The Western Howl, Author at The Western Howl

Written by: Taylor Duff | Staff Writer

2024 has officially sprung, and many games have already been released, such as “Tekken 8”, “Final Fantasy 7 Rebirth” and “Alone in The Dark” — but do not fear, as there are eight more months of anticipation to endure as these releases arrive. Headphones on and feet up, let’s start gaming.

Coming April 2024, “Eiyuden Chronicle: Hundred Heroes” will be released on PC, PS4, PS5, Nintendo Switch, Xbox One and Xbox Series X. “Eiyuden Chronicles: Hundred Heroes” is intended to give gamers a new spin on the classic.

In May, the world will be given a remake of “Paper Mario: The Thousand-Year Door”, which was originally released in 2004 on the GameCube — with a polished version also being released on the Nintendo Switch. “The Thousand-Year Door” takes place in the town of Rogueport, and the plot is separated into eight chapters and a prologue, with each taking place largely in one of the various locations. Mario travels to Rogueport to visit Princess Peach after learning that she has discovered a map that leads to an old treasure. He quickly discovers that Peach has been kidnapped and a journey is in order.

In June, a new “Elden Ring” will drop: “Elden Ring: Shadow of the Erdtree” is being released to PC, PS4, PS5, Xbox One and Xbox Series X. “Elden Ring: Shadow of the Erdtree” transports players beyond the Lands Between to the Land of Shadow, a brand-new realm.

Come July 25, “Frostpunk 2” will be released on PC. Thirty years have gone by since the devastating storm that ended the first chapter of humanity’s survival saga in “Frostpunk”. The city, built around the generator and its life-giving warmth, expanded and progressed over the years. The player takes on the position as Steward, who, as leader of a resource-hungry metropolis, must cope with an ever-changing political atmosphere as the goal shifts from survival to reconstructing civilization.

“Dustborn” is coming August 2024 to PC, PS4, PS5, Xbox One and Xbox Series X. This single-player action-adventure game explores themes such as hope, love, friendship, robotics and the power of discourse.

Hitting September, it is expected that players will get “STALKER 2: Heart of Chernobyl” on PC and Xbox Series X. “S.T.A.L.K.E.R. 2: Heart of Chernobyl”, the next installment in the iconic franchise is a first-person shooter survival horror game with a large-scale, branching plot set in the terrifying Chernobyl Exclusion Zone.

Now, it is not certain what comes of Fall 2024 and if more releases will come sooner as many games are still awaiting release dates. These games include “Little Nightmares 3”, “Metal Gear Solid: Snake Eater”, “Star Wars Outlaws” and more. Overall, the selection of games on every platform will keep gamers coming back for more. Happy gaming!

Contact the author at tduff23@mail.wou.edu

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Losing music subculture

Written by: Lili Minato | Freelancer

Throughout the late 20th and the early 21st century, subcultures that existed around music genres were very prevalent and impactful to many, especially young adults. Those who were considered different or outcasted could easily find a community of like-minded individuals. These groups all involved fan culture and listening to a particular genre of music.

Punk subculture, which originated from punk rock, is the first and one of the most notable of its kind. Punks share common political views — such as anti-government and anti-corporation ideologies, as well as a similar fashion sense and music taste.

Akin to all music-related cultures, punk has hundreds of branches of subcultures for a multitude of people to identify with. They may have different styles or worldviews, but they all share the same history and origin.

Other music subcultures include, but are not limited to the following: goth, hip hop, punk, emo or heavy metal.

While many people still participate and exist in these subcultures, there is a huge decline in engagement compared to the late 20th century. The culprit of the loss is none other than music streaming services such as Spotify.

Thousands of new songs are uploaded to Spotify every day, with many of these falling under niche subgenres and categories that Spotify creates to keep said music organized. Spotify then pushes these subgenres onto users to make an individualized listening experience.

Alex Michaels, a senior at Western and habitual Spotify user, expressed his distaste for Spotify subgenres and their classification system.“(Spotify’s classification system) is a mess,” Michaels stated.

“A major difference between the Spotify subgenres and just the idea of subgenres in general is often subgenres are created by people in that community, who listen to that type of music or create that type of music and the subgenre is a reflection of that,” Michaels said.

