Mount Hood

Where a small town meets a big tradition

Written by: Jaylin Hardin | Sports Editor

From May 23 – 27, 2024, one of the largest Memorial Day celebrations in the nation took place. Hosted at Riverside Park in Grants Pass, Oregon, a town of roughly 39,000 people, the festivities hosted several vendors and attendees from around the country and the globe.

Boatnik, as it is fondly known, began in 1959, and has its early beginnings with the Grants Pass Active Club, a non-profit organization focused on giving back to the children of Josephine County. All proceeds from the event go directly to supporting youth programs.

Originally conceived as a boat race in the 1950s, it has now evolved into a multi-day extravaganza that many in the community say embodies pride and patriotism.

The festivities began with the annual parade through downtown Grants Pass, with local marching bands, organizations and dignitaries among the participants. The drivers for the hydroplane, sprint and drag boat races also participated in this parade, showing off their vibrant boats that took to the water almost immediately after. This year’s parade theme was “Honoring Our Heroes, a Salute to Service.”

Two of the most iconic participants of the parade are the Grants Pass Cavemen and the Grants Pass High School — GPHS — marching band. Both have received national recognition, with the GPHS marching band participating in the Macy’s Thanksgiving Day Parade almost every year and the Cavemen traveling nationally to spread goodwill and tourism for Josephine County; the Cavemen are an organization that began in 1922 that now works alongside the Active Club. Dressing in animal skins, horsehair wigs and buck teeth, the Cavemen run rampant throughout the parade, “kidnapping” parade viewers and putting them up for display in a handmade, wooden cage. 

One of the Cavemen’s more iconic moments occurred in the 1940s, when they kidnapped Presidential Nominee Thomas E. Dewey while he was in Oregon for his campaign. The picture of Dewey circulated throughout Europe until it reached Soviet Russia, where news outlets claimed they dressed in this manner to “protest against the cruel and Wall Street-backed church.” Other notable kidnapees include Shirley Temple, Babe Ruth, Henry Ford, John F. Kennedy, Richard Nixon, Ronald Reagan and Herbert Hoover, as well as the Oregon congressional delegation, who were once held hostage and harassed on the Senate floor.

Following the parade, the fun really began, with drag and sprint boat exhibitions and time trials taking place on Saturday and Sunday and the hydroplane boat race, the Tom Rice Memorial Race, taking place on Memorial Day. This year, the sprint boat racers came from USSBA Racing, an organization that participates in sprint races around the globe.

Taking place alongside these races was a golf shoot-out, carnival, Brewfest and concert, hosting the rock band, Firehouse, as the headliner. Both the shoot-out and the Brewfest occurred on Saturday and Sunday, enticing thousands of visitors to try more than 50 brews and ciders from the region and 64 golfers to try and win the grand prize. 

The carnival took place Thursday afternoon through Monday night and featured rides and carnival games from Davis Shows Northwest. Vendors in attendance offered a plethora of services, from food and jewelry to art and different physical experiences, including Zorb Water Balls, rock climbing and bungee trampolining.  

The one event everyone truly looks forward to, however, is the Memorial Day service.

The ceremony began with a jet flyover from Oregon’s 173rd Fighter Wing, located in Klamath Falls, Oregon. The national anthem then played as a flag was unfurled from Grants Pass’ Caveman Bridge. 

A pastor from a local church led the ceremony in prayer in memory of fallen soldiers, followed by a moment of silence. Veterans from a local unit gave a 21-gun salute and a wreath and rose petals were floated down the Rogue River, accompanied by a bagpipe playing “Taps.”

During the roughly 11-minute ceremony, silence fell over the park in honor of fallen soldiers. 

Attendees and Active Club members both spoke fondly of their time at Boatnik.

“It’s an event that gathers everyone together far and wide to celebrate the town and the Rogue (Valley) for the new season,” said sophomore Clark Callahan. “I remember puking up an entire deep-fried jumbo pickle, and it is one of the best memories of my life. I love Boatnik.”

“(Planning) is a year-long process,” said Active Club President, Kent DeRocher. “As soon as Boatnik is over on Monday, we start planning the first week in June for (the) next year’s.” DeRocher was recently elected president of the Active Club for a one-year term but has been a member of the organization since 2003, only a year after he moved to the Grants Pass area. 

