Mount Hood

The Forgotten

By: Megan Clark 
Campus Life Editor

On the heels of Veteran’s Day on Nov. 11, 2015, Virginia became the first state in the United States able to help all of its 1,400 homeless veterans find permanent housing. The veterans made up just nine percent of the homeless population in Virginia.

American society has, in varying degrees of success, made strides in addressing inequities; on June 26th, 2015, gay marriage was made legal nationwide.

Protests and riots have taken place in the streets of major cities for unlawful killings of African American men. The wage gap between genders in the workplace and women’s reproductive rights are hot button topics in politics.

These issues are not resolved or forgotten in average Americans’ minds, and with good reason, they shouldn’t be. But where does homelessness stand on their list of concerns?
Homelessness doesn’t discriminate between race, gender, or religion, and is a widespread issue that affects every community in the world.

According to the National Student Campaign Against Hunger and Homelessness: “In the U.S., more than 3.5 million people experience homelessness each year.”

As the weather gets colder and holidays near, homelessness becomes a lukewarm topic of discussion.

Food drives and donation sites requesting warm weather gear appear on the everyman’s radar, yet it’s not enough to force people to address the problem and its possible solutions directly.

Confronting everyday images of people sleeping under bridges or lined up at missions isn’t enough to invoke a passion for change; instead, homeless people are ignored, harassed, or avoided.

Why is homelessness greeted with such apathy or disgust?

Many view homelessness as a result of being lazy; however, according to HomeAid, homelessness is “caused by tragic life occurrences like the loss of loved ones, job loss, domestic violence, divorce and family disputes.”

Other reasons include “depression, untreated mental illness, post traumatic stress disorder, and physical disabilities,” according to HomeAid.

While there is no umbrella approach to addressing the varied issues that cause homelessness, the best way to solve homelessness is keeping an individual in their home. Prevention is the most effective way to keep people off the streets and out of temporary shelters, and also ultimately costs less.

Home-loss can be prevented in a variety of ways. One method, according to the Coalition for the Homeless, is through “effective discharge planning,” which would include housing assistance for those with mental illnesses or those leaving foster care.

While donations and volunteering are excellent ways to aid the homeless population, they won’t remedy flaws in the system, and certainly won’t keep people in homes.

This means the public should look at addressing prevention, not merely trying to stanch the wound with donated mittens and unwanted cans of Campbell’s soup.

“Toy Story” Turns 20

By: Declan Hertel 
Entertainment Editor

We all know you’ve got to grow old, but growing up is dumb and you shouldn’t do it.

One school of thought would be perturbed by finding out that “Toy Story,” Pixar Animation’s first feature-length film, turns 20 years old on Nov. 22. But I think that the upcoming anniversary is a perfect opportunity to rewatch it for the zillionth time, and revel once more in what is both one of the best pieces of animation in history, and an indelible part of this generation’s childhood.

A solid percentage of my childhood memorabilia is “Toy Story” related. I still have all my Woody and Buzz Lightyear dolls and action figures, and every year the first item I put on the Christmas tree is a Sheriff Woody ornament.

One of my best friends has Woody and Buzz shoes and a big poster of the alien toys on her bedroom wall, and I have met a great many people with similar stories. “Toy Story” is a big deal for a lot of people.

But why? Why does this tale of talking toys still resonate so deeply with the babies of the mid-nineties?

Maybe because we had it while our brains were in their earliest stages of development, and it is thus etched into them. Maybe because after all the amazing technological advancements of the past few years, “Toy Story” still looks freaking fantastic.

Both of those things apply, but I think it has endured for another reason, one that I talked about in regards to Smashing Pumpkins’ “Mellon Collie and the Infinite Sadness” some time ago: it speaks to you in different, powerful ways depending on/no matter how old you are.

As a child, I watched it with glee, and imagined my own toys coming to life and having adventures. During my adolescence, I watched it and saw memories of a simpler, more imaginative time. Now as a twenty-something, I watch it and appreciate how honest and heartfelt the movie is.

