Mount Hood

ACP individual award winners

By: Katrina Penaflor
Managing Editor

The Associated Collegiate Press (ACP) announced the winners for the national Pacemaker and Individual Awards at the National College Media Convention in Austin, Texas, Oct. 31, 2015.

According to the organization’s website, ACP “promotes the standards and ethics of good journalism as accepted and practiced by print, broadcast and electronic media in the United States.”

The Journal’s Editor-in-Chief, Conner Williams, was nominated for the individual awards under the “Story of the Year” category.

Sections in the category included “News,” “Feature,” “Sports,” “Editorial/Opinion,” and “Diversity.”

Williams’ piece, “Up in smoke: The ethical dilemmas of a convenience store clerk” was a top ten finalist for “Editorial/Opinion,” receiving an honorable mention after the final judging.

Rhys Finch, student media advisor, said, “Regardless if a student receives first prize or an honorable mention, to be considered on the national level for your writing is exemplary. Honors such as these put not only the student in the national spotlight, but the campus publication as well.”

The top award for “Editorial/Opinion” went to Leah Johnson, from the Indiana Daily Student, for her piece titled “Color of conscience.”

Williams’ placement in his category puts him among the top ten writers in the country for editorial writing, an accomplishment that should not go unnoticed.

“I am incredibly proud to be advising Conner, who has proven himself to be a strong, and improving, writer as well as an ambitious Editor-in-Chief,” said Finch.

The Journal wishes Conner congratulations on his achievements in editorial writing.

ASWOU election

By: Katrina Penaflor 
Managing Editor

ASWOU recently held a special election to fill the vacant positions of Vice President, Senators, and Justice.

The initial voting threshold for the election to be legitimate is 10 percent student involvement (students casting votes), but for this election ASWOU was only able to get 5.6 percent participation.

The committee ultimately decided to accept the 5.6 percent student vote and not wait for it to reach 10 percent.

The final results elected Dean Wright Vice President with 233 votes.

Newly elected Vice President Wright, senior and elementary middle education major, said he is excited for his opportunity to serve students in this role. Wright went on to add, “I look forward to the work that ASWOU is going to accomplish this year, and I encourage any students interested in ASWOU to come to our office and talk with me.”

“ASWOU is very excited to have a Vice President as willing and excited to serve WOU students as Dean Wright is,” said Jenesa Ross, ASWOU Judicial Administrator and Elections Chair. “He has already started work and is working very hard to catch up on what has been happening the past six weeks,” she concluded.

Courtney Thomas, receiving 260 votes, was elected as the fourth Justice to the Judicial Board. Ross adds in her enthusiasm for what Thomas will bring to the table.

The final decisions for Senators are still awaiting approval for grades and judicial checks.

The Journal will update the information when the final Senators are announced.

A bike thief’s paradise

By: Alvin Wilson 
Staff Writer

In case you haven’t noticed, bikes are everywhere on campus. In front of almost every building, you can find dozens of bicycles awaiting their owner’s return.

But, for many Western students, the bikes aren’t always there when they get back.

According to data from the Monmouth Police Department (MPD), about 31 percent of bike thefts that they have responded to this year happened at Western, with even more occurring in the neighborhoods surrounding campus.

What is the first thing students do when their bikes are stolen?

“If someone has their bike stolen on campus, then they typically will call us first,” said Rebecca Chiles, director of Campus Public Safety.

But Campus Public Safety responds only to thefts that take place on campus.

“It has to have happened on campus for us to be involved at all, even if it’s a student who lives off campus,” Chiles said.

Students who report a bike theft on campus can have the MPD make an official report as well.

“We ask everyone who reports a crime if they want the MPD involved,” Chiles said. “Generally, people want an actual police report on it.”

Bike theft is a common occurrence on college campuses everywhere. According to the MPD, the average value of a stolen bike in Monmouth is $682. Bike thefts have cost the citizens of Monmouth more than $26,000 so far this year.

But there are simple ways to help reduce your risk of becoming a victim.

Buy a good lock

“Typically what we see is students parking their bikes and using a cable lock,” Chiles said. “Those are really easy to defeat.”

Cable locks are one of the most popular style of bike locks used. Unfortunately, they are also one of the easiest to cut with a pair of bolt cutters.

U-locks may be more expensive, but the added cost is definitely worth not having to buy a new bike.

“We suggest using a u-shaped lock made of hardened steel” Chiles said. “Really, you need to have a four-foot set of bolt cutters to cut those. You can defeat them, but typically people don’t carry that around.”

Lock your bike correctly

Christopher Lynch, Community Service Officer for the Monmouth Police Department, said, “One thing I’ve noticed around campus is that some people don’t lock their bikes to an object. They only lock the tire to the frame.”

Locking your bike up properly can make it extremely difficult for a thief to succeed in taking your bike.

“Using a u-lock in combination with a cable lock, or two u-locks to lock the tires and the frame is going to protect your bike the best,” Lynch said. “You need to lock both tires and the bike to a solid object if you really want it secure.”