“I love it. I mean, it’s a lot of work… But it’s been fantastic,” DeRocher said. “I met someone that I was really good friends with that was in the Active Club and they brought me in (my) first year I was here… I moved here and I was in the Club and that’s all I know.”

In my own experiences at Boatnik, I have found nothing but fun and whimsy, as well as a beautiful ceremony honoring fallen soldiers. As a Grants Pass local who has attended Boatnik every year — except 2020 — I think it is an experience everyone should have a chance to enjoy, young or old. 

“It’s a place that the valley gets to gather, watch the races and (all) the amazing events that go on,” said junior Kat Griggs, who is a Southern Oregon local.” If you haven’t been, put it on your calendar for next year. It’s a great time.”  

Next year’s Boatnik will take place from May 22 – 26, 2025. For more information on Boatnik visit www.boatnik.com, or if one wishes to explore the Rogue Valley, visit www.visitgrantspass.com

Contact the author at howlsports@wou.edu

Summer ’24 concerts

Written by: Sierra Porter | Staff Writer

It’s been almost four full years since the Covid-19 pandemic, when lives were completely changed in an instant — forcing people to stay inside, away from friends, family and the things they love most. One of the many things that were missed was amazing concerts. This year, artists and bands everywhere can finally perform, once again, with no restrictions. Here are the summer concerts coming to Oregon: 

June Concerts: 

Vampire Weekend — The “Only God Was Above Us” tour is June 19 at the Hayden Homes Amphitheater located in Bend, Oregon. 

Third Eye Blind & Yellowcard — The “Summer Gods” tour is taking place June 14 and will also be at the Hayden Homes Amphitheater in Bend. 

Cavetown- Indie-rock artist, Cavetown, is stopping by June 14 to perform at McMenamins Historic Edgefield Manor in Troutdale, Oregon. 

Cage The Elephant — Cage The Elephant is performing their “Neon Pill” tour at the Hayden Homes Amphitheater June 24. 

July Concerts:

Noah Kahan — Up-and-coming artist, Noah Kahan, is performing his “We’ll All Be Here Forever” tour July 1. The venue is located in Ridgefield, Washington, but if one can make the drive it would be worth it.  

YG — Rap artist, YG, is coming to the Roseland Theater July 10 in Portland. 

Amtrac — American DJ, Amtrac, is bringing his electric music to Portland at the Holocene nightclub, on July 11. 

Blink-182 with Pierce The Veil — Mainstream rock band, Blink-182, shocked the world when they announced their “One More Time” album tour, featuring legendary rock group, Pierce The Veil. This tour will be July 13 at the Moda Center in Portland, Oregon. 

A Day To Remember — Florida rock band, A Day To Remember, is performing their “The Least Anticipated Album” tour July 14 at the Moda Center. 

Portugal The Man — Adding to their hundreds of previous tours, Portugal The Man is performing July 20 at the McMenamins Historic Edgefield Manor located in Troutdale, Oregon. 

August Concerts: 

Alanis Morissette — The “Triple Moon Tour” will be taking place Aug. 4 at the Moda Center. 

Wallows — The “Model Tour” is Aug. 6, and the group will be at the Moda Center in Portland. 

Jhene Aiko — Performing her “Magic Hour” tour, Jhene Aiko will be taking the stage at the Moda Center Aug. 8. Tickets are selling fast, so get them while still available.

Olivia Rodrigo —  Recent up-and-coming pop artist, Olivia Rodrigo, will be performing her “GUTS” world tour in Portland at the Moda Center Aug. 10. 

Fitz And The Tantrums — This iconic pop group will be performing their “Good Nights” tour Aug. 12 at the Roseland Theater. 

Hobo Johnson & The Lovemakers — Rap artist, Hobo Johnson, is bringing his crew to perform at the Roseland Theater Aug. 14. 

Foo Fighters — Legendary group, Foo Fighters, is performing their “Everything Or Nothing At All” tour, Aug. 16, at Providence Park in Portland. 

Peso Pluma — Latin artist, Peso Pluma, will be bringing his “Exodo” tour to the Moda Center Aug. 17. 

Elle King — King is taking the stage Aug. 20 at the Revolution Hall located in Portland. 

Twenty One Pilots — This iconic rock group is performing their “Clancy World Tour” at the Moda Center Aug. 21. 

$NOT w/ Cochise — These two up-and-coming rap artists are performing at the Roseland Theater Aug. 22. 