My parents watch it and appreciate that a piece of children’s entertainment is so sophisticated and enjoyable to adults (not to mention the “growing up” theme of the later installments: my mother and I both openly wept during “Toy Story 3”).

I will always welcome Toy Story’s anniversaries: it’s another excuse to see what else it holds for the new phase of my life I find myself in. And now I’m going to watch it again.

History, Hip Hop, and Hamilton.

By: Jenna Beresheim 
News Editor

As someone who has personally struggled with learning history my entire life, I am constantly craving a learning source that tricks me into learning about new topics.

My childhood consisted of mnemonics, Wishbone the dog, and hours of Schoolhouse Rock. I even faintly recall The Animaniacs doing a few shows on states and presidents.

Names, dates, and locations have always been something I had to fully submerge my brain for any hopes I would retain an ounce of that information.

I was always that student in class that hummed a song or had some weird mental recollection tool to pull out of my pocket when the scantrons came out.

That is exactly the preconditioning that led me to latch onto the idea of a Broadway Musical featuring our Founding Fathers performing rap battles in an all-American, rags-to-riches story.

“Hamilton” puts Alexander Hamilton in the spotlight as a young twenty-something on his way up in the blossoming American government.

Other key figures that come into play are Aaron Burr, George Washington, Thomas Jefferson, Marquis de Lafayette, King George, and many more. Look at that, proof that I’m already recalling all of these key political figures.

The musical boasts over 46 tracks broken into two separate acts.

Through those 46 songs, Hamilton’s life is re-lived and history is told in a fascinating, enchanting way. Important dates, locations, events, and people are all laced in so seamlessly so as to educate the listener subconsciously.

The songs themselves accurately represent their characters as well – George Washington speaks in polished prose, while Lafayette sports a thick French accent.

This gives the characters more depth, and creates a relatable connection for all of them, even the characters you love to hate.

“Hamilton” debuted in February this year, where it sold out. Broadway quickly swooped in to host the musical on Aug. 6 2015, with multiple critical acclaims following shortly afterward.

The off-Broadway productions have even scored many awards, such as the Drama Desk Award for Outstanding Musical, along with seven other Drama Desk Awards out of 14 total nominations.

It is even rumored that the Broadway production is in the running for a 2016 Tony Award.

If that doesn’t speak for the musical enough, then listen to this: the entire soundtrack is free to enjoy on Spotify. So try it out for yourself without the big Broadway box office prices.

Now that may not seem like much – it’s a play for a reason, obviously.

But I have never experienced a musical that so accurately portrayed entire scenes within just the music itself. While listening, you’re dropped into war scenes, cabinet meetings in the form of vicious rap battles, and even countdowns to duels between two foes beyond compromise.

While I would fully encourage anyone to see “Hamilton” in its intended format for full immersion, I can attest to an experience just as fulfilling through the soundtrack alone.

And if you’re like me, you won’t be able to stop talking about it – or listening to it, for that matter – until everyone around you also has it memorized whether they like it or not.

4 out of 4 Paws

How I learned to stop worrying and love the bomb

By: Jack Armstrong 
Copy Editor

I wanted to start this review off in an honest manner by letting you, the reader, know up front that I am a huge Bethesda fan. I love “Doom,” “Wolfenstein” (yes, even the reboot), “Fallout,” and “The Elder Scrolls.”

So you can imagine how I felt picking up “Fallout 4” last Tuesday, Nov. 10. I was ecstatic to have another entry in my favorite variety of Bethesda brand, open world, first-person RPG goodness.

Of course, my excitement was tempered. Could the team who had brought me “Fallout 3” and Skyrim really suck me back into giving away 300 plus hours of my life?
I’m happy to report that they have done it again.

“Fallout 4” takes place in Boston, and in a welcome shift, the player actually starts in a pre-nuclear war suburb called Sanctuary Hills. After designing your protagonist, you are greeted by a Vault-Tec salesman who enrolls you and your family in the nearest nuclear safe vault.

