Mount Hood

The artifice of artistry

Darien’s Column:
Author: Darien Campo | Designer

Deck: Are independent musicians putting too much focus on image before talent?

Everybody wants to act like Kanye, but nobody wants to work like Kanye.

These words have been bouncing around my head for almost a month now. I encountered the phrase on a Reddit thread started by an independent artist who was dissatisfied with the amount of attention his work was getting. He ranted, saying that he had worked hard for his craft and he deserved to have a larger fanbase by now – but nobody was listening to his tracks. A couple of users, myself included, tried to engage in conversation with him and have a discussion, only to be met with more anger and sarcasm. He didn’t want excuses, he didn’t want advice, and he didn’t want strategies; he wanted results.

This attitude is so prevalent in the independent scene.

As a musician, I’ve dealt with countless bands and artists who are just starting out but never get past this hump. We see online are bands who rocket into stardom and are showered with fans from day one. What we don’t see are the years of work that go into being a musician – or any kind of artist, for that matter.

There’s an attitude of entitlement that so many independent artists develop. This idea that “I am a musician, therefore I deserve attention for my craft.” If this is your outlook, you’ll never get far as an artist. Being a musician is hard work, it’s exhausting, it’s unrelenting, and it’s unforgiving. You have to do it because you love it, even if nobody’s listening.

I produced for a band some years ago who developed their rockstar attitudes long before they ever developed their musical talent. They would say, “we need the right equipment,” “we need top-of-the-line recording software,” “we need more Facebook likes,” before they would ever worry about their actual music. Being a band was an image for them, and that was satisfactory enough. They never felt the need to delve any deeper into their musical voice.

This artifice of artistry is what holds so many independent musicians back from discovering their true potential as a creator. It’s easy to act like Kanye, so many artists do, but it’s much harder to put in the amount of time and effort that Kanye does. That’s why Kanye gets to act the way he acts; because he works harder than you could ever imagine.

Contact the author at dcampo13@wou.edu

Ashton’s Column:
Author: Ashton Newton | Entertainment Editor

Deck: The media and the entertainment industry have had a negative effect on the stereotype of the musician.

Everybody wants to act like Kanye, but nobody wants to work like Kanye.

The entertainment industry tends to idolize Kanye and other artists for their arrogance and extravagance, without noting the hard work that they put in. This affects how people view musicians in general, and it’s making negative marks on the music industry and the mindset around it.

Movies and television often show musicians as being super cool, rebellious and very arrogant. Kids shows such as “Drake and Josh” and “Big Time Rush” showed kids that looking and being cool as a musician is more important than the music you create, which has helped to create an expectation as to how musicians are supposed to act.

I’ve seen this in local musicians, in interviews and in the behavior of popular musicians. One notable example was when Green Day’s Billie Joe Armstrong freaked out at the iHeartRadio Music Festival due to wanting more time to perform. Jack White also got angry at the crowd when they weren’t cheering enough and he walked out of a sold out show after 45 minutes.

This behavior doesn’t help the stereotype, and it’s bleeding down into the local music scene, too. While talking to and interviewing artists, many people want to skip over the concept of working hard and jump straight into the idea of being the arrogant, super cool musician, even when they don’t have fans.

No one is going to want to work with an artist who is difficult to be around, much less someone who can’t get over the arrogant mindset. No one is going to act like a jerk, win a battle of the bands and then get instant stardom. That’s the plot of “School of Rock,” and it’s time to get your head out of the clouds and act like a good person first and foremost.

Ending this “rockstar” stereotype in movies and television, not romanticizing performers who are obvious arrogant jerks and working hard rather than instantly acting like a celebrity are so important for the music industry and the mindsets surrounding it.

Labeling yourself as a musician gives you nothing. Putting in the effort that someone like Kanye does is the side of the industry that so many artists are ignoring. Whether music is a passion or a hobby, acting like Kanye without working like Kanye won’t get anyone anywhere and continues to send the industry into a spiral of arrogance.

Contact the author at anewton15@wou.edu

Review: “Solid State”

By: Darien Campo | Designer

“Dance like they are watching you – because they are watching you.”