Kid Cudi — “INSANO: ENGAGE THE RAGE” tour will be stopping at the Portland Moda Center Aug. 22. 

$uicideboy$ — The $uicideboy$ are bringing their highly anticipated “Grey Day” tour to the Moda Center Aug. 25. Tickets are selling fast, get them while still possible. 

Dave Matthews Band — Still performing after 27 years, the Dave Matthews Band will be continuing on their legacy at the Hayden Homes Amphitheater Aug. 27. 

Kings Of Leon — The “Can We Please Have Fun” tour is coming to Portland this summer as the band will be performing at the Moda Center Aug. 28. 

Bonus September Concerts: 

Jelly Roll — Performing his amazing “Beautifully Broken” tour, Jelly Roll will be performing at the Moda Center Sept. 1. 

Def Leppard w/ Journey — These iconic rock groups took the world by storm announcing this duo tour. They will be performing at the Moda Center Sept. 3. 

Future w/ Metro Boomin — Rap artists, Future and Metro Boomin, are performing their “We Trust You” tour at the Moda Center Sept. 7. 

The Script — This soul rock group will be performing at the Roseland Theater Sept. 8. 

Mitski — Alternative artist, Mitski, is bringing her beautiful music to Portland Sept. 21, performing at the Moda Center. 

Childish Gambino — Shocking fans everywhere with his “New World” tour, Gambino will be performing at the Moda Center Sept. 24. 

Green Day — This alternative rock band will be performing their “Saviors Tour” Sept. 25 at Providence Park. 

Boogie w/ a Hoodie — Performing his “Better Off Alone” tour, Hoodie will be taking the stage at the Moda Center Sept. 25. 

Contact the author at howlstaffwriter@wou.edu

Poetic justice

Written by: Taylor Duff | Staff Writer    Sophie Taylor | Designer

Content warning: this article contains mentions of violence and sexual assault/grooming.      

Kendrick and Drake have a tangled past that includes almost 10 years of static. As Kendrick Lamar’s popularity increased, Drake embraced him — giving him an interlude on his 2011 album, “Take Care,” and inviting him on the ensuing Club Paradise tour. 

The beef between the two began when Kendrick made a personal attack on Drake and 11 other rappers during his feature appearance on Big Sean’s song, “Control,” in August 2013, and tensions escalated. In October 2023, Drake, with fellow rapper J. Cole, released “First Person Shooter.” In the song, J. Cole boasts about his proficiency at rapping. He calls himself, Drake and Lamar the “big three.” 

Lamar responded to “First Person Shooter” in March 2024 by criticizing Drake and J. Cole during featured verses on “Metro Boomin” and Future’s song, “Like That.” Lamar rejected the notion that there was a “big three,” stating, “f–k the big three, it’s just big me.”

In response, Drake released a song titled “Push Ups (Drop and Give Me 50),” in which he mocked Lamar’s height. Within hours of Drake’s diss, Rick Ross responded with a single called “Champagne Moments,” claiming Drake had undergone plastic surgery, including a nose job, false abs and a Brazilian Butt Lift.

Drake’s “Taylor Made Freestyle” implied that Lamar was too cowardly to release music in the same week as Taylor Swift’s “The Tortured Poets Department.” Drake used artificial intelligence to hurl insults in the voices of Lamar’s heroes: Tupac and Snoop Dogg. 

Lamar released “Euphoria” — after the HBO show of which Drake is an executive producer — which read like a laundry list of grievances against his sparring partner. Lamar described Drake as “predictable,” a “master manipulator” and a “habitual liar.” Less than 72 hours after “Euphoria” dropped, Lamar released a second song, “6:16 in LA.” In this track, he alleged that someone within Drake’s organization was leaking negative material.

Drake’s response was the song, “Family Matters,” which elevated the conflict to new heights. He quotes: “You mentioned my seed; now deal with his father,” Drake said. “I gotta go bad, I gotta go bad.” Drake hypothesized in the song that Lamar could be a perpetrator of domestic abuse — the star has never faced such an allegation. 

Within 20 minutes of Drake’s release of “Family Matters,” Lamar responded with a third diss track, “Meet The Grahams,” which began with the foreboding warning, “You messed up the minute you called out my family’s name.” Each verse was addressed to one of Drake’s closest family members, including his mother, father and six-year-old son, as well as an alleged “daughter” no one knows about. Lamar claims Drake covertly fathered a second child and was hooked on gambling, sex and drugs.

