Mount Hood

An interactive medium for the horror genre

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By: Darien Campo
Freelancer

It’s a bittersweet time in my house.

Here we are in the final week of the month; October is almost over. On the other hand, it’s almost Halloween!

The final movie countdown has been getting pretty spooky this week with “ParaNorman” (2012), “The Thing” (1982), “Scream” (1996), “Alien” (1979), “Young Frankenstein” (1974), “Silent Hill” (2006), and “Plan Nine from Outer Space” (1959).

Watching “Silent Hill” is always a unique experience for me.

As a huge fan of the Konami video game series that it’s based on, it’s always fun to see all the monsters and locations from those classics brought to the big screen. But at the same time … it’s just not a very good movie.

I enjoyed it more when I was younger, but every time I watch it now I just can’t help but notice how badly put together it is. The plot is a lazy mess with a whole scene at the end that literally has to stop the movie to explain to the viewer what is happening.

That is really bad writing.

The main problem is that “Silent Hill” only works in its original format – as a video game.

Along with my parade of horror movies, I’ve also been playing my fair share of horror games this month. The film borrows heavily from the first two games, so I’ve been replaying those along side this new viewing, and in an interactive medium, Silent Hill thrives.

Horror films are already a form of interactive art. We aren’t asked to sit idly by and watch a story unfold in front of us during a scary movie.

Instead, scary movies will specifically prey on our fears and try to “attack” us directly. A good horror film will do all it can to make the audience feel as if they’re personally in danger. We jump, we scream, we shiver, and we laugh; horror asks for a certain level of audience participation.

This is why I think that video games are actually the perfect medium for a genre like horror, even better than a theatre screen.

Playing a game like “Amnesia: The Dark Descent” (2010), in which the player’s only defense from the grotesque monster is to run as fast as possible and find a place to hide, is an exhilarating experience that is hard to capture in film. Putting the audience in the shoes of “Alan Wake” (2012) gives us a feeling of personal danger that a movie can rarely replicate.

A movie can show us things we’re afraid of, but a video game can make us fear for our own lives.

If it hasn’t been made obvious already, I love horror. I’m a confirmed ghost story and horror film addict. But I’ve also realized that if the horror genre is going to grow, it might be time to start shifting over into a more interactive medium. There will always be a place for horror in cinema, but a scary game is a whole new experience.

Hype builds following new Star Wars trailer

By: Ashton Newton
Staff Writer

The theatrical trailer for “Star Wars: The Force Awakens” was released on Monday, Oct. 26, 2015 with advance tickets going on sale immediately after the release.

I watched the trailer about fifteen times that night, picking through every little detail I could find. I was not alone in doing so; the trailer got 128 million views the first day.

People took their reactions to Twitter; @elmayimbe tweeted, “My pops took me to see the original trilogy in theaters. This time I’m going to take him to see #TheForceAwakens.”

Several large cinema chains who hadn’t fully prepared for such a great influx of fans buying advanced tickets, saw their websites crash soon after the trailer release.

Alamo Drafthouse theater group CEO Tim League apologized, saying the release is “the single biggest simultaneous surge for movie tickets our industry has ever seen.” IMAX alone grossed at $8.6 million with presale tickets. Someone in Philadelphia even took his ticket to eBay, selling it for $1000.

There were those less excited about the new trailer, though.

The hashtag #BoycottStarWarsVII began trending on social media not long after the trailer hit the web. The hashtag was used by people saying that the new Star Wars is “anti-white propaganda” for having an African American as the lead character.

The boycott was later revealed to have begun as a joke, but the sheer volume of tweets could indicate that some have begun to take it seriously.

The majority of the use the hashtag got was people reacting to the appallingly racist reason that others were citing as motivation to boycott the movie, including comedian Patton Oswalt who took this opportunity to mock the boycotters.

JJ Abrams himself responded, saying “We cannot wait to share the trailer with you tonight. We don’t care if you’re white, black, brown, Jawa, Wookie, Jedi, or Sith. I just hope you like it!”

In China, Disney had an event tied to the trailer release. 500 Stormtroopers gathered on the Great Wall of China and handed out lightsabers and other souvenirs to fans that came.