This is one of my favorite lines from Jonathan Coulton’s brand new album, “Solid State.” The 17-track concept record tackles a story about the internet, trolls, artificial intelligence and how love and empathy will save humanity. It’s a complex, gorgeous album and a huge step forward for the internet-based musician.

In 2005, software developer Jonathan Coulton quit his job to pursue his dream of being a musician. He launched the “Thing-a-Week” project wherein he wrote, recorded and released a brand-new song every week for a year straight. Using the internet and Creative Commons licensing as his tools, Coulton managed to completely circumvent the crumbling music industry and build his own rabid fan base by writing geek-rock songs like “Code Monkey,” “RE: Your Brains” and Portal’s “Still Alive.” His 2011 album, “Artificial Heart,” broke away from the geek-focused storytelling of his previous music in favor of a more “elliptical” rock album inspired by producer John Flansburgh of They Might Be Giants.

“Solid State” pushes Coulton even further from his monkey-and-zombie-song roots. While the album is a concept record, telling a very specific story, each track stands on its own without needing to be supported by the rest of the tracklist. Songs like “Brave” and “Don’t Feed the Trolls” are very reminiscent of the “Artificial Heart” indie-pop-rock vibes and are very hard to not dance to, even if they are watching you. And then there are tracks like “Wake Up” and “All to Myself” that have a very droning, Beatles-esque feel to them. “Solid State” is a wonderful blend of Coulton’s own soft-rock tendencies with a bit of synth-pop and psychedelic rock thrown in as well.

It’s a challenging album, which is a wonderful surprise, but might be a bit off-putting to some returning fans. Coulton’s previous work covered easy-to-follow, quirky narratives. Co-workers who have turned into zombies, mad scientists who fall in love with their captives – you know, the usual stuff. But “Solid State” tackles much more complex and difficult-to-parse ideas. The record follows a particular narrative, but each song’s lyrics swing wildly around what they’re trying to say.

“That’s my favorite songwriting trick,” said Coulton in an interview with Paste Magazine, “is to say a thing without saying it directly, to let something be revealed by what you’re saying rather than saying it out loud. That’s the kind of songwriting that has always delighted me, and the thing that I always aspire to do.”

“Solid State” is released under SuperEgo records, Aimee Mann’s label. Mann can be heard all throughout the album, providing backup vocals on songs like “All this Time.” Coulton and Mann also collaborated on her most recent album, “Mental Illness.” They are currently on tour together.

For fans who want a little more, Coulton also offers a companion graphic novel on his website. The comic is 132 pages long, written by Matt Fraction and drawn by Albert Monteys.

“Solid State” a challenging album, and you may not like every song the first time you hear it, but this record is worth the relisten. You will find yourself discovering more and more things on every play. Coulton is ever-growing as a musician, and “Solid State” is easily his best work yet.

Contact the author at dcampo13@wou.edu

Superheros, tacos and fireworks

By: Ashton Newton
Entertainment Editor

If April showers really bring May flowers, here’s hoping those come up soon. In the meantime, there are plenty of fun local events both inside and outside to keep busy with.

Keizer Homegrown Theatre’s latest show, “Hearts Like Fists,” is running May 5-7 and 11-13 at 7 p.m. in the Chemeketa Community College Auditorium. “Hearts Like Fists” is a superhero romance that plays to fans of both genres.

“The play is very smart in that there’s nothing supernatural and no super powers. They are crime fighters. It’s grounded in reality,” Director Jay Gipson-King told the Statesman Journal.

Tickets for “Hearts Like Fists” are available now for $15 and can be found at keizerhomegrowntheatre.org.

Salem’s Pentacle Theatre opens their newest show “Leading Ladies” on May 26 at 7:30 p.m. and runs until June 17.

“Leading Ladies,” originally written by Ken Ludwig, is a comedy that finds two down-on-their-luck Shakespeare actors posing in drag as an old lady’s nieces in order to get ahold of her fortune but, when romance gets in the way, things don’t quite go as planned.

Tickets for “Leading Ladies” cost $25 and can be found at pentacletheatre.org.