On his fourth diss track, “Not Like Us,” Lamar accused Drake of having connections with underage women. This is one of Lamar’s most popular quotes from “Not Like Us”: “Ain’t you tired? Tryna strikes a chord and it’s probably A Minor.” Drake alleges that an informant purposefully fed Lamar several statements with the expectation that the star would rap about them. 

The “Not Like Us” cover art is also an overhead picture of Drake’s house marked with red tags that would normally represent sex offenders on such websites, making more allegations about Drake. Producer Metro Boomin entered the battle by releasing a beat dubbed “BBL Drizzy,” urging fans to rap over it. Drake had previously criticized Boomin on “Push Ups,” instructing him to “shut up and make some drums.” 

Drake countered with “The Heart Part 6” May 5, denying Lamar’s claims of grooming accusations and saying that his crew deceived Lamar over the secret child. Matters took a bad turn when a security officer outside Drake’s home was shot. It is unclear whether the incident was related to the rappers’ dispute. The latest, Drake raps over “BBL Drizzy,” halfway through his part on Sexyy Red’s “U My Everything.” Shots going back and forth make this a rap battle for this generation and it’s apparent everyone has chosen a side: Kendrick or Drake. 

Contact the authors at tduff23@mail.wou.edu or howldesigner@wou.edu

Divorced dad rock

Written by: Ruth Simonsen | Digital Media Manager

“Comedown” — Bush

“Nutshell” — Alice In Chains

“Superunknown” — Soundgarden

“Show Me How to Live” — Audioslave

“Let Down” — Radiohead

“Heart-Shaped Box” — Nirvana

“Under the Bridge” — Red Hot Chili Peppers

“Be Quiet and Drive (Far Away)” — Deftones

“Falling Away from Me” — Korn

“Chop Suey!” — System Of A Down

“In the End” — Linkin Park

“Second Chance” — Shinedown

“2112: Overture/TheTemples Of Syrinx/Discovery/Presentation/Oracle/Soliloquy/Grand Finale” — Rush

“Owner of a Lonely Heart” — Yes

“Land of Confusion” — Genesis

“Solsbury Hill” — Peter Gabriel

“Tom Sawyer” — Rush

“Mr. Roboto” — Styx

“Black Hole Sun” — Soundgarden

“The Spirit Of Radio” — Rush

“Peace of Mind” — Boston

“Burnin’ for You” — Blue Öyster Cult

“Message In A Bottle” — The Police

“Roundabout” — Yes

“Toxicity” — System Of A Down

“Cherub Rock” — The Smashing Pumpkins

Contact the author at howldigitalmediamanager@mail.wou.edu

Brainstorming for WNBA success

Written by: Liberty Miller | Lifestyle Editor

In the past year alone, an exponential increase has been observed in media attention for women’s collegiate basketball, prompted by athletes such as Caitlyn Clark and Angel Reese. The nature of Division One college sports ensures that major sports will always have a sizable fanbase, funding and resources at the program’s disposal. 

The situation for the majority of National Collegiate Athletic Association student-athletes has traditionally been to play for four to five years, either retire from the sport or attempt to pursue professional play, either in the U.S. or overseas. While many athletes have accomplished this feat, major discrepancies have been noticed in funding and fanbase potential for women’s professional sports, particularly basketball. 

One factor that many people may overlook is the dedication being contributed, not towards basketball but towards volleyball. In the past two to three years, the U.S. has launched three new professional volleyball leagues — the Pro Volleyball Federation, Athletes Unlimited Volleyball and League One Volleyball, which will begin its inaugural season in January 2025. 

In terms of promotion and social media, the Pro Volleyball Federation has made the most progress in establishing professional volleyball leagues in the U.S. Similar to this year’s WNBA draft, all three volleyball leagues have brought in Olympic veterans, freshly minted star collegiate drafts and a lot of fresh talent to their rosters.

While I believe the WNBA has had similar strategic attempts to garner support for the league, they have notably had to rely on the NBA to garner funding and have become somewhat encompassed in negative and lackluster media attention throughout the years. 

A disproportionate amount of the negative public opinion surrounding women’s basketball, unsurprisingly, stems from sexist ideology and a lack of support for women’s sports in general. Hateful discourse includes the facts that the WNBA is consistently underfunded, relying on the men’s league funds to survive, and claims of unexciting gameplay and WNBA vets that “overstay their welcome.” The reasons behind the WNBA struggling to stay afloat are numerous, which makes it a complex and potentially difficult subject to discuss. 