Corporate-created subgenres lack the authenticity, community and history that real musical movements had. Spotify subgenres don’t have any real-life impact.

“Genre is functional, it tells you what to expect from this type of music. Sometimes it can tell you how it was created or specific trademarks of that genre of music. There are characteristics of that genre and then that allows artists to play with those trademarks and characteristics and create something genre-defining or genre-defying,” said Michaels.

In a final comparison between the new genres and the old, Michaels shared, “Spotify genres don’t have any functionality, their definitions are mostly vibe associations or specific artist examples, and there is no hard criteria.”

As Spotify and other streaming platforms continue to grow in popularity and users, as well as the daily increase of new genres, the survival rate of classic music subcultures comes into question.

Will genre subcultures continue to survive or will they become lost to time?

Contact the author at lminato22@mail.wou.edu

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A new version of “The Talented Mr. Ripley” comes to Netflix

Written by: Claire Phillips | Entertainment Editor

Content warning: this article contains spoilers and mentions of murder.

Film fanatics may be familiar with the title “The Talented Mr. Ripley,” a thriller that stars Matt Damon, Gwyneth Paltrow and Jude Law in an unconventional love triangle. Netflix has taken on a noir remake of the story with the leading man played by Andrew Scott, who is well known for his roles in “Sherlock,” “Fleabag” and more recently, “All of Us Strangers.” The director’s choice to make the show in black and white was due to the original book cover by Patricia Highsmith. Set in the 1960s between New York and Italy, “Ripley” is a captivating story that is hard to look away from.

In addition to Scott, the new Netflix series also stars Dakota Fanning and Johnny Flynn. Each actor delivered a unique perspective to the remake of the classic story within their individual roles. The chemistry between the trio was undeniable.

Andrew Scott’s stoic performance as Tom Ripley gave the series its unsettling tone. In contrast to Matt Damon’s portrayal of the character, Scott plays Ripley as a calculated, apathetic man with little remorse for his actions. In the 1999 film, Ripley is more frantic after his murders and genuinely seems to be upset about his wrongdoings. Both interpretations are incredible portrayals of the multi-dimensional character, but the passiveness of Scott’s performance is almost terrifying to watch.

The most uncomfortable scene in the series was the practically silent 20-minute murder sequence of Greenleaf, as Ripley tediously and clumsily carries out his plan. The blood on Ripley’s fingers looks black, but the audience can see its unmistakable deep red color as they experience the brutal death of Dickie Greenleaf. Ripley goes on to steal Greenleaf’s identity for his wealth and status.

Every few minutes there is a shot of religious art, whether it is Greek, Roman or Catholic, a statue or a painting on a church ceiling. Tom Ripley walks in the shadows of these works of art, and at some points, he silently ponders them. This could be interpreted as a higher power looking down at him as he continues to commit acts of sin, whether he chooses to acknowledge it or not. He views himself as the puppetmaster of everything around him, but truly knows he is on the verge of spiraling out of control. Characters such as Marge Sherwood, Dickie Greenleaf’s girlfriend, can see right through Ripley’s actions but have no way to prove his wrongdoings. Something is not quite right with him, which all the people he interacts with take notice of.

The juxtaposition of Tom Ripley’s character is what made the 1955 novel and the 1999 film unique. Though he is a con-man and murderer, the character is also described as a sensitive man. The 90s movie depicts Ripley as a queer man, in his odd relationship with Dickie Greenleaf, and even gives him a lover at the end of the movie. His acute awareness of the people around him is what makes him the enticing villain he is.

With an all-star cast, unique filming style and an incredible setting, “Ripley” is a must-watch for any fans of the original film or audiences interested in the noir genre. The eight-episode show goes into more depth than the movie was able to, and it did not disappoint.

8/10.

