Mount Hood

International Championship of Collegiate A Capella

Western’s all female group competes in their first ICCA quarterfinal.
Western’s all female group competes in their first ICCA quarterfinal.
15 Miles West reference to their University of Oregon competitors On the Rocks during their performance. The group placed third in the ICCA quarterfinals. PHOTOS BY NEIL GRAVATT | STAFF PHOTOGRAPHER
15 Miles West reference to their University of Oregon competitors On the Rocks during their performance. The group placed third in the ICCA quarterfinals. PHOTOS BY NEIL GRAVATT | STAFF PHOTOGRAPHER
By STEPHANIE BLAIR
 Staff Writer

An array of pink, purple and blue streams of light are splashed across the stage and overhead the house lights bathe the audience in a soft yellow as they wait for the International Championship of Collegiate A Cappella (ICCA) Quarterfinals to begin.

It is Jan. 31, 2015 at the Rolling Hills Community Church in Tualatin, Ore., and this is the first and last competition of the season for Western’s two a cappella
groups: the powerhouse, all-male group, 15 Miles West and the freshfaced, all-female group, Suspended.

Across the room, friends, family and a cappella fanatics alike, have come from all over the state to watch as tonight’s performers compete for the top two spots, which will continue on the semi-finals in March. This means that for eight of the ten groups here their competitive season ends tonight.

The lights go down and Courtney Jensen, Brigham Young University alumna and vocal percussionist of the Backbeats (the Sing Off season two competitors), climbs the stage and begins the night, announcing herself as the MC for the evening. The first group to perform is Suspended.

They take the stage in Western’s school colors, wearing a mixture of black, red and white — each in their personal style — and form a triangle, with junior Meghann Thilberg standing at the front. The women start us off with the ‘90s classic “Zombie” by the Cranberries, which bleeds into their rendition of “Where is the Love?” by the Black Eyed Peas, in which first year Jennifer Lindley dominates the piece with her fluid ability to rap.

The piece comes to an end and the audience is treated to two arrangements:
Florence and the Machine’s “Shake It Out” and Fall Out Boy’s “Centuries”– the hit single off of their new album “American Beauty/American Psycho.”

This final number was the biggest crowd-pleaser of the set, with lead vocals
sung by first year Lauren Hebing, whose older brother, senior Max Hebing, would sing the first number of 15 Miles West’s set.

In contrast to Suspended’s organized and ordered walk to the stage, 15 Miles West runs and yells, climbing the stage to the sounds of Western fans shouting out their names in anticipation of the performance to come.

The entirety of the set was composed of mashups, arranged by senior Jake
Yoakum, including songs by Beyoncé, George Michael, and an original section
calling out the all-male groups from University of Oregon (On the Rocks) and Oregon State University (Outspoken), which riled up the crowd even further.

“15 Miles West, to me, had the most fun on stage,” said 15 Miles West choreographer Michael Johnston. “The audience was having fun watching them
perform.”

Of the whole night, 15 was definitely the biggest crowd pleaser, receiving the most laughs and engaged applause during their performance.

The choreography in particular, courtesy of Johnston, stirred the audience up instantly. The surprise of men twerking, swaying their hips, and doing hair flips to Beyoncé’s “Crazy in Love” was overwhelming for the audience.

“15 Miles West blew the house down,” Jensen said. “I’ve never seen boys move like that — in a good way.”

However, despite incredible performances from both Western groups, neither will be advancing to the semi-finals at Paloma College in March. 15 Miles West placed third, behind University of Oregon’s two a cappella groups, Mind the Gap and On the Rocks, who took first and second, respectively.

“You obviously always want to finish first, but sometimes things don’t go your way,” said senior Grant Harris. “We learned a lot from the experience.”

“We just wanted to show people how much fun we have singing and performing,” member David Takano said. “And if you were there, you could tell that the crowd really enjoyed our set.”

Suspended, on the other hand, did not place but were pleased to compete in their first ICCAs.

“It was more for the experience and to meet people from other groups,” said first year Brianna Williford. Sydney Culpepper said, “The experience of competing and meeting other a cappella groups was great, and we’re already looking forward to next year.” The season is over, but these vocalists are not finished yet.

“Right now we are working with Digital Production Services and Dr. Dirk Freymuth on campus to produce Western’s first official music video,” Harris said. “It will be all a cappella and made to promote [15 Miles West] as well as the school.”

Harris also hinted at spring auditions being held for the men’s group in the next few months, as 15 will continue to perform at events around campus for the remainder of the year.

