhou Huang performed seven pieces for his senior piano recital on May 18. The performance showcased Huang’s piano ability with songs from Scarlatti, Beethoven, Chopin and more. Huang played music through close to a hundred years of classical composers, beginning with Scarletti and ending with Chopin. The performance ended with Huang thanking his parents, who couldn’t make it to the recital due to their jobs in China, but it was recorded to send to them later on. Huang also took a moment to thank his professors before playing his final song.

Emily Dalziel’s senior recital took place on May 19. She performed pieces from five different composers on the piano. The composers ranged from Wolfgang Amadeus Mozart’s piece, written in 1777, to a work of Dmitri Shostakovich’s, written in the early 20th century. Other composers performed include Frederick Chopin, Felix Mendelssohn and Claude Debussy. Dalziel also took time to thank her professors, students and family for supporting her.

Contact the author at journalentertainment@wou.edu

The new faces of ASWOU

By:Jade Rayner
News Editor

The Associated Students of Western Oregon University began its round of yearly elections, which ran from Monday, May 1 through Friday, May 19.

Week one was filled with multiple opportunities to meet candidates, including both formal and informal meet and greet events, and a candidate question forum.

Due to a lack of student votes in the first week, elections were extended a second week and then a third week was added in order to receive as much input from students as possible.

After three weeks of campaigning, the results are in.

Jessica Freeman will be taking on the role of ASWOU President for the 2017-2018 academic year.

For those who didn’t get a chance to know her during the campaigning process, Freeman’s platform read, “I have been involved with ASWOU since my first year at Western Oregon University. I started my journey through ASWOU as a Senator, where I was elected by the Senate Body to hold the position of Senate Parliamentarian, and the chair of two separate subcommittees. During my second year within ASWOU, I was elected as the Senate President, where I took the information gained as a Senator, and put it to better use. After two years in Senate, I wanted to challenge myself even more during my third year in ASWOU, so I ran and was elected the Judicial Administrator. I have been a branch head for two years now, which gives me invaluable experience and has prepared me to run for ASWOU President. Through my three years in ASWOU, I have seen three different administrations; I have seen firsthand what tactics work and what tactics do not work for this organization. I am extremely knowledgeable and passionate about ASWOU, and with my past experiences I am the most qualified candidate for ASWOU President.”

Freeman went on to explain that, “ASWOU was cut 30 percent of their budget through the Incidental Fee Committee Process during Winter Term 2017. The next ASWOU President will have to work hard and creatively in order to allow ASWOU to function at its highest with such an extensive cut. Through my experience in both Senate and Judicial Board, I am ready to dedicate my last year at Western Oregon University to ensure ASWOU is properly overseen and assists the wide range of student populations WOU has to offer. Focusing within ASWOU, I intend to challenge the positions in cabinet whose primary functions are to produce outreach strategies. The ASWOU Executive Branch has severely suffered from a lack of outreach recently, and students need to know ASWOU exists to serve them. When looking at WOU, students for many years have voiced negative opinions about the Oregon Student Association (OSA). If elected ASWOU President, I will focus on improving the relationship ASWOU and WOU have with OSA based on student feedback and how students want their money to be spent. I am a hardworking individual who is dedicated to the improvement of ASWOU as a whole. The next academic year will be an interesting challenge, and one that I have waited three years for. I am ready to take on the honored responsibility of being the ASWOU President for the 2017-2018 academic year.”

In addition to a new president, ASWOU has also gained a new vice president. Evelyn Guzman, who in her platform stated, “I am running for Vice President because I feel like I have knowledge, enthusiasm, and skills I can contribute to ASWOU. I have been very involved since my first year at WOU and I have been learning a lot about different aspects of our community,” will now be assisting with administrative duties alongside Freeman, among other responsibilities.

The positions of ASWOU senate president, judicial administrator, senator and the Incidental Fee Committee member were filled by Lila Jones, Logan Doerfler, Roger Deleon and Eric Frey. Alex Quintana was voted into the role of justice.

In addition to filling executive, senate and judicial seats, Referendum 3.17 was voted in, 455-47. Referendum 3.17, which “adds gender expression and gender identity to the ASWOU Constitution as areas that will shall not be discriminated against,” as explained on the voter form, had already been passed in the ASWOU Senate.

In more detail, Senate Bill 3.17 reads that, “…Western Oregon University is an institution that prides itself on its student diversity…In the Preamble of the Associated Students of Western Oregon University’s Constitution, it reads ‘…do establish this Constitution and authorize the Student Government of the association thus formed, to represent the students of Western Oregon University.’ There are many students at WOU that don’t identify/express/conform to the sex they were assigned at birth.”
Now that the bill has been approved by both the senate and the student body, “…The ASWOU Constitution Article I Section 2.a.iv. shall be changed to include gender expression and identity and read: ‘Each member of the ASWOU has the right to be free from discrimination inclusive of, but not limited to, the following areas: race, color, national ancestry, creed, religion, sexual orientation, gender identity, gender expression, sex, age, and individuals with mental and/or physical disabilities,’” according to Referendum 3.17.