The event was aimed at increasing the fan base for Star Wars in China, which hasn’t been as widely celebrated and watched as it has been in America, so the country is largely unfamiliar with the franchise.

Disney is pushing for greater Star Wars popularity in China because it is currently the world’s second largest film market.

Star Wars: The Force Awakens is shaping up to be one of the most popular new movie releases of all time.

Fandango already released first day ticket sales, stating that they were 700% higher than the previous record holder, and that’s even with their website crashing during the sales.

The next installment of the Star Wars series is looking like it’s going to break some big box office records.

Food Day 2015

By: Jenna Beresheim,
News Editor

The nationally celebrated Food Day came to Western for a two day event this year.

Typically, Food Day is held on Oct. 24, but with the event falling on a Saturday this year, campus decided to push the event forward to the 22nd and 23rd.

The event supports making informed food choices, sponsoring local farms, decreasing carbon footprints, recycling, changing food policies, and much more. The national theme this year was entitled “Toward a Greener Diet.”

The Oct. 22 activities included a free movie viewing of “Living on One Dollar” and a Green Passport event in Valsetz with activities and prizes including pumpkins.

The focus for the day was on sustainability and greener choices, such as making jack-o-lanterns from empty milk jugs and battery operated tea lights.

Friday, Oct. 23 was food focused and packed with samples. A “clean” eating meal was featured at Valsetz, vendors from near and far filled the WUC, and outside the building WOU food pantry traded pumpkins for non-perishable food items.

“Some people donate one food item, and others will donate two, or five,” explained Christie Colasurdo, a fourth year community health major and director for the WOU food pantry.

“Even if you just get 10 cans, that’s still something, and you know that someone who needs a meal is going to be able to get it,” said Colasurdo.

All pumpkins were donated from Charlie’s Produce in a large flat, and were traded for both cash donations as well as food.

Within the WUC, Samuel Benjamin, a representative for Portland Roasting Coffee, poured samples for interested participants. Scattered along the table were several types of coffee, as well as some flavorings to customize drinks as necessary.

“I love when people are enthusiastic and open to learning more about coffee,” said Benjamin, “there is always more to learn and I love being able to provide that.”

“Both the Morning Blend and Italian Blend are available in Allegro,” reported Benjamin’s coworker, Nikolai Cherny.

Another vendor present was the WOU Campus Garden, a volunteer-run garden overseen by their advisor Dr. Emily Plec, a professor in communication studies.

“You can have an individual plot or garden collectively with other students,” stated Plec.

“Volunteers get first crack at the harvest, and anything else goes to the food pantry here on campus,” Plec continued.

Herbs from the garden are also donated to campus dining to use in their dishes.
Students interested are encouraged to find the campus garden on Facebook at “Campus Garden WOU.”

Over 14 separate vendors participated in this event, from large companies such as Odwalla to smaller homegrown entities like Jamie’s Jellies.

WOU Food Day started four years ago and has gained popularity since, emsuring that there will be more events in the years to come.

“Eating real [food] can save your own health and put our food system on a more humane, sustainable path,” reports the Food Day website.

For more information regarding the national event, please see http://www.foodday.org/

3 apps that help victims of domestic violence

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By: Alvin Wilson
Freelancer

October is National Domestic Violence Awareness and Crime Prevention Awareness Month.

In the spirit of awareness, we are reviewing three apps that can aid victims of domestic violence and possibly prevent incidents from happening in the first place.

SafeTrek:

SafeTrek is an ingenious smartphone app that, as its name implies, helps the user feel safe. It was designed to be used while the user travels from an area where the feel unsafe to a safer one, but it also works well to help victims of domestic abuse.

It couldn’t be any easier to use: simply open the app, and then hold down a button until you no longer feel unsafe. When the button is released, the app will ask for a four number PIN. If the PIN isn’t entered, the app automatically notifies authorities of your location.

Although it is beautifully simple and easy to use, there is a con. SafeTrek is free to download, but it has a modest $2.99 per month fee in order to keep their call centers operating. New users can try SafeTrek out for free with its seven day free trial.