Leading up to Cinco de Mayo, Salem is hosting the annual Taco Crawl. On May 3-5, participating downtown restaurants will be open for guests to come in and try all the tacos they can eat. The event is all day long and ends with a performance from the Orquestra Pacifico Tropical at Venti’s on May 5.

For more information and a list of participating restaurants, check out tacocrawlsalem.com.

A little further from Monmouth, Portland’s famous Rose Festival begins on May 6 and has events throughout the month. The biggest event in the festival is Portland’s CityFair, running May 26-29. On May 26, the fair opens at 5 p.m. and includes a firework show at 8 p.m. Each day following, the fair runs from 11 a.m. to 11 p.m.

CityFair will have exotic animals, music, rides and more. The fair is held at the Portland Waterfront and only costs $8 to get in. Tickets can be found at rosefestival.org.

There are plenty of events this May to take a break from class and hopefully enjoy the sun.

Contact the author at journalentertainment@wou.edu

Review: “The Circle”

By: Ashton Newton
Entertainment Editor

“The Circle,” directed by James Ponsoldt, is a thriller about a tech company that is connecting everybody online and the implications that complete social transparency has on people, based off of a 2013 novel by David Eggers. It’s an obvious response to things like the cloud and Facebook, but due to poor performances and odd pacing, it really packs no punch.

Emma Watson’s character, Mae Holland, starts out as a customer service representative for The Circle, a tech giant with goals to place cameras all over the world for complete online transparency.

Mae Holland is the worst protagonist that I’ve seen in a recent film. Watson’s performance was passionless and amateur-feeling and the character choices were so sporadic that it was hard to pinpoint what the character’s actual values were. Her trials, her achievements, her personal life: they all felt meaningless. Watson’s poor American accent and atrocious fake cries helped to make Holland not only unlikeable, but distracting to the movie itself.

That said, there are some side characters that keep the movie from being absolutely horrible. Tom Hanks and Patton Oswalt play the two in charge of The Circle. Both men believe what they’re doing with The Circle, having everyone’s information, is right, but are taking immoral steps to make it happen. Hanks gives a likeable but untrustworthy performance, causing me to like him, hate him, like him, hate him and like him again.

Karen Gillan plays Mae Holland’s friend and fellow employee at The Circle. Her performance throughout the movie is by far the best. She shows a side of working for a tech giant that isn’t all yoga breaks and exercise ball office chairs and acts as the film’s sole voice of reason.
Cultural relevance is what “The Circle” is really banking on; working at The Circle is much like what is shown of working at companies like Google and Facebook. There’s an emphasis on fun, but all the while The Circle is collecting every bit of information that anyone has.

The problem with this is that the protagonist weaves in and out of supporting and disliking The Circle, so much so that I was lost on who I was supposed to care about that I stopped caring altogether.

“The Circle” is an intense movie with a great concept. While watching, I was constantly wondering where the film would go next, and it did go down some unexpected and interesting roads, but without anyone or anything to root for, the film fell short of what it was trying to be.

“The Circle” stands tall and tries to speak loud, but no words come out.

¼
– Awful performance from Emma Watson
– Poor attempts at cultural relevance

Contact the author at journalentertainment@wou.edu

Road wins take Wolves to the playoffs

By: Burke De Boer
sports editor

The 2017 Wolves softball team call themselves the Road Warriors.

After 49 regular games, with every home game being canceled and relocated due to weather and field conditions, they traveled 14,655 miles to play ball. The Road Warriors will travel again come May 4. This time to Lacey, Washington, to compete in the GNAC championships.

One month earlier, the Wolves were dead last in the conference.

“This whole season has been a string of bad luck, with injuries and ineligibilities,” said Ku’ulei Siolo, senior catcher. “But now that everyone is back together, I think we’re really finding our groove.”

Corvallis is as close as Western Oregon Softball would get to playing on the Western Oregon Softball Field in 2017. They “hosted” two double headers at Oregon State, facing St. Martin’s on April 29 and Central Washington on April 30.

