Mount Hood

The Golden Globes and its miserable host

Written by: Jaylin Hardin | Sports Editor

The Golden Globes is an award ceremony held annually to recognize the achievements of actors, directors, composers and even the movies themselves. “Oppenheimer”, “Barbie” and “Killers of the Flower Moon” all walked away with awards this year.

The awards rewarded are as follows:

Best Drama — “Oppenheimer”

Best Actress in a Drama —  Lily Gladstone in “Killers of the Flower Moon”

Best Actor in a Drama — Cillian Murphy in “Oppenheimer”

Best Director — Christopher Nolan in “Oppenheimer”

Cinematic and Box Office Achievement —  “Barbie”

Other winners include Studio Ghibli’s “The Boy and the Heron,” Billie Eilish’s original song “What Was I Made For?” from “Barbie” and director Yorgos Lanthimos’ comedy “Poor Things,” starring Emma Stone and Mark Ruffalo. However, it is not the Golden Globe winners that have been generating a buzz on social media, nor is it Lily Gladstone’s acceptance speech, where she spoke in the Blackfeet language. 

Nope, everyone is worked up about Jo Koy and his “jokes” about “Barbie” and Taylor Swift — whose “Eras Tour” movie was also nominated. 

Koy’s monologue included the comparison of “Oppenheimer” and “Barbie.” “Oppenheimer is based on a 721-page Pulitzer Prize-winning book about the Manhattan Project, and Barbie is on a plastic doll with big boobies,” Koy said.

Almost immediately following the slight, he went after Swift, joking that the difference between the Golden Globes and the NFL was that the Globes showed fewer shots of Taylor Swift.

These “jokes” have taken precedence over the achievements of the directors and actors who worked tirelessly on these movies. Rather than celebrating the fact that “Oppenheimer,” a movie showing the horrific beauties of war, and “Barbie,” a movie celebrating womanhood, won in their categories, everyone is now focused on how much of an absolute joke the Golden Globes award ceremony has become.

These jokes have especially been met with criticism online, with many users saying that 2023 was the year for girlhood and that Koy watered it down to Swift being the star of the NFL and “Barbie” being simply about a plastic doll. “Barbie” and “The Eras Tour Movie” both were huge box office successes, as well as Swift’s Eras Tour garnering millions of dollars. Swift has indeed aided the NFL in their viewership — increasing 7% every week since she started to attend the games in support of her boyfriend, Travis Kelce. The NFL is now at its highest viewership since 2015.

Lily Gladstone received some buzz online — not as much as she deserved — for being the first Indigenous actress to win a Golden Globe for Best Actress. When she received her award, she spoke in her Native Blackfeet language. Language experts at Simon Fraser University and the University of Montana said that her speech translated to: “Hello my friends and relatives. My name is Eagle Woman. I am Blackfoot. I love you all.” Gladstone grew up on the Blackfoot reservation in Montana. 

Whether one follows the Golden Globes or not, what should be focused on is the achievements of these movies, and how they have affected audiences around the world. 

Contact the author at howlsports@wou.edu

Mixed feelings on Timothee Chalamet’s new movie

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers

Just in time for the holiday season, a sweet prequel, based on a beloved children’s novel by Roald Dahl, arrived in theaters in the United Kingdom Dec. 8 and the United States Dec. 15. French-American actor Timothée Chalamet stars as a younger version of “Charlie and the Chocolate Factory’s” chocolatier, Willy Wonka. “So quiet up, and listen down. Nope, scratch that, reverse it,” as Wonka says.

The movie features talented actors, such as Hugh Grant, Olivia Colman and Keegan-Michael Key. Timothée Chalamet has acquired a fan base of young women from his roles in movies such as “Call Me By Your Name,” “Lady Bird” and “Little Women.” Word of Chalamet playing a familiar favorite spread quickly. However, some movie-goers had mixed feelings about the new take on the classic. 

“Charlie and the Chocolate Factory ” has already seen two adaptations, starring Gene Wilder and Johnny Depp as Wonka. Additionally, the original book has a sequel, and some fans were wondering why a prequel made it to the screen before an adaptation of the sequel did.

Lili Minato, a sophomore at Western, is a film fanatic and meticulously selects her movies. She proposed a thoughtful question in regards to the new addition to the “Charlie and the Chocolate Factory” universe — “I think (prequels) can be done well… but if you want to make a prequel, is it needed?”

Perhaps the initial audience reaction to “Wonka” was due to its misleading advertising. “I thought it was weird that they didn’t (advertise) Wonka as a musical. People went and saw it, and were like, wait, why are they singing?” Minato said. 