As luck would have it, no sooner does your pen touch the contract than the alarm sounds, the missiles have launched, and war is upon you. You successfully rush to your vault with your family, but all is not what it seems. This is when your story begins.

The movement and player interactions feel comfortable and familiar, but if you didn’t like the way either “Fallout: New Vegas” or “Skyrim” played, don’t expect any vast deviation in the overall approach.

The controls are virtually unchanged, but the upgrades to the heads-up display and the quick weapon switch system are welcome.

The graphics have been at the center of discussion surrounding the game, but it looks like these worries were unfounded. Despite the slower frame rate, the console edition looks great and, most importantly, a huge step up from “New Vegas.”

Your trusty Pip-Boy is back in action, and the S.P.E.C.I.A.L. stats system returns as the primary method of determining play style.

With no level cap to limit progress, you could conceivably max out all the skills, but it still pays to focus on how you want to play the game.

Do you feel like Mad Max, like you want to tear up the wasteland with your bare hands, upgrade Strength, Endurance, and Agility to hit harder and take more punishment? Feeling more of a Han Solo vibe like you’d rather charm your way around? Charisma, Perception, Intelligence, and Luck are your tools.

Of course, combat plays a huge role, and “Fallout 4” has refined the Bethesda recipe with an emphasis on realism.

The Vault-Tec Assisted Targeting System makes a return but rather than pausing the combat completely it just slows combat. So while you have extra time to target, your foes have extra time as well.

The combat really showcases the new customization system for weapons, by far one of the best new additions. Bits of junk collected around the wasteland can now be broken down into components and crafted into weapon modifications.

Channel your inner MacGyver and use the glass from an empty Nuka Cola bottle, the crystal and screws from a discarded watch, and a touch of nuclear material to create a glowing dot reflex sight for that handy shotgun.

The possibilities are numerous for all guns and melee weapons, and the more skills you unlock on your S.P.E.C.I.A.L tree, the more upgrades you can create and unleash.

The other big addition is a new companion, this time in the form of a dog. Shortly after beginning your journey, you come across a dog who can be recruited to follow you on your adventures. Even though you don’t get to name him, you can customize his appearance with armor and other accessories you pick up along the way.

Companions are plentiful, and actually extremely helpful, which is a nice change of pace from other Bethesda games.

Not only can they carry supplies, but they are easily given orders, and once you set up a base, they can be told to wait at a base until you need them.

You will need friends to ensure your survival out in the post-apocalyptic wasteland. The map is huge. I’ve already logged close to 24 hours in the game and I’ve only managed to explore about a third of its total spread.

While much of the scenery is colored in a similar palate, different areas all have a distinct feel. Which is helpful when you’re trying to get your bearings.

There are a few complaints.

When I first ventured out into the wasteland, I was overwhelmed, and the learning curve went from nothing, to having to do all the things too quickly. Realistic? Yes. Frustrating? Absolutely.

The default control scheme was just different enough from previous entries that I was confused, but a quick shift in the menus and I was able to play my preferred control scheme from “Fallout 3.”

Finally, the system of building both in settlements and at crafting stations is difficult and not explained very well, if at all.

It took me a lot of trial and error to figure out how to negotiate all the menus and control nuances involved in building and customizing, and I have played “The Elder Scrolls” and “Fallout” a lot. I also encountered the most glitches when trying to build structures in my settlements.

This felt the most unpolished of all the in-game experiences.

Overall, I had high expectations for this edition of “Fallout,” and it continues to exceed every one of them.

If you are a fan of Bethesda, the open-world genre, RPG, first-person shooters, or really just a fan of video games in general, I highly recommend you pick this title up as soon as you can.

3.75 out of 4 paws.

“Fantastic Beasts and Where to Find Them”

By: Ashton Newton 
Staff Writer

2011 brought us the end of JK Rowling’s magical world of Harry Potter in cinemas with “Harry Potter and the Deathly Hallows Part 2.”