A multifaceted approach must be taken in order to make sustained progress for the WNBA. The recent boom in popularity due to high-profile newcomers may not be enough to simply “fix” the issues the WNBA has been facing for the last 28 or so years. 

Female athletes are well used to the misogynistic rhetoric that discredits accomplishments and athletic ability — but that doesn’t mean we can place all of the blame on that rhetoric. There are things that must be done and changed by the association, public relations, event managers and even the players themselves to secure the future of the WNBA. 

The first thing that I believe must be done is lowering the rim of the women’s net to nine feet. The rim is currently set at 10 feet, the same height as the men’s rim for the NBA. This is a highly controversial idea and was met with a lot of pushback when pitched by Shaquille O’Neal. 

When asked about it, WNBA player, Diana Tuarasi, even stated that they “…might as well put us in skirts and back in the kitchen.” The idea, admittedly, would make any elite athlete feel somewhat inferior, especially when constantly compared to their male counterparts. 

In my opinion, that feeling of inferiority is rooted in ego. As a volleyball player of 11 years, women’s nets have always been lower, and yes, it is irritating — but we need to recognize that we aren’t “making the game easier” by lowering the rim. We are actually creating a game situation that is proportionately fair for physical capabilities. Think of it this way: women have to put in twice the amount of effort and training in order to match their capabilities with male counterparts. So, setting the same standard, perhaps a 10-foot rim, and expecting the same type of athleticism from men and women would put women at an extreme disadvantage. That’s not to say women aren’t capable or that they cannot put in the work. It means that establishing the playing field as equitable, rather than equal, will allow women to showcase their athleticism more. Lowering the rim would allow for WNBA athletes to make explosive, more dynamic plays and to dunk as well. 

There are many arguments against lowering the rim, with an author from ESPN calling it a “quick fix” and attributing the hateful rhetoric solely to “years of social conditioning.” Many would argue that the WNBA would get the same amount of hate if they did lower the rims. That may be true — but currently, we are limiting the amount of plays that female basketball players can make. 

An example of how countless shows of athleticism are lost can be seen in the 37 dunks made in the entirety of WNBA history, 26 of which were made by Britney Griner. Additionally, it’s not just the athleticism that the public is missing out on. The lack of exciting gameplay creates a lack of media attention, even more negative public opinion and a lack of support, which, guess what? It means that 50% of the WNBA is owned by the NBA, which has to bail them out of bankruptcy every season. The fact that the NBA financially supports the WNBA is then just another piece of bait for misogynistic haters to grab onto. 

Speaking of what teams can do in the WNBA to gain public support — once again, they could invest in more strategic movies for exciting gameplay. The NBA has famously publicized many feuds throughout the years, making the games not just another scoreboard but a story to be told. 

When I talked to Jen Spicher, the CEO for the Pro Volleyball Federation, she told me that the people wanted a story to be told for the game. What I’ve learned throughout the years is that viewers want inspiration, drama and pure passion turned into athleticism when they watch a game. This is the reason Caitlyn Clark and Angel Reese have gained so much attention last year during the NCAA championships. 

As a female athlete, I have always been an intense and competitive player and have had coaches who prefer for female athletes to be controlled, calm and somewhat docile. Angel Reese is an example of what the media and public can do to a woman who isn’t complicit in toning herself down to seem more womanly on the court, and in my opinion, we need about 20 more of her. 

I’m not advocating for fights or conflict for media bait, but coaches need to recruit and promote players who tell their stories and who hone in on that passion and make it evident throughout the game. The game doesn’t exist without the players, and the players control the narrative, pace of the game and how they want to tell their story. 

It is the coach’s job to recruit and coach the game in the best way possible, but it is the team manager, public relations specialists and social media creators for the WNBA who are responsible for telling the stories of these athletes and making marketing decisions that showcase the most fierce, competitive and show-stopping parts of the WNBA that the majority of the public has yet to witness. 

I, like many others, believe that the WNBA has limitless potential to become great, as well as financially independent. By allowing female athletes to make more plays by lowering the rim, raising the quality of the PR and social media outreach and realizing that the means to profit is demanding positive public attention from great plays and storytelling, the WNBA could eventually become an independent entity.