Auditions for both groups will be held again in the fall. For more information,
each group can be contacted through email at 15mileswest@gmail.com and suspended.acapella@gmail.com.

For more information regarding the ICCAs, visit varsityvocals.com

Student-directed Play “None of the Above”

PHOTO FROM SCOTT GRIM
PHOTO FROM SCOTT GRIM
By NATHANIEL DUNAWAY
 Entertainment Editor

Directed by Bachelor of Arts theatre major Dani Potter, “None of the Above,” a play by Jenny Lyn Bader, opened this weekend and will run for a total of four performances.

Starring Bachelor of Fine Arts actors Rosie Peterson and Nicholas Kintz, “None of
the Above” is a comedy about Jamie (played by Peterson), a rich New York City private school student, and her SAT tutor Clark (played by Kintz).

Throughout the play, the two are at odds over their respective priorities, and importance of the SATs.

Jamie is a part-time drug dealer with distant parents, and Clark is a geeky graduate student who counts all the words in the sentences Jamie says.

In order to be chosen to direct this year’s studio play, Potter was required to take both directing classes on campus, as well as direct a 10-minute play and a one-act play for last year’s one-act festival.

“Then it was a waiting game,” Potter said. “The powers-that-be met and talked
about all of the work I had done and how they felt my productions went. Then [I was told] at the end of spring term 2014 that I was chosen to direct the studio show.”

Peterson and Kintz were cast back in December, with rehearsals beginning at the start of winter term. Potter said that she’s had this show picked out since last July, and was notified of its approval the following month.

“Directing ‘None of the Above’ has been an experience I will never take for granted,” Potter said. “It has taught me so much about myself, about people, and about how important art is for the educational process.”

“None of the Above” will continue its run Friday, Feb. 6 and Saturday, Feb. 7 at 7:30 p.m., with a 2 p.m. matinee performance on Feb. 7 as well.

Performances are in the Studio Black Box theatre of Rice Auditorium. Tickets are $12 general admission, $10 seniors, $7 students and Western students can get in free with student ID.

Tickets can be purchased at the Rice Auditorium box office by calling 503-838-8462. Box office hours are Monday-Friday 12:30-4:30 p.m.; it will also be open an hour before each performance.

“Breaking Bad” spin-off “Better Call Saul” to premiere this weekend

By NATHANIEL DUNAWAY
 Entertainment Editor

Television spinoffs get a bad rap. And when you look at shows like “Joey,” “AfterMASH” and “Saved by the Bell: The College Years,” it’s not exactly hard to see why. Sometimes companion shows just don’t work.

This concern was the first to pop into many a viewer’s mind when it was announced last year that “Breaking Bad,” one of the most critically-acclaimed and audience-adored television dramas of all time, would be getting a spinoff.

But for every “Buddies” (spun off from “Home Improvement”), there is a “Frasier” (spun off from “Cheers”) and for every “Joanie Loves Chachi” (spun off from “Happy
Days”) there is an “Angel” (spun off from “Buffy the Vampire Slayer”).

For my money, “Better Call Saul,” the “Breaking Bad” spinoff focusing on the early years of sleazy criminal lawyer Saul Goodman (played by Bob Odenkirk) will certainly fall into the same realm those latter examples reside in.

We first met Saul in season two of “Breaking Bad,” when he became the full-time attorney of chemistryteacher-turned-drug-lord Walter White.

Throughout the series, Saul used his wits, charm, and legal know-how to keep Walt and his partner Jesse out of jail (or worse, the morgue or a ditch in the desert).

“Better Call Saul,” produced and co-written by “Breaking Bad” showrunner Vince Gilligan, takes place five years before Walter White’srise to power, when Saul was still known as James McGill, a struggling, unknown defense attorney.

In addition to Odenkirk reprising his role as Saul, actor Jonathan Banks will return to play fan-favorite hitman and fixer Mike Ehermantraut in the prequel series.

So will “Better Call Saul” find itself among the ranks of the great spinoffs like “The Legend of Korra” (spun off from “Avatar: the Last Airbender”) and “The Simpsons” (spun off from “The Tracey Ullman Show”)? With much of the same talent that made “Breaking Bad” great returning, I’d say it’s a safe bet.

“Better Call Saul” premieres Sunday, Feb. 8 on AMC, right after the mid-season premiere of “The Walking Dead.