Contact the author at howlentertainment@wou.edu

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Bats and blood

Written by: Lili Minato | Freelancer

“Cold” — The Cure

“A Forest” — The Cure

“Marian” — Sisters of Mercy

“Bela Lugosi’s Dead” — Bauhaus

“In the Night” — Bauhaus

“Spider and The Fly” — London After Midnight

“I Don’t Want To Fall In Love” — She Wants Revenge

“The Suffering of Spiders” — Traitrs

“Nine While Nine” — Sisters of Mercy

“Walking on Both Sides” — Pink Turns Blue

“Bloodsucker” — Paralysed Age

“Human Fly” — The Cramps

“Each Other” — This Cold Night

“There’s a Girl in the Corner” — Robert Smith

“Fantasmas” — Twin Tribes

“Slowdive” — Siouxsie and the Banshees

“Lust” — Boy Harsher

“Appealing Skies” — Corpus Delicti

“True Romantics” — Lebanon Hanover

“My Favorite Black Cat” — Lebanon Hanover

“Jasmine And Rose” — Clan of Xymox

Contact the author at lminato22@mail.wou.edu

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Godzilla X Kong: The New Empire

Written by: Michael Hager | Freelancer

Content warning: This article contains spoilers

“Godzilla x Kong: The New Empire” is the latest movie and second-best box office opening to come from the MonsterVerse. As the sequel to the popular 2021 movie “Godzilla vs. Kong,” it is the fifth movie in the MonsterVerse, the 38th Godzilla movie and the 13th movie in the King Kong series.

The MonsterVerse originated when Legendary Pictures and WarnerBros Pictures purchased the rights to the franchises related to Godzilla, King Kong and other Toho monsters, now known as “Titans,” back in March 2010, with plans to unite the two titans in future films.

Toho Company LTD were the original creators of Godzilla in 1954, alongside Ghidorah, Mothra and Rodan. All four titans were featured in the 2019 movie “Godzilla: King of the Monsters.”

In “Godzilla x Kong,” Monarch — a secret organization formed in the 1940s to hunt and study massive unidentified terrestrial organisms, MUTOs or titans — has hundreds of different locations around the world to study each titan associated with a region. At the end of “Godzilla vs Kong,” the audience learns about Hollow Earth, a whole different world underneath Earth where Kong rules over in the end.

Kong begins exploring Hollow Earth and expanding his territory until he runs into Suko, or Baby Kong, as fans have dubbed him. Suko eventually leads Kong to a new place, where he finds hundreds of great ape titans like him working like slaves and an ice titan named Shimo — also known as Blizzard Lizard — ruled by an ancient orangutan titan called Skar King. Skar King’s goal is to rule over Earth, which forces Kong to rise up and ask for Godzilla’s help. At the same time, Godzilla has killed multiple titans, building up his radiation to prepare for the big fight. When Kong first shows up, Godzilla fights him on sight. The last surviving Iwi from Skull Island awakens Mothra, who is able to convince Godzilla to help Kong.

Godzilla and Kong are able to break the crystal that controlled Shimo, and no longer under Skar King’s power, she is able to help. After defeating Skar King, Kong, Suko and Shimo return to Hollow Earth, and Kong rules over all the other great ape titans. Godzilla goes to the Coliseum and sleeps.

My theater experience was very enjoyable. The movie theater had limited edition cups, with the choice of Godzilla or Kong toppers and popcorn tins to promote the movie. In my opinion, this movie was the best to come from the MonsterVerse.

9/10.

Contact the author at mhager20@wou.edu

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Westerns track and field team stars in new podcast

Written by: Liberty Miller | Lifestyle Editor

The Howl had the opportunity to interview seven athletes from the men’s and women’s cross-country and track and field teams. An impressive lineup of athletes from both sports were chosen to speak to the Howl about their respective programs, coaching staff, hobbies and experience at Western. The interviewees for the podcast show were Elwood Hosking, Rami Dear, Bryce Mefford, Isaiah Rodriguez, Wyatt Smith, Lindie Larson, Riley Smith and Olivia Flack.

Topics ranged from the individual successes of the athletes to a collective admiration of coach Zach Holloway, personal interests, events and entertaining stories from their time in the program. The athletes ran a variety of events, including the 800 meter, steeplechase, the distance medley relay and the mile. They each bring a wealth of knowledge on their event, how to prepare mentally and nutritionally and a few embarrassing yet entertaining storytimes on failed barrier jumps.