Contact the author at howllifestyle@wou.edu

A love letter…

Written by: Lili Minato | Freelancer

The most underdog a wolf can get, Waldo, a.k.a. “Wolfie” was employed as Western’s mascot for only five years. While he looks like a vintage Build-a-Bear with his black and brown fur, his red eyes emit a feeling of danger. 

His tongue falls from his mouth in a dorky fashion and a singular sharp tooth can be seen — Waldo seems to be the mascot equivalent of a chihuahua with no teeth. Waldo is a dog, not a wolf — and he brings a sense of pack comradery that only wolves know best. 

Waldo is disliked by many. In Leanne Merrill’s “Math of Voting” class, he is consistently voted last compared to the 1981, 1988 and 2006 mascots. His head is left to gather dust in Western’s buildings, nobody leaves flowers and letters to appreciate him like he deserves. 

Yes, some may describe him as “nightmare fuel,” but others consider him to not be threatening enough to defend Western sports teams. Is he too scary, or not enough?

Waldo is the best mascot because of his subjective ambiguity. A rival sports team may laugh at his awkward qualities, but once they go up and look into his eyes, they’re petrified. 

Waldo is a guard dog in that way, he brings comfort and safety to his own while defending them against others. His heroic nature is not appreciated enough, because some may find him just a little too dorky to be intimidating. 

This retired mascot used to bring joy to Western students, but now his head sits in a glass box, alone and unloved. Students walk past him each day without even glancing his way. We must end Waldo’s suffering by starting to appreciate him more. 

We must support and love his lack of typical wolf qualities, as it makes him different and unique. His comically long tongue has value along with adding importance to his personality and character. 

While he might not have many teeth, he sure packs a bite to battle off other intruding mascots. His fuzzy body invites comfort for those in need. 

There is more to Waldo than what meets the eye. He represents Western to the fullest because of his uniqueness. People may see themselves represented in him, through his lovable and awkward qualities and mannerisms. All one needs to do is open their heart, even if it is to one of the uglier and goofier mascots that Western has to offer. 

Contact the author at lminato22@mail.wou.edu

The emotions that accompany the writing process

Written by: Claire Phillips | Entertainment Editor

Between academic essays, lab reports, cover letters and presentations, writing takes up a lot of the average college student’s time. With all this time spent writing, many college students begin to suffer from the irritating concept known as imposter syndrome. Even I worry about my writing abilities daily as an editor at the Howl and a writing consultant at Western’s Writing Center.

Katherine Schmidt, the director of the Writing Center, is no stranger to the anxiety students experience when it comes to writing. Though each student has their own approach to the writing process, there are many common feelings associated with the subject.

“Whenever I begin a writing workshop, I always ask, ‘How many of you consider yourselves to be writers?’ Typically, only a few students raise their hands, even though most likely the entire group is engaging in the act of writing dozens of times per day: text messages, emails, social media posts, and even journaling,” Schmidt said.

College assignments may seem daunting, however, it’s important to put them into perspective. Many students tend to not give themselves enough credit for the work they accomplish daily, and the seed of this assumption was planted early on. “For too many reasons, students learn early that the self-sponsored writing they do ‘doesn’t count’ in school contexts,” said Schmidt.

In my opinion, the only trait that makes for a ‘bad’ writer, as one may put it, is feeling that you’ve learned everything there is to know about writing. The first step to becoming a ‘good’ writer is to admit you have room for improvement, and always will. However, the disheartening fact that will always be true is that not everyone shares the same sentiment as me, especially a large number of teachers.

“While there are no bad writers, most people — not just students — carry baggage when it comes to writing… their memories of writing are often associated with loneliness or negative experiences, and these experiences follow them into the college classroom,” Schmidt said.

Writing is a unique subject in the way that it doesn’t always have to be objective. Many students worry about perfecting their drafts, overcoming writer’s block or figuring out an effective thesis statement — and while all these components are important, writing is so much deeper. Ultimately, writing is about taking the ideas in one’s head and finding a way to communicate via words — no wonder it feels difficult at times. Many people understand the emotions that accompany the writing process.

“I truly believe, however, it only takes one teacher or one writing tutor or one writing partner to help turn things around,” Schmidt said. “Students can learn to recognize that they’ve been writing for a lifetime and that they are poised to succeed here at (Western).”

Contact the author at howlentertainment@wou.edu