Google self-driving car takes control

By TREVOR JACKSON
 Guest Column

The other day I was riding in the car with my father; we were talking about this and that, very casual like, and I bring up the subject of Google’s self-driving car. I say, “You think you would ever buy a self-driving car?”
His response? “Hell, no!” I was surprised. We debated and bantered over the subject.

“I like having control,” he said, gripping the steering wheel of our Subaru a little tighter. He held on even tighter when I mentioned that Google’s most recent prototype, in fact, had no steering wheel. Or even pedals. And starts testing on public roads this month. Admittedly, even I find this a little freaky. However, I am still on board with autonomous driving, and for two big reasons.

The first is that computers are so much cooler, calm and collected than humans are. Human beings are fragile; our driving can be inhibited by so many different factors: alcohol, lack of sleep, medication, road rage, etc. We have lives; we have worries; we have distractions; we have so many things that can put us in danger when we get behind the wheel.

But, the Google Car is a machine whose existence is entirely dedicated to and limited to getting you from A to B. The Google Car does not get drowsy; it does not get inebriated; it does not get loopy from medication; it does not get blinded by road rage.

It has over $100,000 worth of technology within it, all dedicated to driving. It has a LIDAR 64 beam Velodyne laser system mounted on its roof constantly reading and interpreting its surroundings, generating a 3D map of its environment for itself in real time. Tell me, do you have a LIDAR 64 Velodyne laser system when you drive? Huh? Do ya, Dad?!

The second big reason I’m for it is the convenience aspect. It may seem obvious,
everyone can imagine what they’d do with their free time: read a book, play a game, do homework, watch the game, take a nap, it’s endless.

But let me paint a bigger picture for you: It’s the middle of February, and you’re going to the movies with your significant other. You both get into your regular four-door sedan that you have to operate yourself, and you’re on your way.

For the 20-minute drive, you’re focused on the road, jittery from your Dutch Bros., and your significant other is focused on their phone for the whole ride, because they don’t want to distract you. For the whole ride, you don’t talk
much.

You get to the movie theater and the lot is full, and you have to drive down the
street and park on the curb. And damn it all, you suck at parallel parking. It takes a few tries to get it right; you step out to inspect your handiwork
only to find that you still are a good two feet from the curb, so you get in try it once more to correct it.

You finally walk to the theater, rush to get your seats (the trailers are already playing by this point), and sit down for your date. When the movie is done, its dark out and around 26 degrees outside. You walk down the dark and sketchy street to your car, and sit for another 10 minutes while you wait for the windshield to defrost.

It’s awfully cold. On the way back, you combat drowsiness, trying to focus on the yellow line, with the oncoming traffic headlights blaring in your eyes. You finally get home, and the both of you fall into bed, exhausted and defeated.

Now, let me paint another picture: It’s the middle of February, and you’re going to the movie with your significant other. You both get into your Google Self-Driving Car, and you’re on your way. For the 20 minute drive, you hold hands and fall asleep in each other’s arms for a little nap.

You arrive at the theater, get up, stretch, and the Google Car drops you off at the front door. You press a button, and the Google Car goes off to find itself somewhere to park.

You and your significant other stop to get a popcorn and Red Vines (you have
plenty of time), and sit down just in time for the trailers to start playing. At the end of the movie as the credits are rolling, you press the “Return” button on your key, and by the time you step out of the theater the Google Car is waiting for you at the front door, heated, ready to protect you from the cold and take
you both home to bed.

I will let someone, or something, do the driving for me any day. But if you, like my father, prefer having control, go ahead and grip your steering wheel tighter. I, on the other hand, am going to enjoy my nap.

Baseball loses first four games in week-long Calif. tournament

By JACOB HANSEN
 Staff Writer

Western men’s baseball team traveled to La Jolla, Calif. to play nationally ranked No. 15 University of California, San Diego last week in efforts to tune up for the regular season.

The Wolves (0-4) lost all four games but managed to start a comeback run in the last game of the tournament. They were in a comeback winning position until a two-run homerun during UCSD’s (4-0) last at bat put the game out of reach.

“UC San Diego is one of the best division two teams in the country and was a challenge for us as a team,” said outfielder Matt Taylor. “We schedule to play these nationally ranked top teams to prepare us for a regional title.”

During the first day of competition the Wolves played a double header losing 0-4 in the first game and 3-8 in the second. Taylor and infielder Jake Whisler registered multiple hits with Taylor recording three hits that included the Wolves’ first runs batted in of the season in the second game.

The next day the Wolves fell to the Tritons 5-12 in a scoring frenzy.