Register your bike with CPS and MPD

“The best thing you can do is register your bike with the campus,” Officer Lynch said. “In addition to that, you can come to the police department to fill out our bicycle registration form.”

Students can register their bikes with both Campus Public Safety and the MPD. This helps both agencies find your stolen bicycle more easily and efficiently.

“You bring the bike here, we take a picture of it, get the serial number, and fix our own number on the bike,” Chiles said of the campus bicycle registration process. “It doesn’t keep it from being stolen, but it helps us track it.”

In addition to these risk-reducing tips, students should also be prepared to report any bike thefts they see or experience.

“If people don’t report them stolen, then there’s nothing for us to go on,” Lynch said. “If we don’t get the reports, it just makes our job that much harder because we can’t catch the people doing it.”

The next time you lock your bike up on campus, keep these tips in mind and remember: your bike is worth more than that $20 lock.

WOU Theatre Presents: “Book of Days”

By: Darien Campo
Staff Writer

Western Theatre students take the stage for the first time, wandering around the boards to familiarize themselves with their new set in preparation for their upcoming production.

Still under construction, the unpainted steps are watched over by a shuttered backdrop depicting a wide-open Missouri countryside.

With only ten days left to rehearse, these actors are buckling down to prepare for the opening night of Western Oregon Theatre’s fall show “Book of Days.”

David Janoviak is directing the show, written by Lanford Wilson, which takes place in Dublin, Missouri (pronounced “Mis-sur-ah” by the characters.)

“It is about a small town, that is centered around a cheese-plant,” said Janelle Davis, a fourth year Theatre major in the BFA Acting program. “And when the owner passes away, there is suspicion on what happened, and how it happened. […] It’s definitely a murder mystery.”

The show features a wide cast of unique characters, all with different, complicated relationships with one another. “It’s one of those small towns where everyone knows each other,” said Belladina Starr, senior BFA Theatre major, “and everybody goes to church, and there’s lots of hearsay.”

Growing up in a small town myself, it was interesting to recognize the types of people I’ve known in real life make an appearance onstage before me.

Starr continued, “There’s this idea that everyone in the town knows what’s going on and they all […] put up a front of being good people, but then […] you see the darker sides of these people.”

“It’s definitely a drama,” Davis said, “There [are] some comedic moments, but it’s definitely a drama.”
The actors have been working on this show since the first week of school, with auditions taking place the very first day of fall term.

They’ve been working hard, and even though this was their first night on the set, their effort shines through. “People have been getting lots of stuff done,” Starr said. “The first run [we all] had lines fully down […] people have developed their characters very early on […] this cast has really come together.”

Though the show is not a musical, it does feature plenty of singing from the cast, with many different church hymns sung throughout the show.

“Book of Days” premieres Thursday, Nov. 12, 2015 and will run through Saturday, Nov. 21, 2015.

Admission prices are $7 for students with ID, $10 for seniors, and $12 general admission. Tickets can be purchased at the Rice Auditorium box office, or by calling the box office phone number at 503-838-8462.

The Smashing Pumpkins’ “Mellon Collie and the Infinite Sadness” Turns 20

By: Declan Hertel 
Entertainment Editor

Being a teenager is hard. You have a newfound independence and no idea what to do with it, your body changes in strange and unsettling ways, your emotions are beginning to acutely develop before you know how to handle them, and all the authority figures in your life tell you that none of your devastating, all-consuming problems really matter.

No one wants to hear you when you need most to be heard.

When The Smashing Pumpkins released “Mellon Collie and the Infinite Sadness” in 1995, a generation of teenagers finally found something that understood and acknowledged their plight in Billy Corgan’s sprawling double album.

It’s an album that, throughout the course of 28 tracks and just over two hours of run time, explores every difficulty of adolescence. It moves through expressions of blind rage, undying love, being hopelessly lost, and the occasional moments of clarity.

I was introduced to this album relatively recently by a good friend, during one of our many conversations about music.

He was surprised I hadn’t heard of it: an angsty, experimental, prog-influenced, concept double album? Right up my alley. I purchased it and set to listening to it immediately. It was exactly as ‘me’ as he had said, even more so as it had appeared at a particularly emotionally tumultuous time for me.

This is definitely a work for the emotionally vulnerable, but also those who once were. A song like the stellar lead single “1979” expresses to me unsureness about times just past and what they mean for my future, but for someone older it could just as easily be a reminder of that teenage “lostness” they once saw.

A nihilistic burn-it-down song like “Zero” plays to teenagers as relating directly to their experience, while an adult will hear it and shake their head at “those poor kids.” “Mellon Collie” as an album has a sort of timelessness for anyone who was ever lost and confused and angry.

I feel that “Infinite Sadness” will be a record that stays with me over time, as it has been for those who were there when it appeared.

