Mount Hood

See more movies with MoviePass

Darien Campo | Designer

I love movies. A lot.

The problem is I’m not able to see a lot of newer movies until they hit one of my preferred streaming services. And by that point, it’s usually been spoiled or I’ve lost interest. Going to the movies is prohibitively expensive, natoonline.org puts 2017’s average ticket price at $8.97 ­— a record high. With some theaters charging up to $17 for a ticket, it’s no surprise that the Hollywood Reporter recently revealed that theater attendance in 2017 reached a 27-year low.

I should know, for as much as I love movies, until recently I barely ever went to the theaters. But I just discovered a subscription service that offers a fantastic deal for those who want to see more flicks on the big screen.

MoviePass is a service that allows moviegoers to watch one movie a day — for only $10 a month. The service is powerful and easy to use. When users sign up, MoviePass mails a member debit card to their address. Users then sign in to the MoviePass app on their phones and travel within 100 yards of a theater. Once the app detects they are in range of a theater, users can reserve a ticket for whichever film and showtime they wish. MoviePass places money on the card, which can then be used to purchase the ticket as usual.

I went from going to the cinema only a few times a year to seeing 10 movies in the past month —12 if you count seeing “Star Wars: The Last Jedi” and “Three Billboards Outside of Ebbing, Missouri” twice each. I’m excited to be back in the theater seat watching the most recent films as they come. I’m engaging with films more frequently than I have in years, and I’ve even been taking chances and trying out films I normally wouldn’t due to ticket prices.

Most theaters in the area accept MoviePass, including Independence Cinema, Cinnebarre, Salem Cinema and Regal Lancaster.

Hollywood gets a lot of guff for its constant sequels and reboots, but after getting MoviePass I’m happy to say that there are plenty of fantastic films being lovingly crafted today. Below I’ll list some recent films I highly recommend you go check out, 2017 was a wonderful year for film. If you’ve been wanting to get back into the cinema circuit, MoviePass is a subscription service that’s well worth a Hamilton a month.

Contact the author at dcampo13@wou.edu

Photo by: Moviepass.com

Review: “The Open House”

Caitlyn Nakatsukasa | Freelancer

Matt Angel’s movie “The Open House was released on Netflix on Jan. 19.

In “The Open House”, a mother, Naomi, played by Piercy Dalton, and her son Logan, played by Dylan Minnette, temporarily move into a family member’s home temporarily after the sudden passing of Logan’s s father. However, the house is in the process of being sold, meaning there are many open house events taking place, resulting in different people showing up to the house. After moving in they notice strange events happening in their home. These occurrences include door banging, objects moving and shadows passing by. As the characters encounter uncanny people around town and witness peculiar episodes at the home, they start to believe there’s someone always around them everywhere they go.

I’ll be honest; if I had to make a list of all the horror movies I’ve watched ranked from best to worst, this movie would probably be on the bottom half of that list. I felt as though the plot line was inadequate. Many of the scenes didn’t make sense and didn’t tie into the main storyline. The viewers were never given  a backstory for the antagonist, so they’re left hanging throughout the movie. There are jump-scare scenes every so often but they’re often predictable and sometimes illogical. The ending of the movie was the most frustrating. It lacked depth and didn’t answer any questions I had throughout the movie it didn’t connect with the any of the previous scenes I had been confused about.

Despite my brutal opinion of the movie, I thought the best part about “The Open House” was the actors immense talents to pull their work off. I loved their acting — I felt the emotions resonate through the screen and could relate to the characters a lot. If you’re an avid watcher of Netflix, you may be familiar with the appearance of Minnette, who starred in Netflix’s show “13 Reasons Why.” Minnette and Dalton did a splendid performance portraying their characters in the movie. They work well in the horror genre and it was exciting to see familiar actors again.

“The Open House” has great actors but lacks enough premise for  a basic storyline. It would’ve been better if they added background stories to the characters, so they’d be more relatable to the storyline or build tension of scary scenes that could tie into upcoming events. If you are a fan of cliché horror movies this may be a suitable movie of your choice.