The Wolves split their first day of competition, first beating the Saints 9-5 then losing 4-5.

After the split series, the Wolves needed to win only one game against Central Washington to secure a playoff spot. They came out and took both legs of the doubleheader, 5-1 and 4-0.
The game was tied 1-1 when sophomore pitcher Haley Fabian took the mound in the first game. She threw four shutout innings on the way to the playoff-clinching victory.

“We had nothing to lose,” Fabian said. “We needed to secure our spot in the GNAC. I just had to trust my stuff and my team.”

Even after clinching their playoff berth, the Wolves didn’t slow down.

“It was such a relief to get the first win and a huge confidence booster to win the second game,” Siolo said. “When we first p
layed Central, we played phenomenal and barely lost on a couple ill-timed errors. So being able to shut down Central and show them we won’t be rolling over any time soon was amazing.”

Central Washington are the top seed this year, so the Wolves meet them again in the first round. Last year the Wildcats defeated Western Oregon in the GNAC championship game. But the Road Warriors feel confident heading into the matchup.

“Coming off that sweep is huge for us and really fired us up,” said Hailee Watilo, senior right fielder, who hit a home run in the 4-0 win. “We know it’s going to be a battle and that’s what our team’s always looking for.”

“I think Central will need to rearrange their strategy a lot if they plan on winning on Thursday,” Siolo said. “We’re peaking at the perfect time right now.”

Contact the author at journalsports@wou.edu

Track and field shines in Corvallis contest

By: Burke De Boer
sports editor

As they prepared for the GNAC championships, the Western Oregon track and field team traveled to Corvallis to compete in the Oregon State High Performance, a two-day meet on April 28 and 29.

Senior Aaron Whitaker set a new school record in the men’s 400-meter dash. His time of 47.96 was enough for a second place finish at the meet, and places him third in the GNAC this year. He was named the GNAC player of the week for his accomplishment.

Junior David Ribich took first place in the men’s 1500-meter. His time of 3:41.45 was the quickest in a field that featured runners from Division I schools, such as Colorado and Washington. It was also a new personal record for Ribich.

Sophomore Dustin Nading took the 11th spot in the race, with a time of 3:47.17, which was a lifetime personal best for him. Junior Thomas Normandeau took 30th place and first-year student Justin Crosswhite took 36th. Normandeau’s time of 3:56.15 was also a personal best.

Junior Alan Ekanger ran the men’s 3000-meter steeplechase for an 11th place finish. His time of 9:30.90 set his new personal record, improving by 20 seconds.

Another personal best was set by sophomore Tyler Jones in the men’s 5000-meter. His time of 14:54.95 took him to a 24th place finish.

In the women’s 800-meter, sophomore Olivia Woods became the first Division II runner across the finish line, for a 14th place finish overall. She finished the race in 2:08.65. Juniors Megan Rose and Suzanne Van De Grift were close behind, finishing in 2:09.05 for 16th place and 2:09.47 for 18th place, respectively.

The men’s 800-meter saw another Division II-leading finish, as senior Michael Chin came in 12th place with a time of 1:52.76. First-year student Curt Knott won his heat of the 800-meter. His time of 1:56.28 was a personal best, and earned him a 25th place finish overall.
Sara Madden set a lifetime best in the 400-meter hurdles, with an eighth-place time of 1:03.84.

Wolves continued to excel in throwing competitions. Junior Sheila Limas De La Cruz improved on her earlier NCAA provisional distance in the javelin contest. With her throw of 44.14 meters, De La Cruz is now ranked number 11 in the nation.

Junior Kegan Allen set a new personal record in the hammer throw, adding two meters to his previous distance with a throw of 51.30. The throw earned him a third place finish, and saw him finish top among Division II throwers.

Wolves also had strong finishes in jumps. Senior Wesley Gray took second in the men’s triple jump contest, with a distance of 14.69 meters. First-year student Alani Troutman came in fourth among the men’s long jump, with a distance of 7.03 meters.

The Wolves continue to prepare for the GNAC outdoor championships, which will be hosted in Monmouth on May 12 and 13.

Contact the author at journalsports@wou.edu