All of the athletes have made their mark on the program, but Rodriguez and Larson have made big waves in the Great Northwest Athletic Conference and National Collegiate Athletic Association Division 2 competitive environments. Rodriguez took an impressive second-place finish as a true freshman in the 800-meter competition during the 2024 GNAC track and field championships. Larson has quite an impressive resume with two-time appearances in three different sectors — the GNAC Indoor Track and Field Championships, GNAC cross-country Championships and the NCAA Division Two cross-country West Region Championships, as well as an appearance in the NCAA Division Two pre-nationals competition. Additionally, Smith also placed first in the Linfield Erik Anderson Icebreaker Memorial Invitational for the 800-meter race. The vast majority of athletes interviewed have attended the GNAC Championships in some form, which speaks volumes about the quality and performance of Western’s program as a whole.

What stood out in particular were the stories of Zach Holloway, the head cross-country coach and assistant track and field coach. He previously worked for the highly successful Adams State University cross-country and track and field programs as he completed his education. Before his time at Adams State, he was a former distance runner at Western. He returned to Western in 2018 and has been coaching here since. Many players referred to Holloway as someone they could reach out to for anything, a great resource for support and a listening voice. Dear and Hosking elaborated on Holloway’s demeanor, “Zach’s really humble, most recently he ran a race that he didn’t want to tell us where it was, or when it was, but he tells me what time, and like dude, that’s faster than my like cross country season best! — He’s too humble, but Zach’s still got it.” Dear stated. Holloway seems to have been a powerful force in recruiting, with Hosking and Dear both stating that he was a large part of their decision to come to Western.

Western’s track and field team, similar to other programs, brings in a fair amount of transfer athletes from other two-year and four-year universities. Hosking transferred in from Division 1 school Portland State University, while Dear transferred in from Clackamas Community College. Flack spoke about her experience transferring from Lane Community College, a Northwest Athletic Conference two-year school. “I really like the atmosphere here on the team and I knew a lot of people who transferred from Lane to Western, and they always had good things to say about it — it was a smooth transfer.” Transfer athletes from junior colleges — JUCO — typically make the move after two years, which grants the athlete two more years to compete at the university level. In some cases, similar to Hosking, athletes will choose to redshirt, since the NCAA grants an athlete a total of five calendar years to compete.

Aside from programs and coaching staff, each interviewee had a unique perspective with vastly different interests from each other. Despite interests from coffee shop dreams to mob bosses, the athletes shared that for the most part, they were all a tight-knit community. Throughout all three episodes, athletes spoke highly of each other, constantly referring to members outside of the podcast space and sharing memories. Many athletes like Flack choose to room with their teammates, something that is typically encouraged by programs to promote camaraderie. Mefford told the Howl that his friendships from the cross-country and track and field teams were something he is “going to value for the rest of his life.”

Mefford chose to abstain from competing this season but still sacrifices his time practicing and attending meets so he is able to stay close to his teammates and support them. Smith attributed part of her decision to attend Western to her brother also participating in the program here. Bailey Smith is a senior on the track and field team, and Smith elaborated on how close they were by stating that Oregon still “felt like home,” despite both siblings originating from Cody, Wyoming.

Ranging from a team bonding hide-and-seek gone wrong to entrepreneurship, chemistry and high-level athletic competition, these cross-country and track and field athletes covered it all. Podcast show episodes will be available on YouTube.

Contact the author at Howllifestyle@wou.edu

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Social media representation of female athletes

Written by: Daelynn Aerni | Freelancer, Cameron Wright | Freelancer

Has one ever used sports as a method of escapism to follow one’s dreams or passions?

That is why so many people watch sports: as an escape from the stresses of everyday life and enjoy skillful athleticism from people who represent them. While many are able to watch

their favorite players in sports and relate to those athletes, a lot of people are unable to see

themselves represented in sports, especially women.

Some of the bigger issues in women’s sports that so many athletes face are the negative social media impacts and the significantly lower viewership rates. Social media continuously misrepresents female athletes, focusing mainly on the image athletes should portray instead of covering the athleticism and skill these women constantly demonstrate.

It wasn’t until the 1900 Olympics that 22 women were allowed to compete alongside

men in the games, however they were still not able to compete in the more physical sports like

shotput because women were still viewed as “fragile and gentle.”

The Women’s National Basketball Association wasn’t created until June 1997, when the National Basketball Association Board of Governors approved the idea of a women’s professional league. After fighting for their place at the table in the world of sports, female athletes are still berated with criticisms of not only their athletic performance, but of their representations of femininity through the platform of social media.