Contact the author at cnakatsukasa15@wou.edu

Photo by: netflix.com

Grammys return to the garden

Zoë Strickland | Editor-in-Chief

On Jan. 28, the “60th Annual Grammy Awards” hit the small screen. The show was hosted by James Corden.

The awards show, which broadcasted from Madison Square Garden in New York City for the first time after a 14-year stint at the Staples Center, aims to award music and recording professionals from a myriad of different positions for their excellent musical contributions. All of the awards are decided by The Recording Academy, which is comprised of people in the field.

The Grammys opened up with a performance by Kendrick Lamar, featuring a brief interlude by Bono, who sang the hook to “XXX.” from Lamar’s album “DAMN.”

Other performances during the show included: Childish Gambino performing “Terrified,” off of his album “Awaken, My Love!”; Kesha performing “Praying,” off of her album “Rainbow”; Bruno Mars featuring Cardi B performing “Finesse”; a joint performance by Sting and Shaggy featuring a performance of Sting’s “Englishman in New York” and their new single “Don’t Make Me Wait”; amongst a handful of others.

There were 84 gramophone awards on the table — including the 75 that were given out before the show began.

For the first time, the award for Best Comedy Album was presented on TV, rather than being given off-camera. The award was given to Dave Chappelle for his Netflix special “The Age of Spin.” The special was Chappelle’s first in 13 years, since his 2004 release “For What It’s Worth.”

The award for Best New Artist went to Alessia Clara, whose 2015 album “Know-It-All” debuted at number nine on the Billboard top 200 list.

By far the biggest winner of the night was Bruno Mars he went home with six awards, including Album of the Year for “24K Magic,” Song of the Year for “That’s What I Like,” as well as Best R&B Album and Best R&B Performance. Kendrick Lamar also took home a stack of Grammys, winning four of the seven he was nominated for. Lamar took home Best Rap Album for “Damn,” Best Rap Song and Best Rap Performance for “HUMBLE.” and Best Rap Collaboration for “Loyalty” with Rihanna.

Ed Sheeran, who wasn’t in attendance to accept the awards, won both Best Pop Vocal Album for “Divide” and Best Pop Solo Performance for “Shape of You.”

The next major award show to sweep the screen will be the BAFTA Awards, which is airing on Feb. 18 on BBC America.

Contact the author at journaleditor@wou.edu

Photo by: latimes.com

Review: “Big Bear, Little Bear”

Stephanie Blair | Staff Writer

On Jan. 15, Rusty Clanton released his EP “Big Bear, Little Bear.” The Tennessee-native singer-songwriter has grown a substantial following in the last five years through YouTube and touring with the likes of Tessa Violet, dodie and Emma Blackery.

For those unfamiliar with his work, when Clanton asked his fans on Twitter to name other acts that his work sounds similar to, followers listed acts from Vance Joy to Bonnie Tyler, from Bon Iver to Sleeping at Last and Passenger.

This addition to Clanton’s discography brings a new aspect to his work: more complex arrangements. Typically, Clanton’s recordings have a fairly low production value on the instrumental side of things — his vocal arrangements are more processed or layered, with many a self-made harmony to be found. However, this new album incorporates piano, keyboard and drums, among other things. All of this new for fans of the folk-turned-indie rock singer.

Though all of the tracks bring something to the EP, “Comfort” is, by far, the best of the seven. Tackling themes of loneliness, faith and the road to self-growth, the vocals and melody carry the otherwise minimal lyrics.

However, “Dirty Words” comes in at a close second place. An upbeat sounding, jarringly juxtaposed piece about breaking up, the song is a true gem for those who have lived through the same experience: “If one more person tells me / ‘hey listen, man, at least I bet you’ll get some good songs out of it’ / I’ll sell my things / and drive my car as far out west as it will go / and keep on going if I can”.

If I were to have a complaint, it would be that the songs don’t flow in a connected way, which I only want because I’ve come to expect it, since his last EP did that so well.

Clanton’s last EP “Calm and Normal,” was released in 2016. Though the two EPs are not distinct from each other thematically, this album holds the production value that “Novels” brought to the table in every song.