Aspire:
Aspire is another great app with a clever design. It allows victims of domestic violence to get information and help without worrying about their abusers finding out.

It does this by disguising itself as a news app. After setting up an account and opening the app, the user has an option to pick from three main categories: Top News, World News and Entertainment News.

The user, of course, isn’t looking for news. Under the “help” section, the user can either get help in a domestic violence situation, or get information regarding domestic violence.

While setting up an account, the user adds emergency contacts to the app. If they decide they need help, they can either find the “Get Help” button, or tap three times on the top border of the app. This notifies their emergency contacts that they need help via text-message.

Aspire is free, but its creators warn that it is not a replacement for contacting the authorities. It is simply meant to be discreet.

ICE BlackBox:

ICE Blackbox is the last app we reviewed. It’s another cleverly designed app, and it is similar to the previous two with regards to the private/hidden nature of the interface.

When the app is first opened, users set up an account and add emergency contacts.

Instead of sending a text, however, it allows users to record a video of their abusers. Trusted contacts can access the video, and it is automatically saved to the cloud so the abuser has no way of deleting it.

This app also has another built-in safety feature. If the trusted contacts are unable to respond quickly enough, the app has a button that immediately calls 911.

ICE BlackBox is free to download and use.

If you need help or information regarding domestic abuse, try these apps, contact Abby’s House on campus, or visit the National Resource Center on Domestic Violence at www.nrcdv.org.

“Amp” up the park

By: Katrina Penaflor
Managing Editor

The Main Street Park in Monmouth is getting an upgrade. In fact, students may have already noticed the recent developments underway for the building of Monmouth’s new outdoor amphitheater.

Plans for the park’s upgrade began “back in 2008, when the city updated its park masterplan,” said Mark Fancey, community development director for the city of Monmouth.

2013 marked the beginning of an open and public design process for the amphitheater.

Residents were polled, and their opinions were taken into consideration to help create a design that would best benefit downtown Monmouth.

When complete, Fancey said the amphitheater will be able to accommodate crowds of around 500 people, with the possibility of holding nearly 1,000 if the entire park is utilized.

The amphitheater will create the perfect venue for the Monmouth’s Music in the Park series, a collection of summer concerts that take place in Main Street Park every year.

Fancey said the park will benefit Western students in addition to town residents by providing a place to host and perform “plays, drama, and dance.”

An estimated cost for the construction comes in at $1.2 million.

When the project initially began, Fancey said, “The city had the funds in place,” providing half the cost and receiving a $500,000 loan from the city’s Urban Renewal Plan.

“The City of Monmouth Urban Renewal Plan contains goals, objectives, and projects for the revitalization of the Monmouth Urban Renewal District,” according to the city’s website. In this instance, the area of the district is downtown Monmouth.

Construction plans call for the amphitheater to be completed by April or May of 2016.

The completion of the park will mark the third successful park project for the city of Monmouth. The first two were the Madrona Park and the addition of the fountain in the Main Street Park.

Oregon Senators aspire to lower cost of college

By:Conner Williams
Editor in Chief

U.S. Senators Ron Wyden (D-OR) and Jeff Merkley (D-OR) introduced a bill on Wed., Oct.
2, 2015 that aims to reduce the cost of college for students across the nation.

According to a press release from the office of Sen. Wyden, the Promoting Access and Retention Through New Efforts to Require Shared Higher Investments in Postsecondary Success (PARTNERSHIPS) Act “encourages states to hold down college tuition costs by creating a program that provides federal matching funds for states that agree to end tuition growth at their public colleges and universities.”

For universities that choose to eliminate tuition growth, the bill provides matching federal funds “based on how much funding a state provides for public higher education operating support on a per student basis, compared and indexed to the maximum Pell Grant award,” the press release stated.

The bill asserts that states that generally spend more per student already can receive federal matching rates upwards of about $1700 per student.

Colleges and universities usually increase tuition due to rising funding cuts for higher education at the state level.

According to the press release, this means that states “currently spend about 20 percent less per student on higher education nationally than they did in 2008.

“College students in Oregon and across the country feel like they’re getting hit by a wrecking ball when it comes to the cost of tuition,” Sen. Wyden said.