Contact the author at journalnews@wou.edu

Crunk at the crossroads

By: Burke De Boer
Sports Editor

“It takes you forever to find a good walk-up song,” said the designated hitter. “It’s a very big deal. I actually didn’t decide until like the last week before our first spring games, when I had to make a decision.”

The man who agonized over his soundtrack is Joey Crunkilton, who played his final season in 2017. He walked up to the stadium country song “People Back Home” by Florida Georgia Line.
His music in 2016 was a hard reggae track: “Vampire” by Tribal Seeds.

It’s easy to understand why Crunkilton would pay special attention to his music. In addition to playing Wolves baseball, he has played cymbals for the Western drumline.

“I saw a poster, ‘Western Oregon drumline: If you know how to read music call this number, we need people.’ And I was like, ‘Well, s—, I play the drums,’” he laughs. “So I called them and ended up playing football games and stuff. That was kicka–.”

This is the can-do spirit that Crunkilton brings to his game. His positive attitude reverberated through the team this year.

“Crunk is a great guy to be around,” said Nyles Nygaard, junior third baseman. “He always has the biggest smile on his face and is a guy people can go to for anything.”

Roll back the clock a year and we would be talking about a different Crunk.

Western Oregon is his third college team, after a successful run at Western Nevada College and a less successful run at UC Santa Barbara.

“Baseball was the thing, and my ticket to get my way through school,” he says. “Because I’m a good student, but not a great student.”

Western Nevada was happy to punch the not-great-student’s ticket. For two years, Crunkilton took a scholarship to play ball in the desert mountains. Both years he earned all-conference honors. But a junior college is only a launching pad.

“I had offers from random schools,” said Crunkilton. “And I wasn’t sure, I wasn’t getting a gut feeling on where I wanted to go. So I ended up sending my own info out to WOU, and they were like ‘Yeah, we want you.’”

Then UC Santa Barbara called. “I wanted to go to a Division I school more than anything.”

Santa Barbara, however, did not go according to plan.

“Division I was much more cutthroat. I kind of got chewed up and spit out by the team. It was an eye-opening year. It’s very competitive, and if you don’t stand up and prove yourself then you get forgotten about quickly. Then they redshirted me.”
After a year of practicing and not playing, Joey Crunkilton was in a funk.

“I was talking to the coach and he was like ‘You’re probably gonna be a backup if you come back. Probably in a similar spot to where you are right now. Not a ton of playing time.’”

So he packed his bags. He had left Western waiting, but the howling of the Wolves would wait no longer.

Crunk announced himself with a home run in his debut game, a two-run smash that would prove the game winner over Azusa Pacific on Feb. 4, 2016.

Unfortunately, it would be his only homer all season. In the 13 games he played in April, he went hitless in nine. He finished the season with a .245 average, one of the worst on the team.

“I didn’t play much towards the end,” he took a pause. “I got a little nihilistic last year. It was kind of a ‘Whatever’ attitude as I stopped playing.”

As a fifth-year senior, that all changed.

“I had the thought, this is my last year. If I only play one game I’m still gonna go for it and do my best.”

For his efforts, he helped the team earn a conference championship and sweep the playoffs.

The semi-final rally against Central Washington is what Crunkilton says he’ll take away most from the season.

He recalls watching the Wildcats bat from the dugout. “I was freakin’ out. They go base hit, score a run. ‘All right, 1-1.’ Home run, 3-1. ‘S—.’ Another home run, 5-1, hit, hit, 7-1. I just got this sense of calm. We were like, ‘Screw it, let’s break some hearts.’”

Which is what they did, scoring 12 runs in the final three innings. Crunkilton scored two and added an RBI.

“And you could see Central was like ‘What the hell just happened?’” He laughed. “That game was the coolest. That was the best way to cap off the season.”

With the season done and graduation imminent, Joey faces uncertainty once more.

“I want to get out of the house, dude. Just quick as possible. Find a job first and then you can get a career later.”

What would this career be? He spitballs a few ideal career paths, from a fitness business to an online marketing company.
“I want to do something more with music. I want to really learn how to play the drumset well, and then I want to join a band. Absolute dream job: being in a rock band. That would be very fun, I think,” he nodded as he thought it over. “I also really want to learn how to fight, like boxing or jiu jitsu. I was a wrestler growing up and that was always fun. It was so much just brute effort.”

Maybe one day, Joey Crunkilton will be picking music to come out of the tunnel for a fight. Or maybe some future baseball player will walk up to the batter’s box while a Crunkilton drum solo plays.

Or maybe neither of these things. Whatever happens, you get the sense when you talk to Crunk, it’s going to be fun.

“I guess my dream would be to just make something, create a business or a product or something, that just makes people’s lives better and makes me money. Pretty simple,” and he laughed again.

Contact the author at journalsports@wou.edu