Minato also commented that marketing the movie as a musical would have brought in more theater fans. “For some people, that sounds like the total package.”

The movie has an 82% on Rotten Tomatoes and it has many qualities that make for a great movie. With its vibrant costumes, catchy music and elaborate sets, it’s hard to look away. Elements incorporated from older movies such as “Annie” and “Mary Poppins” make “Wonka” all the more charming. For many musical fans, a new timeless classic has just been born.

8/10.

Contact the author at howlentertainment@wou.edu

“Down the Drain:” a biography of Julia Fox

Written by: Ruth Simonsen | Digital Media Manager

Content warning: this article contains spoilers

Julia Fox, once known as Kanye West’s rebound girlfriend, is best known for donning head-to-toe black latex outfits and hand-drawn eyeliner. In the media’s eyes, she was no more than arm candy to the controversial rapper. 

Since their split in 2022, however, her fame continued to skyrocket and she saw her following grow. Now, she proudly calls herself a female sex symbol, with her bleached eyebrows and lilting voice. 

Once Fox released her recent biography, “Down the Drain,” the world was surprised she was not always this famous.

Julia Fox spent much of her early years in the small town of Saronno in Italy. After moving to New York City to live with her father, her life quickly began to grow rockier by the day. Between her father’s verbal and physical abuse and her mother’s spontaneous wrath, Julia spent most of her childhood couch-surfing and searching for solace in any place that promised even the slightest bit of happiness. 

This mindset frequently landed her in unsafe situations — including a relationship with a controlling drug dealer who stalked and threatened her. However, through her ex boyfriend, she was first introduced to narcotics, many of which would haunt her for the rest of her life. 

The rest of her teen years were spent traveling between Italy and New York City — working as a dominatrix — then settling down as a sugar baby for an extremely wealthy client. Through this resource, she gained her footing by creating a clothing brand leading to a life of extravagance — only to realize she was the one truly being taken advantage of. 

As Julia continued to grow and age, she met and lost many people in her life. Between her near- death experiences and the deaths of many she knew and loved, Julia weaves a cautionary tale with heroin, its use and addiction, as one of the primary villains.

Now, at Julia’s celebrity status, I thought of her as another Kim K, Megan Fox or Hadid sister. I was quick to judge and even quicker to dislike. It was not until I saw an excerpt from her book that my curiosity was piqued. From there, it was pure, unabashed adoration of her and the life she persevered through. 

I found myself on an emotional rollercoaster, first laughing at her snark, then suddenly crying as she described her feelings and experiences of loss. Now, as she finally feels comfortable in who she is and the role she plays in the world today, she ends her biography with this: “Sometimes you just have to say f-ck it and throw your whole life down the drain just to see where you come out on the other side.”

9/10.

Contact the author at howldigitalmediamanager@mail.wou.edu

College students have no time to live

Written by: Ruth Simonsen | Digital Media Manager

Do you ever feel like you barely have time to breathe during the week? Well, that’s likely because you don’t. As a college student — which, if you’re reading this, you probably are — you have little to no time to live a normal, functioning life. 

Now why is this, you ask? Let’s break it down. Assuming you are the average college student, you are probably taking around 16 credits this term, or roughly four classes. Each credit is supposed to fill approximately three hours of work per week, outside of the scheduled lecture period. If you’re taking four different four-credit classes, that totals out to 48 hours of work you are supposed to do in one week. 

This number is outrageous for a student, seeing as if it were a job, you’d be getting paid overtime for these hours. These ungodly hours are also not accounting for working part-time, or even full-time jobs just to help pay for a fraction of these classes. 

Let’s reassess. Classes take 48 hours of your week, and a part-time job on top of that would take at least 25 more hours. What about if you want to have a day off, specifically on the weekend? Well, you would have to find a way to cram all of your work, from both classes and your job, to make that adjustment. 

If you wanted to take Saturdays off, you would have to find a way to fit roughly 12 hours of work in each day, both paying jobs and college classes. We’re not done yet. 

So you want to get into grad school during all of this? Okay, let’s find you some internships and volunteer positions to help expand that application for you. 

You have time to make that work, right? Oh, you have a partner that you want to spend time with as well? And friends too? Well, let’s see. If you find a way to cram everything into only six days and use every single hour of those days without giving yourself time to eat, sleep or breathe, maybe you’ll have time to see your friends on Saturday. 

Oh shoot, all of your friends are working on Saturday. And your partner? They left you because you didn’t make enough time for them during the week. What are you left with? Nothing, besides your classes, your jobs, your internships, your volunteer hours and your sad excuse for a college student life. 

Don’t worry though, these are the best years of your life!