“It’s time for our federal and state governments to partner [together] to bring down tuition costs and reinvest in higher education here in America,” Sen. Merkley reiterated.

Wyden and Merkley met with students from the University of Oregon, Southern Oregon University, and Lane Community College to discuss the rising costs of tuition and to converse about methods of decreasing the cost of college.

In addition to providing matching federal funds for states that eliminate tuition increases, the PARTNERSHIPS Act “would expand and make permanent the American Opportunity Tax Credit, which is available to families to help pay for college,” the press release said.

The bill would increase the tax refund for lower-income families that do not owe any taxes, and would make all Pell grants awarded tax-free.

There will be a follow-up story in next week’s issue with additional information from the western administrators.

Take Back the Night: domestic violence affects all of us

By: Alvin Wilson 
Staff Writer

Tuesday, Oct. 27, Abby’s House presented this year’s Take Back the Night event.

The event is held every October in honor of National Domestic Violence Awareness Month.

It is a one-and-a-half hour event that takes place during the evening hours in order to raise awareness about domestic violence.

“Our student advocates have been working very hard to raise awareness about domestic violence, especially in the last few days,” said Mary Ellen Dello Stritto, Abby’s House director, during an opening statement. “We’re trying to address ways to support survivors of violence in general.”

Take Back the Night events started in 1975 to help empower women who had historically been told to stay indoors during outbreaks of violence.

After Stritto’s opening statement, Abby’s House student coordinators gave some history behind Take Back the Night.

“Take Back the Night has its origins in the fears and anxiety that women have historically faced while walking home alone at night,” Hannah Towle, Abby’s House Sexual Violence Resource Coordinator, said.

Abby’s House external program development coordinator, Jessica Fontaine, said, “Over the last 30 years, Take Back the Night has focused on eliminating all forms of violence. Thousands of colleges and universities, women’s centers and rape crisis centers have sponsored events across our country — and the world.”

After the opening statements, there was a moment of reflection. The room went silent as a gong was sounded every nine seconds to symbolize how often a woman is beaten in the United States.

During the reflection period, attendees could read encouraging words that were written on paper hearts across the room. The hashtag #selfiesforsurvivors was printed below a personal message on each heart.

After the moment of reflection, the keynote speaker, Jackie Sandmeyer, was introduced.
Sandmeyer is a training specialist for the Oregon Attorney General’s Sexual Assault Task Force.

“I want you all to keep something in mind,” Sandmeyer said. “Tonight we’re not just here to take back historically unsafe spaces, such as the night. I want you all to know that we’re also here to empower those around us who have experienced violence.”
Sandmeyer’s speech focused on educating the audience about domestic violence stereotypes, and empowering the audience to make a difference.

“You don’t have to experience violence to get loud,” she said. “Tonight is about breaking the silence that a lot of survivors in our own community bear the weight of every single day.”

During her speech, Sandmeyer provided statistics about domestic violence.

One in five women are victims of domestic violence, she said, and men aren’t far behind with one in seven being the victim of domestic violence.

Disabled, gender non-conforming, and minority peoples have an even higher risk of experiencing domestic violence.

These statistics, Sandmeyer said, are the reason to continue having events like Take Back the Night.

“It’s about making that which we overlook every single day, and which we stay silent about constantly, echo through our streets,” she said. “That’s why we do chants during our march. The idea is that we want to pass strangers and friends alike and know that we’re safe. Just for this one night.”

Sandmeyer has traveled across the country trying to find ways to stop violence in all forms.

“If I’ve learned anything,” she said, “it’s that the product of violence is fear, and the product of fear has been silence. When we come together to stand with those who wish to speak, and when we protect the silence to be broken by those who own it, fear becomes a lot less relevant.”

After the speech, attendees marched down the campus streets holding candles and signs with such phrases as: “our life, our night, our right,” “my dress does not mean yes,” and, “consent is sexy!”

Sandmeyer left the attendees with some closing words.

“Tonight, I’ll say that we’re all more than the statistics people apply to us. We’re a lot more than the one in five. And tonight, I want to challenge us all to remember that, for this one night, we’re more than victims as well. Because tonight, each and every one of us are survivors.”