As the women’s movement so famously started in the mid 1800s, there has been little progress in women’s sports compared to the men’s associations. Celebrating their 28th season in 2024, the WNBA still does not have nearly the amount of media coverage compared to the NBA. In 2019, women’s sports coverage was 5.1 percent of all sports coverage on TV and 5.4 percent of all sports coverage online.

This statistic is not just indicative of the WNBA but of all women’s sports. How are younger generations supposed to find escapism and identity in the sports they love if half of the world’s population is not covered by the media in the first place?

With limited media coverage as well as false narratives being placed into public opinion, potential business partners, teams and coaches, female athletes have to take matters into their own hands by amplifying their sports how they see fit.

Sports tend to see a low number of women in leadership roles, therefore, athletes in women’s leagues do not get to see the same level of representation at the executive level as male athletes do — leading to a gross oversight in ignoring inequities and injustices. In the end, female athletes are typically their own best advocates because male-dominated leadership frequently ignores their achievements.

This is significant to how women’s sports have become more popular because, instead of relying on unreliable media to share the importance of women’s sports, women have taken it into their own hands to make women’s sports more known and accessible to watch nationally.

For example, with the work and spotlight being put on younger athletes like Caitlin Clark, Angel Reese, JuJu Watkins and Paige Bueckers, the game with this generation will translate from the NCAA to the WNBA. Another example is the recent addition to NBA All-Star weekend with the three-point shooting contest between Sabrina Ionescu and Steph Curry, which helps in promoting female athletes and their sports to huge audiences who love the same sport, just with male athletes.

For instance, the average NBA game on TNT averages around 1.5-2 million viewers, compared to the 3-point contest, which has around 5.4 million viewers. If the media can showcase how amazing these women are in their skill and competition, more people will be inclined to tune into the broadcasting of the sport.

The media creates boxes for female athletes to fit into, whether they like it or not. These

boxes could include the sexualization of the female athlete or creating narratives of aggressive

behaviors.

A prime example of this is the Angel Reese and Caitlin Clark controversy from the 2023 NCAA championship. Throughout the game, Reese and Clark showcase their extreme skill and competitiveness with not only their basketball skills, but their sportsmanship as well.

Both players were seen making gestures and giving a bit of trash talk to each other, which

is a normal, competitive quality in the world of sports. However, after Reese made a

gesture to her ring finger during the fourth quarter, representing how she would soon win the

championship ring in the tournament, the media became outraged.

Reese was depicted as an aggressive, unsportsmanlike player who was “classless” and an “idiot.” Reese came out with a statement at a press conference after the game, highlighting the difference between her sportsmanship and Clark’s.

In a CNN interview, Reese stated, “All year, I was critiqued for who I was. I don’t fit the narrative. I don’t fit the box that y’all want me to be in. I’m too hood. I’m too ghetto. Y’all told me that all year. But when other people do it, y’all don’t say nothing.”

As we saw in real-time, Reese was immediately labeled and put into boxes because of one

gesture, despite other players doing the same thing. The media tends to pin female athletes against each other and weaponize them.

So many efforts are being made to change the narrative about women’s contribution to

the sports world, including inspiring the change to hire more women’s college and WNBA

coaches across the nation. By increasing the number of women in the sports world and giving more women decision-making positions, they will be able to gain more power over their

platform and be able to represent themselves how they want to be represented, not how the

media caters to the male gaze.

This is why we would like to reach out to the Western community to bring light to the challenges that women in sports face daily. By addressing younger audiences, we hope to break this cycle of sexism and misrepresentation in women’s sports.

Contact the authors at daerni22@mail.wou.edu and cwright23@mail.wou.edu

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Western Oregon University in Monmouth, OR is located within the traditional homelands of the Luckiamute Band of Kalapuya. Following the Willamette Valley Treaty of 1855 (Kalapuya etc. Treaty), Kalapuya people were forcibly removed to reservations in Western Oregon. Today, living descendants of these people are a part of the Confederated Tribes of Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians.

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Losing music subculture

A new version of “The Talented Mr. Ripley” comes to Netflix

Bats and blood

Godzilla X Kong: The New Empire

Westerns track and field team stars in new podcast

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