Contact the author at howldigitalmediamanager@mail.wou.edu

The Western Portal is terrible

Written by: Quinlan Wedge | Photo Editor

I despise the Western Portal, and I know I’m not alone. My writing class this term focuses on tensions with digital media, and the most common complaint from fellow students is that the Portal is terrible. 

The long list of problems includes poor design and difficulty accessing financial aid, class registration and housing information. We are tired of jumping through hoops to get anywhere and having difficulty navigating an outdated interface — one with irrelevant additions, crowding, improper use of space and lack of direction and clarity. 

I designed a plan to make the portal and its systems more simple and accessible. I reorganized all content into simplified sections — including an archive for outdated apps and programs. I redid the application bar and made simple redesigns of the mismatched icons — adding an edit button to customize the apps to individual preferences. I added overviews of important things for students to keep track of and made other additions and deletions. 

Students must be able to find what they need quickly; this allows them to manage their time easier and work more efficiently.

There are still things that can be done to further redesign the portal. It would be wise to gather a panel of students to learn what the biggest problems are and what students need most. The portal needs to be made with students in mind, and it needs to be much more user friendly. 

I believe that less attention is paid to the portal than other parts of the Western online programs because the portal is only for people who are already paying to go to Western. Priority is likely given to things prospective students and donors see, not to current students. 

Several transfer students in the class, coming from Chemeketa Community College and Portland Community College, say that the Western portal is the worst they have experienced. One suggested that Portal designers should ask what students need and what they can do to get the students there. This does not seem like too much to ask. 

Students pay tens of thousands of dollars to attend Western; the systems they interact with daily must be more accessible.

I understand that computer programming is nuanced and complex, but other local colleges are able to do it well, so why can’t we? If we pay staff to work on Portal programming and computer services, we should have better website design focused on the students whose tuition goes toward staff pay. 


Contact the author at howlphotoeditor@wou.edu

Eyithe’, I AM

Written by: Jaylin Hardin | Sports Editor

Content warning: contains mentions of death and substance abuse

Look at the ground beneath your feet. Who’s walked here? Who lived on the land long before you came into existence?

The Cow Creek Band of Umpqua Tribe of Indians is one of nine federally recognized Indian Tribal Governments in Oregon. It has its own Tribal Board of Directors and its own set of laws pertaining to and governing tribal members. Located in Southwest Oregon, the Cow Creek Band of Umpqua Tribe of Indians has over 1,800 members spread from Canyonville, Roseburg and Myrtle Creek. I am a recognized member of this tribe.

Ancestral tribal grounds were primarily located along the South Umpqua river and the surrounding watershed but also stretched to parts of the Willamette Valley, Crater Lake, the Klamath Marshes and the Rogue Valley watershed. 

On April 12, 1854, a treaty was signed between the natives and the United States government — ceding more than 800 square miles of land. The tribe was paid 2.3 cents an acre and these were then resold to pioneer settlers for $1.25 an acre.

There were, however, issues with this treaty. The natives had no concept of land ownership or land boundaries — hunting, fishing and gathering sites were all well established. The treaty also promised healthcare, housing and education to the Cow Creek Tribe, but this was ignored until 1954 with the passing of the Western Oregon Indian Termination Act, legislation to “set the Indians free.”

When settlers arrived and began to live on the ceded land, tensions began to rise. Disease swept through the tribe killing many members, including Chief Miwaleta, who now has a campground named after him in Azalea, Oregon. 

Efforts began to remove the Cow Creek to reservations in Northern and Eastern Oregon, with promises of wonderful lives on the reservation. Scouts were sent to these locations, and their first sight was that of an infant suckling on its dead mother. This is still shared among the tribe and told to people who ask why we do not have a reservation. I remember I was 10 when my mom first told me this story. 

Due to this, the tribe resisted relocation, and the Bureau of Indian Affairs sent exterminators to Oregon for the main purpose of killing the Cow Creek people. Many had already died in the Rogue Indian Wars, an armed conflict occurring in 1855 and 1856, which fueled settler-native rivalry. Many who survived this were chased to Table Rock in Medford, Oregon by the calvary and forced off the side of the plateau to their deaths.

The surviving members lived in seclusion and eventually married pioneers, miners and fur traders in the area. Seven families survived, taking or keeping the names Dumont, LaChance, Rainville, Pairseau, Rondeau and Thomason — Rainville and Rondeau are still the most prominent modern names and figureheads within the tribe. 

Though not Federally recognized, the tribe still held their councils and their way of life, ensuring to document these meetings. When the tribe pursued an aggressive approach towards restoration and recognition in the 1970s — an effort my great-grandmother and two times great aunt and uncle all played a part in — they began the process for legal validation of the tribe’s existence. 