Since then, fans have been hungry for new Harry Potter material. Occasionally, on her website, Pottermore, Rowling will deliver with a new short story focusing in on a specific character.

Warner Brothers announced in 2013 that Rowling would make her screenwriting debut with the new Harry Potter spinoff “Fantastic Beasts and Where to Find Them,” due out in 2016, which is set to kick off an entirely new series set in the wonderful world of Harry Potter.

The film follows Newt Scamander, played by Eddie Redmayne (“The Theory of Everything”), a British wizard who arrives in 1920’s New York for a meeting with the Magical Congress for the United States of America.

Scamander carries around a briefcase filled with magical and dangerous creatures, and the story begins when the creatures are set free, threatening relations between the American wizards and the “no-maj” citizens (as muggles are called in America).

“Fantastic Beasts and Where to Find Them” is a common textbook in the Harry Potter universe. Scamander is the author, detailing the qualities of creatures in the wizarding world, and future films will explain how he became so knowledgeable.

After the box office failures that Warner Brothers faced with “Pan” and “Entourage” this year, the studio is really hoping for a 2016 homerun.

With the love that fans have for the Harry Potter series, allowing them to dive back into the universe once more should benefit Warner Brothers greatly.

Rowling is also coming out with a play titled “Harry Potter and the Cursed Child,” which premiers in London July of 2016 and is called “The eighth Harry Potter story.”

The play takes place over two parts meant to be watched in the same day, and it follows Harry Potter, now an overworked Ministry of Magic employee, and his son Albus Potter, who struggles with the weight of being Harry’s son.

As of right now, the only confirmed showing is in London, but with a subtitle like “the eighth Harry Potter story,” the play is bound to come to a theater near you eventually.

Fans can keep up with all the latest Harry Potter news on Pottermore. Rowling is also active on Twitter, where she loves answering Harry Potter questions.

“Fantastic Beasts and Where to Find Them” will be released in November of 2016.

Humans of Western

By: Megan Clark
Campus Life Editor

Corinne Garrett, Sophomore, Undecided

“I went on this ten week bike trip across the United State this summer. It started in Pacific City, Oregon […] and we biked to Yorktown, Virginia […] It was awesome, we met so many great people, and I actually fell in love with my boyfriend on that trip.”

“We met so many great people, they welcomed us into their homes, let us stay with them if they saw us. We never knew where we were going to stay, or what we were going to do when we got into a town […] I just felt so, like, loved and taken care of. We never had to worry about anything.”

Pacific Northwest poet visits campus

PoetColor

By: Rachael Jackson 
Staff Writer

Christopher DeWeese, Assistant Professor of Poetry at Wright State University in Dayton, Ohio, visited campus Thursday, Nov. 19 at 4:30 p.m. in Hamersly Library 107.

He read genre-bending poetry sure to evoke curiosity from those that attended.

DeWeese originally hails from Port Townsend, Washington, but he has spent the better part of this last decade teaching and working on his poetry all over the country.

Professor of Literature and Writing Dr. Henry Hughes said in an email to students that DeWeese is, “Influenced by Russian literature and space travel, and he reads like a meteor shower.”

His poetry is reminiscent of Transcendentalism, a mid-19th century American movement which focused on the interconnectivity of nature and man, with a modern twist that delves into the realm of science fiction.

DeWeese’s poem “The Happy Cloud” with accompanying author’s reading can be found on publisher Jubliat’s website.

Reading DeWeese’s poetry and hearing it are two wholly different experiences, through which different meanings can be gathered.

At first, “The Happy Cloud” may seem like a poem about the separate state of humans and nature, portraying humankind as being in constant battle against Mother Nature.

Hearing him read it also evokes dark worries of humanity’s place in the world, and, on a smaller scale, the individual’s personal struggles and worldview.

DeWeese’s writing shows the ability of poetry to cross genres just as prose often does. Even for seasoned poetry lovers, this poetry promises something unexpected and modern.

His poetry fulfills a niche that many may be interested in exploring.