For those looking for an easy listen, “Big Bear, Little Bear” is an excellent choice. For longtime fans, it’s a signal of big things to come from Rusty Clanton in the coming years. As a longtime fan of the person and faithful listener of his music, I could not be more heartened by Clanton’s latest effort.

Contact the author at sblair13@wou.edu

Photo by: rustyclanton.bandcamp.com

Time’s Up for harassment in the workplace

Caity Healy | Lifestyle Editor

Earlier this month, many tuned in to see the 75th annual Golden Globes ceremony hosted by comedian and actor Seth Meyers. What most expected to see was glamorous celebrities donned in expensive garments and designer statements, being followed by cameras and E! News reporters asking them “who are you wearing?” Instead, what viewers saw was Hollywood elite adorned just in black, many displaying a pin that simply said “Time’s Up.”

The Time’s Up movement began with a full-page ad published in an issue of “The New York Times,” released on Jan. 1. In the letter, over 300 actors, lawyers, writers, directors and producers signed to pledge support for working-class women who deal with inequality in the workplace. Following the several reports of sexual harassment, assault and rape allegations that came out against producer Harvey Weinstein, and the several other allegations towards different big names that began coming out daily since then, the timing seemed to be right. It was time to stand up against harassment and sexism that women have to deal with on a daily basis. It was time for women and allies to unify and stand up against the inequality and injustice they face in the workplace.

The initiative manages a legal defense fund aimed at supporting and helping the underprivileged women who are ready to fight against sexual harassment, assault or abuse while trying to pursue their careers. It gives everyone a voice.

According to timesupnow.com, “1 in 3 women ages 18 to 34 have been sexually harassed at work. 71% of those women say they did not report it.” It also notes that “more than one-third of the world’s countries do not have any laws prohibiting sexual harassment at work- leaving nearly 235 million working women vulnerable in the workplace.”

Celebrities such as Reese Witherspoon, Emma Watson, Jessica Chastain, Emma Stone and Rashida Jones all choose to support and show solidarity towards the movement. They are using their platform to give all women a voice. But they aren’t the only big names involved. Male celebrities such as Justin Timberlake, Tom Hanks and Chris Hemsworth all chose to don a “Time’s Up” pin to show their support for women everywhere.

Now the question is, if all of these people are supporting the movement, why aren’t you? While these are all big names and their stories are more widely spread, that doesn’t mean that their experiences are more valid than anyone else’s. Everyone’s experience with sexual harassment in the workplace or just in life is worthy of being heard about. Start talking.

If you haven’t been personally affected, I can almost guarantee that someone who is close to you has been. I can talk to any single one of my friends and hear their perspective of a time where they were sexually harassed or felt unequal. I’ve had friends sob to me as they shared an experience they’ve had with men who abused their power over them. Whether it be with sexual harassment, discrimination or rape, all of their voices deserve to be heard. While most aren’t in the workplace, they are just as valid.

I am urging you to stand with the people around you. Now is the time to unify. The plague of systematic inequality and injustice in the workplace has to come to an end. It’s our duty to stand with one another and let voices be heard. I’m not saying you have to post about things on social media. I’m saying we need to be willing to be an open ear to someone who has struggled with something like this. Be their ally.
That being said, if you do feel comfortable making your story public, feel free to do so. Time’s up on allowing these things to be unsaid. Time’s up on silencing women who have had to sit with their mouths shut for years, just accepting the way things are. It’s time to stop taking matters so lightly.

Small victories can be seen already. Former USA gymnastics coach Larry Nassar, accused of sexually abusing 81 people, was charged with 22 counts of sexual misconduct. James Franco was photoshopped out of the cover of Vanity Fair’s Oscar portfolio issue. Netflix cut ties with actors and comedians Kevin Spacey, Danny Masterson and Louis C.K. for sexual misconduct accusations against them.

Stand up against injustice. Stand up against discrimination in the workplace or in everyday life. If you hear or see it happening, speak up. Something so simple could change someone’s life forever. We cannot let this movement die out; until change is made, we need to continue working together and fighting as a unified front towards inequality. There is a lot of work to be done, but by standing together as a body of persistent fighters, I know we can get there.

Contact the author at chealy16@wou.edu

Photo by: goldenglobes.com