Today, the tribe is buying our ancestral land back, owning acreage in Canyonville, Myrtle Creek, Roseburg and the surrounding areas. Seven Feathers Casino and Resort, which started out as a bingo hall in the 90s, now boasts six restaurants, a spa, an RV park and countless events within the various lounges and event centers. 

I grew up intertwined in my tribe’s culture. Until my middle school years, I spent summers at culture camps and Pow Wows, crafting and dancing in ways to honor the ancestors. There are still skills I learned at these that I remember today, my favorite being flint knapping — the art of taking obsidian and sculpting it into arrow and spearheads — and beading. 

The tribe knows the effects of intergenerational trauma and issues; my grandmother and great aunt both passed due to their drug use — both starting in their early teens.

Into my adult years, I have become distant from the culture I grew up in. I distanced myself from toxic people within my family and have not spoken to them in years. I still make my attempts to have connections; reading literature by native authors, using a sage wax melt when I want to cleanse my space, wearing my beaded earrings and keeping my hair long when so many in the past couldn’t.

I still have connections with my tribe, they help pay for my college and they are blood, after all, but part of me likes to think they can’t catch me. I am proud of my culture and the survival of my ancestors, but I choose to uphold my own traditions and my own way of life, far from them and the lifestyles many have chosen for themselves. I am not running from the culture I grew up in. I carry it and the blood of my ancestors with pride and honor. But I am far from those who wish me ill.

This Thanksgiving, think of the people who lived on the land long before the settlers arrived from the New World those years ago, the Murdered and Missing Indigenous Women and Children, the thousands found buried under residential schools. Especially think of those who are in the cycle that was created for them, hundreds of years before they were born. Not everyone is as lucky to break the cycle like I am.

Contact the author at howlsports@wou.edu

Cringe is dead, enjoy what you want

Written by: Claire Phillips | Entertainment Editor

For the past few years, young people have been straying away from trends and exploring their personal style. There is now a place for anyone and everyone to express their identity and interests — the internet. Whether it comes down to curating a unique wardrobe or enjoying a show that dubs you a “geek” or even “Gleek”, it is essential to constantly spark your inner joy and ignore the haters. 

Fandom culture has existed for centuries. Fans of the Shakespeare play “King Lear” rewrote the ending simply because they enjoy the tragic conclusion. Similarly, fans of “Sherlock Holmes” are credited for some of the first ever fanfictions and publicly mourning the death of Holmes. These fans have never been spared from criticism, however, today, Beatles fans will ask teenage girls to “name three songs,” when the original Beatles fan base was mainly composed of teenage girls.

Fans have found ways to connect both online and offline. Conventions have served as a meeting place for people with similar interests. The greatest fans will even “cosplay” as their favorite characters with intricate outfits and props. Cosplay became popular on social media apps, but unfortunately, not every cosplayer was well-received. They’re creatively doing something they enjoy, so what’s the harm?

Actually, there can be harm in being a superfan. Fans of the hit TV show “Glee” popularized the show and started calling themselves “Gleeks.” It was all good and fine until the Gleeks began harassing the actors. The leads of the show already had stressful lives: long days of learning songs and choreography led to exhaustion for both the cast and crew. 

The same goes for other popular television series, such as “Stranger Things” and “Heartstopper.” Otherwise, cringe is dead — feel free to be a Gleek, as long as respect is at the forefront of your intentions.

The difference between the Shakespearean era and today is the glorious invention of social media. If conventions aren’t accessible, there is another option: talking to people online. The days of posting flyers on theater doors are over, now just a five to ten second video can reach thousands. However, if you’re one of the brave few who share their true self online, the result could be subjection to the hateful words of close-minded people.

The truth is, those people are never going to go away. Whether they appear at school, work or online, the haters are everywhere. If their words are taken to heart and people change because of it, then they’re just being proven right, and the negativity will continue to spread. The most effective course of action is to ignore the hate, respect differences and support each other.

The point I’m trying to make is that it’s draining to constantly be a hater. Reach out to the people around you, and you might find something in common. The universe will align to bring people close to you who will love you for all of your quirks. If you like to make weird noises, seek someone who will do the same. 

Whether you’re a theater kid, a cosplayer or a bookworm — there is a place for you. People like you have existed for centuries. Wear unique clothes, find time for niche passions and seek out those who are similar. In ten years, the haters won’t matter, unless you let them crawl into your head and build a home there. What’s important is the people who will let you shine.

 

Contact the author at howlententertainment@wou.edu