It is a work of art that perfectly encapsulates the experience of adolescence. While I listen to it now with all the attitudes of my overlong angsty-teenager period, maybe when I finally grow up I’ll hear it with my old ears and understand something about the turmoil of youth that you can’t see while young.

Superglued to the screen: “Goodnight Mommy” terrifies

By: Declan Hertel
 Entertainment Editor

I’m going to start right off the bat by saying I am going to try really hard to not spoil anything about “Goodnight Mommy,” a fantastic piece of psychological horror out of Austria.

Please, do not look up anything about this movie before seeing it. Here is all you need to know: the mother of twin boys comes home with a bandaged face and distant demeanor after an operation, and the boys develop doubts over if she really is their mother.

It is really, really good and you should seek it out as soon as possible.

There’s no obvious place to start talking about the movie, so I guess I’ll start with the fact that it is supremely unsettling. I’d be hard pressed to think of a movie I felt more physically uncomfortable watching.

As the film rolled on down the tracks with near-perfect pacing, I was squirming more and more. There is nothing rushed during “Goodnight Mommy” (“Ich Seh Ich Seh,” or “I See I See” in the original German); every moment is long and slow and savage in its stark delivery, and I was unable to look away.

Directors Severin Fiala and Veronika Franz use lighting masterfully throughout “Goodnight Mommy,” as evidenced by the film’s tone growing darker as the images on the screen grow lighter, a reversal of the normal strategy in horror.

Just as good is the usage of sound: the movie contains little dialogue and is mostly scored by ambient noise, but the heavy silence is occasionally punctuated by low rumblings and spikes in volume that are as unnerving as anything I’ve seen in a movie.

Child actors in horror movies are near-universally reviled, so I was very glad to see that Lukas and Elias Schwarz, as the twins, deliver excellent, wonderfully restrained performances. Susanne Wuest also turns in a spectacular performance as their mother (or is she?). The interplay between Wuest and the Schwarz boys is impeccable.

I wish I could say more than that, but anything beyond “they’re just so great” would ruin a great deal of the film.

One final note: yes, it is a foreign film and all the actors speak German. That said, there is very little dialogue in the movie, so subtitles are minimal, and it’s a really great movie. If you can handle a small amount of reading over the course of a tight, tense 100 minutes (which you can), you really ought to expose yourself to the magic of foreign cinema. But if subtitles truly are enough to keep you from enjoying a really great movie, there’s no hope for you anyway.

A great piece of psychological horror seems rare in this time of “Paranormal Activity” and its knockoffs saturating the horror market, but in “Goodnight Mommy,” we find a slice of salvation.

It’s disturbing in a big way, and will stick with you for a long time after the credits roll. Seek it out and spend an evening in glorious terror.

4 out of 4 Paws

Freak Out for “Fallout 4”

By: Jenna Beresheim 
News Editor

“Fallout” fans are rejoicing as the long-awaited continuation of a story sets into motion, with the official release date for “Fallout 4” fast approaching on November 10, 2015.

This will be the fifth installment in the series by the ever-popular production company Bethesda. The game developer is known for their work with “Fallout 3,” “Fallout Shelter,” and the “Elder Scrolls” series.

One bad thing Bethesda has been known for is their rush to publish games before all of the bugs, glitches, and patches have been dealt with. Their products have garnered backlash from the gaming community before, but that has yet to stop people from playing their games, apparently.

“Fallout 4” will be no different, with the hype extending to real-world consumables. Bethesda has announced that they will be producing a Nuka Cola Quantum by Jones Soda, soon to be available at Target, as well as a “Fallout” Beer, which will only be available in Europe.

But there is already a split between the fans. While this new game boasts stunning graphics, a vast expanse of dialogue options, and all along new features guaranteed to satisfy, fans are still apprehensive.

Over the past week, screenshots, clips, and more information have steadily been leaked into gaming forums and communities. But the response has not been a positive one. Gamers claim that the graphics are lacking and textures appear flat.

The game takes place in Boston, Massachusetts 200 years after a nuclear war between the US and China, known as the Great War. The player is the sole survivor from vault 111 and must make their way out into the wild as done in previous “Fallout” games.

A few new features for fans to look forward to include the ability to build settlements and buildings, sending a brahmin, a mutated type of cattle, between their settlements, and one of the biggest pieces of news is that there is no level cap.

Bethesda also boasts that skill building will now be more of a tree system, weapons will be fully customizable, and that the player can continue their story well after the main quest line “ends.”

Between all of these options, it’s understandable that a game may lack in the graphics department from the start.

The producers are focusing more on the gameplay and interactions of characters, as well as the growth of the player’s personal character—this more so than keeping up with the quickly evolving gaming systems it is being made for.

Expect to see “Fallout” madness in stores soon, along with “Fallout” products in Target stores, but as per usual, I have complete faith in Bethesda pulling through, even if it takes a few post-release patches.

Personally, I’m just happy that the dog companion will never perish during a risky quest again.