“The games down here in California are extremely important for setting us up to get where we want to in the end and that’s at West Regional,” said Whisler.

“The key lessons that the team is learning are adversity with all the travel and already being 0-4, we have a lot of work to do that continues tomorrow against PLNU.”

The Wolves’ have won the Great Northwest Athletic Conference baseball title for their league every year since 2002. Head coach Kellen Walker was named GNAC coach of the year in 2013 and is responsible for an outstanding overall record of 276-138 for the wolves.

Western Oregon continued its week-long Southern California road trip on Thursday, Feb. 5, as they traveled to Point Loma Nazarene University in San Diego, Calif.

“The games in California helps to unite us as a team and sets us up so that we can prepare for a regional come the end of May,” said pitcher Spencer Trautmann.

The Wolves will play the Sea Lions four times over a three-day period.

“We look forward to competing against Point Loma and taking what we learned from UCSD and applying it to this next series,” Taylor said. “Guys are discovering who they are as hitters and how they can help us get a win at the end of the day. We are confident that we are the best team in the GNAC and expect nothing less that to win our conference.”

The Wolves first conference game is on Feb.28 against Saint Martin’s University in Lacy, Wash.

Wolves fall to Saints by one (48 – 47)

Photo by Matt Coulter Staff Photographer
Photo by Matt Coulter | Staff Photographer
By GUY PERRIN
 Staff Writer

Women’s basketball played just one game this past week, suffering another defeat as they fell 48-47 to Saint Martin’s University on Saturday, Jan. 31 in Lacey, Wash.

The Wolves (5-13, 2-8 GNAC) rebounded well, outrebounding SMU 39-32, and dictated the tempo of the game but weren’t able to make enough shots, only 31 percent shooting, to pull away from the Saints (7-11. 4-6 GNAC).

Forward Dana Goularte was the only player to finish with double digits for the Wolves, scoring 10 points and adding seven rebounds as well as seven steals.

After a back and forth first half, Western used a series of runs in the second half and found itself leading 44-40 with just over four minutes to play. Saint Martin’s, however, would hold the Wolves to just three points the rest of the way securing the narrow, one-point victory.

“The last two games have been heartbreaking,” said head coach Holli Howard-Carpenter. “Against Billings, we fought back from a 10-point deficit, and against St. Martin’s, we were ahead at the last media timeout but just couldn’t finish in either game.

“We need to be more confident and mentally tough in those situations. We need to trust in our preparation and just focus on the little things rather than the outcome. Our focus this week and the remainder of the season is to just take one practice, one game at a time. We need to be persistent in our effort and intensity in practice and play in the moment during games. Our goals are still in reach and we will continue to fight for them,” Howard-Carpenter said.

Saint Martin’s guard Krista Stabler led all scorers with 11 points on 4-7 shooting. The Wolves traveled further north this week as they took on Alaska-Fairbanks Thursday, Feb. 5 and will meet Alaska-Anchorage Saturday, Feb. 7.

“We definitely want to get a win in Alaska,” Goularte said. “It’s always hard traveling there, so our mindset is to stay focused on our goals and do the little things.”

FIRST YEARS SHINE

By GUY PERRIN
 Staff Writer

The Western men’s and women’s track teams set numerous personal records last weekend at the Husky Invite held at the Dempsey indoor facility on the campus of the University of Washington.

A few first years impressed on Saturday as Suzanne Van De Grift set a personal best in the 400 meter, running in 60.94, while Kylie Reinholdt would surpass her previous best mark in the triple jump with a jump of 10.71 meters. Meanwhile, another first year, Cody Warner, posted a personal record as well as a NCAA Division II provisional time of 6.89 in the 60 meter.

“I’m very excited that I have been able to be competing in the indoor season so far and starting out with a good time is exciting and allows me to set goals for myself for the rest of the season,” Van De Grift said.

Brady Beagley took home the victory in his heat of the men’s mile run finishing in 4:11.20 while Rachel Crawford impressed in the women’s event running the mile in 5:12.94, vaulting her into the all-time top 10 at Western for the event.

“The competition at UW is so strong that all you have to do is stay with the pack and beat as many people as you can,” Crawford said. “It feels good to get a PR in my first mile race of the year but I know I can improve even more this season. It is always a learning experience when competing in indoor meets.”

Emmi Collier had a successful day in the shot put, posting a career-best throw of 13.20 meters that was just shy of the NCAA Division II provisional mark.

The Wolves will travel to Pullman, Wash. to compete in the Cougar Open at Washington State University on Feb. 6-7.